事情是这样的,我在某站刷到了这部剧的剪辑,剪得相当不错,心想着这是我的菜就去看了。看了才发现,这位剪辑大大能把一部剧情又尬演技又无的剧剪成如此,我是五体投地啊。
就说说第一集把,男女主初见就不能正常一点吗?非要男主被小混混追,灵机一动躲进一个门没关的屋子,OK,后面说了这是书吧,那就算了,但是男主偏偏要上楼,可是那是女主的住
事情是这样的,我在某站刷到了这部剧的剪辑,剪得相当不错,心想着这是我的菜就去看了。看了才发现,这位剪辑大大能把一部剧情又尬演技又无的剧剪成如此,我是五体投地啊。
就说说第一集把,男女主初见就不能正常一点吗?非要男主被小混混追,灵机一动躲进一个门没关的屋子,OK,后面说了这是书吧,那就算了,但是男主偏偏要上楼,可是那是女主的住所啊,如果说一楼是公共场所,那么二楼就是私人区域了啊,作为一个大学生(好像还是个学霸?)男主就这样私!闯!民!宅!了!我:黑人问号脸
进了之后还看女主跳舞???这叫偷窥了吧giegie
为了补没锁门这个bug,编剧是这样干的:门坏了,所以没锁。得咧,这心可真大,真不怕有小偷光顾啊,好歹二楼还住着个独居的单身小姑娘,你可长点心呐。再不济拿那种锁自行车的锁一锁,也好啊,但是,这样男主就不能偶遇(偷窥)女主了不是?
而且单单为了这个剧情,我特地看了原著,至少原著里是很正常的,剧里这玩意儿是编剧加的,牛。
这还单单是剧情呐,男女主的演技大家都是有目共睹的,就不多多打字吐槽了。
2021年了,剧情就有点脑子吧
这部剧是侮辱警察的吗?有监控都查不出真相,明明王千源对郭富城的行踪都了如指掌了,还找不到尸体。车子炸了沉入水底郭富城你也不知道再多等等吗?就这几分钟的事情。后面锁屋里的时候,明明刀都已经抢过来了,结果居然只是把手捆住,全程逻辑都不在线。三星勉强给2位的演技。王千源这个变态演的我都要有心理阴影了。
这部剧是侮辱警察的吗?有监控都查不出真相,明明王千源对郭富城的行踪都了如指掌了,还找不到尸体。车子炸了沉入水底郭富城你也不知道再多等等吗?就这几分钟的事情。后面锁屋里的时候,明明刀都已经抢过来了,结果居然只是把手捆住,全程逻辑都不在线。三星勉强给2位的演技。王千源这个变态演的我都要有心理阴影了。
在玲珑到达昭都前,整个观感就是
剧情一般,很老套,就唐人一贯内一套
特效太垃圾了,神主变身后是奥特曼么,丑的跟钟馗里的李冰冰似的
能不能对墟婴设计上点心,它是重要反派好吧
男主鼻子好大,他鼻子大的我都看不下
在玲珑到达昭都前,整个观感就是
剧情一般,很老套,就唐人一贯内一套
特效太垃圾了,神主变身后是奥特曼么,丑的跟钟馗里的李冰冰似的
能不能对墟婴设计上点心,它是重要反派好吧
男主鼻子好大,他鼻子大的我都看不下去了,这个造型越看越丑
但到了昭都后,真香
前面的问题仍然有,但已经被神主少女?人族君上的cp滤镜蒙蔽掉双眼
这不就是我幻想中的少年君上和他命中注定的神主王后,互相养成的故事么
赵今麦很鬼马少女,林一表现的也很少年持重
真正年轻的人在一起恋爱,表情肢体情绪是大龄演员表达不出来的,演技再纯熟都不行
没有吻戏,没有生扑,甚至没拥抱,清汤寡水的撩,小学鸡过家家尺度,但就是苏,苏的我满脸姨母笑
上次这么被戳中点还是吕归尘和羽然
不漏下零元cp任何零星的戏份,成为支撑我看完全剧的动力
全剧很唐人,盒饭不停往外发,cp自由组合,你能想到的他们都组合过,除了玲珑和元一,全员be
但最大的问题是,火屠辛可以是主角,但为什么要给他安排辣么多感情戏,他就当个深爱亡妻,女儿控,重情重义,有担当的糙帅大叔不行么?
把火屠辛感情戏的时间分给零元cp,骨科cp(唐人传统艺能??),砚妆cp,篱霄cp,篱盏cp,绯天佛纂……不香么,这几对哪一对人设不刺激?拓展起来不凄美?
尤其是微生砚和银妆,这一对简直就是另世莅阳和谢玉
乌缘小姐姐她就当个人美艺高,邪正难分的女侠,不被情爱所束缚不好么。
然后整个后半部剧情被火屠辛老套的多角恋搞的稀碎
因为多角恋,让前半部分我最爱的银妆崩的像个绿茶婊,乌缘拖泥带水恋爱脑,最后火屠辛居然选择跟他老婆死一起了
这是告诉观众火屠辛虽然喜欢乌缘,对银妆有好感,但他是个身体忠于他老婆的好男人啊(bushi??)
袁弘为啥接这样人设的戏?为啥把自己的脸糟践成那样。
我邪魅的完颜康小王爷啊(没眼看??????????????)
因为无用剧情太多,元一重御宿川,展现他成长的戏没空安排,零元cp没时间发糖,篱砂银霄进度太快,篱砂身世来不及交代。
我甚至怀疑如果不赶,是不是还能安排出来篱砂梦盏这对cp完整的感情线
就很无语……
最无语的是给火屠辛加了这么多的感情戏,一点没给老爹加分,反倒成了累赘
但不得不说唐人的电视剧优点也很多
剧本原创,再不是随便搞个ip魔改下
风格没有变,造器,游戏感,各类神器,略微低幼,都有仙剑的影子
唐人用的演员都很棒,配角都超级入戏,比如反派翅膀小哥,骨蚀,烛家四子……观感特别好,即使没有主角的戏份,一个配角的表现也能看进去。
甚至后来梦盏离开我不开心好久,就像当初茂茂死了一样
整部剧最棒的就是把少女还给了少女
从让十几二十岁的刘亦菲演赵灵儿,稚嫩的诗诗幂幂演龙葵和雪见,到今天十六岁的赵今麦演了玲珑,中间还夹着娜扎陈瑶李兰迪等等美貌小花
(p.s.剧里林一19岁,他俩货真价实年少的爱恋)
唐人的少女们就像宝玉记忆里大观园的女儿——永远不会变老
最后,我们真不想看几十岁的少女谈恋爱了
我爱零元cp,打分不理智,因为磕拉了
谢允的一生,便是“无常”。他尚在襁褓中,父亲便遭背叛,战死于湘水,幸得忠心的老仆冒死救出,逃到蓬莱岛,又得四位真心相待的师父。幼时的他其实尚无国破家亡的记忆,这无常也没能落到他的心里。直到小谢允一日日长大,天真的他因为不愿意吃人世间的苦楚,嚷嚷着要出家。这本是孩童心性。可那忠仆却自觉愧对旧主,收复江山无望,竟自戕而死。这位忠诚的老仆选择这样惨烈的死法
谢允的一生,便是“无常”。他尚在襁褓中,父亲便遭背叛,战死于湘水,幸得忠心的老仆冒死救出,逃到蓬莱岛,又得四位真心相待的师父。幼时的他其实尚无国破家亡的记忆,这无常也没能落到他的心里。直到小谢允一日日长大,天真的他因为不愿意吃人世间的苦楚,嚷嚷着要出家。这本是孩童心性。可那忠仆却自觉愧对旧主,收复江山无望,竟自戕而死。这位忠诚的老仆选择这样惨烈的死法,或许是有意,或许是无意,然而从那一天起,谢允再也当不成他的小和尚了。他努力习文习武,披上铠甲,拿起刀剑,在战场上厮杀,在朝堂搅动风云,与那些权欲熏心的人斗智斗勇。这位老仆用自己的性命把他留在了滚滚红尘中,也让他走上了一条吃尽世间百苦的不归路。
看了一部相当无聊的作品,绝对的烂片体质,快速评述一下,不想多费口舌。
美国电影《福尔摩斯与华生》
作品类型:喜剧<
看了一部相当无聊的作品,绝对的烂片体质,快速评述一下,不想多费口舌。
美国电影《福尔摩斯与华生》
作品类型:喜剧
主要演员:Will Ferrell、John C. Reilly
故事概述:福尔摩斯 vs莫里亚蒂及其女儿
上映时间:2018年12月25日在美国上映
刚看完电影后,突然间有些思绪,就想来写写,其实之前也有想过,家里如果有一个身体或智力不健全的孩子怎么办,作为父母会不会觉得很绝望,对于生活或则精神上会不会很心力交瘁,但是看到影片中,弟弟和家人的生活状态,还是觉得很感动,对于现实的类似家庭来说,是不是起到一个很好的引领或则鼓舞的方向呢。
影片中我最印象深刻的一句话是妈妈说的那句“ 刚看完电影后,突然间有些思绪,就想来写写,其实之前也有想过,家里如果有一个身体或智力不健全的孩子怎么办,作为父母会不会觉得很绝望,对于生活或则精神上会不会很心力交瘁,但是看到影片中,弟弟和家人的生活状态,还是觉得很感动,对于现实的类似家庭来说,是不是起到一个很好的引领或则鼓舞的方向呢。 影片中我最印象深刻的一句话是妈妈说的那句“一个男人最起码要会保护四样东西,脚下的土地,家里的父母,怀里的女人,身边的兄弟”,短短的四句话,却包含了我们在行走的路上所要担负的责任。 在影片中陈思成所饰演的花心妇产医生,最后通过寻找……回到初心,我不知道,他是否真的是回到初心,因为剧情只是生活的片段化,真实生活的柴米油盐酱醋茶还在继续,不管是影片还是生活,我想说,简单就好…… “黑黑的天空低垂,亮亮的繁星相随,虫儿飞,虫儿飞,你在思念谁……”
So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one. Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.” But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro. [people murmuring] [clears throat] Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it. Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman. [rustling] Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So… [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me. Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral. Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this. [groaning] [mourners gasping] Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday. [woman coughs] Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy. [clears throat] Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault. But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me. Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard. When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting. Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter. [owl chirping] My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face. [groaning] [mourners gasping] If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression. [woman clears her throat] [chairs squeak] I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.” Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed. Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything. [woman sighs] Back in the 90s, I was in a very famous TV show called Horsin’ Around. [man coughs] Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.” And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much. Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock. [murmur] I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.” “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom? I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots? [rimshot plays] Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing. [rimshot plays] Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket! [rimshot plays] Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch! [woman gasps] [murmurs] Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead. [woman sighs] You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.” [organ playing tune] Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim. [flashback] [partygoers laughing] [classical music playing] But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.” You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty. I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps] Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain. [rimshot plays] No, that wasn’t… would you just… dial it back, all right? I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that? I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause. [man coughs] Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for. Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show. I guess until there isn’t. [chuckles] My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.” “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro. You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales] I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker. Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away. My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead. [gulps, sighs] Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen. Is this Funeral Parlor B? —— from Reddit
看完了,非常喜欢,没有想到居然会这么好看,看完之后有诸多思考,也毫不犹豫的把它视作了我的人生之剧之一。
教会我很多东西:1.要突破规则、桎梏,勇敢地为自己而活,能不要委屈自己还是不要委曲求全了,否则之后真的会后悔,不如一开始就按照自己的心意吧;2.人生真的很奇妙,每个人都不会知道会什么时候会认识什么样的人,以
看完了,非常喜欢,没有想到居然会这么好看,看完之后有诸多思考,也毫不犹豫的把它视作了我的人生之剧之一。
教会我很多东西:1.要突破规则、桎梏,勇敢地为自己而活,能不要委屈自己还是不要委曲求全了,否则之后真的会后悔,不如一开始就按照自己的心意吧;2.人生真的很奇妙,每个人都不会知道会什么时候会认识什么样的人,以及何人仅是你人生的过客、而何人会和你碰撞出火花最后相伴一生;3.有些时候要多沟通,有些事情一直担心着不说倒不如直抒胸臆(虽然我知道这很难 需要勇气
谈谈这部剧,很多细节处理的非常好,真实又生动。对感情的刻画和演员的台词都很真实,男女之间那些很细微的点也都很好的表现出来了(比如kash和maya初见即好感-然后一直压抑着彼此的感情直到爆发),然后觉得kash就是男版的我,希望成为父母的骄傲也不想让父母失望,于是一直活成的就是当“别人家的孩子”,带着名为“父母期待”的枷锁。做着光鲜的工作但并不喜欢、因为顾虑太多所以做事瞻前顾后、不够坚决、不到最后一分钟不会醒悟、安全感缺失总想着给自己多留条后路(结婚当天才意识到自己不想结、觉得试镜效果不好马上想反悔不辞职了最后辞职也是被辞了不得不安心去做演员、如果不是女二骗他说maya要结婚了还在劝自己继续演话剧...)我只能说this is so me ,长期压抑本心后的做法就是这样,不到最后一刻一定不会醒悟:啊我是真的真的不想xxx、啊我是真的真的爱xxx……
有一些让我觉得很cool的做法 比如Fatima发现自己喜欢的人是bashhh 勇敢表达了且遵从本心
比如Andrew 那个gay议员为了爱情改变投票方向的事情(虽然这个真的有点扯 毕竟感觉真实情况可能是从政生涯可能就at risk了
还有一些让我觉得原来爱就是细水长流的例子
比如达菲和gemma最后的结合~
说到这里 gemma最后也变得为自己而活 不为世俗评判标准的“得体”而活
她丈夫的葬礼是她的第一次觉醒
Ansley 和那个德州老乡的结合~
PS:伦敦很不错诶!!!而且名字起的非常妙,因为男女关系确实比较扑朔迷离,所以这四个婚礼到底是谁和谁的就很tricky了哈哈哈最后发现四个婚礼还真是没猜对全部!
最后一集真的让我又哭又笑 爱情 友情交织在一起 真棒呀
真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?
真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?真不想看她俩在一起,母女两人毫无底线,乔乔不好吗?Maggie不好吗?
四月怕是侦探月,有三部民国侦探剧相继上线,《民国少年侦探社》、《罪夜无间》和《绅探》,网友戏称这是“老中青”三代民国侦探齐聚一堂各展风采,热爱丧燃文化又因《白夜追凶》对王泷正印象不错的我点开了这部宣传最少的民国“老年”探案网剧《罪夜无间》,本来只想当作下饭剧看个热闹,没想到却大大超出了我的预期,看出了真情实意。
睿智机敏的中年侦探陈一鸣,既和高官重权无缘,也没有富贵荣华的排面,繁
四月怕是侦探月,有三部民国侦探剧相继上线,《民国少年侦探社》、《罪夜无间》和《绅探》,网友戏称这是“老中青”三代民国侦探齐聚一堂各展风采,热爱丧燃文化又因《白夜追凶》对王泷正印象不错的我点开了这部宣传最少的民国“老年”探案网剧《罪夜无间》,本来只想当作下饭剧看个热闹,没想到却大大超出了我的预期,看出了真情实意。
睿智机敏的中年侦探陈一鸣,既和高官重权无缘,也没有富贵荣华的排面,繁华偌大的上海,他只栖身于小小咖啡馆一隅,对着匆匆来去的路人“挥霍”着自己尚无用武之地的敏锐观察和缜密推理,或是在咖啡馆后门的小密室里帮诸位太太梳理生活琐碎、解决大小难题,破案经费还要靠咖啡馆的营业来支撑。所幸陈一鸣还有小说家蒋涵知作伴,日子也算聊有生趣。
对比隔壁年轻辈的民国侦探,陈一鸣没有了初生牛犊不怕虎的少年轻狂,也已过了意气风发的青壮岁月,尽管努力保持着身材不致于大腹便便,但略显斑驳的面容和难掩沧桑的神情都越过他强行振作的笑声述说着多年来的不易。放到今天,陈一鸣可能就是大众口中所谓的大龄未婚男中年,或是苦守梦想不切实际的loser,但他又总能在苦涩的日子里找到乐趣,和咖啡店里的客人、和街头巷尾流窜的小飞贼打成一片,过着嬉笑怒骂追跑打闹的日子,在鸡毛蒜皮的小案件中坚持着自己对正义和真相的追求。看到这里我不禁一笑,在这一点上陈一鸣不正像那万事屋中那个中年无成却依旧满怀热血的银桑吗?谁都终会迎来中年,谁都可能面对平庸甚至失败,但这一切都不妨碍我们追求正义、追求真相、追求理想。
有钱能使鬼推磨,梦想都是赔钱货,无权无势的陈一鸣只能独自品尝苦涩,但他真的是无权无势之人吗?当他在牢狱中被保释,当弹幕纷纷喊出“富二代何苦为难富二代”时,我才惊觉陈一鸣其实背靠大树——热爱侦破的他除了和天龙帮大佬有关,还竟是曾经巡捕局长高林声的义子,但居然连人情世故为尊的老油条贾探长都不曾知道陈一鸣的这层身份。那么问题来了,陈一鸣是为什么放着清凉好地不待偏要独自在江湖艰难闯荡呢?是不懂珍惜、不甘堕落还是另有隐情?这就构成了全剧最大的悬疑点——陈一鸣的身世之谜。
同样拒绝在大树下乘凉的还有现任巡捕局长之子张天笑,陈一鸣记住他不仅是因为其年轻气盛的姿态或是放下输赢追求真相的选择,恐怕也是从张天笑身上看到了一部分当年的自己。张天笑虽拒绝了巡捕房的官位,但趋炎附势的氛围依然环绕在他左右,也多亏如此,落魄大叔侦探陈一鸣得以接近真正的罪案,不再被闷头一锅端的巡捕们驱赶,终于踏上了货真价实的侦探之旅。而终于能挺直腰板的陈侦探没有忘记自己的初心,还原真相、理解痛苦,不让无辜者蒙冤仍是他的人生信条和职业操守,哪怕他会因此犯错,甚至被利用……陈一鸣回不到年轻光彩的过去了,但那些即便受打压、被误解、甚至遭遇危险却仍然为信仰奔走的时刻,都是他人生的高光时刻。
就这样一个丧燃的中年侦探,足以吸引我追完整部剧,以他对无辜者的理解和追求,去试着了解探索他的隐秘过往和痛苦纠结。
除了陈一鸣这个人物给我带来的触动,《罪夜无间》吸引我的点还有很多:
首先是演员,全剧没有一个流量明星,主演大多是演技派的性价比之选,却塑造出了一个个生动可爱的人物:雅痞睿智口嫌体直不时爆发出迷之大笑的“太太乐”陈一鸣,身手敏捷英姿飒爽多才多艺有着各种可爱小动作的姚菲,一开始看着奇怪但越看越顺眼、阳光憨淳甚至有些呆萌的公子哥儿张天笑,穿着讲究气质儒雅深藏不露的小说家蒋涵知,手风太顺也不忘锻炼身体的小毛贼陈飞,烟酒不离手烫着佛祖头假装钢丝球成精的贾探长,还有两个憨傻可爱的小跟班……难得看到一部没被整容脸和超高倍滤镜荼毒的网剧,顿时倍感亲切。剧中层出不穷的精巧细节也在各个维度上增加着人物的生动性和个性张力,能看出主创团队在塑造人物时颇费心思。
其次是服化道,《罪夜无间》里的故事发生在民国时期的上海,不得不承认时代的还原度一般,没能完全展现民国上海的质感。但是实现质感是需要钱的,而《罪夜》这部剧是典型的小制作低成本,从前九集里日夜不休从没换过人的报童小男孩就能看出……之前也在微博上看到了导演身兼数职op亲自上阵,还有片尾字幕播放缓慢只因人手太少的梗,考虑到剧组的贫穷,现在呈现出的状态应该也是竭尽全力的结果。虽然服化道上还有进步的空间,但我不得不承认剧中有好几套服装都让我眼前一亮,比如蒋涵知的各式小西装,陈一鸣的大衣配棉麻森系丝巾,张天笑的千鸟格外套,姚菲的各式套装套裙,当然还有贾探长标志的“高领毛衣配领结”……让人看到经费不足时剧组成员的各种小巧思,让同样经历过剧组创作的我不免会心一笑。
然后是剧情,《罪夜无间》走的单元剧案件串联模式,每个案子还缀以失念、两舌、刹那这些佛教用语,乍看以为是故弄玄虚、陈旧无趣的老套探案故事,没想到真香现场说来就来,一口气看七集刷完前两个案子不费吹灰之力,反转不断高潮迭起,让人根本停不下来。而且每个案子的小标题还恰到好处地概括了案件的核心,而案件所揭示的罪恶和无奈也让我咀嚼回味良久……
===========================小心剧透额分割线====================================
第一个案子《失念》,虽然承担了介绍人物的重要任务,却没有耽误故事发展的节奏,一上来就出现了两名死者,且都手脚被缚面画脸谱一刀毙命,展现出极具仪式感又略显惊悚的犯罪场面。个人比较喜欢惊悚氛围,也是从这里开始跟随陈一鸣进入到了案件侦破的过程中。郭太太的委托让陈一鸣迅速和脸谱杀人案捆绑在一起,也引出了陈一鸣“太太乐”外号的由来。第一案断案过程略显常规,重生是凶手也并不难猜,没想到的却是连环杀人案中还隐藏着一位顺风车搭客,反转之后还有一层反转,陈一鸣朝夕相处的朋友竟是藏在黑暗深处的幕后推手……而重生的经历和顺风车搭客的苦心也令我唏嘘感慨,这世间从来不是非黑即白,罪恶背后隐藏的也许是无数个痛苦无奈的夜晚,我们总能轻松无畏地谈及他人的生活,每个人心中的爱恨屈辱却不是一两个简单的标签可以表述的。
第二个案子《两舌》,一开场便是囚犯被释放后密谋枪杀强威的过程,奠定了第二案浓郁的紧张气氛和复仇氛围,然后才进片头,我这才发现片头又换了一波,回到第一案专门重看片头(这种体验也是不多见哈哈哈),第一案的片头淡雅简洁,呈水墨风、第二案的片头则冷峻诡谲不少,又跳到第八集第三案,果然又换了一波,剪纸画+颓废浓烈魅惑港风!片头真心好评!抱着“片尾没准儿也有惊喜”的态度我又点开了之前跳过的片尾,竟发现片尾有双重惊喜——第一重惊喜,单数集片尾曲是中文版,双数集片尾曲是英文版,我现在脑中已经全是mission ooo~~第二重惊喜,每个案子结束的片尾居然有彩蛋!而且看起来彩蛋和全剧大主线有关,集齐彩蛋应该可以召唤大结局哈哈哈。
回到第二案,一开始我单纯地以为这就是个简单的情杀,不料故事不断翻转深入,竟揭开了一层又一层的过往,当凶手拖着尸体却发现另一具尸体,当侦探查明真相却发现另一层真相……种种痛苦、屈辱、愤怒、悲哀裹挟着,让人不禁反问,真相真是那么简单吗?施暴者真是罪不可恕吗?凡事皆有因。
Ps.第二案中的何奉天真是我最近见过最有潜力的年轻演员了,诺顿、法鲨、冯远征、王凯……从他身上似乎都能瞥见,一秒黑化让人惊艳炸裂!
本来觉得应该会很嫌弃很尴尬,但是开始看了之后,妈耶简直是国产剧的一颗明珠好嘛!!!演员们真的演技全程在线,生活部分也比较接地气,是寻常人家的琐事,演员之间的情感沟通也很到位(小动作小眼神都加分加分加分)。总之,这绝对是一部可以连刷7-8集的剧,内容也丰富,温情的搞笑的点随时都有(5-8集真的泪点很多)。
希望大家在对那些拍烂了的都市精英题材和霸道总裁爱上我类型看多了之后,能换个角
本来觉得应该会很嫌弃很尴尬,但是开始看了之后,妈耶简直是国产剧的一颗明珠好嘛!!!演员们真的演技全程在线,生活部分也比较接地气,是寻常人家的琐事,演员之间的情感沟通也很到位(小动作小眼神都加分加分加分)。总之,这绝对是一部可以连刷7-8集的剧,内容也丰富,温情的搞笑的点随时都有(5-8集真的泪点很多)。
希望大家在对那些拍烂了的都市精英题材和霸道总裁爱上我类型看多了之后,能换个角度稍微尝试一丢丢说不准就能发现明珠。对国产剧的剧情注水和演技垃圾辣到眼睛,因此失去打开另外国产剧信心的人,这部剧也可以拿来洗洗眼睛顺便有点信心。我们同在!
公路罪案悬疑逃脱片。故事险象环生,几经反转,从一开始发现被绑架的小女孩就吊足了观影者的胃口,渐渐的真相层层被剥开,女主通过自己丰富的社会履历及不懈的抗争,最后艰难逃脱,还救出了女孩,算是很不错的惊悚悬疑片。
女主在一个医疗机构强制戒毒。一天她接到一个电话,自己的母亲病重住院抢救,她很想前去看望,但是机构不准。她只得偷偷开车跑了出去。但是在路上遭遇了暴风雪,警察让她到休息区等待暴风
公路罪案悬疑逃脱片。故事险象环生,几经反转,从一开始发现被绑架的小女孩就吊足了观影者的胃口,渐渐的真相层层被剥开,女主通过自己丰富的社会履历及不懈的抗争,最后艰难逃脱,还救出了女孩,算是很不错的惊悚悬疑片。
女主在一个医疗机构强制戒毒。一天她接到一个电话,自己的母亲病重住院抢救,她很想前去看望,但是机构不准。她只得偷偷开车跑了出去。但是在路上遭遇了暴风雪,警察让她到休息区等待暴风雪过去。女主去了休息区,在外面找手机信号时,发现停在休息区的一辆车里有一个小女孩被绑住了手脚,还被堵着嘴。这是休息区房间里有一个人在睡觉,一个怪伽在玩火柴,还有一对老夫妇。到底是谁绑架了这个小女孩。女主想报警,没有信号,于是她拍了车牌,发了短信给警察。然后她跑进房间和大家一起玩牌。通过这种说大话的纸牌游戏,她发觉那个怪伽有点问题。通过试探她发现怪伽有重大嫌疑。于是她把这个事情告诉了那个睡觉男。但是她再次返回扒开女孩的嘴巴,才知道绑架她的有两个人。女主才知道睡觉男也是绑匪。很快他她被绑匪挟持,不敢把消息说给那对老夫妇听。这时小女孩跑了出去,绑匪只得带着女主去找,女主找了一个机会,滚下一个斜坡,然后跑回休息区告知老夫妇。老夫妇也发现了小女孩冻僵在雪地,将小女孩救了进去。面对外面两个气势汹汹的绑匪,老头让女主藏起了汽车钥匙,大家准备迎击绑匪时。小女孩醒了过来,认出了老头是她家的女佣,原来老太也是绑匪其中之一。老太放进了绑匪,绑匪杀了老头老太,把女主钉在了门上。用小女孩威逼女主说出钥匙的去向,为了保护小女孩,女主说了。所以睡觉男就去找,让怪咖看着女主和小女孩。女主发现怪咖有恻隐之心,就让小女孩去关灯。小女孩关了灯,女主袭击了怪咖。女主用怪咖威逼睡觉男放下枪。小女孩突然暴起打了睡觉男,睡觉男打中了怪咖,怪咖死去了。女主驾车想逃跑,但是被睡觉男用射钉枪袭击,撞上了路杆。警察跑来,女主还是袭击了睡觉男,警察打中了女主。睡觉男袭击了警察。最后女主用锥子钉死了睡觉男,带着小女孩逃出生天。
女主全程智商和武力值都在线,因为长年的混迹在外,有丰富的社会经验也帮助了她,当然那包玩意儿也绑了她,还挺有作用。老太我想不是没有认出来,而是故意装作不认识,以为小女孩不会醒的,结果小女孩醒了,说出了一切。而且以为这些小青年就是敲诈勒索,没想到是真的拐卖集团,专门绑架小孩的,这让老太开始有点反悔了。老头死的有点冤,为什么不阻止老太开门,是被惊呆了,慌了神嘛。这么呆,还是海军陆战队的,有点失望,不要太耽误事情。怪咖其实是个好人,不舍得小女孩,不然女主是一点办法都没有的。当然睡觉男也是死在话太多上,不够心狠手辣。完全可以在警察认识上做文章的,没有做,直接杀了警察,有点鲁莽,智商还是不够。结尾稍微弱了一些,可惜了。
男主:无论对着谁都一副全天下我最牛逼的模样,还有一个不能碰女人但唯独能碰女主的病,这个病我给满分。
女主:失忆,又是失忆。怎么你们这么容易失忆?身为和亲公主抛头露面去当茶楼少东家是要干什么?能不能稍微易个容?还和黎王发生感情纠纷?更过分的是,搞了这么多事,身份被识破以后,皇上随便骂了顿男一男二求情这事就这么过去了。。。我觉得我的智商受到了侮辱……
男二:开始还挺正常,
男主:无论对着谁都一副全天下我最牛逼的模样,还有一个不能碰女人但唯独能碰女主的病,这个病我给满分。
女主:失忆,又是失忆。怎么你们这么容易失忆?身为和亲公主抛头露面去当茶楼少东家是要干什么?能不能稍微易个容?还和黎王发生感情纠纷?更过分的是,搞了这么多事,身份被识破以后,皇上随便骂了顿男一男二求情这事就这么过去了。。。我觉得我的智商受到了侮辱……
男二:开始还挺正常,但...你成亲那天男主当众说他睡过你媳妇,你又那么轻易让他把她抢走了,事后你还像什么事都没发生过,还反过来安慰她?!你知不知道你被绿了?!你知不知道全天下都知道你被绿了?!
男三:虽然我很喜欢罗云熙,但是我到现在还是看不出来容齐究竟在干什么?!说是要与北临联姻,自己却让个假公主当着皇上和真公主的面选婿,然后又让真公主嫁过去?幸好皇上是个煞笔,不然一定血流成河。
皇上:一个敢在大殿上扫你颜面的皇子,一个三番四次忤逆你的皇子,你还那么宠他?留着拜山吗?你还能君临天下?
拢月:我没看出来你与公主有多主仆情深,况且认识才不过半年?你就为了她自杀?
真的希望大家不要随便看几集就把一部剧捧上天,尤其是各种电影自媒体作为刚从高三出来几年的,觉得非常不真实了,或许这是北京的高三学生?大家可真轻松,这剧是想掀起各地对高考难度,教育资源的讨论吗各位家长仿佛从高三开始才意识到高考的严肃性,才开始准备,才开始学做父母,才开始处理和子女的关系?包括学生也是,老师也是完全没有对高考的紧张认识,仅仅靠话说的吗?宋茜还说是多少年的老师了,能处理好别的学生,到
真的希望大家不要随便看几集就把一部剧捧上天,尤其是各种电影自媒体作为刚从高三出来几年的,觉得非常不真实了,或许这是北京的高三学生?大家可真轻松,这剧是想掀起各地对高考难度,教育资源的讨论吗各位家长仿佛从高三开始才意识到高考的严肃性,才开始准备,才开始学做父母,才开始处理和子女的关系?包括学生也是,老师也是完全没有对高考的紧张认识,仅仅靠话说的吗?宋茜还说是多少年的老师了,能处理好别的学生,到自己女儿面前未免太极端了。校长更是跟玩一样家长把对子女的放不开叫做爱,叫做为你好?也不知道高考还没考呢,就吵吵着我死活不许你去南大?北京的学生这么好考南大吗?对于百万千万的高考考生这已经扎了多少次心不仅是这部剧的问题,而是多数剧的与大多数大众生活的脱节,仅仅靠一两个点就能被叫做真实了学生的成绩下滑没有那么多外部原因,不要逢考差了就家长离异吵架,就家长生病,生病必患癌,上升必复合病情必缓解,没有这么多大事件不好意思,不是针对这部剧,已经能超越不少剧了,但不值得这样的夸赞,这是多数国剧的痛点,是这个时代的痛点。这不是我的高三,这不是我的高三家长,这不是我的高三老师……
欠了这么多钱,都失业还能活的这么滋润,多少人家急都急死了
选取的对象也没有那么多代表性,绝大多数的绝大多数只是普普通通的人,中游,而不是极上极下……这大概是国人的喜好吧,凡找代表必找最好而不是最普遍……
#唐家妮/为什么你会在这个时候出现/为什么感觉/会这么强烈/我已经好久/没有真正的感觉过/感觉到温度/感觉心跳加快/感觉活着/感觉一切#
又重新刷了一遍此剧,而这一段是我最想重温的片段。久别重逢,所有的记忆和所有的感觉都回来,毫无生机的生活里又有了青春。
不管后面的剧情有多压抑,还是庆幸这一群人,能在岁月的行走中,不断重逢,成为彼此的羁绊。
你的未来是怎样
#唐家妮/为什么你会在这个时候出现/为什么感觉/会这么强烈/我已经好久/没有真正的感觉过/感觉到温度/感觉心跳加快/感觉活着/感觉一切#
又重新刷了一遍此剧,而这一段是我最想重温的片段。久别重逢,所有的记忆和所有的感觉都回来,毫无生机的生活里又有了青春。
不管后面的剧情有多压抑,还是庆幸这一群人,能在岁月的行走中,不断重逢,成为彼此的羁绊。
你的未来是怎样?一年又一年的过去,未来不停地来,你能做到的最棒的是: 让自己变得更好,剧里的每个人都是如此,真正好的友情或爱情一直在那里,而你是一直在以进步的自己在它周围徘徊。
最后想感慨的是,真的是青春里的我们才是最美好的我们,那些时刻是人生中最鲜活的时刻,用来珍藏,用来怀念。如果你的青春里黯淡无光,那该多悲凉。
看完《饥饿站台》,相信很多人都疑惑重重,因为影片中好像存在很多互相矛盾的地方,结局也相当有开放性。下面就跟小编一起通过影片来探讨其中的答案吧。
看完《饥饿站台》,相信很多人都疑惑重重,因为影片中好像存在很多互相矛盾的地方,结局也相当有开放性。下面就跟小编一起通过影片来探讨其中的答案吧。
1,女主出场方式非常勉强,居然在边上偷拍坦克,这还不算什么,撞坦克之后还想讹人,这安排就有点勉强了吧,先不说部队拉练让不让偷拍,其次坦克通过时间其他车辆都是避让的吧,女主居然还能是撞了坦克非常镇定。还倒讹一把,我算是看不下去了
2,混进军营;同样是女主出场之后,想要混进军营,就说自己是牛努力的女友,结果还真让她得逞了,这样的军营警戒,不知道导演如何想到的,就算女主真的是牛努力
1,女主出场方式非常勉强,居然在边上偷拍坦克,这还不算什么,撞坦克之后还想讹人,这安排就有点勉强了吧,先不说部队拉练让不让偷拍,其次坦克通过时间其他车辆都是避让的吧,女主居然还能是撞了坦克非常镇定。还倒讹一把,我算是看不下去了
2,混进军营;同样是女主出场之后,想要混进军营,就说自己是牛努力的女友,结果还真让她得逞了,这样的军营警戒,不知道导演如何想到的,就算女主真的是牛努力的女友,也不是能够随意进入军营的理由吧,哨兵等于形同虚设。
3,低智商问题;能够参军的人都是成年人,并且对军队生活有一定的了解,可剧中为了表现新兵对军旅生活的好奇,居然什么问题都有,为什么累了就应该睡觉,被子叠成豆腐块,手机为啥要被没收,这些问题多少有点刻意吧,都是小学生才该问的
4, 强制制造矛盾;作为军旅作品细节处理非常重要,进入部队的第一天应该就学会纪律,可剧中新兵没有一点纪律,想说话直接出列,不用打报告被批准,报道的时候慢悠悠的没有急切性,最让人受不了的就是牛努力直接割断降落伞绳子,现实中一定是无组织无纪律的行为。
5, 过于矫情;现实中就连观众都知道,作为士兵都要剪头发不管男兵女兵,可剧中女兵因为剪头发的事情,矫情的直接泪流满面,既然无法放弃头发为何还要参军,况且能进入通讯组的人,基本上前期都会接受训练,这时候依然长发及腰是不是有点不合常理?
总结: 对于军旅作品,个人觉得应该像《士兵突击》一样纯粹军旅生活 !
97年是个特殊的年份,从影片中可以闻到大陆、香港的政治风向。
老爷子是从大陆来香港打拼的,吴倩莲从北京过来,卖的是山东烧鸡。92家有喜事的最后,才知道大嫂是从台湾过来的,母语是闽南话。
电影里含有历史,看不同地区的电影看的也是不同地区的文化以及地缘政治。
可以看出香港在很多年前就已经很international了,懂得大陆、台湾和香港本地的文化异同,而今天
97年是个特殊的年份,从影片中可以闻到大陆、香港的政治风向。
老爷子是从大陆来香港打拼的,吴倩莲从北京过来,卖的是山东烧鸡。92家有喜事的最后,才知道大嫂是从台湾过来的,母语是闽南话。
电影里含有历史,看不同地区的电影看的也是不同地区的文化以及地缘政治。
可以看出香港在很多年前就已经很international了,懂得大陆、台湾和香港本地的文化异同,而今天的大陆上虽然经济已然腾飞,但是我们现在出品的大众商业电影中还是很难看出这种international的思维和格局。
中国依然是二元经济结构,有地方富的像卢森堡,有地方穷的像卢旺达。人和人之间思维眼界格局的隐性差距也许比生活质量间显性的差距还要大。
阶级跟地域捆绑,阶级跟资产存量捆绑,阶级跟受教育程度捆绑。其实,阶级跟自身的综合素质捆绑才是阶级固化,这并没有什么不好,因为无论什么社会什么年代,这一条都是不变的。
希望我们年轻人在这样一个时代里,面对高房价,面对接下来可能会面对到的经济寒冬,不要自怨自艾,努力去提高自己吧。
自身的选择受环境的影响,唯有努力还算可以自己稍微把握住的。相信我,努力比选择更重要
个人真的对楚路这个角色挺有好感的,但是这也没有办法改变本剧真的是一部烂剧,剧情毫无逻辑,剪辑乱七八糟,镜头模仿痕迹极重,慢镜头和环绕镜头滥用,除了楚路一角勉强演技在线,其他角色演技都爆尴尬,表演痕迹太重,无法产生代入感。设计的地震的一段剧情毫无真实感,而且感觉有点耍子的意味,让人生气,最后的结局随便到感觉是在玩弄观众,最近的网剧都喜欢这么涮观众么?
个人真的对楚路这个角色挺有好感的,但是这也没有办法改变本剧真的是一部烂剧,剧情毫无逻辑,剪辑乱七八糟,镜头模仿痕迹极重,慢镜头和环绕镜头滥用,除了楚路一角勉强演技在线,其他角色演技都爆尴尬,表演痕迹太重,无法产生代入感。设计的地震的一段剧情毫无真实感,而且感觉有点耍子的意味,让人生气,最后的结局随便到感觉是在玩弄观众,最近的网剧都喜欢这么涮观众么?