10154462
  • 毛线
    2023/5/15 8:43:42
    看到豆瓣评分都打1分,就知道这是好片!

    如题,在豆瓣上有一个现象,只要是表现民族精神,讲爱国精神的电影,电视剧,一律给你超级差评。而理由仅仅是因为他是讲团结,增进民族凝聚力的!

    希望本条评论,能让通过看评论来决定是否看剧的朋友看到,从而改观,互联网不能让这些打1分的机器人带节奏!

    大家能明显的看到,很多打1分的评论,并不是说这部剧拍的如何,情节如何,演员的演绎如何,直接跟你说这是爱国神剧,就给你1分差评

    如题,在豆瓣上有一个现象,只要是表现民族精神,讲爱国精神的电影,电视剧,一律给你超级差评。而理由仅仅是因为他是讲团结,增进民族凝聚力的!

    希望本条评论,能让通过看评论来决定是否看剧的朋友看到,从而改观,互联网不能让这些打1分的机器人带节奏!

    大家能明显的看到,很多打1分的评论,并不是说这部剧拍的如何,情节如何,演员的演绎如何,直接跟你说这是爱国神剧,就给你1分差评

    【详细】
  • 15173202
  • 没有昵称
    2020/12/9 22:37:42
    扑街吧,给乱拍历史剧的人,一点教训

    哪里像历史剧。羽翼未丰的吕不韦,威胁当朝太后,华阳夫人居然没有赐死;赢係大张旗鼓去杀害兄弟(醉了),失败后自己流放,师傅被赐死。回来后居然没有半句怨言,对曾经的敌人,忠心耿耿????……太多槽点,吐槽不尽。

    因此建议,口碑收视双双扑街,??给乱拍历史剧的人一些教训。省得以为我们观众都是傻白甜,没品位????

    哪里像历史剧。羽翼未丰的吕不韦,威胁当朝太后,华阳夫人居然没有赐死;赢係大张旗鼓去杀害兄弟(醉了),失败后自己流放,师傅被赐死。回来后居然没有半句怨言,对曾经的敌人,忠心耿耿????……太多槽点,吐槽不尽。

    因此建议,口碑收视双双扑街,??给乱拍历史剧的人一些教训。省得以为我们观众都是傻白甜,没品位????

    【详细】
    13044167
  • springwaltz
    2016/12/13 11:24:16
    照亮爱徒的一盏明灯
    学韩语的时候,记住的第一个单词就是“???”——老师。在我们磕磕绊绊地成长中,如果有名师关心和指点,那是一件多么幸福的事情。
    “横跨三科、手术成功率97%、被誉为神之手”的金师傅,愤怒失望中扔掉巨大医院的帽子,隐居在偏僻简陋的石坦医院。他不顾自己火中救人、他给瑞静做手术的认真、他与姜东柱的争执、他对闯入手术室男人妻女的温柔、他给毛头小子缝合伤口时的傲娇……所有这些,都不及他看到都仁范的手术,
    学韩语的时候,记住的第一个单词就是“???”——老师。在我们磕磕绊绊地成长中,如果有名师关心和指点,那是一件多么幸福的事情。
    “横跨三科、手术成功率97%、被誉为神之手”的金师傅,愤怒失望中扔掉巨大医院的帽子,隐居在偏僻简陋的石坦医院。他不顾自己火中救人、他给瑞静做手术的认真、他与姜东柱的争执、他对闯入手术室男人妻女的温柔、他给毛头小子缝合伤口时的傲娇……所有这些,都不及他看到都仁范的手术,把他留在石坦医院时,所带给我的浪漫与震撼。
    俗话说:“千里马常有而伯乐不常有”。金师傅惜才、爱才的那份心境,在这一刻,用一种强烈却看似不经意地方式展示在大家面前。这个时候的金师傅,早已经摒弃了那些所谓的恩怨世俗,在他眼里的,不是什么仇人、敌人的儿子,在他眼里,只有一双专注于手术的眼睛,只有一个对自己手术了如指掌的外科医生,只有一双干净的、可以培养出无限可能的医生的手。所以,当他摸着下巴凝视这两个“闯祸”的孩子,心中一边盘算怎么把他留下,一边已经因为爱徒乐开了花吧。
     “你儿子,让他来这”面对被激怒的都院长,金师傅调侃的表情,好像跳出戏外的观众,笑看台上演员滑稽的表演。“我会好好培养他的”在都院长眼中的威胁,其实正是金师傅心中真正的呐喊。
    14年来,金师傅守着连接数条高速公路的石坦医院,住在急诊室里,恪守“把人救活”、“做病人最需要的医生”的为人准则,用他精湛的医术救活了一条又一条生命,带动感染着院长、护士长、南医生以及石坦医院的每一个人。即便这样,在触动了利益链条的时候,还是会遭受无情地打压。金师傅能够镇定地抗住暴力威胁,也不得不面对督查放下紧握的拳头。有时候不是我们世俗,而是世俗不断地拉拢我们,像漩涡一样把我们卷进去,必须用世俗的规则来解决我们真正想要做的事情。
    人生少走弯路的方式之一是有个好老师,与老师朝夕相处,在学习和工作间得到和世俗不一样的气息,认真、正直、优雅、果敢的性格也会同时慢慢滋生出来,很多智慧和见解是在教育的课堂上和书本中,难以如此生动和有趣地看见的。
    相信这些年轻的医生们跟金师傅在一起,慢慢地就会有了格调,有了像金师傅一样不平庸的眼睛。金师傅像一盏明灯,无声无息地照亮爱徒们,让他们的手术成为一个又一个经典,而不是再过几年,他们还在说:“要么生为院长的儿子,要么搭上一个VIP”。
    【详细】
    8225981
  • 水之南
    2012/2/11 4:40:44
    长短句
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人的,而不是像托子那样不可知,也不显现。

    我要说,洛克的托子的作用是保证物的个体化与同一性。这个作用在康德那儿,似乎是由物自体和先验范畴共同完成。先验范畴组织现象,在使意识对现象的认识成为可能的同时,也使同一的意识本身成为可能——对先验对象的构成即对自我的构成。而物自体在这个过程中究竟如何起作用,不详。康德的物自体与洛克的托子一样,是个让理论显得尴尬,却又不得不进行的假设。

    尽管康德反复说现象中的实体不是洛克的托子,但这个实体究竟是什么,他又语焉不详。出于他对牛顿力学的接受,有人尝试将其理解为牛顿意义上的质量。我论证过,这样的解读将面临一个两难困境:如果实体是个体化了的质量,时间便不是惟一的;如果实体是现象世界中的总质量,基于二律背反的理由——这个总体无法成为经验对象——我们便无法经验到它。(详细论述见篇末附录)

    若是跳出康德阐释,取前一个困境:时间不是惟一的,每个作为现象的物都意味着一个独立的时间体系,我们就科幻了:空间中的一个一个的物,奠基着意识中的一个又一个时间系,我们可以生活在不同的时空中,当我们经验不同的物。甚至,对应地说,我们总在成为另一个人,当我们来到不同的时空。

    于是,我情愿把亨利的生活看作对康德的一次失败却有趣的解读。与其说他是一位时间旅行者,一位不停地穿越时空的超人或可怜人,不如说,他的意识中并没有一个绝对惟一的时间,他所来到并离开的每一个时空,都是一个独立自在的世界,尽管这些世界看上去很像,但哪个都不依赖于另一个——从理念的意义上说。


    二、沉默,或消失


    影片的前半部分,亨利的突然消失被解释为一种不治的遗传疾病。没有理由地,他时不时就去了另一个时空,赤身裸体地寻找可以穿上的衣服。仿佛常人来到一个新的环境,总是迫不及待地寻找一个身份,穿到自己身上。
    亨利总会在一个无从预料的时刻消失,克莱尔生活在一个不确定的世界中。她的爱情是确定的,但她爱的人不确定地存在着。她的生活中弥漫着不确定性,而这恰好让她格外珍惜亨利在她身边的每一分钟。

    克莱尔一次次怀孕又一次次流产,因为胎儿也有穿越症,莫名其妙地,便在某个时刻,出离了子宫。但克莱尔最后一次怀孕时,对亨利说,你每次消失都是因为感觉到了压力。所以,从现在开始,我要保持绝对地平静,这样胎儿就可以顺利出生了。
    看到这里,我恍然大悟,原来亨利的穿越症是个隐喻,关于男人的隐喻:面对压力,便会沉默与回避,这不正是男人的本能反应么——而这在女人看来,仿佛爱人去了另一个时空,不知何时才能回来,甚至,会不会回来。

    我查了查,电影改编自一位女造型艺术家的首部小说,写于一段失败的恋情之后。原来如此。

    很多年前听到过一个说法:爱情,对男人来说,是挂在墙上的一幅画,你并不总是去看它;但对女人来说,则是房间里音乐,你想不听都不行。所以,男人需要时不时地呆在纯然属于自我的世界里,在沉默中成为自己。女人却要认为这是对她的疏远、对亲密的疏离,并因此而坐立不安,想方设法闯进那份铁一般的沉默。结果,要么把自己撞疼,要么把爱情撞碎。
    这是对小儿女情态的描述。若成年点,便会更同情于另一个说法:人生在世,无非是男人讨慰藉,女人讨生活。人并不总是需要慰藉,尤其在得意之时。人却总在生活,就算你不想。


    三、看着,却无法改变


    在一次穿越中,亨利来到母亲身边,在地铁里,母亲在看报,他们作为陌生人简短却亲切的交谈了一会儿。亨利告诉母亲,他要结婚了,这个女孩让他感到安全。
    克莱尔问他:你什么不去阻止那场车祸,既然你可以回到车祸发生之前。“我无法阻止。无数次我回到过去,回到母亲还在的时候,但每次我都无法改变发生着的一切。”——这话让人特别难过。我们并不能改变过去,就像不能重新雕刻一座已然完成的塑像。

    不是么?很多时候,我们从自己当下的境遇中抽身而出,试图站在一个更开阔的角度,超脱地看现在的纠结、焦虑,或苦闷,并自嘲这些都没什么的。但当你身在当下,你知道未来的自己就坐在对面,笑着,看着自己,慈悲地。但你还是无法因此脱身而出。你仍然只能呆在你当下的处境中,无论是过分的快乐,还是仿佛无法挣脱的哀伤。

    每一个时刻都是三维的,它包含着过去、现在,和未来这三个维度。我们在回忆中编辑时间,编辑自己,有意无意地遗忘一些,并把另一些反复摩挲。过往明明灭灭,像晴天里,随风晃动的百叶窗投在墙上的影子。每次回忆之后,我们都成为另一个人。
    未来也是。未来无数次作为想象呈现于当下,各式各样地,仿佛清晰的回忆。回忆与憧憬,如同天平的两臂,对称着,平衡着,在现在这个支点上。所以,现在这个时刻,最重。


    四、期限


    有天聚会时,亨利中枪后痛苦挣扎的裸体突然出现在他们的门厅里。又消失了。克莱尔说,我从没见过四十岁之后的你。我见过的你总是很年轻。从这个时候起,死亡就成了他们中的另一个在场者,尽管它总是沉默着。

    亨利穿越到未来,遇见了自己的已经十岁的女儿。女儿告诉他,他死于自己五岁那年。她们一直很想念他。那时他们的女儿还没出生。那时克莱尔还一如既往地希望与亨利白头偕老,就像她还没长大时那样,就像她长大之后第一次遇到亨利时那样,就像亨利死后,她仍然留着亨利所有的衣服,等着亨利回来那样。

    于她而言,亨利是不会死的。他无非是走远了一下子回不来,他无非是在时空中迷了路,找不到一件让他温暖的衣服。

    女儿五岁那年,亨利和克莱尔都已知道,亨利即将死去,中弹而死。期限降至,可能在任何一天,任何一个时刻。在它到来之前,所有相聚的时光都是铭刻,都是用最日常的方式来进行的一次祭奠,一次追忆。当这个期限还不确定,他们相爱着,仿佛一对最平凡的恋人;当这个期限已然确定,他们相爱着,装作不知道他们即将分离。

    一个期限并不见得让期限到来之前的一切都显得美好。但,美好的东西都有一个期限。确定的期限,或不确定的期限。你不能试图挽留,那会犹如握紧手中的细沙,握得越紧,便流失得越快,宛如时间,从指缝间悄然流走。
    这个期限是否到来,何时到来,都不是你能选择的。你能做的,仅仅是在它到来之前的每一刻,不让自己在未来后悔——克莱尔明白这些,并且,她做到了。

    而,这不正是人生么。


    ——————
    附录:On Understanding Substance as Mass

    Introduction

    In the First Analogy of Experience, Kant argues that there must be some permanently persistent substance in the appearances which represents the persistence of time. Given Kant’s endorsement of Newtonian physics, commentators such as Eric Watkins suggest that such permanently persistent substance can be understood as Newtonian mass. In this paper, however, I argue that we face a dilemma when we try to cash out the notion of substance in terms of Newtonian mass.
    The paper proceeds in three steps. In the first section, I present the reason why there needs to be a permanently persistent substance in the appearances, and discuss why it seems to be compelling to conceive of the permanently persistent substance as Newtonian Mass. Then, in the second section, I argue that there are (only) two ways of conceiving of the permanently persistent substance as Newtonian mass, namely, to conceive of substance as individuated mass and to conceive of substance as the sum total of mass in the world of appearances. I show that there are textual indications as well as philosophical reasons to support each option. In the third section, however, I argue that both ways suffer from inescapable problems. Thus, conceiving of the permanently persistent substance in terms of Newtonian mass is not viable.

        
    Section I. The Permanently Persistent Substance

    In this section, I shall first present the reason why Kant thinks that there must be a permanently persistent substance in the appearances. I then discuss why it is compelling to conceive of such substance as Newtonian mass.
    In the chapter “System of all principles of pure understanding,” Kant discusses what makes possible the applications of the categories, i.e. the pure concepts of understanding, to objects, i.e. appearances that are given to sensible intuitions. That is, he discusses what it is that makes the categories have objective validity. Kant’s claim is that the applications of the categories are only possible under certain conditions, and these conditions are spelled out by the principles. For instance, the applications of the relational categories (substance-accidents, cause and effect, and mutual interactions) are possible if they are applied to objects according to the principles of Analogies of Experience. In addition to the three specific principles that correspond to each of the three relational categories, Kant also provides a general principle overarching all three Analogies. The general principle is stated in the second edition as follows: “Experience is possible only through the representations of a necessary connection of perceptions” (B 218). Watkins provides a helpful interpretation of this general principle:
    “The general idea is that each of the three relational categories represents a necessary connection that is required for experience of a single time and of objects existing and being temporally related to each other within a single time to be possible.” (My emphasis)
    Since this paper is focused on the notion of substance in the first Analogy, I shall ignore the second and third Analogies. So I now turn to a close examination of the first Analogy.
    The first Analogy, i.e. the principle of the persistence of substance, is stated in the second edition as follows: “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) Watkins summarizes Kant’s argument for the first Analogy as follows (which I take to be a correct interpretation):
    Premise 1: Appearances, i.e. objects of experience, are made possible by time’s persistence.
    Premise 2: We do not perceive time itself.
    Therefore, In order to have experience of appearances, there must be some permanent substance in the appearances which can represent time or time’s persistence.
    While the appearances, as the objects given to our intuitions, are changing, the substance in appearances always stays the same and is permanent. So, Kant calls the permanent substance “the substratum of everything real” (B 225). But, some clarifications about Kant’s use of the term “substratum” are needed to prevent potential confusions. Substratum in Kant’s text does not mean what Locke uses this term to mean, namely, the bearer of properties which is unchanging and about which we can have no knowledge. For, according to Locke, we can only know what is given to our senses, but since the underlying substratum cannot be given to our senses, we have no access to it and therefore cannot know it.
    Kant, by constrast, does not think that there is any Lockean substratum in the world of appearances. For Kant, the fact that the states of the substance are changing and the substance stays the same does not mean the states are separable from the substance. Rather, the changing states of the substance are simply the ways in which the substance is given to us. Thus, we can know the substance, that is, we know the substance through its states. In order to avoid the Lockean implication of the term “substratum,” I shall only use “substance” to refer to the permanently persistent thing in the appearances despite Kant’s own use of “substratum” to talk about what is permanent in the appearances.
    Since I have argued that Kant’s notion of substance is not the Lockean substratum, then what is the Kantian notion of substance? We need a positive account of what the substance is. It is obvious that such a permanently persistent thing cannot be captured by ordinary physical objects, no matter whether they are natural objects (say, rocks) or artifacts (say, ships), for neither artifacts nor natural objects always stay the same such that in principle they can never suffer changes. So, it seems no ordinarily construed physical things can be qualified as substance that is permanently persistent. On the other hand, it is very hard to imagine that anything non-physical could play the role the substance is supposed to play. For it is hard to imagine how a non-physical being could be given to our sensible intuition or could be spatiotemporally organized by our a priori intuitions. So, it is unlikely that Kant means something non-physical by “substance.” Thus, there are two constraints on spelling out what substance is. First, it is something physical. Second, as I have shown, the physical being that can be understood as substance cannot be ordinarily individuated physical things such as planet or rock.
    In order to meet the above two conditions, Watkins suggests that, given Kant’s commitment to Newtonian science, it is likely that Kant has Newtonian mass in mind when he talks about the substance, since no matter how a physical object changes, its mass always stays the same. Since Newtonian mass is physical and is not an ordinarily individuated object, it seems quite compelling that the substance, which is permanently persistent, just is Newtonian mass. According to common sense, Newtonian mass is understood to be underlying objects such that we cannot directly perceive mass but can only perceive mass through the way it is given to our intuition, namely, through the perception of the objects that have mass. Thus, mass is neither unknowable nor directly perceivable, which seems to fit the description of the substance perfectly.
    Moreover, there are many textual indications that suggest the identification of substance with mass. Let me note two examples. First, recall the general principle overarching the three specific Analogies, namely, “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) It seems that “quantum” is most naturally to be understood as mass, for mass seems to be the only thing in nature that is neither increased nor diminished on Newtonian physics.
    The other indication is Kant’s example to illustrate his claim that “he <a philosopher> thus assumed that as incontrovertible that even in fire the matter (substance) never disappears but rather only suffers an alteration in its form.” (B 288, my emphasis):
    “A philosopher was asked: How much does the smoke weigh? He replied: If you take away from the weight of the wood that was burnt the weight of the ashes that are left over, you will have the weight of the smoke.” (B 288)
    We can see that here Kant explicitly identifies substance with matter. And it is quite plausible to think that “matter” is just another way of saying “mass”. That is, “mass” seems to be the theoretical analog of the term “matter.” This hypothesis is supported by the example of the weight of smoke. For, in the example, the way to calculate the weight of smoke just is to calculate the mass (multiplies the gravitational constant).
    However, despite the compelling reasons for the identification of substance with mass, in the next sections, I shall argue that the substance cannot be understood as Newtonian mass, for when we try to work out the details of understanding the substance as mass, we face an unavoidable dilemma.


    Section II. Some Mass or the Sum Total of Mass

    In this section, I shall argue that there are two ways of conceiving of substance as Newtonian mass, and then show that both ways have some support from the text and are to some extent philosophically plausible. So, both ways deserve detailed considerations. But, in the next section, I shall argue that both ways face insurmountable problems.
    In identifying substance with mass, we need to settle an ambiguity: Is the mass meant to be some mass, say the mass of a rock which is 7 kilograms (a randomly chosen weight), or to be the sum total of mass in the world of appearances which is a very large but nonetheless definite amount? Since both some mass and the sum total of mass are permanently persistent, we cannot tell which way of identifying is more plausible with respect to the permanent persistence of substance. So, we must appeal to some other philosophically and/or textually interesting points to ground a preference in choosing one over the other.
    Let us first consider identifying the substance with some or individuated mass. First, the first Analogy is the principle according to which the relational category substance-accident is to be applied. Kant defines accidents to be “the determinations of a substance that are nothing other than particular ways for it to exist.”(B 229) Many commentators interpret the relation to be between object and its properties or states. Thus it makes more sense to think that the mass, which is the underlying bearer of properties, is the individuated mass of some object, instead of the sum total of mass in the world of appearances. For instance, in the example of the weight of smoke, Kant seems to conceive of substance as the matter, i.e. mass, of an individual object. Moreover, if we conceive of substance as the sum total of mass in the world of appearances, it is very hard to imagine how substance can be the bearer of properties or what kind of properties of which substance is the bearer.
    One might argue that, on the interpretation according to which substance is the sum total of mass, even though we could imagine no properties of which substance is the bearer, we can still conceive of substance as the bearer of (changing) states, i.e. the successive states of the world of appearances. I reply that Kant cannot accept such an idea because the states of the world are not objects of possible experience, for it is at least empirically true that no one could have the whole world of appearances as his object of experience. I will return to this point later on in the paper and use it to argue that conceiving of substance as the sum total of mass is untenable given Kant’s theoretic commitments.
    The above discussion is about reasons to prefer the identification of substance with some mass. I now turn to the reasons to prefer the identifications of substance with the sum total of mass. There are some textual evidences in the first Analogy that suggest this latter identification. For instance, the following passage:
    “…here the issue is only appearances in the field of experience, the unity of which would never be possible if we were to allow new things (as far as their substance is concerned) to arise. For then everything would disappear that alone can represent the unity of time, namely the identity of the substratum in which alone all change has its thoroughgoing unity. This persistence is therefore nothing more than the way in which we represent the existence of things (in appearances).” (B 229/A186, my emphasis)
    In this passage, Kant seems to identify the permanent persistent substance that represents the persistence of time with the unity of appearances, which seems to be the sum total of mass in the whole world of appearances. Let me argue for my understanding of this passage that it indicates that Kant identifies substance with the sum total of mass. I shall argue by reductio: Suppose Kant identified substance with individuated mass in the above passage. Then, it would make no sense to think that the arising of new substance could make the representation of the unity of time impossible. For the arising of new substance in no sense affects the substance, i.e. the mass, of the original objects. Let me use an example to illustrate. Suppose there is a rock whose mass is 7 kilograms and there arises a new object out of nothing, whose mass is 5 kilograms. Insofar as the rock’s mass remains the same, whether or not there are new masses arising out of nothing does not affect the unity of the rock’s mass, which is 7 kilograms. Therefore, in this passage, Kant conceives of substance as the sum total of mass in the whole world of appearances.
    So far I have shown that there are compelling reasons to identify substance with some mass or with the sum total of mass respectively. In the next section, I shall argue that there are also devastating reasons to each identification such that either way we go, we face unsolvable problems.


    Section III. One Single Time and the Limit of Possible Experience

    I now turn to the problems from which the each identification suffers. In this section, I shall argue that these problems make both identifications untenable. Let us first consider the identification of substance with individuated mass (i.e. some mass). I argue that the reason why individuated mass cannot be identified with substance is that individuated mass cannot represent the oneness of time. Recall Kant’s argument for the principle of the first Analogy: in order to have experiences of objects as temporal, we must identify a permanently persistent substance that can represent time in objects. While the states of the substance change, the substance persists so that the substance can represent time that persists. It is important to notice that time, which is supposed to be represented by substance in appearances, is one single time. But, individuated mass cannot represent one single time. For there are many individuated masses, for instance, the mass of a rock which is 7 kilograms, the mass of a cup which is 0.5 kilogram, and the mass of a table which is 3 kilograms, each of which is permanently persistent and undergoes changes. If one of them can represent time, any other also can. In that case, we do not have one single time. Rather, we have many times or time-series, each of which is persistent.
    Let me explain in details why multiply individuated masses cannot represent on single time. If these individuated masses can represent one single time, there must be some one single thing that is shared by these individuated masses that serves to represent the singularity of time. Whatever this shared thing is, it is not any of these individuated masses. Therefore, individuated mass cannot present one single time. However, on the other hand, time has be to singular. Here is a passage in the first Analogy which explains why time has to be one single time rather than a plurality of times:
    “Substances (in appearances) are the substrata of all time-determinations. The arising of some of them and the perishing of others would itself remove the sole condition of the empirical unity of time, and the appearances would then be related to two different times, in which existence flowed side by side, which is absurd. For there is only one time, in which all different times must not be placed simultaneously but only one after another.” (B 232/A189)
    One might argue that it does not matter how many individuated masses can represent time, it only matters that there is an individuated mass that represents time. Insofar as there is such a substance, which is permanently persistent, it suffices to represent one single time. I reply that, in that case, we still do not know which individuated mass is suppose to be the representer of the one single time in appearances. For there is not reason to think that the mass of one object is more suitable to represent time than the mass of another object is, insofar as both of the individuated masses are permanently persistent. Any choice of one over the other is arbitrary. But the unity or singularity of time is not arbitrary, for there can only be one time-series which persists, and any other time-series or temporal relations are just temporal parts of this unique time-series. Thus, I conclude that individuated mass cannot be the representer of time in appearances.
    I now turn to argue that the sum total of mass cannot represent time either. The idea of my argument is to make use of Kant’s solution to the Antinomies to show that the permanently persistent substance that represents time in the appearances cannot be the sum total of mass because the sum total of mass is not an object of possible experience. Let me lay out my argument in detail.
    In “The Antinomy of Pure Reason” chapter, Kant presents four pairs of arguments concerning four cosmological ideas about the world-whole, namely, whether there is a beginning of time, whether there is indivisibly simple substance, whether there is a first cause, and whether there is a necessary existent. As Allen W. Wood argues, the four antinomies share a general form, namely, the thesis of each antinomy claims that there must be a first member of the conditioning-conditioned chain, while the antithesis of each antinomy claims that there is no first member of such a chain and that the chain goes back into infinity. Kant argues that there are valid arguments for each of the four theses as well as valid arguments for each of the four antitheses, so we need a solution to such contradictions.
    Kant’s solution to the contradictions, as Wood argues, relies on his doctrine of transcendental idealism. As for the first two antinomies, Wood argues
    The mathematical antinomies are generated by mathematical principles that apply to things only insofar as they are given in sensible intuition…But these [the first two] series of conditions are never given to intuition as a whole...The theses are false because the principles of possible experience make it impossible for objects corresponding to the cosmological ideas of a first event, a largest extent of the world or a simple substance, ever to be given to intuition.”
    Thus, the reason why Kant thinks that the claims made by the theses of the first and second antinomies are false is that neither the beginning of time nor the spatial boundary of the world or an indivisible substance can ever be given to our sensible intuition. If something cannot be given to our sensible intuition, according to Kant, we cannot have experience of it. Let me call this principle the object-of-sensible-intuition principle, namely, if something cannot be given to our sensible intuitions, then it cannot be object of our possible experience. And we can apply this principle to an object to determine whether that object can be object of possible experience. That is, if the object in question can be given to our sensible intuition, then the object can be object of our possible experience, but if the object cannot be given to our sensible intuition, then it cannot be object of our possible experience.
    Now, let me apply the object-of-sensible-intuition principle to the idea of the sum total of mass. We can see that the sum total of mass cannot be given to our sensible intuition, so, the sum total of mass cannot be object of our possible experience. For the world of appearances seems to mean the whole universe or cosmos (because everything in the universe stands in causal relations to each other), there is no way for all of the mass in the whole universe to be given to our sensible intuition. Actually, we do not even know whether there are spatial boundaries of the universe, so we do not even know whether the sum total of mass in the all universe is finite. Thus, the sum total of mass cannot be object of possible experience. So, the sum total of mass cannot be that which represents time in appearances. For the reason there must be a permanently persistent substance in appearances which represents time is to make our temporally connected representations of objects possible. But, if the sum total of mass cannot be object of experience, it cannot make our experience of object possible. Thus, the permanently persistent substance in appearances cannot be the sum total of mass.
    One might object that in the antinomies, the cosmological ideas at issue are condition-condition series. (B 436/A410) But the sum total of mass is not a series. Rather, it is an aggregate about which the question of conditioning and conditioned does not arise at all. Thus, Kant’s remarks on the antinomies have no bearing on whether the idea of the sum total of mass has any objective validity or significance. Moreover, the first two antinomies concern whether the conditioning-conditioned series go on into infinities. And it seems that it is impossible for us to experience infinity, for no matter what we experience it is finite insofar as we have experienced it. But, the quantum of the sum total of mass seems to be a definite and finite amount. By virtues of what can we claim that the sum total of mass cannot be object of experience? Is this “cannot” an empirical cannot, or an In-Principle cannot? If the answer is the former, the empirical “cannot” does not seem to be strong enough to show that the sum total of mass cannot be experienced, because we cannot know or predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience. If the answer is the latter, at least further explanations of why the sum total of mass, which is a finite and definite amount, cannot be object of possible experience in principle are needed.
    To the first objection I have two replies. First, in the first antinomy, Kant also discusses whether there is boundary or the largest extent of space. It is not obvious that there is a spatial series in the sense that it is obvious that there is a temporal series in which one moment succeeds its previous moments. However, according to Kant, we can think of the space acquiring its quantum through repeatedly or successively adding spatial units to the previous spatial units. (A 428/B 456) That is, the way of conceiving of space as a spatial series depends on the way of conceiving of time as a temporal series, which is naturally serial. Then, by the same token, we can also think of the sum total of mass acquiring its quantum by successively adding massive units to previous massive units. Thus, if the object-of-sensible-intuition principle applies to the idea of the boundary of space, it should also apply to the idea of the sum total of mass of the whole world of appearances.
    Second, the fact that Kant applies the object-of-sensible-intuition-principle to the first two (or three) cosmological ideas to solve the contradictions does not mean that the principle can only be employed to deal with the antinomies. If the principle is applicable to other ideas, we can also use the principle to deal with other ideas. Since the object-of-sensible-intuition principle is derived from transcendental idealism, which is an important element in the whole Critique, there is no reason why the principle cannot be applied to other ideas than cosmological ideas. Thus, it is legitimate to use the object-of-sensible-intuition principle to show that the sum total of mass of whole world of appearances cannot be object of possible experience. So, the sum total of mass cannot be what represents time in appearances.
    My reply to the second objection has two steps. First, it needs to be clarified that, although the first two antinomies concern whether the conditioning-conditioned series are infinite, Kant’s solution by the object-of-sensible-intuition principle does not rely on the whether the series are infinite. The principle only concerns whether the things to which the cosmological ideas refer can be given to our sensible intuition. It does not concern whether the things are infinite. It seems true that infinity cannot be object of sensible intuition. But this does not mean that all finite things can be given to our sensible intuition. Actually Kant rejects the claim that all finite things can be given to our sensible intuition. For Kant thinks the thesis of the first antinomy is false, because the beginning of time or the boundary of space cannot be given to our sensible intuition so that it cannot be object of possible experience.
    The second step of my reply is to spell out in which sense of “cannot,” the sum total of mass cannot be object of possible experience. It seems to me that the distinction between empirical “cannot” and In-Principle “cannot” is hard to cash out in the context of Critique. For, in the Critique, any legitimate claim to knowledge entails that the object of which the knowledge is can be experienced. Thus, it seems that the empiricality of the “cannot” entails the In-Principality of the “cannot”.
    However, concerning the claim that we cannot predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience, what would Kant say? Would Kant agree that future sciences and technologies might or could transform a transcendent idea into an idea which refers to object of possible experience? I do not think he would. For Kant thinks his Critique settles metaphysical questions once and for all by theoretical reason, which is static or a-historical. Future discoveries made by sciences and technologies should be able to do no damage to the doctrines in Critique. Moreover, it should be odd to Kant’s ear that progresses made by empirical sciences could have any bearings on the doctrines in the Critique, which he builds up from scratch employing only pure reason, which is absolutely a-historical.
    Thus, I conclude that the above arguments show that identifying substance with the sum total of mass in the world of appearance is not tenable. Since I showed earlier in this section that identifying substance with individuated mass is not tenable either, I conclude that the general strategy of identifying substance with mass is untenable.


    Section IV. Concluding Remarks

    In this paper, I showed that a seemingly very promising way of understanding the permanently persistent substance discussed in the first Analogy, namely, conceiving of substance as Newtonian mass, is untenable. Then, I wonder whether there are other promising ways of providing a positive account of substance or actually it is the case that the notion of substance in the first Analogy is itself untenable. At this stage, maybe I could follow Kant’s stance on the things of themselves, namely, they exist, but we can have no knowledge about the way of their existence. But, at the same time, we need to have this minimal conviction that they exist. Similarly, concerning substance, we can have no knowledge about what the permanently persistent substance is, but we need to have the minimal conviction that it exists in the world of appearances and it serves to represent time.
    【详细】
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  • 卡非鱼
    2011/10/26 1:09:22
    一部被“正青春”了苍白无力的电影
    之所以有耐心看下去是因为预告片中所标榜的“中国第一部残酷青春片”,想知道何以谓之,结果看完之后才知道被愚弄了。一部跟“青春”扯不上半点关系的片子居然如此堂而皇之拿这个作噱头,简直滑天下之大稽。
    而同样从演员转型导演的处女作,姜文的《阳光灿烂的日子》(1994年)才配得上这个名号,或者更早的杨德昌的《牯岭街少年杀人事件》(1991年台湾)才真正算得上是中国式“残酷青春片”的鼻祖。
    之所以有耐心看下去是因为预告片中所标榜的“中国第一部残酷青春片”,想知道何以谓之,结果看完之后才知道被愚弄了。一部跟“青春”扯不上半点关系的片子居然如此堂而皇之拿这个作噱头,简直滑天下之大稽。
    而同样从演员转型导演的处女作,姜文的《阳光灿烂的日子》(1994年)才配得上这个名号,或者更早的杨德昌的《牯岭街少年杀人事件》(1991年台湾)才真正算得上是中国式“残酷青春片”的鼻祖。
    【详细】
    5143193
  • Ethereal
    2021/9/26 0:46:42
    thinking
    过于现实主义,甚至以至于凄凉。 最现实的不过是“小混混被拉上警车后不停地爆粗口,直到音乐响起”的那一幕。 如果不曾在法国生活过,或许会觉得这是部烂片,但只要是有切身经历的体会,就会明白整件事情在法有多么常见。 我没有去过马赛北部,这辈子大概也不会去那里,但我身...  (展开)
    过于现实主义,甚至以至于凄凉。 最现实的不过是“小混混被拉上警车后不停地爆粗口,直到音乐响起”的那一幕。 如果不曾在法国生活过,或许会觉得这是部烂片,但只要是有切身经历的体会,就会明白整件事情在法有多么常见。 我没有去过马赛北部,这辈子大概也不会去那里,但我身...  (展开)
    【详细】
    13885216
  • 蠢蠢欲动
    2022/2/24 15:24:31
    双向奔赴,彼此治愈,看了这剧,我又开始相信爱情了
    14239179
  • 以德胡人的老跳
    2022/7/11 23:29:40
    《禁忌》:一个人平趟伦敦黑白两道的故事

    在非洲失踪多年的James Keziah Delaney,突然以老Delaney唯一合法继承人的身份,出现在父亲得葬礼上。这无疑打乱了许多人的计划,这些人就包括James的妹夫和东印度公司——他们计划由Zilpha(James 同父异母的妹妹)继承遗产,并将其中一块位于北美洲的土地出售给东印度公司。

    而这块土地恰好是英美两国间的必争之地,因此英美两国政府也必然介其中,也这无疑让断

    在非洲失踪多年的James Keziah Delaney,突然以老Delaney唯一合法继承人的身份,出现在父亲得葬礼上。这无疑打乱了许多人的计划,这些人就包括James的妹夫和东印度公司——他们计划由Zilpha(James 同父异母的妹妹)继承遗产,并将其中一块位于北美洲的土地出售给东印度公司。

    而这块土地恰好是英美两国间的必争之地,因此英美两国政府也必然介其中,也这无疑让断然拒绝东印度公司报价的James陷入一场及其危险的政治漩涡。

    但是,在主角光环的照耀下,James以他从非洲某奴隶主那投来的钻石,以及被非洲土著赋予的神秘力量,平趟伦敦黑白两道。甚至将英国摄政王——后来的乔治四世和美国间谍玩弄于鼓掌之中,上演了一出罗宾汉式的“好戏”。

    总之,这是一个集黑帮、宗教、政治、爱情于一身的综合性悬疑剧,汤姆.哈迪的气质也与男主很吻合。但是相对于这些技术性的东西,跟吸引我们的是故事的历史背景和隐藏的细节。

    首先,整个故事是发生在1814年。这是英美战争的最后一年,这一年的8月23日英加联军攻入华盛顿并烧毁了美国政府大楼,即现在的白宫。烧毁的还有尚未完工美国国会大厦。美军在战败之后,于同年的12月24日签订了《根特条约》,双方回到战前边界,并归还占领土地。这部剧的中所说的英美开始的边界谈判,便是《根特条约》的谈判。

    在这一年,拿破仑一世第一次退位,你们可以找其中一部分情节中找到英国民众编“段子”嘲笑拿破仑的情节。但事实上,英国人低估这个小个子的能量,转年他便拜托英国军舰的监视回到法国,第二次复辟,再一次在欧洲掀起一场血雨腥风。

    故事中那个丑陋的摄政王:乔治·奥古斯塔斯,他是乔治三世的长子——威尔士亲王。因为乔治三世患有严重的精神病,他从1812年开始摄政,直到1820年乔治三世去世,他加冕为乔治四世。历史上乔治四世就是个酒鬼,这些我们基本上都能剧中看到。

    1814年是清嘉靖十三年,这一年史蒂芬孙发明世界第一辆蒸汽火车机车,而这个时期的清政府靠在广州外贸口岸出口茶叶赚得盆满钵满,同时嘉靖却拒绝了礼部尚书英和的多开矿厂的建议,错过了第一次工业革命,为后来的第一次鸦片战争埋下伏笔……无怪乎整部剧都在不停地提起中国这个词……唉,希望历史不会重演。

    【详细】
    14508982
  • tree
    2015/10/18 11:14:19
    我看到你,追随你,然后幡然醒悟,终于认识自己
    看到男主角最终释怀,登上大巴说出“she is not special gorgeous thing,she is a girl"的时候,尤其的感同身受。

    在年少时的很长一段时间内,都幻想着自己能成为一个浪迹天涯的不羁浪子,什么都不care,什么都不在乎,就像崔健苦行僧里的那样“我只要你的美,不要你的泪。”直到有一天好友嗤笑,明明对自己的未来很有安排和计划、明明很容易焦虑、
    看到男主角最终释怀,登上大巴说出“she is not special gorgeous thing,she is a girl"的时候,尤其的感同身受。

    在年少时的很长一段时间内,都幻想着自己能成为一个浪迹天涯的不羁浪子,什么都不care,什么都不在乎,就像崔健苦行僧里的那样“我只要你的美,不要你的泪。”直到有一天好友嗤笑,明明对自己的未来很有安排和计划、明明很容易焦虑、明明是缺乏安全感的一个人,为什么总装作浪子呢?那一刻终于清晰地意识到,该醒过来了。

    我们不必去追求那本来不是自己的人生,他人真正如何我们并不知晓,他人的人生说到底也只是“他人在我们眼里的人生”。
    年少时羡慕其他人的生活,到如今幡然醒悟只有认识自己了解自己,才能真正地成为自己。
    至于他人的生活如何呢?I Believe we all will have a wonderful life.

    总之就是,各自精彩吧。

    转一篇微信的影评,内有截图分屏解说:http://mp.weixin.qq.com/s?__biz=MzI0MTA5MjQ3Ng==&mid=400053786&idx=1&sn=4c03982324da47c756f042be1e234a8a&scene=0#rd
    【详细】
    7630744
  • 浅蓝 丶
    2022/5/29 1:06:23
    剧情。

    摸金校尉3人探大王墓,中毒幻觉覆灭。

    摸金校尉遗子长大招摇撞骗被村子人讨厌。

    日本倭寇入侵村子寻找摸金校尉传人再探大王墓。

    否则屠杀整个村子,竟事因为倭寇头目患病想长生不老。

    遗子骗倭寇进金人墓,联合村民设

    摸金校尉3人探大王墓,中毒幻觉覆灭。

    摸金校尉遗子长大招摇撞骗被村子人讨厌。

    日本倭寇入侵村子寻找摸金校尉传人再探大王墓。

    否则屠杀整个村子,竟事因为倭寇头目患病想长生不老。

    遗子骗倭寇进金人墓,联合村民设计机关,意图杀掉倭寇。

    在混乱中,掉下深渊,竟是大王墓入口。

    倭寇再次中毒受到幻术,遗子找到父亲遗体,带领不分村民逃出洞穴。

    村民感激,遗子后来做了村长。

    剧情基本完整,机关很少,盗墓知识太少,甚至一句话反复说,摸金行话不多,只有那个大佛用铁锤和棍子能看,其他的一般。

    这种电影拍的意义是啥呢?纯是为了对付会员?

    【详细】
    14424460
  • 杀伤性T细胞??
    2017/11/13 7:52:33
    可怜无定河边骨,犹是春闺梦里人

    趁着双十一。约了朋友去看电影。我有先看影评挑电影的习惯。挑了半天,挑了个小众的电影,在里边刘亦菲演的是一个寡妇。到了电影院不怎么舒服,正在犹豫要不要把票给另外一个朋友去看,就开始检票了,想着,那就进去呗。进去的时候电影已经开场了。看到美军轰炸机,接着镜头转到英子,也就是刘亦菲演的角色。她在像我老家那种摆设的那种房子里面,纺着丝。暗淡的光线,莹白纤细的手,对比出一种美感,我为神仙姐姐穿袄子都如

    趁着双十一。约了朋友去看电影。我有先看影评挑电影的习惯。挑了半天,挑了个小众的电影,在里边刘亦菲演的是一个寡妇。到了电影院不怎么舒服,正在犹豫要不要把票给另外一个朋友去看,就开始检票了,想着,那就进去呗。进去的时候电影已经开场了。看到美军轰炸机,接着镜头转到英子,也就是刘亦菲演的角色。她在像我老家那种摆设的那种房子里面,纺着丝。暗淡的光线,莹白纤细的手,对比出一种美感,我为神仙姐姐穿袄子都如此脱俗的颜值服气。然而我并不是一个看脸的人。她中气不足的台词儿让我很出戏。我暗暗发功,准备开始挑毛病。镜头跟着纺完丝的英子来到她亡夫的遗像前,一个战死他乡的军人,她用火柴点了三根香,举过眉拜了三拜,就像我小时候看着长辈拜先人那样。一切都是在沉默中进行,她有条不紊地做着一天要做的事情,照顾相依为命的女儿,把生丝拿去小贩那里换钱,养活自己和女儿,还有前夫的父母。我的心,忽然就静下来。从这些很琐碎的生活点滴里感受到一个女人在乱世担起养家的力量。也担心女儿被人欺负,和女儿商量着攒够钱到城里去。女儿问她城里有多大,她说从城头走到城尾要一天多。那里没有人欺负寡妇和寡妇的女儿。母女都这样向往着。我知道后来的剧情,忽然有点心疼她们这样诚心诚意的向往。后来一个被日军追杀的美国飞虎队员打乱了她们平静的生活。村长为了保护这个美国人就义了。村长一直都对她俩母女很照顾。她对国际形式一窍不通,分不清日本人美国人,出于一份心里的善良,做不到见死不救,也更是她同亡夫一样有着一份家国情怀,在知道这样做很危险的情况下,还是收留照顾了这个美国人。导演用很细腻平静的镜头表现异国人在生死未卜的乱世暗生的情愫。他们都明白这样的感情在这个时代并不安稳。剧情随之层层推进,美国人暴露,村里人一个一个的牺牲。让我感受最深的是英子作为一个柔弱的女性,保护自己的女儿,保护没有利益关系甚至还威胁自己安全的美国人,她身上所闪现的坚韧,善良。这些曾经在我们的教科书上讴歌了又讴歌的人性光辉,却在我们这个时代慢慢遗落甚至受人嗤笑。英子是个很传统的东方女性,就是她所面临生死攸关的险境塑造了这个角色的血肉。她有我认识的很多女性和母亲身上有的美,她不自知,却触动了很多人,我不知道该用什么样的词汇形容她的美,只能跟着她的感情起伏去体会她。命运并没有厚待她,她也从容地尽着她认为自己该尽的责任,你感受不到她心里一点苦,只是看着她用女性生性的柔软去包容和接受她所经历的逆境。看到她中弹倒下那一刻,美国大兵不顾一切冲到她面前抱起她。内敛的感情在这一刻爆发。没有狗血的仰天咆哮,也没有老套的女主便当前万金油遗言,英子对着他笑,闭上了眼。形势比人急。大兵只能放下她的遗体,坐上船,镜头对着英子皎洁的脖子,染血的袄子,越拉越远。生命就是这样脆弱。生活没有排演好的生离死别。就这样匆匆凋谢,留给活着的人一生的牵挂。我从电影院出来很久。脑子里都是天仙姐姐的寡妇的一颦一笑。还有她的勇气和柔情。天已经黑了,看着街上熙熙攘攘万家灯火,我在想,这样的和平是多少个这样的女性和热血男儿用性命换来的。感叹生死无常。现在我们拥有互联网,有着比过去更近的距离,想见面随时可以用视频见面,想说话下一秒可以用语音和远在天边的人沟通。我们的选择越来越多,诱惑越来越多,享受着前面好几代人都不敢想的物质生活,却退化了珍惜和生死相依的能力。这些话真的挺矫情的。但是在看到后面美国大兵时隔五十年后,给英子女儿那封信的开头,“这五十年我从未停止对你母亲的思念,我想你应该也知道,我对你的母亲,有爱情。”我有泪流满面的冲动。现在还有多少人相信这样跨越所有距离包括阴阳的感情呢。从前的车马很慢,邮件亦是,一生只够爱一个人。其实我可以选择很逗比,很无厘头,吐槽的语气写这篇影评。但是我没有,我尊重这部影片,我尊重这样的女性,我尊重这样的感情,我尊重他们付出生命换来的今天。

    【详细】
    89201591
  • 天鹅许愿屋
    2021/10/11 16:41:21
    国产真腐剧,趁没下架赶紧看

    在这么严肃的大环境下

    竟然能看到一部国产真腐剧《精准射击》

    在这么严肃的大环境下

    竟然能看到一部国产真腐剧《精准射击》

    13917283
  • LOVE IS ALL
    2022/12/6 16:24:29
    电影《野兽》:人狮大战,票房不足6000万,环球影业却稳赚不赔?
    这篇影评可能有剧透 作为世界电影巨头之一的环球影业,一部不足6000万美元票房的电影,相信是很不以为然的。 事不凑巧,环球影业在今年8月份推出的怪兽类影片《野兽》,全球票房仅收获5909万美元。 在有关怪兽类电影已经拍烂的情况下,环球影业为何还要再拍? 《野兽》走的是近似写实的路线,影片..
    这篇影评可能有剧透 作为世界电影巨头之一的环球影业,一部不足6000万美元票房的电影,相信是很不以为然的。 事不凑巧,环球影业在今年8月份推出的怪兽类影片《野兽》,全球票房仅收获5909万美元。 在有关怪兽类电影已经拍烂的情况下,环球影业为何还要再拍? 《野兽》走的是近似写实的路线,影片...  (展开)
    【详细】
    14804258
  • 林下之风
    2018/7/8 1:02:40
    奇缘巧配之特别篇 婚前婚后

    公主罗曼史 奇缘巧配

    特别篇 婚前婚后

    结婚对于平民而言,是关乎幸福的重大决定,也是人生另一阶段的开始,但对于王位继承人来说,往往伴随着协议和阴谋,只是某个计划的实施和落实,要将承诺兑现而已。

    公主罗曼史 奇缘巧配

    特别篇 婚前婚后

    结婚对于平民而言,是关乎幸福的重大决定,也是人生另一阶段的开始,但对于王位继承人来说,往往伴随着协议和阴谋,只是某个计划的实施和落实,要将承诺兑现而已。因此,协议结婚对于王族女子来说并非人生的重大改变,而是重要试炼。

    在爱丽丝与拉维举行婚礼是一个分界点。在此之前,都是爱丽丝登基之前,与她身边的人们,以及亨利国王,哈里索斯国的其他各位王亲相处过程发生的种种问题和麻烦,泰方负责保全的信察上将、拉维和D队的人们只是介入事端的外来者。行婚礼之后,叙事方式开始改为双线描述,剧情呈并进推进状态:

    ◇其一是拉维与爱丽丝逐渐接近,慢慢开始相互理解的军营生活;

    ◇其一则是宫内各人,包括昂廉、摩纳、奥兰、凯特,甚至还有别国王子卫等人寻找爱丽丝行踪,从中引发的各类问题。

    爱丽丝与拉维的基地生活故事成为剧中种种情节的重要组成部分,直接影响到了剧情后续发展。在转变叙事方向的前提下,厘清爱丽丝周边角色人物的情况对理解剧情而言非常重要,此处辨析如下:

    ◆关于D队

    9497842
  • Sunglu
    2022/5/16 23:23:36
    浪漫的法则//一些台词
    石垣医院有着世上最好的前辈们!!! 第8集消防队员妈妈同意器官捐赠跟发生意外的女儿说再见的时候真的?? 第10集大巴车意外各种两难抉择,叹为观止 金师傅 他是神????不要跟朴院长一样,自己做不到就不相信这种大爱人的存在 15集简直yyds!金师傅和朴院长的最终对峙也是...  (展开)
    石垣医院有着世上最好的前辈们!!! 第8集消防队员妈妈同意器官捐赠跟发生意外的女儿说再见的时候真的?? 第10集大巴车意外各种两难抉择,叹为观止 金师傅 他是神????不要跟朴院长一样,自己做不到就不相信这种大爱人的存在 15集简直yyds!金师傅和朴院长的最终对峙也是...  (展开)
    【详细】
    14401221
  • 隐蔽空间
    2021/3/27 22:48:49
    什么才是天下无敌呢?

    什么才是天下无敌呢?这本电视拍的有点狗尾续貂,在洪峰、张天鼎和石志康生死局赌完之后就应该结束了,不要再拍了。后面就是张天鼎为自己找了完美的借口“人在江湖,身不由己”,导致我对阿茹本来印象很好的,最后让我大失所望,果然是虎父无犬女,一模一样的借口“人在江湖,身不由己”。洪峰为复仇而生,因张天鼎的死亡,人生变得没有目标而空虚,而想要去补偿卓岚,再上赌桌。这到底是一种良知的醒悟还是一种道德的绑架?

    什么才是天下无敌呢?这本电视拍的有点狗尾续貂,在洪峰、张天鼎和石志康生死局赌完之后就应该结束了,不要再拍了。后面就是张天鼎为自己找了完美的借口“人在江湖,身不由己”,导致我对阿茹本来印象很好的,最后让我大失所望,果然是虎父无犬女,一模一样的借口“人在江湖,身不由己”。洪峰为复仇而生,因张天鼎的死亡,人生变得没有目标而空虚,而想要去补偿卓岚,再上赌桌。这到底是一种良知的醒悟还是一种道德的绑架?明明知道自己技不如人,还要前去跟屠天雄较量,为什么不能赢几千万给卓岚先花呢?一定要一次性全部博回来?还要搭上自己的大哥?洪英退隐这么多年,连老爹的死都能咽下去,对一个同父异母的弟弟就如此的乱了心智?阿信和阿生的死更是一种莫名其妙,你因他而生,并不是为他而活。坐上赌桌,不是勇气,更多是一种情感的赎罪。屠天雄的出现更是莫名其妙。

    剧中每一个人都带着恨,恨中又夹杂着爱。因为深爱某个人,于是恨另外一个人。解决仇恨的方式不是自我和解,不是让时间消化,不是让法律调解,而是用赌,而且赌的是命。华姐临死之前对石志康说“仁者无敌”,洪英死之前对石志康说“犯了六亲不认”,洪峰死之前对大哥说“因为仇恨如脑子子弹,去不了,是仇恨蒙蔽了双眼”,聂万龙死之前对石志康说“忍着无敌”,什么才是无敌呢?聂万龙说:如果不带着爱和恨,你就已经有9分把握。

    我想真正的无敌只有放下,放下想无敌的心,放下想赢的念头,一切你想要的就如手中沙,越用力流失得越快。阿莲的爱,阿生的痴,阿茹的忧,阿康的纠,聂万龙的痴,屠天雄的狂,洪峰的怒,阿才的憨,张天鼎的贪,每个人其实都在跟自己斗,每个人其实都走不出自我的怪圈,每个人看似为别人,其实都是让自己良心好过。

    哪里有所谓的胜者,哪里有所谓的王?都是环境的产物,都是时代的旗子,菩提本无树,明镜亦非台,本来无一物,何时惹尘埃?

    看了许多人的一生,依旧过不好自己的人生,只因我们还有人性。

    【详细】
    13348825
  • erggds
    2020/3/31 23:49:40
    从狗血爱好者角度分析

    (含剧透慎点)

    集狗血霸道总裁甜宠于一体,古早狗血的集大成者,我爱了!基本上你想要的桥段它都有,男主帅女主可爱,有点古早的剧情演起来毫不尴尬,男主人设不片面霸道总裁,是个很生动很立体很可爱的表面霸总实则初恋xxj,超容易害羞心动的爹系男友,女主前期人设很古早有点尬尬的火爆小娇妻的感觉,后期挺好,甚至男女主霸总身份逆转!!霸道娇妻小总裁的题材谁能不爱!!!

    狗血爱好者来

    (含剧透慎点)

    集狗血霸道总裁甜宠于一体,古早狗血的集大成者,我爱了!基本上你想要的桥段它都有,男主帅女主可爱,有点古早的剧情演起来毫不尴尬,男主人设不片面霸道总裁,是个很生动很立体很可爱的表面霸总实则初恋xxj,超容易害羞心动的爹系男友,女主前期人设很古早有点尬尬的火爆小娇妻的感觉,后期挺好,甚至男女主霸总身份逆转!!霸道娇妻小总裁的题材谁能不爱!!!

    狗血爱好者来说一说剧里我爱的几个片段:

    男女主没有到快结局才确定你爱我我爱你这点我很爽,到结局才互表心意就像钝刀子割肉,狗血的一点也不痛快!这部剧男女主前期就已经相互告白,痛快

    接着就是泼天狗血暂且不提,一番操作之后男主开始了吃醋之路!我最爱的桥段上线了!谁能不爱看傲娇暴躁霸总xxj吃醋吃的心痒难耐气的头顶生烟又傲娇的死不承认闹变扭可可爱爱发脾气呢!

    男女主复合这段我也爱,男主发现女主故意让自己吃醋傲娇病又犯了,嘴上才没有吃醋!然后光明正大欺负情敌什么的太爽了吧!雨夜告白我不知道我会喜欢你然后被女主强吻又亲回去——怎么会有这么爽的剧情!

    确认关系也傲娇变扭的可爱男主我爱了!他还是初恋xxj根本不会谈恋爱!也太可爱了吧,各种直男操作完美复合可爱霸总人设

    明明超想让女主带自己过圣诞还不肯承认嘴上说不过节发现女主真的不带自己去就生气的是什么小傲娇!

    前期没告白走的是传统霸道总裁小娇妻路线“女人你引起了我的注意”

    互通心意以后总裁一恋爱立刻变傲娇暴躁xxj,男女主相处模式瞬间萌化!完全戳在我的点上!最喜欢的两种模式集合在同一部剧里结合的还这么好

    蓬莱间了不起,白起了不起

    后期什么爱你就会死的小美人鱼人设,精分结果另一个人格也是超级小可爱之类的,实在是太好磕了吧!!!

    【详细】
    12459789
  • 句单单
    2021/5/29 11:13:59
    海清出演保育院的院长,打破“国民媳妇”标签还原丑子冈

    近些年观众对大女主的电视剧应该不会陌生,无论是古装剧还是时装剧,都产出了不少爆款,该现象能充分说明社会当下女性意识的觉醒以及女性地位的提高。然而,以建国前夕为时代背景的大女主戏却十分少见,刚刚收官的热播的电视剧《啊摇篮》则是十分难得的一部。该剧的女一号海清更是一改往日荧屏形象,出演延安革命根据地开办的第一个保育院的院长——丑子冈。

    近些年观众对大女主的电视剧应该不会陌生,无论是古装剧还是时装剧,都产出了不少爆款,该现象能充分说明社会当下女性意识的觉醒以及女性地位的提高。然而,以建国前夕为时代背景的大女主戏却十分少见,刚刚收官的热播的电视剧《啊摇篮》则是十分难得的一部。该剧的女一号海清更是一改往日荧屏形象,出演延安革命根据地开办的第一个保育院的院长——丑子冈。

    13576373
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