京武火龙影评

9320469
  • sunshine
    2013/7/31 15:42:36
    爱,就在一起
    对于我这种已经晋升为中年妇女的年龄来讲,这个剧情是有点。。。,但是我还是花了两天两夜的时间把两部都追完了,中间有很多是拖着快进的,可是它还是带给我很大的震撼,以至于魂不守舍感概万千了两天之后,决定要把这种感觉写下来;

    首先让我震撼的是郭同学无与伦比的帅,爱怜和温暖的眼神如诗,各种动作POSE如画,精致的五官,完美的侧脸,还有很高的高,高真的是很重要的一点,为什么富帅要排在高之后,因为
    对于我这种已经晋升为中年妇女的年龄来讲,这个剧情是有点。。。,但是我还是花了两天两夜的时间把两部都追完了,中间有很多是拖着快进的,可是它还是带给我很大的震撼,以至于魂不守舍感概万千了两天之后,决定要把这种感觉写下来;

    首先让我震撼的是郭同学无与伦比的帅,爱怜和温暖的眼神如诗,各种动作POSE如画,精致的五官,完美的侧脸,还有很高的高,高真的是很重要的一点,为什么富帅要排在高之后,因为富帅可以后天努力变化,通过学习包装可以慢慢增加富和帅的气质,但是高这个真的是先天基因注定的,后天的努力影响很微小,如此高,五官却是如此精致,特别是通过健身保养的如此好的身材,只能说是上天厚爱自己又努力,才能让我们这种旁人如此大饱眼福吧。。。!!!口水又流了一地。。。好吧,我对女一开始了种种羡慕嫉妒恨。。。

    其次让我震撼的是剧中无比纯真真挚的感情,于皓和小燕子的爱情,和阿奇、单子、包括阿烈之间的友情;第一部很虐心,特别是因为小蝶的出现而在于皓和小燕子中间产生的种种裂痕、痛苦、无奈到再无一点力气的心酸,哀莫大于心死,所以小燕子宁愿一死解脱,当感觉到那个如此挚爱PS如此高帅温情的男人移情别恋,那个怀抱却为了另一个女人而敞开,那些如斯美好青涩青春的爱恋记忆的男主角开始为另一个女人心疼付出,我想哪个女人都会痛不欲生的吧。。。(PS特别是基本上再无可能找出第二个如此帅的一塌糊涂对自己又如此好难得还非常浪漫温情的男人,简直是世上最痛苦的N件事之一;但是如果男主角相貌一般其实就可以另当别论了,那么这个后续故事就应该是女主角自此之后发愤图强的励志正能量故事了。。。哎 所以说美其实是一件很有力量的事!宅男宅女们,拉出来健身吧),于皓后来的表现让很多观众开始倾向于单子,开始希望小燕子可以和单子在一起,但是这些观众中不包括我,因为于皓太帅了,别说我花痴,选择单子其实是一种理性的选择,是一种在评估比较后倾向于温情的选择,但是这怎能比得过对于皓的爱情,爱情是直接的、没有理由的,选择单子后是过一种有计划的、安稳的、恬淡如水的朋友之情,但是只有于皓才是小燕子的爱情,是惊鸿一瞥中的火花,是心情跌至澎湃的源头,是爱念温情笑容的全部起源;最后于皓为对小蝶的这段愚蠢的感情付出了生命的代价,结束在风华正茂的年轻里,留给小燕子的只有一句“我好爱你”,只是再深的爱也无法阻止这种阴阳相隔,纵有再多遗憾和不舍,也只能被终止,我相信人是有灵魂的,而于皓的灵魂即使在天堂也会只固执的把目光执着的落在小燕子这里,看着小燕子和儿子平淡安适的生活,只是却不能再拥抱;而小燕子,虽有单子的陪伴,但是于皓的身影会伴随着小燕子的一生,那些关于于皓的记忆和时光会永远活在小燕子的心里,直到等到最后在天堂的团聚,在一起才是最完美的幸福!

    相对于第一部的虐心和激烈,我更欣赏第二部的脉脉温情,小燕子和于皓间的纯真真挚的感情,在第二部中被郭大帅哥和安以轩以各种眼神姿态动作完美默契的演绎,随时握着的手,额头和头发的亲吻,温柔爱怜的敲小燕子鼻子的这个动作估计是郭大帅锅生活中的本色出演,满含爱和笑意的眼神,这些脉脉温情如果你仔细看会发现它恰到好处的贯穿整个剧始末,于皓躲避风头时希望送小燕子回家,而小燕子说“我的家,就是有你在的地方,因为有你,我才更安心”,这种感情,在现在以房子车子票子为主的婚姻里,显得那么愚蠢和幼稚,可是你不要告诉我,在这种有些幼稚的真挚情深的表白里,你没有一点被打动,没有被震撼到你深埋在心的最初的对爱情的想象里,也许你会装作很不屑,但是我知道有时你表面越否定的东西,其实才是你内心最渴求的;因为不容易得到,所以装作不想要;

    还有第二部小燕子的变化也很让我欣赏,第一部里她是于皓最温暖的包袱,到第二部里她是于皓最好最努力的帮手,每一个事情她都能冷静分析,帮他管理很多事务,可以弥补于皓的很多不足,在对感情的处理上,深爱始终都在,只是又平添一份理智和思考,相对于第一部的虽然感动震撼但是却造成遗憾的飞蛾扑火,加入了理智的深情才能走到久远;现实中的初恋大部分结局都是错过和遗憾,也是因为这个原因,因为在初恋的时候,我们投入的没有了理智;于皓和刺客的搏斗里,小燕子第一次拿起刀,用尽所有力气把刺客杀倒,这时爆发的力量就是因爱而起的,因为她要保护他,再柔弱的人也会要去保护自己的爱人的,虽然我们都渺小;

    关于单子,单子实在是个太理智的人,如果开始是单子的话,他不会选择跟小燕子在一起,因为他知道他们是不同世界的人,他不会把她拖进来,他会自以为是为她好的放她高飞,所以即使他对小燕子的爱再深,也不会发生像跟于皓之间的爱恨纷扰痴柔缠绵荡气回肠让我们无限唏嘘的爱情故事,太理智不会出错,却也是一种也许造成余生都有哀怨的遗憾;

    关于友情,这四个男人之间的友情无比珍贵,在最好的朋友面前,我们可以暂时忘记现实,无忧无虑的像个孩子般玩耍开心,即使到老,我想应该都一样的;阿烈挡住射向于皓的子弹,却说这是他一生中唯一不后悔的事情,就像那句”有的人#了,他还活着“,他会始终鲜活的活在朋友的记忆里,直到永远;

    据说此剧在内地被禁播,我倒觉得这个剧里面充满的都是满满的正能量,专一温暖的爱情,真挚纯真的友情,跟时下的一些屌丝逆袭、麻雀变凤凰、小女孩傍脑满肠肥的有钱大叔、丈母娘要房子存款的那些脑残剧情相比起来,这个剧里的青春美少年、陋室里的执着爱情、虽#犹未悔的友情,才能更赏心悦目更正我们的三观吧。。。!!!

    爱,就在一起!哪怕你是飞鸟我是鱼。。。
    【详细】
    61912299
  • Moonlight Bae
    2018/9/24 12:24:07
    Bojack Horseman S5E6 Scripts

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one.

    Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.”

    But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro.

    [people murmuring]

    [clears throat]

    Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it.

    Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman.

    [rustling]

    Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So…

    [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me.

    Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral.

    Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this.

    [groaning]

    [mourners gasping]

    Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday.

    [woman coughs]

    Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy.

    [clears throat]

    Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault.

    But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me.

    Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard.

    When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting.

    Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter.

    [owl chirping]

    My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face.

    [groaning]

    [mourners gasping]

    If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression.

    [woman clears her throat]

    [chairs squeak]

    I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.”

    Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed.

    Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything.

    [woman sighs]

    Back in the 90s, I was in a very famous TV show called Horsin’ Around.

    [man coughs]

    Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.”

    And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much.

    Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock.

    [murmur]

    I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.”

    “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom?

    I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots?

    [rimshot plays]

    Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing.

    [rimshot plays]

    Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket!

    [rimshot plays]

    Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch!

    [woman gasps]

    [murmurs]

    Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead.

    [woman sighs]

    You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.”

    [organ playing tune]

    Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim.

    [flashback]

    [partygoers laughing]

    [classical music playing]

    But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.”

    You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty.

    I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps]

    Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain.

    [rimshot plays]

    No, that wasn’t… would you just… dial it back, all right?

    I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that?

    I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause.

    [man coughs]

    Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for.

    Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show.

    I guess until there isn’t.

    [chuckles]

    My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.”

    “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro.

    You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales]

    I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker.

    Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away.

    My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead.

    [gulps, sighs]

    Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen.

    Is this Funeral Parlor B?

    —— from Reddit

    【详细】
  • 966723640
  • 古灵精怪梅薇思
    2022/1/16 4:00:04
    完全是一部惊喜之作!

    看完了,非常喜欢,没有想到居然会这么好看,看完之后有诸多思考,也毫不犹豫的把它视作了我的人生之剧之一。

    教会我很多东西:1.要突破规则、桎梏,勇敢地为自己而活,能不要委屈自己还是不要委曲求全了,否则之后真的会后悔,不如一开始就按照自己的心意吧;2.人生真的很奇妙,每个人都不会知道会什么时候会认识什么样的人,以

    看完了,非常喜欢,没有想到居然会这么好看,看完之后有诸多思考,也毫不犹豫的把它视作了我的人生之剧之一。

    教会我很多东西:1.要突破规则、桎梏,勇敢地为自己而活,能不要委屈自己还是不要委曲求全了,否则之后真的会后悔,不如一开始就按照自己的心意吧;2.人生真的很奇妙,每个人都不会知道会什么时候会认识什么样的人,以及何人仅是你人生的过客、而何人会和你碰撞出火花最后相伴一生;3.有些时候要多沟通,有些事情一直担心着不说倒不如直抒胸臆(虽然我知道这很难 需要勇气

    谈谈这部剧,很多细节处理的非常好,真实又生动。对感情的刻画和演员的台词都很真实,男女之间那些很细微的点也都很好的表现出来了(比如kash和maya初见即好感-然后一直压抑着彼此的感情直到爆发),然后觉得kash就是男版的我,希望成为父母的骄傲也不想让父母失望,于是一直活成的就是当“别人家的孩子”,带着名为“父母期待”的枷锁。做着光鲜的工作但并不喜欢、因为顾虑太多所以做事瞻前顾后、不够坚决、不到最后一分钟不会醒悟、安全感缺失总想着给自己多留条后路(结婚当天才意识到自己不想结、觉得试镜效果不好马上想反悔不辞职了最后辞职也是被辞了不得不安心去做演员、如果不是女二骗他说maya要结婚了还在劝自己继续演话剧...)我只能说this is so me ,长期压抑本心后的做法就是这样,不到最后一刻一定不会醒悟:啊我是真的真的不想xxx、啊我是真的真的爱xxx……

    有一些让我觉得很cool的做法 比如Fatima发现自己喜欢的人是bashhh 勇敢表达了且遵从本心

    比如Andrew 那个gay议员为了爱情改变投票方向的事情(虽然这个真的有点扯 毕竟感觉真实情况可能是从政生涯可能就at risk了

    还有一些让我觉得原来爱就是细水长流的例子

    比如达菲和gemma最后的结合~

    说到这里 gemma最后也变得为自己而活 不为世俗评判标准的“得体”而活

    她丈夫的葬礼是她的第一次觉醒

    Ansley 和那个德州老乡的结合~

    PS:伦敦很不错诶!!!而且名字起的非常妙,因为男女关系确实比较扑朔迷离,所以这四个婚礼到底是谁和谁的就很tricky了哈哈哈最后发现四个婚礼还真是没猜对全部!

    最后一集真的让我又哭又笑 爱情 友情交织在一起 真棒呀

    【详细】
    141431233
  • ??寒山??
    2020/6/25 16:46:28
    喜欢这种风格的编剧

    真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?

    真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?

    【详细】
    12684182
  • fish
    2019/4/17 23:39:40
    中年侦探的丧燃人生

    四月怕是侦探月,有三部民国侦探剧相继上线,《民国少年侦探社》、《罪夜无间》和《绅探》,网友戏称这是“老中青”三代民国侦探齐聚一堂各展风采,热爱丧燃文化又因《白夜追凶》对王泷正印象不错的我点开了这部宣传最少的民国“老年”探案网剧《罪夜无间》,本来只想当作下饭剧看个热闹,没想到却大大超出了我的预期,看出了真情实意。

    睿智机敏的中年侦探陈一鸣,既和高官重权无缘,也没有富贵荣华的排面,繁

    四月怕是侦探月,有三部民国侦探剧相继上线,《民国少年侦探社》、《罪夜无间》和《绅探》,网友戏称这是“老中青”三代民国侦探齐聚一堂各展风采,热爱丧燃文化又因《白夜追凶》对王泷正印象不错的我点开了这部宣传最少的民国“老年”探案网剧《罪夜无间》,本来只想当作下饭剧看个热闹,没想到却大大超出了我的预期,看出了真情实意。

    睿智机敏的中年侦探陈一鸣,既和高官重权无缘,也没有富贵荣华的排面,繁华偌大的上海,他只栖身于小小咖啡馆一隅,对着匆匆来去的路人“挥霍”着自己尚无用武之地的敏锐观察和缜密推理,或是在咖啡馆后门的小密室里帮诸位太太梳理生活琐碎、解决大小难题,破案经费还要靠咖啡馆的营业来支撑。所幸陈一鸣还有小说家蒋涵知作伴,日子也算聊有生趣。

    对比隔壁年轻辈的民国侦探,陈一鸣没有了初生牛犊不怕虎的少年轻狂,也已过了意气风发的青壮岁月,尽管努力保持着身材不致于大腹便便,但略显斑驳的面容和难掩沧桑的神情都越过他强行振作的笑声述说着多年来的不易。放到今天,陈一鸣可能就是大众口中所谓的大龄未婚男中年,或是苦守梦想不切实际的loser,但他又总能在苦涩的日子里找到乐趣,和咖啡店里的客人、和街头巷尾流窜的小飞贼打成一片,过着嬉笑怒骂追跑打闹的日子,在鸡毛蒜皮的小案件中坚持着自己对正义和真相的追求。看到这里我不禁一笑,在这一点上陈一鸣不正像那万事屋中那个中年无成却依旧满怀热血的银桑吗?谁都终会迎来中年,谁都可能面对平庸甚至失败,但这一切都不妨碍我们追求正义、追求真相、追求理想。

    有钱能使鬼推磨,梦想都是赔钱货,无权无势的陈一鸣只能独自品尝苦涩,但他真的是无权无势之人吗?当他在牢狱中被保释,当弹幕纷纷喊出“富二代何苦为难富二代”时,我才惊觉陈一鸣其实背靠大树——热爱侦破的他除了和天龙帮大佬有关,还竟是曾经巡捕局长高林声的义子,但居然连人情世故为尊的老油条贾探长都不曾知道陈一鸣的这层身份。那么问题来了,陈一鸣是为什么放着清凉好地不待偏要独自在江湖艰难闯荡呢?是不懂珍惜、不甘堕落还是另有隐情?这就构成了全剧最大的悬疑点——陈一鸣的身世之谜。

    同样拒绝在大树下乘凉的还有现任巡捕局长之子张天笑,陈一鸣记住他不仅是因为其年轻气盛的姿态或是放下输赢追求真相的选择,恐怕也是从张天笑身上看到了一部分当年的自己。张天笑虽拒绝了巡捕房的官位,但趋炎附势的氛围依然环绕在他左右,也多亏如此,落魄大叔侦探陈一鸣得以接近真正的罪案,不再被闷头一锅端的巡捕们驱赶,终于踏上了货真价实的侦探之旅。而终于能挺直腰板的陈侦探没有忘记自己的初心,还原真相、理解痛苦,不让无辜者蒙冤仍是他的人生信条和职业操守,哪怕他会因此犯错,甚至被利用……陈一鸣回不到年轻光彩的过去了,但那些即便受打压、被误解、甚至遭遇危险却仍然为信仰奔走的时刻,都是他人生的高光时刻。

    就这样一个丧燃的中年侦探,足以吸引我追完整部剧,以他对无辜者的理解和追求,去试着了解探索他的隐秘过往和痛苦纠结。

    除了陈一鸣这个人物给我带来的触动,《罪夜无间》吸引我的点还有很多:

    首先是演员,全剧没有一个流量明星,主演大多是演技派的性价比之选,却塑造出了一个个生动可爱的人物:雅痞睿智口嫌体直不时爆发出迷之大笑的“太太乐”陈一鸣,身手敏捷英姿飒爽多才多艺有着各种可爱小动作的姚菲,一开始看着奇怪但越看越顺眼、阳光憨淳甚至有些呆萌的公子哥儿张天笑,穿着讲究气质儒雅深藏不露的小说家蒋涵知,手风太顺也不忘锻炼身体的小毛贼陈飞,烟酒不离手烫着佛祖头假装钢丝球成精的贾探长,还有两个憨傻可爱的小跟班……难得看到一部没被整容脸和超高倍滤镜荼毒的网剧,顿时倍感亲切。剧中层出不穷的精巧细节也在各个维度上增加着人物的生动性和个性张力,能看出主创团队在塑造人物时颇费心思。

    其次是服化道,《罪夜无间》里的故事发生在民国时期的上海,不得不承认时代的还原度一般,没能完全展现民国上海的质感。但是实现质感是需要钱的,而《罪夜》这部剧是典型的小制作低成本,从前九集里日夜不休从没换过人的报童小男孩就能看出……之前也在微博上看到了导演身兼数职op亲自上阵,还有片尾字幕播放缓慢只因人手太少的梗,考虑到剧组的贫穷,现在呈现出的状态应该也是竭尽全力的结果。虽然服化道上还有进步的空间,但我不得不承认剧中有好几套服装都让我眼前一亮,比如蒋涵知的各式小西装,陈一鸣的大衣配棉麻森系丝巾,张天笑的千鸟格外套,姚菲的各式套装套裙,当然还有贾探长标志的“高领毛衣配领结”……让人看到经费不足时剧组成员的各种小巧思,让同样经历过剧组创作的我不免会心一笑。

    然后是剧情,《罪夜无间》走的单元剧案件串联模式,每个案子还缀以失念、两舌、刹那这些佛教用语,乍看以为是故弄玄虚、陈旧无趣的老套探案故事,没想到真香现场说来就来,一口气看七集刷完前两个案子不费吹灰之力,反转不断高潮迭起,让人根本停不下来。而且每个案子的小标题还恰到好处地概括了案件的核心,而案件所揭示的罪恶和无奈也让我咀嚼回味良久……

    ===========================小心剧透额分割线====================================

    第一个案子《失念》,虽然承担了介绍人物的重要任务,却没有耽误故事发展的节奏,一上来就出现了两名死者,且都手脚被缚面画脸谱一刀毙命,展现出极具仪式感又略显惊悚的犯罪场面。个人比较喜欢惊悚氛围,也是从这里开始跟随陈一鸣进入到了案件侦破的过程中。郭太太的委托让陈一鸣迅速和脸谱杀人案捆绑在一起,也引出了陈一鸣“太太乐”外号的由来。第一案断案过程略显常规,重生是凶手也并不难猜,没想到的却是连环杀人案中还隐藏着一位顺风车搭客,反转之后还有一层反转,陈一鸣朝夕相处的朋友竟是藏在黑暗深处的幕后推手……而重生的经历和顺风车搭客的苦心也令我唏嘘感慨,这世间从来不是非黑即白,罪恶背后隐藏的也许是无数个痛苦无奈的夜晚,我们总能轻松无畏地谈及他人的生活,每个人心中的爱恨屈辱却不是一两个简单的标签可以表述的。

    第二个案子《两舌》,一开场便是囚犯被释放后密谋枪杀强威的过程,奠定了第二案浓郁的紧张气氛和复仇氛围,然后才进片头,我这才发现片头又换了一波,回到第一案专门重看片头(这种体验也是不多见哈哈哈),第一案的片头淡雅简洁,呈水墨风、第二案的片头则冷峻诡谲不少,又跳到第八集第三案,果然又换了一波,剪纸画+颓废浓烈魅惑港风!片头真心好评!抱着“片尾没准儿也有惊喜”的态度我又点开了之前跳过的片尾,竟发现片尾有双重惊喜——第一重惊喜,单数集片尾曲是中文版,双数集片尾曲是英文版,我现在脑中已经全是mission ooo~~第二重惊喜,每个案子结束的片尾居然有彩蛋!而且看起来彩蛋和全剧大主线有关,集齐彩蛋应该可以召唤大结局哈哈哈。

    回到第二案,一开始我单纯地以为这就是个简单的情杀,不料故事不断翻转深入,竟揭开了一层又一层的过往,当凶手拖着尸体却发现另一具尸体,当侦探查明真相却发现另一层真相……种种痛苦、屈辱、愤怒、悲哀裹挟着,让人不禁反问,真相真是那么简单吗?施暴者真是罪不可恕吗?凡事皆有因。

    Ps.第二案中的何奉天真是我最近见过最有潜力的年轻演员了,诺顿、法鲨、冯远征、王凯……从他身上似乎都能瞥见,一秒黑化让人惊艳炸裂!

    101193242
  • Je ne sais pas
    2018/7/9 2:31:47
    确认过眼神是颗明珠+是我们想要的兄妹温情题材+节奏紧凑演技在线√

    本来觉得应该会很嫌弃很尴尬,但是开始看了之后,妈耶简直是国产剧的一颗明珠好嘛!!!演员们真的演技全程在线,生活部分也比较接地气,是寻常人家的琐事,演员之间的情感沟通也很到位(小动作小眼神都加分加分加分)。总之,这绝对是一部可以连刷7-8集的剧,内容也丰富,温情的搞笑的点随时都有(5-8集真的泪点很多)。

    希望大家在对那些拍烂了的都市精英题材和霸道总裁爱上我类型看多了之后,能换个角

    本来觉得应该会很嫌弃很尴尬,但是开始看了之后,妈耶简直是国产剧的一颗明珠好嘛!!!演员们真的演技全程在线,生活部分也比较接地气,是寻常人家的琐事,演员之间的情感沟通也很到位(小动作小眼神都加分加分加分)。总之,这绝对是一部可以连刷7-8集的剧,内容也丰富,温情的搞笑的点随时都有(5-8集真的泪点很多)。

    希望大家在对那些拍烂了的都市精英题材和霸道总裁爱上我类型看多了之后,能换个角度稍微尝试一丢丢说不准就能发现明珠。对国产剧的剧情注水和演技垃圾辣到眼睛,因此失去打开另外国产剧信心的人,这部剧也可以拿来洗洗眼睛顺便有点信心。我们同在!

    【详细】
    9501281
  • 心路飞扬
    2022/2/27 21:21:35
    公路罪案悬疑逃脱片。故事险象环生,几经反转,从一开始发现被绑架的小女孩就吊足了观影者的胃口,渐渐的真相层层被剥开,女主通过自己丰富的社会履历及不懈的抗争,最后艰难逃脱

    公路罪案悬疑逃脱片。故事险象环生,几经反转,从一开始发现被绑架的小女孩就吊足了观影者的胃口,渐渐的真相层层被剥开,女主通过自己丰富的社会履历及不懈的抗争,最后艰难逃脱,还救出了女孩,算是很不错的惊悚悬疑片。

    女主在一个医疗机构强制戒毒。一天她接到一个电话,自己的母亲病重住院抢救,她很想前去看望,但是机构不准。她只得偷偷开车跑了出去。但是在路上遭遇了暴风雪,警察让她到休息区等待暴风

    公路罪案悬疑逃脱片。故事险象环生,几经反转,从一开始发现被绑架的小女孩就吊足了观影者的胃口,渐渐的真相层层被剥开,女主通过自己丰富的社会履历及不懈的抗争,最后艰难逃脱,还救出了女孩,算是很不错的惊悚悬疑片。

    女主在一个医疗机构强制戒毒。一天她接到一个电话,自己的母亲病重住院抢救,她很想前去看望,但是机构不准。她只得偷偷开车跑了出去。但是在路上遭遇了暴风雪,警察让她到休息区等待暴风雪过去。女主去了休息区,在外面找手机信号时,发现停在休息区的一辆车里有一个小女孩被绑住了手脚,还被堵着嘴。这是休息区房间里有一个人在睡觉,一个怪伽在玩火柴,还有一对老夫妇。到底是谁绑架了这个小女孩。女主想报警,没有信号,于是她拍了车牌,发了短信给警察。然后她跑进房间和大家一起玩牌。通过这种说大话的纸牌游戏,她发觉那个怪伽有点问题。通过试探她发现怪伽有重大嫌疑。于是她把这个事情告诉了那个睡觉男。但是她再次返回扒开女孩的嘴巴,才知道绑架她的有两个人。女主才知道睡觉男也是绑匪。很快他她被绑匪挟持,不敢把消息说给那对老夫妇听。这时小女孩跑了出去,绑匪只得带着女主去找,女主找了一个机会,滚下一个斜坡,然后跑回休息区告知老夫妇。老夫妇也发现了小女孩冻僵在雪地,将小女孩救了进去。面对外面两个气势汹汹的绑匪,老头让女主藏起了汽车钥匙,大家准备迎击绑匪时。小女孩醒了过来,认出了老头是她家的女佣,原来老太也是绑匪其中之一。老太放进了绑匪,绑匪杀了老头老太,把女主钉在了门上。用小女孩威逼女主说出钥匙的去向,为了保护小女孩,女主说了。所以睡觉男就去找,让怪咖看着女主和小女孩。女主发现怪咖有恻隐之心,就让小女孩去关灯。小女孩关了灯,女主袭击了怪咖。女主用怪咖威逼睡觉男放下枪。小女孩突然暴起打了睡觉男,睡觉男打中了怪咖,怪咖死去了。女主驾车想逃跑,但是被睡觉男用射钉枪袭击,撞上了路杆。警察跑来,女主还是袭击了睡觉男,警察打中了女主。睡觉男袭击了警察。最后女主用锥子钉死了睡觉男,带着小女孩逃出生天。

    女主全程智商和武力值都在线,因为长年的混迹在外,有丰富的社会经验也帮助了她,当然那包玩意儿也绑了她,还挺有作用。老太我想不是没有认出来,而是故意装作不认识,以为小女孩不会醒的,结果小女孩醒了,说出了一切。而且以为这些小青年就是敲诈勒索,没想到是真的拐卖集团,专门绑架小孩的,这让老太开始有点反悔了。老头死的有点冤,为什么不阻止老太开门,是被惊呆了,慌了神嘛。这么呆,还是海军陆战队的,有点失望,不要太耽误事情。怪咖其实是个好人,不舍得小女孩,不然女主是一点办法都没有的。当然睡觉男也是死在话太多上,不够心狠手辣。完全可以在警察认识上做文章的,没有做,直接杀了警察,有点鲁莽,智商还是不够。结尾稍微弱了一些,可惜了。

    【详细】
    142451163
  • frozenmoon
    2017/11/22 15:05:18
    鳗鱼饭和银杏果,这生活的苦与乐
    (文/杨时旸) 只要他愿意,86岁的山田洋次或许能将《家族之苦》这个系列一直拍摄下去,直到他生命的尽头。《家族之苦2》和第一部有着一样的调子,生活默默延续和自我生长,故事也同样如是。两位老人在那次离婚风波之后平息下来,日子照常行进。这部电影之所以能够打动人,与其...  (展开)
    (文/杨时旸) 只要他愿意,86岁的山田洋次或许能将《家族之苦》这个系列一直拍摄下去,直到他生命的尽头。《家族之苦2》和第一部有着一样的调子,生活默默延续和自我生长,故事也同样如是。两位老人在那次离婚风波之后平息下来,日子照常行进。这部电影之所以能够打动人,与其...  (展开)
    【详细】
    8939217
  • 划沙
    2019/5/19 0:44:40
    能不能有个正常的人设?

    男主:无论对着谁都一副全天下我最牛逼的模样,还有一个不能碰女人但唯独能碰女主的病,这个病我给满分。

    女主:失忆,又是失忆。怎么你们这么容易失忆?身为和亲公主抛头露面去当茶楼少东家是要干什么?能不能稍微易个容?还和黎王发生感情纠纷?更过分的是,搞了这么多事,身份被识破以后,皇上随便骂了顿男一男二求情这事就这么过去了。。。我觉得我的智商受到了侮辱……

    男二:开始还挺正常,

    男主:无论对着谁都一副全天下我最牛逼的模样,还有一个不能碰女人但唯独能碰女主的病,这个病我给满分。

    女主:失忆,又是失忆。怎么你们这么容易失忆?身为和亲公主抛头露面去当茶楼少东家是要干什么?能不能稍微易个容?还和黎王发生感情纠纷?更过分的是,搞了这么多事,身份被识破以后,皇上随便骂了顿男一男二求情这事就这么过去了。。。我觉得我的智商受到了侮辱……

    男二:开始还挺正常,但...你成亲那天男主当众说他睡过你媳妇,你又那么轻易让他把她抢走了,事后你还像什么事都没发生过,还反过来安慰她?!你知不知道你被绿了?!你知不知道全天下都知道你被绿了?!

    男三:虽然我很喜欢罗云熙,但是我到现在还是看不出来容齐究竟在干什么?!说是要与北临联姻,自己却让个假公主当着皇上和真公主的面选婿,然后又让真公主嫁过去?幸好皇上是个煞笔,不然一定血流成河。

    皇上:一个敢在大殿上扫你颜面的皇子,一个三番四次忤逆你的皇子,你还那么宠他?留着拜山吗?你还能君临天下?

    拢月:我没看出来你与公主有多主仆情深,况且认识才不过半年?你就为了她自杀?

    【详细】
    10188494
  • 人啊~该!
    2019/8/23 19:58:26
    这不是我的高三

    真的希望大家不要随便看几集就把一部剧捧上天,尤其是各种电影自媒体作为刚从高三出来几年的,觉得非常不真实了,或许这是北京的高三学生?大家可真轻松,这剧是想掀起各地对高考难度,教育资源的讨论吗各位家长仿佛从高三开始才意识到高考的严肃性,才开始准备,才开始学做父母,才开始处理和子女的关系?包括学生也是,老师也是完全没有对高考的紧张认识,仅仅靠话说的吗?宋茜还说是多少年的老师了,能处理好别的学生,到

    真的希望大家不要随便看几集就把一部剧捧上天,尤其是各种电影自媒体作为刚从高三出来几年的,觉得非常不真实了,或许这是北京的高三学生?大家可真轻松,这剧是想掀起各地对高考难度,教育资源的讨论吗各位家长仿佛从高三开始才意识到高考的严肃性,才开始准备,才开始学做父母,才开始处理和子女的关系?包括学生也是,老师也是完全没有对高考的紧张认识,仅仅靠话说的吗?宋茜还说是多少年的老师了,能处理好别的学生,到自己女儿面前未免太极端了。校长更是跟玩一样家长把对子女的放不开叫做爱,叫做为你好?也不知道高考还没考呢,就吵吵着我死活不许你去南大?北京的学生这么好考南大吗?对于百万千万的高考考生这已经扎了多少次心不仅是这部剧的问题,而是多数剧的与大多数大众生活的脱节,仅仅靠一两个点就能被叫做真实了学生的成绩下滑没有那么多外部原因,不要逢考差了就家长离异吵架,就家长生病,生病必患癌,上升必复合病情必缓解,没有这么多大事件不好意思,不是针对这部剧,已经能超越不少剧了,但不值得这样的夸赞,这是多数国剧的痛点,是这个时代的痛点。这不是我的高三,这不是我的高三家长,这不是我的高三老师……

    欠了这么多钱,都失业还能活的这么滋润,多少人家急都急死了

    选取的对象也没有那么多代表性,绝大多数的绝大多数只是普普通通的人,中游,而不是极上极下……这大概是国人的喜好吧,凡找代表必找最好而不是最普遍……

    【详细】
    10433603
  • Chita
    2017/6/11 11:27:07
    青春里

    #唐家妮/为什么你会在这个时候出现/为什么感觉/会这么强烈/我已经好久/没有真正的感觉过/感觉到温度/感觉心跳加快/感觉活着/感觉一切#

    又重新刷了一遍此剧,而这一段是我最想重温的片段。久别重逢,所有的记忆和所有的感觉都回来,毫无生机的生活里又有了青春。

    不管后面的剧情有多压抑,还是庆幸这一群人,能在岁月的行走中,不断重逢,成为彼此的羁绊。

    你的未来是怎样

    #唐家妮/为什么你会在这个时候出现/为什么感觉/会这么强烈/我已经好久/没有真正的感觉过/感觉到温度/感觉心跳加快/感觉活着/感觉一切#

    又重新刷了一遍此剧,而这一段是我最想重温的片段。久别重逢,所有的记忆和所有的感觉都回来,毫无生机的生活里又有了青春。

    不管后面的剧情有多压抑,还是庆幸这一群人,能在岁月的行走中,不断重逢,成为彼此的羁绊。

    你的未来是怎样?一年又一年的过去,未来不停地来,你能做到的最棒的是: 让自己变得更好,剧里的每个人都是如此,真正好的友情或爱情一直在那里,而你是一直在以进步的自己在它周围徘徊。

    最后想感慨的是,真的是青春里的我们才是最美好的我们,那些时刻是人生中最鲜活的时刻,用来珍藏,用来怀念。如果你的青春里黯淡无光,那该多悲凉。

    【详细】
    8594361
  • 方柯
    2017/12/25 23:02:54
    未看原著漫画
    之前看过前两季动漫,感觉很爽,一层一层的抽丝剥茧,慢慢深入人心。打动人的不是诉说人性,还有比寄生兽更宏大的世界观。 但是反观电影版,选择了截取金木第一场战斗,未能将其彻底觉醒时刻拍出,很是可惜。特效比不了真人寄生兽写实,没有最终幻想的华丽,剧情解析太简单,没...  (展开)
    之前看过前两季动漫,感觉很爽,一层一层的抽丝剥茧,慢慢深入人心。打动人的不是诉说人性,还有比寄生兽更宏大的世界观。 但是反观电影版,选择了截取金木第一场战斗,未能将其彻底觉醒时刻拍出,很是可惜。特效比不了真人寄生兽写实,没有最终幻想的华丽,剧情解析太简单,没...  (展开)
    【详细】
    9017215
  • 紫菊
    2012/1/12 10:17:04
    真心爱一个人
    招弟给我找了份工作,我现在只听她的。
    招弟值得我爱。
    她只想有个家,并不在乎家是个什么样。
    而我只想跟招弟在一块,也并不在乎她是个什么身份。

    野鸭子22集中的一段话,我很喜欢这句话,现在还有不为了现实而爱一个人吗?
    招弟给我找了份工作,我现在只听她的。
    招弟值得我爱。
    她只想有个家,并不在乎家是个什么样。
    而我只想跟招弟在一块,也并不在乎她是个什么身份。

    野鸭子22集中的一段话,我很喜欢这句话,现在还有不为了现实而爱一个人吗?
    【详细】
    5265123
  • 肆者如川
    2020/3/24 15:27:53
    《饥饿站台》六大疑点解惑

    看完《饥饿站台》,相信很多人都疑惑重重,因为影片中好像存在很多互相矛盾的地方,结局也相当有开放性。下面就跟小编一起通过影片来探讨其中的答案吧。

    一、小女孩是否存在

    看完《饥饿站台》,相信很多人都疑惑重重,因为影片中好像存在很多互相矛盾的地方,结局也相当有开放性。下面就跟小编一起通过影片来探讨其中的答案吧。

    一、小女孩是否存在

    12431275
  • 不忘
    2014/11/5 15:15:13
    东方不败 她只是不懂得
    最后顾长风说 东方不败 你从来不相信任何人 你完全做到了 你什么的人都没有了 东方不败最后说 雪千寻 我们重新开始

    她一直不懂的 一直认为独来独往好 一直不想被任何人牵挂也不想牵挂任何人 所以她对雪长寻说 昨日已逝 忘了我把

    最后她才懂得 雪长寻对她 是真的感情 雪千寻对顾长风说 我只是担心她 她被命运拖着 摆脱
    最后顾长风说 东方不败 你从来不相信任何人 你完全做到了 你什么的人都没有了 东方不败最后说 雪千寻 我们重新开始

    她一直不懂的 一直认为独来独往好 一直不想被任何人牵挂也不想牵挂任何人 所以她对雪长寻说 昨日已逝 忘了我把

    最后她才懂得 雪长寻对她 是真的感情 雪千寻对顾长风说 我只是担心她 她被命运拖着 摆脱不了 只有她真正懂得东方不败 所以她没逃脱


    东方不败呢 她一直怕 所以从未靠近过谁 她也许认为毫无牵挂就是潇洒 其实真正的潇洒是有所爱有难言依然不羁


    最后她懂得了 可是雪千寻已经死了 爱来的太迟 懂得太晚



    抛去感情不说 她的确杀人成瘾 不过也是 那帮盲目迷信她的人太可气


    她假装坠落是因为是她在意的人 可那个人也未必懂她 只是错觉 她认为他懂她 如此而已



    其实那个愿意一直陪在你身边的人才是最懂你的 不然她早就离开了 干嘛把时间耗费在你这里 只是她不说 你不明白


    很多事情 真的要过了很久很久之后才能懂得 唯一庆幸的最好是 你懂得的时候 那个人还在
    【详细】
    7179613
  • 叮当猫
    2010/9/28 20:19:58
    每个人都有小故事,这是我的
                       每个人都有小故事
         回老家的时候,姐姐联系上了一位她儿时的要好玩伴,虽然没有见上面,但是通电话时仍感受的到姐
                       每个人都有小故事
         回老家的时候,姐姐联系上了一位她儿时的要好玩伴,虽然没有见上面,但是通电话时仍感受的到姐姐对她的另一种肯定,其实,不仅姐姐,我也同样。
         电话中,同学问起,
    你爸妈怎么样,身体还好吗?
    我爸爸和你爸爸一样
    恩,我懂。
         姐姐的同学在他们还是小学生的时候就有精神病的妈妈和因为工作意外而瘫痪在床的爸爸。同学在我们老家这样的小地方一直等到27,28这样的年纪才结婚,大概就是因为家庭的缘故。同学一直坚持同时照顾两位老人因为她有一个有心照顾却远嫁的姐姐,和一个怨天尤人记恨父母的哥哥。就在前不久同学的爸爸去世了。可以想象这近20年,同学是用怎样的耐心和艰辛坚持到可以有另一个肩膀可以依靠。而对于别人的钦佩,她只说,自己的父母做什么都是应该的。
       我们的爸爸和同学的爸爸一样,在前不久过世了。
       爸爸在一年前检查出患有肺癌末期,我们选择将爸爸从广元接到成都,一家人生活。在此之前爸爸在精神病医院住了三个月,这三个月,是我可以睡的安稳的三个月,我不必担心爸爸突然出现或是警察局突然来的电话,不必担心爸爸变成无家可归的犀利哥。至少他在一个可以按时吃饭,按时睡觉可以遮风避雨之地。
    这三个月让爸爸不会到处乱走,恢复到正常。其实自从爸爸妈妈在我上高一的时候离婚之后,爸爸就不再可以在喝酒之后克制自己在外的行为了。那时姐姐和妈妈在成都,我在广元和爸爸一起。我在高中住校只有等到周末才能回家,爸爸会在我回家时准备比较营养的餐点,其他时候他应该是对付点和着酒度日的。有时,我也会在其他时候回家,因为爸爸会有事。我在高中时期陪爸爸乘坐过大概两三次救护车,但爸爸从没有住过院,总是因为喝酒的缘故,我和爸爸的生活都变得不那么容易,那三年他照顾我的食宿,我帮他料理每一次喝酒闹事的烂摊子。
         上大学以后爸爸一个人留在广元,一切就是每况愈下了。直到没有任何办法,直到我们的姑姑叔叔赶爸爸离开老家,直到爸爸不愿回广元,直到爸爸四处乱走,直到我们决定给爸爸治精神病。
       还好,爸爸的精神好了,还好,我们还可以再在一起,虽然只有一年。我们家的生活从来没有像这一年这样温馨,这就是在我和姐姐过去的生命中祈求的那种生活。工作日姐姐上班,爸爸妈妈去买点菜,或是去公园转转,等姐姐回来一起吃饭,到了周末,我回到家里,我们去外面吃点丰盛的,然后去附近的展览或是公园看看。这种幸福持续到爸爸病情加重,住院。
    姐姐从爸爸住院的第一天开始就很少回家转而在医院了,我则是学校没有课就直接回医院,直到我放暑假。就在这段期间,我才发现,我和姐姐以前所有的认为都是错的,因为不管我们怎样对爸爸好,他最想见的,他最牵挂的,他最爱的始终是妈妈,如果爸爸走了,最难过的人也是妈妈。他们的那种默契,那种斗嘴的玩笑,是他们的交流方式。有一些事只有妈妈懂,有一些事爸爸只让妈妈来做。所以我们全家人,包括后来的小姑都几乎整天呆在医院。
    姐姐说,让妈妈离开爸爸,是她最后悔的事。姐姐对爸爸是愧疚的,因为我上高中的那三年,因为她和我支持妈妈离婚。我有时想,如果没有那三年,也许我们不会有那最后的一年的宁静。也许我们包括爸爸都不会知道他离不开的人是妈妈。
    最后的日子是最难过的,就连我这个家里的开心果都偷偷的哭过很多次。我们会怨恨医生的无力,我们跟爸爸一样希望医生可以救救他,可以让他不那么痛,可以自由的呼吸。爸爸后来只能坐着才能稍稍不那么喘,我和姐姐就日夜轮流在爸爸背后把着他。原本常常咳喘,后来连咳的力气都没有了,爸爸就整天坐着昏睡。手也开始肿,但每天都在还能跟我们聊天。我们看见爸爸越痛苦,就越怕看见医生,我们不知道为什么身体会被死神这样无情的一点点磨光,不管灵魂是多么的坚强都挺不过来。所以我们只有哭泣着送走爸爸已经千疮百孔的身躯,那些可恶的癌细胞也只有随身体死掉不是吗???????尽管爸爸不曾给我们富裕的生活,尽管生活并不轻松,但是我们依然深爱爸爸,他的离去是我们最大的伤痛,我们希望人有灵魂,我们希望爸爸即使走了但那代表他不再痛苦,代表又一次生命的开始,爸爸永远是我的爸爸,是我深爱的那个人。
    妈妈和姐姐是我在现在的生命中最想珍惜和好好感谢的人。他们的存在是我能阳光的看待生活的原因。妈妈说姐姐就是我生命中的大贵人。姐姐上大学时,每天四点起床去送报纸,每天只吃一两元钱的饭,每次放假都在打工挣钱,姐姐节省的留下每一个盒子或是八宝粥的圆筒拿来废物利用。是不是很像众多偶像剧中的灰姑娘女主角。我也相信姐姐这个灰姑娘一定会遇见她的国王。而我的大学生活不是这样,姐姐带到成都后,妈妈开始做生意,我们的生活不再是姐姐上学时给姐姐交了学费我就没有学费的状况了。我上的专业是在旁人看来穷人不能读的艺术类,是那种就像坐了直升机不用努力就考上大学的人。尽管每一种专业都不像看起来那样轻而易举,但不得不承认,如果没有钱这一切都是天方夜谭。而妈妈开店的第一桶金是姐姐找来的。从出生起,我就占了有姐姐的光,和姐姐儿时的记忆比,我可是要幸福的多,而性格的养成也因为有姐妹的关系不会太自私。
    当然,我们的生活中最最不能忘记的就是劳苦功高的妈妈。妈妈是靠边在工厂上班,边在外摆缝纫摊赚钱养活我和姐姐的,爸爸在上班却总辗转各种工作,但是,我还是记得爸爸愿意出卖体力而挣一块一块的钱,虽然也时不时会有因为喝酒造成的麻烦。后来工厂倒闭了,妈妈就靠缝纫摊供姐姐上大学和上小学的我。少了这个家庭中任何一个人的付出我们都不能走到今天,尽管生活的很不容易,但我们都不曾放弃,包括一直找工作又换工作的爸爸。
     从不怨恨爸爸妈妈给予的不够多,自己努力改变我们家庭的命运是姐姐一直做的事。我也相信只有自己的努力才能改变自己和家人的命运。
    所以说,我要怎样来评价这部电视剧呢?我们不能选择父母家人,我们只能选择好好爱他们选择自己去改变家庭的生活状况。如果你不曾贫穷,不曾艰难的生活,你又怎能体会生命中的曙光出现时,自己的欣喜和怯怕。
    男主角的生命中是阴霾多过晴天,尽管这样他还是遇见了彩虹,所以他怎么样都不能移开视线不去看,不去爱,但是他希望自己会更优秀更配的上彩虹,尽管这道彩虹对他不离不弃。可是当他们想在一起时,男孩发现,这道彩虹是那道打得他家破人亡的闪电留下的余光,他爱上了彩虹但憎恨闪电。
    我们每一个人都有属于自己的小故事,只是有的长有的短,有的人已经苦尽甘来,有的人正在经历,有的人还在走近故事的路上,这是我的小故事,你的呢?
    【详细】
    37562964
  • 恰逢年少
    2019/8/29 20:36:45
    追剧的感受(陆战之王)

    1,女主出场方式非常勉强,居然在边上偷拍坦克,这还不算什么,撞坦克之后还想讹人,这安排就有点勉强了吧,先不说部队拉练让不让偷拍,其次坦克通过时间其他车辆都是避让的吧,女主居然还能是撞了坦克非常镇定。还倒讹一把,我算是看不下去了

    2,混进军营;同样是女主出场之后,想要混进军营,就说自己是牛努力的女友,结果还真让她得逞了,这样的军营警戒,不知道导演如何想到的,就算女主真的是牛努力

    1,女主出场方式非常勉强,居然在边上偷拍坦克,这还不算什么,撞坦克之后还想讹人,这安排就有点勉强了吧,先不说部队拉练让不让偷拍,其次坦克通过时间其他车辆都是避让的吧,女主居然还能是撞了坦克非常镇定。还倒讹一把,我算是看不下去了

    2,混进军营;同样是女主出场之后,想要混进军营,就说自己是牛努力的女友,结果还真让她得逞了,这样的军营警戒,不知道导演如何想到的,就算女主真的是牛努力的女友,也不是能够随意进入军营的理由吧,哨兵等于形同虚设。

    3,低智商问题;能够参军的人都是成年人,并且对军队生活有一定的了解,可剧中为了表现新兵对军旅生活的好奇,居然什么问题都有,为什么累了就应该睡觉,被子叠成豆腐块,手机为啥要被没收,这些问题多少有点刻意吧,都是小学生才该问的

    4, 强制制造矛盾;作为军旅作品细节处理非常重要,进入部队的第一天应该就学会纪律,可剧中新兵没有一点纪律,想说话直接出列,不用打报告被批准,报道的时候慢悠悠的没有急切性,最让人受不了的就是牛努力直接割断降落伞绳子,现实中一定是无组织无纪律的行为。

    5, 过于矫情;现实中就连观众都知道,作为士兵都要剪头发不管男兵女兵,可剧中女兵因为剪头发的事情,矫情的直接泪流满面,既然无法放弃头发为何还要参军,况且能进入通讯组的人,基本上前期都会接受训练,这时候依然长发及腰是不是有点不合常理?

    总结: 对于军旅作品,个人觉得应该像《士兵突击》一样纯粹军旅生活 !

    【详细】
    10448648
  • 叶king羽
    2018/8/12 11:48:38
    努力比选择更重要

    97年是个特殊的年份,从影片中可以闻到大陆、香港的政治风向。

    老爷子是从大陆来香港打拼的,吴倩莲从北京过来,卖的是山东烧鸡。92家有喜事的最后,才知道大嫂是从台湾过来的,母语是闽南话。

    电影里含有历史,看不同地区的电影看的也是不同地区的文化以及地缘政治。

    可以看出香港在很多年前就已经很international了,懂得大陆、台湾和香港本地的文化异同,而今天

    97年是个特殊的年份,从影片中可以闻到大陆、香港的政治风向。

    老爷子是从大陆来香港打拼的,吴倩莲从北京过来,卖的是山东烧鸡。92家有喜事的最后,才知道大嫂是从台湾过来的,母语是闽南话。

    电影里含有历史,看不同地区的电影看的也是不同地区的文化以及地缘政治。

    可以看出香港在很多年前就已经很international了,懂得大陆、台湾和香港本地的文化异同,而今天的大陆上虽然经济已然腾飞,但是我们现在出品的大众商业电影中还是很难看出这种international的思维和格局。

    中国依然是二元经济结构,有地方富的像卢森堡,有地方穷的像卢旺达。人和人之间思维眼界格局的隐性差距也许比生活质量间显性的差距还要大。

    阶级跟地域捆绑,阶级跟资产存量捆绑,阶级跟受教育程度捆绑。其实,阶级跟自身的综合素质捆绑才是阶级固化,这并没有什么不好,因为无论什么社会什么年代,这一条都是不变的。

    希望我们年轻人在这样一个时代里,面对高房价,面对接下来可能会面对到的经济寒冬,不要自怨自艾,努力去提高自己吧。

    自身的选择受环境的影响,唯有努力还算可以自己稍微把握住的。相信我,努力比选择更重要

    【详细】
    9585532
  • 陈爅吉
    2019/10/22 21:54:47
    虽然我喜欢楚路还是要打一星

    个人真的对楚路这个角色挺有好感的,但是这也没有办法改变本剧真的是一部烂剧,剧情毫无逻辑,剪辑乱七八糟,镜头模仿痕迹极重,慢镜头和环绕镜头滥用,除了楚路一角勉强演技在线,其他角色演技都爆尴尬,表演痕迹太重,无法产生代入感。设计的地震的一段剧情毫无真实感,而且感觉有点耍子的意味,让人生气,最后的结局随便到感觉是在玩弄观众,最近的网剧都喜欢这么涮观众么?

    个人真的对楚路这个角色挺有好感的,但是这也没有办法改变本剧真的是一部烂剧,剧情毫无逻辑,剪辑乱七八糟,镜头模仿痕迹极重,慢镜头和环绕镜头滥用,除了楚路一角勉强演技在线,其他角色演技都爆尴尬,表演痕迹太重,无法产生代入感。设计的地震的一段剧情毫无真实感,而且感觉有点耍子的意味,让人生气,最后的结局随便到感觉是在玩弄观众,最近的网剧都喜欢这么涮观众么?

    【详细】
    10592185
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