《手可摘星辰》剧情上最令人满意的一点,就是打破了三角恋的狗血设定,男一和男二不再争夺女一,而是各有所爱,成双成对。前面说过了,男二是高冷神秘的人设,而女二是一个英姿飒爽、不解风情的女将军:这种设定,实在太有脑补空间了。而且男二对男一也是基情满满,剧中男二是皇帝的哥哥,他处处包容呵护着皇帝,哪怕皇帝每次都拒人于千里之外。虽然目前还不知道兄弟俩之间有什么芥蒂,但以男二深情款款的攻势来看,这兄弟情
《手可摘星辰》剧情上最令人满意的一点,就是打破了三角恋的狗血设定,男一和男二不再争夺女一,而是各有所爱,成双成对。前面说过了,男二是高冷神秘的人设,而女二是一个英姿飒爽、不解风情的女将军:这种设定,实在太有脑补空间了。而且男二对男一也是基情满满,剧中男二是皇帝的哥哥,他处处包容呵护着皇帝,哪怕皇帝每次都拒人于千里之外。虽然目前还不知道兄弟俩之间有什么芥蒂,但以男二深情款款的攻势来看,这兄弟情有的嗑。《手可摘星辰》的第三个优点,是剧情不落俗套,笑料颇多。虽然是穿越剧,但《手可摘星辰》的设定比较新颖,剧中女主并不是真的穿越了,而只是在玩一款游戏。女主是一家游戏公司的美工狗,为了给公司测试游戏,被困在游戏中出不来了。所以剧里经常穿插着女主对游戏剧情的吐槽,当作为观众的我们在吐槽剧情狗血的时候,其实女主也在讲着同样的话。女主亲自在剧中吐槽狗血,真是浮夸程度媲美泰剧,国产剧又玩出了新花样。而且主角还动不动就要打开界面换一下装备:科技感与古装感的魔幻交错,一方面消解了剧情上的狗血气息,一方面又给我们带来一些关于人工智能的思考。剧中的很多泰式浮夸骚操作,也因为这一设定有了合理的解释,满屏都是沙雕之气。女主在游戏中有三次死亡的机会,最后她结束游戏的办法只有一个,那就是心上人男主的死亡。可见《手可摘星辰》已经为尾声的“虐”做好准备了,毕竟前面有多甜,后面就有多虐。女主明明只是去游戏里体验了一把虚拟人生,现实令她失望,结果反而是冰冷的科技,帮助她感受到了真情。
刚开始看的时候感觉还不错,故事背景很有时代感和地方特色,但是随着快节奏的剧情发展,人物的性格缺点不断暴露、放大,直到令人发指,断然弃剧!
主角的人物设定实在一言难尽。有占有欲有嫉妒心是一回事,但是男主角小心眼又没风度实在令人无语,他敢演我都不敢看。女主角的人物特色、性格这些也越来越不讨好。当然,演员总的来说还是不错的,所以才对里面人物的缺点更加忍无可忍。
所以,要给这
刚开始看的时候感觉还不错,故事背景很有时代感和地方特色,但是随着快节奏的剧情发展,人物的性格缺点不断暴露、放大,直到令人发指,断然弃剧!
主角的人物设定实在一言难尽。有占有欲有嫉妒心是一回事,但是男主角小心眼又没风度实在令人无语,他敢演我都不敢看。女主角的人物特色、性格这些也越来越不讨好。当然,演员总的来说还是不错的,所以才对里面人物的缺点更加忍无可忍。
所以,要给这部剧差评的话,其中一个最直接的原因就是编剧的水平。观众的三观可能就是被这种电视剧给带偏的吧。人物形象的真实性和立体性当然要追求,但是也拜托多传递一些正能量和多放大一些故事的格局和人物的智慧,不要让人觉得这种励志创业题材的电视剧很无脑。
纯纯的白描式电影,90%以上的还原历史,演员都找的是跟真实人物很像的,最像的是两位领导——神还原徐寅生 李富荣。马文革当的技术指导,把扮演他的许魏洲涂成了“包公”,突出一个黑。其他刘国梁的贼,孔令辉的帅,王涛的胖,丁松的“瞎”都很传神。人物名字也索性按真的来,梁超演的晓东教练就是李晓东,找胶水的飙教练对应的是黄飙,俞灏明演的削球手王遥对应的是王浩(不是后来的王皓,是当时的秘密武器王浩)。小彩
纯纯的白描式电影,90%以上的还原历史,演员都找的是跟真实人物很像的,最像的是两位领导——神还原徐寅生 李富荣。马文革当的技术指导,把扮演他的许魏洲涂成了“包公”,突出一个黑。其他刘国梁的贼,孔令辉的帅,王涛的胖,丁松的“瞎”都很传神。人物名字也索性按真的来,梁超演的晓东教练就是李晓东,找胶水的飙教练对应的是黄飙,俞灏明演的削球手王遥对应的是王浩(不是后来的王皓,是当时的秘密武器王浩)。小彩蛋也有不少,比如一个矮小梳小辫的女乒队员跟一个叫志刚的男乒队员搭讪,这明显指的就是邓亚萍和林志刚这对情侣,申雪赵宏博和他们的女儿赵雪儿也友情客串一小下,等等。瓦尔德内尔,佩尔森,卡尔松,赛弗。。。经历过那个时代的人对这些名字想必都记忆犹新。王涛95年世乒赛最后扔拍倒地那一下,是中国体育史上的名场面,经典性跟1964年第一颗原子弹爆炸成功后,那个激动得滑倒的小伙有一拼,电影里也如实还原了。总之,这是邓超俞白眉电影里故事讲得最好的一部,因为不用他们编剧,照着历史拍就完了。三个彩蛋:1. 片中人物姓名应该是想用真名来着,后来不知因为什么改了。孙俪在怒斥来调查的领导时,说你们上哪儿再找一个戴敏佳,口型很明显说的是蔡振华。2. 主角原型蔡振华,有个儿子叫蔡宜达,就是片中学说话很晚的那个小孩的原型。他现在当演员了,在本片中饰演丁松的原型,近视一千度的削球手龚枫。3. 如今因为一年一度喜剧大赛而大火的小婉管乐,拍本片时还不太出名,演了两个出场五秒钟的小角色,就是韩国啦啦队员。
历史课本版面金贵异常,多少影响人类发展进程的大人物也仅能有立锥之地,新文化与五四运动中的领军人物:陈独秀、蔡元培、胡适也各自只有寥寥的几张标签,基本都是扁平的二维纸片人。
《觉醒年代》之所以获得赞誉,除了导演运用诗意镜头、节奏调度的功力强,让全剧始终能点燃观众情绪,更在于编剧塑造人物的技巧十分娴熟且足够接地气
历史课本版面金贵异常,多少影响人类发展进程的大人物也仅能有立锥之地,新文化与五四运动中的领军人物:陈独秀、蔡元培、胡适也各自只有寥寥的几张标签,基本都是扁平的二维纸片人。
《觉醒年代》之所以获得赞誉,除了导演运用诗意镜头、节奏调度的功力强,让全剧始终能点燃观众情绪,更在于编剧塑造人物的技巧十分娴熟且足够接地气,他把三位的性格折叠面在细节中徐徐展开,使一百多年前的历史事件成为了有温度的人的往事。
想聊聊他们,还因为这仨有个非常巧合的一个共性:陈独秀出生于1879年,蔡元培正好大他一轮,胡适小他一轮,都属兔,也是为啥他会称蔡为“狡猾的老兔子”,新文化运动当时亦有“三兔闹北大”的说法。
陈独秀出生在安徽怀宁县,原名“陈庆同”。
又一出以失意脱口秀演员做主角的电影。影片的原名"We are unsatisfied"改为"Standing up, falling down", 中文译名没改,还是"我们都不满意"。估计影响了评分和观影人数,却是近期看得最为舒服的一出电影,像和多年不见的老朋友聊天。
像片名一样,关于普通人生活的起伏,迷惘和悔意。&qu
又一出以失意脱口秀演员做主角的电影。影片的原名"We are unsatisfied"改为"Standing up, falling down", 中文译名没改,还是"我们都不满意"。估计影响了评分和观影人数,却是近期看得最为舒服的一出电影,像和多年不见的老朋友聊天。
像片名一样,关于普通人生活的起伏,迷惘和悔意。"Can we unfxxk things in life?" No, you can't. 人生总有后悔的决定,做了之后无法改变,但可以选择下一步该怎么做。Marty的儿子选择怨恨,女儿选择原谅。
影片最后,Scott接管了Marty的账号,and life goes on.
最近开播的《山河锦绣》真的给我惊喜感满满,整部剧的生活味,烟火气真的是太重了。剧中的每一个情节,每一个细节都真的是太贴近二十世纪九十年代的生活了,作为一个土生土长的农村人,真的让我带入感满满。
首先让我印象最深刻的就是,柳秋玲挨家挨户的敲门,让家长同意孩子们去上学。在我小的时候,也是这样的,当时的人
最近开播的《山河锦绣》真的给我惊喜感满满,整部剧的生活味,烟火气真的是太重了。剧中的每一个情节,每一个细节都真的是太贴近二十世纪九十年代的生活了,作为一个土生土长的农村人,真的让我带入感满满。
首先让我印象最深刻的就是,柳秋玲挨家挨户的敲门,让家长同意孩子们去上学。在我小的时候,也是这样的,当时的人们还没不太重视学习,不知道知识可以改变命运,他们就和柳家坪的村民们一样,认为孩子们,到了年纪之后,就不应该再继续读书了,而是有了足够的力气之后,应该去种地,应该去帮助家里人,干农活,来减轻家庭的负担。但是真的多亏了像秋玲一样的老师的细心劝导,才有了我们的今天。因为知识真的可以改变自己的命运,我们可以利用我们所学的知识,更好的建设我们的家乡,让我们的家乡变得更好。我觉得国文就是一个典型的代表,他从小在半山村长大,后来学习了知识,当了副县长,但是他没有忘记半山村柳家坪,没有忘了他从小生长的地方,我相信他和柳大满与赵书和一起能够把柳家坪建设的更好的。
再接着让我感觉更接地气的段就是,马家婶子领着她的侄子和秋玲相亲这段。这段真的是太具有生活感了,在农村,真的媒人来上门相亲这种情况真的是很常见啊。我从小在农村长大,真的是经常看到两个适龄的男女被安排相亲。这段中,演员真的把相亲的那种陌生感,羞涩感,尴尬感演绎的淋漓尽致,真的极大的还原了农村相亲的场景。
俗话说的好,天灾无情人有情。当半山村发生泥石流,整个村子里的人都无家可归的时候,柳家坪的人能够不计前嫌,让赵家的人暂时住在自己家的时候,我真的是泪目了。赵柳两家,虽然有着世代的仇怨但是面对天灾时,他们能够不计前嫌,和平相处,真的体现了农村人朴实无华的善良。
赵柳两家就是农村典型的代表,虽然平时吵吵闹闹的,但是真的遇上困难的时候,都会帮一把,这就是浓浓的人情味。我觉得在赵书和和柳大满的带领下,赵柳两姓人,一定可以化干戈为玉帛,两村人一定会和睦相处,齐心协力,团结起来脱贫致富,让村民们都过上幸福的好日子。
熟悉的艾伦·索金配方:传记、话痨、走聊。
这次聚焦的是电视剧史上最伟大剧集候选之《我爱露西》——这个当年万人空巷的夫妻档情景喜剧。其中女主Lucille Ball是金球奖终身成就奖级别的巨星,男主Desi Arnaz除了当演员和歌手还身兼制作人和公司老板。他们台上台下的正史八卦本身就已经噱头十足,再加上麦卡锡主义下女主遭受的
熟悉的艾伦·索金配方:传记、话痨、走聊。
这次聚焦的是电视剧史上最伟大剧集候选之《我爱露西》——这个当年万人空巷的夫妻档情景喜剧。其中女主Lucille Ball是金球奖终身成就奖级别的巨星,男主Desi Arnaz除了当演员和歌手还身兼制作人和公司老板。他们台上台下的正史八卦本身就已经噱头十足,再加上麦卡锡主义下女主遭受的调查、是否应在剧集中显示女主怀孕、早期电视剧制作的台前幕后等,都增加了本片的看点和深度。艾伦·索金把以上诸多元素压缩在一个星期(也即制作一集电视剧)的时间里,并用伪纪录片访谈和闪回的形式分别做背景介绍的串场和回顾,算是把这对离婚仍是朋友的明星欢喜冤家交代清楚了。编了胡佛打电话来掀起高潮,力捧女主的喜剧天赋但未提及她后来对《星际迷航》的提携。总体可能还是更适合老一代观众怀旧(现在每年圣诞节CBS仍会播放该剧集)。
妮可现在的表演真是信手拈来,感觉基操一下就一个金球奖影后到手了。巴登啥都好,就是他那张脸真不适合扮演万人迷,当年《霍乱时期的爱情》就已经让我不断出戏了。
<评>
【剧情故事】 小成本古装搞笑网络闹剧,真的足够闹腾了。台词都基本靠吼的,演员要有多累呀。 整体剧情必须要连续看2个播放季故事才能有效的连接起来成为一个24集的剧集。否则故事线断节看起来就不行了。
【角色演绎】 女主还是更适合去演现代剧……真的
<评>
【剧情故事】 小成本古装搞笑网络闹剧,真的足够闹腾了。台词都基本靠吼的,演员要有多累呀。 整体剧情必须要连续看2个播放季故事才能有效的连接起来成为一个24集的剧集。否则故事线断节看起来就不行了。
【角色演绎】 女主还是更适合去演现代剧……真的……脸型倒是还算明秀,但是为什么嘴角向下弯,看起来就挺不好的了。 男主甚至比女主长得更漂亮……这样倒装到底是一种搞笑还是一种悲哀呢…… 除了个别几个配角,其他配角团颜值都如黄河决堤一般飞流直下三千尺了!
【配乐,服饰道具,场景,特效】 此项目全面受制于低投入,效果如何观众也就心知肚明了。
So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one. Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.” But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro. [people murmuring] [clears throat] Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it. Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman. [rustling] Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So… [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me. Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral. Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this. [groaning] [mourners gasping] Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday. [woman coughs] Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy. [clears throat] Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault. But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me. Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard. When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting. Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter. [owl chirping] My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face. [groaning] [mourners gasping] If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression. [woman clears her throat] [chairs squeak] I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.” Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed. Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything. [woman sighs] Back in the 90s, I was in a very famous TV show called Horsin’ Around. [man coughs] Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.” And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much. Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock. [murmur] I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.” “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom? I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots? [rimshot plays] Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing. [rimshot plays] Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket! [rimshot plays] Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch! [woman gasps] [murmurs] Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead. [woman sighs] You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.” [organ playing tune] Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim. [flashback] [partygoers laughing] [classical music playing] But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.” You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty. I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps] Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain. [rimshot plays] No, that wasn’t… would you just… dial it back, all right? I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that? I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause. [man coughs] Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for. Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show. I guess until there isn’t. [chuckles] My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.” “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro. You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales] I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker. Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away. My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead. [gulps, sighs] Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen. Is this Funeral Parlor B? —— from Reddit
提起近年来的古装剧,很多人都是一脸地铁老人手机.jpg。
十级美颜、阿宝调色、油腻丑男、工业糖精、狗血撕逼……就突出两个字:恶心。
我们有多久没有看到正儿八经的古装历史剧了?< 提起近年来的古装剧,很多人都是一脸地铁老人手机.jpg。 十级美颜、阿宝调色、油腻丑男、工业糖精、狗血撕逼……就突出两个字:恶心。 我们有多久没有看到正儿八经的古装历史剧了? 最近有这样一部剧,尽管老戏骨众多,质感也不错,各大官媒纷纷好评安利。 好久没看到把明暗线铺垫的出神入化的恐怖片了,前后细节铺垫也全部把控住了。但片子剪辑的有点松,情节似乎有些拖沓,电影结尾也没有把虚无之神背景交代清楚。剧情结尾女主的获救也似乎是虎头蛇尾了。 但是仍然掩盖不了在当下恐怖电影把控难产的大环境下,仍然称得上是可以细细评味的新式恐怖片。值得3.5星。 好久没看到把明暗线铺垫的出神入化的恐怖片了,前后细节铺垫也全部把控住了。但片子剪辑的有点松,情节似乎有些拖沓,电影结尾也没有把虚无之神背景交代清楚。剧情结尾女主的获救也似乎是虎头蛇尾了。 但是仍然掩盖不了在当下恐怖电影把控难产的大环境下,仍然称得上是可以细细评味的新式恐怖片。值得3.5星。 三个退役老兵送殡的故事。 电影从老白的酒吧开始。 拉里坐进到了老白酒吧的时候,老白正和人喋喋不休的吹着牛,完全没有注意到他。他点了瓶啤酒,互相问候了一番,最后忍不住摊牌:你仔细看看,我是谁? 老白这才停止了玩笑话,仔细的看他,终于惊讶的喊了句:卧槽,你不是那谁吗? 拉里和老白是老战友,他们一起扛过枪,一起挖过战壕,他 三个退役老兵送殡的故事。 电影从老白的酒吧开始。 拉里坐进到了老白酒吧的时候,老白正和人喋喋不休的吹着牛,完全没有注意到他。他点了瓶啤酒,互相问候了一番,最后忍不住摊牌:你仔细看看,我是谁? 老白这才停止了玩笑话,仔细的看他,终于惊讶的喊了句:卧槽,你不是那谁吗? 拉里和老白是老战友,他们一起扛过枪,一起挖过战壕,他们父辈是二战军人,热血的军队精神继承给了他们。 几十年没见,喝得酩酊大醉。 老白问他:怎么找到我的? 拉里说,通过互联网,互联网上一搜,就找着你了。 老白说,别闹,正经点,为什么来找我? 拉里低下头,看不清脸上表情:因为我儿子,所以我来找你们。 一夜过去,天已经隐约发亮。拉里才跟老白讲,走咱去个地方,你知道大壮现在干什么吗?去了你就知道了。 老白这种浪荡的性格,一听这个可以啊。走。 看看大壮现在变成啥样了。 开车停在了一家教堂旁边。 老白疑惑:这里? 拉里说,你进去就知道了。进去别乐,别出声。我可提醒你了。 进去以后,他们找了后排的座位坐下了。 抬头一看,那台上的牧师,不就是大壮吗?老白惊讶之余,忍不住笑了出来,还吹起了口哨。惹的旁边女士一个劲白他。 宣讲结束,大壮说,我们这里有了新的来客,你们自己介绍一下吧。 老白和拉里起来了。老白冲他龇牙咧嘴,大家好,我是老白,一名退役的美国海军陆战队中士,嘿,再看看旁边这位,你看他是谁,是拉里,我们曾经和你们的牧师一起服役。 “上帝保佑” 大壮也认出他们了。 大壮请两位老战友去家里吃饭。 大壮目前也是个有身份的人了,家里布置的有格调、有条理。不过大壮现在是个妻管严,特别爱听黑人媳妇的话。 老白饭桌上开始发挥自己话痨的本质,聊起了往事, “我当时准备在圣地亚哥干掉一些共党分子,但他们却没有出现,嘿,你敢相信吗?人民去越南度他妈的假,他们还付大价钱在那里拍照,在那个52000美国年轻人牺牲的地方,卧槽。” 大壮:“你就因这个事退伍了吗?” 老白指了指自己脑袋,“我退伍是因为头部受伤100%伤残,这是个好消息。” 大白和大壮扯淡的过程,拉里一直沉默不语。 “拉里,你不吃你的东西吗?你怎么了。” 大壮说,“不管遇到什么问题,你最好还是说出来比较好。” 于是,拉里和他们讲了, 我来到这里,是因为我的儿子,因为他,我才找上你们。 就在前两天,有人告诉我,小拉里,他阵亡了。 他们说,他在巴格达,护送队遭到伏击,而他的武器没有上膛。 包括大壮媳妇在内的众人,都沉默了。 “上帝保佑。” 大白说,我要陪你一起去埋葬你的儿子。大壮你别担心,他虽然嘴上说不想去,一会他媳妇就得让他去,他听话着呢。 果然,大壮被媳妇一通指挥,说你作为牧师,怎么能保证小拉里在路上的安然无恙呢。 大壮说,行吧,然后小声嘟囔,可惜还有只粘人的狗屎。 大壮媳妇:“沃特,大壮你怎么说脏话呢。” “抱歉。” 那么,三个老战友组好队了,老白开着他那辆老古董,拉里做副驾,大壮做后排。 老白开车也闲不住,开始嘚瑟的跟大卡车玩起激情对彪,隔空对骂。 大壮本来一直很顾忌自己身份,此时终于变回了以前的自己, “你TM,我家里还有老婆孩子呢。CNDY,老白!” 老白放肆大笑,哈哈哈哈,这TM才是你啊。 到了遗体大厅,海军下士正负责和家属们慰问、交接,旁边站着个小兵。 老白趁着拉里去看遗体,逮着机会跟小兵聊了起来,得知他叫华盛顿。老白问他,你跟小拉里关系好吗,跟我讲讲呗。 结果得知,他们还真是关系不错,是战友,而且是很好的朋友。 华盛顿偷偷告诉了老白和大壮一些真相,小拉里不是在护送任务被偷袭死的,而是在阿卜杜勒的一个超市,正买东西,被一个穆斯林一边喊着“真主至上”就开枪打死了,然后给他戴了黑帽子。 “上帝啊。” 老白站起来就要把真相告诉拉里,并质问那个脸上写满了谎言的下士。 走到近前,看到拉里悲痛的样子,老白也犹豫了。 但是,老白还是忍不住,质问了下士,事情到底是怎么回事。 “这名准下士表现优秀,充满正义和荣誉,像英雄一样的死去。” 老白说,你别来这套,这里面躺着的都是英雄,你给我说说,小拉里是怎么死的。 下士不知情,只能敷衍托词。 最后拉里发声了,“我要把我儿子的遗体送回家,不需要送到烈士公墓,不需要军队护送。” 这下,下士急了,“那怎么行,你这么搞回头给我处分咋办,不是,按照规定遗体不能直接交给家属,除非有有执照的殡仪人员,或者牧师。” 大壮,嗯?谁叫我。 三个人就把棺木往外推,但是老白那破车也带不走啊。去租个大货车吧。 老白又开起了大货车。 拉里在后面守着儿子遗体。 老白嘴依旧闲不住,开始调侃起上帝他老人家。 “这上帝没长眼睛。” 大壮:“我跟你说哦,上帝人家那有账本的,都给你记下来。” “哦?那你说说,世界上出现儿童性侵案时候,他在哪?飞机撞那栋大楼的时候,他在哪呢?” “如果我被记录在案,那我就有和上帝交流的机会,我要问问他,发生哪些悲剧的时候,你在哪呢?我不会解释我的所作所为,我倒想让你解释解释你的所作所为。” “到最后,他会说,嗨呀,快进来吧,你倒很像是我的朋友。” 车停下了以后,老白去找拉里聊了会。 拉里谈论了关于埋葬儿子遗体的看法。 “我不会埋葬一个海军,我只想埋葬我的孩子。” 后来,他们还是被军方给拦截了。 经过再一次的协调,双方都做了让步。那个带着谎言脸的下士,派华盛顿去护送遗体,配合他们三人一起回去。临走前,严肃的强调,不要被那个老白洗脑!他就是个退伍老头!你是海军!你是军人!你要服从命令!听到没! “是!” 四人加一个棺木上了火车。 华盛顿主动守着遗体,在寒冷的火车储藏室。 三个老战友聊了会,觉得不妥,怎么能把孩子扔那里呢。于是,找列车员帮忙盯一会,叫他过来到车厢里坐一会。 他们聊了聊,三个老战友从前服役时的往事,华盛顿说了说现在军队的情况。发现,其实隔了这么多年,很多事情都不尽相同。 “我不介意成为普通人的一员,只是我宁愿在那里斗争,也不愿意在自家后院。”华盛顿聊起自己的看法。 “这话听着熟悉吗?” “我们当年在越南和GCD作战,这样就不用在马里布海滩上和他们战斗了。” 我们当年也是这么想的。 拉里说,我想我儿子当时一定对我很失望。因为他出事的时候,我还在被禁闭。 华盛顿说,不会,小拉里一直跟我说,他比我们要幸福,因为有个快乐的童年,有对他好的爸爸、妈妈,还有漂亮的房子居住。 就这样,随着火车飞驰的驶去。时间也慢慢到了晚上。 到了晚上,四个人跑到储藏室去喝酒。 人就是这样,聊到兴头,借上酒意,话就什么都开始冒了。 “我们最后来到了迪士尼,让失落的拉里兴奋起来……” 华盛顿打断了他们,“等等,越南有迪士尼吗?” 老白、大壮看着华盛顿不解的样子,哑然大笑,进而前仰后合,喘不过来气。还比出胜利的双手,意思大概是你看我就猜到他不懂这个梗。 原来“迪士尼”是他们当时对当地JY的叫法,拉里比他们小几岁,老大哥们当时就带着拉里去逛,让他破了处。 拉里回忆说,“其实感觉还挺不错。 ” 四个人再一次轰然大笑。 老白问华盛顿,你别乐,你什么时候? 华盛顿回答,“13岁。” “卧槽。你瞧瞧。年少有为啊。” 火车中途到站的时候,老白张喽三人去买手机,大壮不情愿也被拉着去了。 大壮说,你可赶紧的啊,一会过点儿了,火车走了。 老白说,我觉得咱三都得来部手机。你看这些手机,多性感啊。 “性感你妹。” 老白说,就你这腿脚,你万一掉沟里,咋整。只能在那里悲惨的喊救命啊救救我。但是,有了这手机可就不一样了,你可以向我呼救。 售货员小妹也附和,“您打911也可以,免费。” 最后大壮被他们说服,买下了手机。 出了门,大白拿大壮开涮。 溜到了身后,给大壮打电话,说我是上帝。 大壮,卧草,你谁啊。 我上帝啊。你是不是以前老打架,还逛妓院来着。 大壮赶紧到处看,发现了一脸坏笑打电话的老白,要拿拐揍他。 这时,老白电话又响了。是列车员。 “不是,你们回不回来啊。火车开走了啊。你们再下一趟吧。” 三人顿时懵逼。 最终他们坐上了火车,赶回了自己的城镇。 老白提议去看看牺牲战友的母亲,他母亲也被谎言蒙蔽了多年,军方没有告知他儿子死亡的真相, 只是说,你儿子是个英雄。 到了她的家里,老人喜笑颜开,仿佛见到了多年的熟人。 几人磕巴了半天, 老白终于说,我们来这里,是要告诉您真相。 老人愣住了,又想到了什么,颤颤巍巍的说, “你们是被他救的战友吗?我听说,在他死前救了几个战友。” “是的,我们是。您的儿子是个很伟大的人,我们永远也忘不了他。” “感谢你们。”老人含泪送别。 葬礼仪式前夕。 拉里要给儿子的遗体试衣。他之前说过,不想给儿子穿上海军的衣服,想让他穿学士服。 但是,华盛顿看了后,说小了。他现在肯定穿不了这身了。 无奈,拉里同意了,还是穿海军衣服吧。 仪式快要开始的时候,华盛顿给了拉里一封信。 这是他们当时作为好朋友互换的信。 拉里打开儿子写的信。 里面讲了关于如何热爱自己的工作、如何喜欢海军、安慰父亲如果自己牺牲了,也不用悲伤。他觉得这样值得。他会和已故的母亲看着父亲。 拉里老泪纵横。 这是一部于战争和政治无关的,只是讲男人的情节,关于自我的战争、谎言于真相以及慢慢的与生活和解。 如果喜欢话痨片,推荐此剧。 这三个人像美国版的锵锵三人行,又像铁齿铜牙纪晓岚的铁三角,各种插科打诨,以及谈论自己的看法和见地。非常有意思。 评 ----------【剧情故事】---------- 作为一个喜剧来说,细节处理方面确实不能深究,包括台词和故事线,可以说是糟糕透顶。如果纠结起来怕是瑕疵之处罄竹难书。那么对于此处的建议自然还是一如既往的——先把自己灌醉了再看。 到了中期,感 评 ----------【剧情故事】---------- 作为一个喜剧来说,细节处理方面确实不能深究,包括台词和故事线,可以说是糟糕透顶。如果纠结起来怕是瑕疵之处罄竹难书。那么对于此处的建议自然还是一如既往的——先把自己灌醉了再看。 到了中期,感情线也开始变得波谲云诡神秘莫测了,几次突发的感情进步真是毫无铺垫。 直到结局,除了主角相貌可堪一看,其他全军覆没。故此评分4全应当给予在此。 ----------【角色演绎】---------- 女主人选还是个人比较喜欢的,眼睛蛮大加上滤镜和拍摄效果显得分外水灵动人,虽然演技平平,但是相貌能够给观者留下印象也算是比较优秀的特色了。 ----------【配乐,服饰,道具,场景,特效】---------- 服装方面并没有特别的创意或者能给人留下深刻印象的部分。 美国国家地理频道播放的片。 里面的确有诸如“军人家属反问军官 伊拉克没有发现大规模杀伤性武器,是不是只是为了石油”、“士兵间讨论说我们的确是侵略了别人的国家”、“军人家属各种痛苦离别的刻画”等等,然而片子里的回应都是美国式自由类言论,强行感化伊拉克人民,军人为国献身的荣耀等等。 这就是美国主旋律片,打着反战旗号,输出他们的价值观! 看这个片图一乐,看个大概 美国国家地理频道播放的片。 里面的确有诸如“军人家属反问军官 伊拉克没有发现大规模杀伤性武器,是不是只是为了石油”、“士兵间讨论说我们的确是侵略了别人的国家”、“军人家属各种痛苦离别的刻画”等等,然而片子里的回应都是美国式自由类言论,强行感化伊拉克人民,军人为国献身的荣耀等等。 这就是美国主旋律片,打着反战旗号,输出他们的价值观! 看这个片图一乐,看个大概就行了,军事专业水平一般,叙事剪辑方式一般,更别想从中看出什么精神内核了!不要用所谓的“反战”精神掩盖其输出美国价值观的行为! 不得不说会起名也是一个艺术,故事围绕几个市井小人物展开,对于经常看国外片子的我来说,并不算新奇,但浩哥却摆脱了国内电影一贯的段子搞笑,用了多视角叙事的风格,从小人物身上映射自己,让人产生共鸣感,看出来浩哥对黑色幽默玩的也非常溜,并且一直在充实自己,不拘泥于过往,可以说是一部非常用心的网剧了 不得不说会起名也是一个艺术,故事围绕几个市井小人物展开,对于经常看国外片子的我来说,并不算新奇,但浩哥却摆脱了国内电影一贯的段子搞笑,用了多视角叙事的风格,从小人物身上映射自己,让人产生共鸣感,看出来浩哥对黑色幽默玩的也非常溜,并且一直在充实自己,不拘泥于过往,可以说是一部非常用心的网剧了 这是一部合格的香港喜剧片。曾记得在学生时代和室友观看,同笑得花枝乱颤差点疯癫成狗。影帝梁家辉一如既往的豁得出去,有够风骚哈哈哈……严重失忆的谭德昌就好惨啦,被他骗财骗色骗到神经错乱,为了赚到50万,不惜晚上卖身白天打劫,真是害人不浅。梁家辉你卑鄙你无耻你戝格,我同你死过!去做卧底假扮老师,送给学生见面礼《今天不回家》,“徘徊的人,彷徨的心,迷失在十字街头的你,为什么你不回家? 这是一部合格的香港喜剧片。曾记得在学生时代和室友观看,同笑得花枝乱颤差点疯癫成狗。影帝梁家辉一如既往的豁得出去,有够风骚哈哈哈……严重失忆的谭德昌就好惨啦,被他骗财骗色骗到神经错乱,为了赚到50万,不惜晚上卖身白天打劫,真是害人不浅。梁家辉你卑鄙你无耻你戝格,我同你死过!去做卧底假扮老师,送给学生见面礼《今天不回家》,“徘徊的人,彷徨的心,迷失在十字街头的你,为什么你不回家?”搔首弄姿媚眼乱抛,歌声震破天际舞姿扭得销魂,雷倒学生一片!刘嘉玲青春无敌,最难忘和钟镇涛月下对唱的片段,白色波浪窗浅浅纱帘前,撩着头发扭着腰,诉起衷肠娇媚一笑,女神你长这么好看怎么都迷人呐。叶玉卿,身材名不虚传的超级棒!教室里性感、热情、奔放得像冬天里的一把火燃烧了整个沙漠,我要是男的早就鼻血狂流了。玫瑰玫瑰我爱你。 1 有个小细节,可能因为翻译错误,很多人没有注意到。 就是主角Poerche报假名的时候,报的朋友名字Jom来着。 然后他来到学校,听说这个朋友被叫到操场去了。他很紧张的跑去找朋友。 结果这个朋友说,他要当 1 有个小细节,可能因为翻译错误,很多人没有注意到。 就是主角Poerche报假名的时候,报的朋友名字Jom来着。 然后他来到学校,听说这个朋友被叫到操场去了。他很紧张的跑去找朋友。 结果这个朋友说,他要当大明星了,有人找他拍戏,演一个表面是酒吧服务员,背地里却是拳击手执行任务的角色。 这里其实是黑帮已经找到Jom了,也知道了Poerche的真实身份。这个所谓演戏的剧本,也是在暗暗警告Poerche,听说你在玩什么明面上是调酒师,背地里是黑拳打手的把戏。还报假名戏弄我们少爷啊。 2 Poerche兼职的酒吧门口停一排玛莎拉蒂,Poerche紧张的跑进去,发现Kinn在和老板娘谈笑风生的聊要投资的话题。(而不是把这家店砸烂然后揪着老板娘脖子问Poerche在哪里。这样就木有逼格了。) 成为酒吧合伙人。意味着可以轻易的左右Poerche。要么在少爷手下乖乖听话。要么另谋出路。 3 得知Poerche真名。轻描淡写的说一句“我还以为是叫其他名字呢”。就很轻松、轻慢。如果歇斯底里的骂你有种骗老子。黑帮的逼格立马↓ 4 不一上来就说少爷的手表值两百万。 Poerche其实一开始强拿手表的时候,其实都不一定觉得这手表值五万,只是当时只有这个台阶下。 和叔叔猜手表能卖个十几万吧,Poerche其实是很高兴的,觉得赚到了,再加上打拳的钱就能使家庭渡过这次危机。 手表卖了70万的时候,Poerche高兴的手舞足蹈,要开啤酒庆祝。 Kinn找上门来,为的是Poerche这个人,而不是责怪他强拿手表。并且剧中,一开始少爷反抗,得知Poerche是要手表后,反而乖乖让他拿。 酒吧再见的时候,Kinn轻轻松松的要回了这块手表,然后轻描淡写的说,你被骗啦,这表至少值200万。(背后是重新花钱二手买回,还是黑帮做派直接抢回就不得而知了。) 5万→十几万→70万→200万。 这里展现的其实是Kinn和Poerche之间的贫富差异。对Poerche来说,5万就值得他面对砍刀舍命救人了。而对Kinn来说,200万的手表,你想拿去当报酬就拿去吧。无所谓。并且普通人失去贵重物品后会焦急、无措。对黑帮少爷来说,勾勾手指手下就会把东西找回。 5 不是我说,黑帮少爷和老爷,你们爷俩这一集酒就没停下喝,我真的担心少爷的肝还ok吗?建议把酒和国际象棋换一些掉。换一种爱好,黑帮装逼的时候除了雪茄和威士忌。改成喝茶。修剪花草什么的。或者,朝水池里丢鱼食,看锦鲤抢食。再或者,配一只帅气凌然的杜宾,撸撸狗什么的。 比如Kinn爸爸一些转场,可以来个带着眼镜看书之类的。剧中他的着装是毛衣而不是像手下那样西装,其实也是有意营造一种反差气质。 6 Kinn对酒吧里Poerche说,我们找个安静的地方聊聊天吧。我第一次看真的以为他们要找个地方聊天,还顺着思考了一下会聊些什么的时候。 忽然手下就把Poerche套了麻袋。这波喜剧效果拉满。配上BGM和Kinn漫不经心的回眸,逼格upup。 此处是突然的转折,意料之外,情理之中。Kinn没有对手下发号施令说“给我把Poerche带走”。表现手法还是很棒的。 对Poerche的收服,不是命令手下把他暴打一顿。而是自己亲身下场和Poerche“家暴”。有那么点诸葛亮三擒孟获的意思了。 7 送花篮 Kinn的教父爹说,自己早年也给老外们送过花篮。虽然只有一句台词,但人设就立起来了。可以脑补一些年轻教父早年遇到的一些挫折困难,也点头哈腰过,经历种种最后成为大佬。为什么很多电视剧反派死之前要洗白?为什么前期吊炸天的反派,死之前要安排一波回忆杀,早年吃得苦受的委屈等等。就是因为有故事了,人物就真实了,才能戳人心。 这里Kinn父亲批评Kinn,Kinn乖乖的道歉了。(反差萌少爷形象立起来了)说早上已经送花篮道歉了。 转头镜头给的剪辑是“鼻青脸肿的人肉花篮们”。 这波装B给满分啊。 要是少爷吃了瘪,然后回头派手下去找回场子。这就有一种“放学别走”的小学生掐架那么幼稚了。 但是先老爷说送花篮(表明低姿态),再是少爷说送花篮。观众自然顺着思路以为少爷的花篮也是低姿态。结果先抑后扬,来个反转。观影体验就非常好。 8 “我希望你在这里过的幸福。” 这句台词很简单,但一下就把教父的B格升起来了。他们对Poerche强取豪夺,半强迫式让Poerche来为黑帮卖命之后: 既不像你的领导对你画饼:“来了我们公司(帮派)后,你就会升职加薪,吃香喝辣走上人生巅峰”。 也不像二流子黑帮,用武力威胁说不给老大好好干活,就会被灌水泥沉湖。 而是貌似温柔的说:“我希望你在这里过的幸福。” Poerche给弟弟留信描摹的画面是面朝大海,春暖花开。是明亮的,开阔的,轻松的。 而Poerche实际走入的世界,是纸醉金迷的走廊,富丽堂皇的装饰,璀璨绚烂的灯光。保镖们都人模人样,西装革履。而汹涌暗藏,杀机折服。 有了以上画面的渲染后,教父一脸温和的对你说:“我希望你在这里过的幸福”。就像一名慈祥的长辈在婴宁叮嘱。 他不说你在这里会赚大钱,也不说既然来了就要好好为我们卖命。 什么是幸福?幸福是一生之追求。幸福是很大很大的一个单词。不是简单的发财,不是升职加薪就一定幸福,不是儿女双全就一定幸福。他轻轻的用了这个词,就好像你的人生轨迹都被他掌握,被他安排,被他左右。 (ppps,题外话,教父确实让Poerche幸福了哈,都把儿子赔给他了233333) 9 黑帮少爷不长手。 有弹幕说,最大的bug不是前期Kinn被追的嗷嗷叫,需要求助老婆帮忙打人。后期确把老婆打的嗷嗷叫。这不合理。 比手下强,还需要保镖吗? 当然需要。真正的少爷可是不长手的呀。 少爷在谈判的时候,枪是示意后,让手下递的。 少爷在给钱的时候,是不带钱包,不带手机的。 细微之处体现阶级差异。 10 关于选角。Apo有多辣,演技已经展现了。 来聊聊少爷的选角吧,我知道这部剧唯一的槽点或许就是这个了。 但我想说,选角真的非常妙。 Mile这个演员不是第一眼帅的类型。你们不要光笑他眉毛粗。 他的长相,其实是典型的眉压眼。面相上不好,显得眼距近,眉毛粗而眼睛小。 通俗讲就是:第一眼就不是个好人。 但是细看,三庭五眼的排布其实是舒展的,特别是笑起来很可爱。这就很反差萌。 非常符合人设的选角。如果黑帮少爷是个美少年,或者但凡帅的精致那么一丢丢,这部剧就容易“悬浮”了。就有种玛丽苏的感觉。五颜六色的七彩瞳孔之类的。你们明白我意思吧? Mile的长相,成熟中又带有一丝丝的少年感。咋一眼就很成熟的长相,看久了又透出点生活很顺带来的‘天真’。 黑皮Apo演的Poerche就有种市井之中,为生活奔波的世故。是那种微笑背后透露的疲惫。 而白皮Mile就是凶恶强势之下的一点天真,作为一个少爷,没有被“忤逆”过。虽然是黑帮,但也是富二代。 黑帮家三位公子,两位不务正业。不是那种三兄弟为夺权撕的你死我活。而是两个甩手掌柜,只有二少兢兢业业,子承父业老实工作。这人设就微妙的有一点点‘乖巧’。 这两个人设就是很配啊。所以才这么有张力啊。 (暂时这些,想到再更新。这部剧,越是细品,越可以感受到主创团队的用心。就很精巧。) https://movie.douban.com/review/14331023/ EP2剧评:喜剧?虚晃一枪。 https://movie.douban.com/review/14397697/ EP6解析:糟糕的爱,最后很爱。 一个自私的傻叉,居然有一大堆愚蠢的傻叉跟随,还号称人类最好DNA培育的代表人类希望的一群人,从小封闭教育应该早洗脑了你们是人类最后的希望诸如此类的吧,就因为没有嗑药就成这样了,这表示教育的失败还是人类不值得呢,扎克同学荷尔蒙苏醒就去抓人家咪咪的行为在说明这不是人,这简直是狗啊,动物都知道先展示自己的优点吸引异性,才能有下一步动作,这尼玛简直在侮辱人类智商。 一个自私的傻叉,居然有一大堆愚蠢的傻叉跟随,还号称人类最好DNA培育的代表人类希望的一群人,从小封闭教育应该早洗脑了你们是人类最后的希望诸如此类的吧,就因为没有嗑药就成这样了,这表示教育的失败还是人类不值得呢,扎克同学荷尔蒙苏醒就去抓人家咪咪的行为在说明这不是人,这简直是狗啊,动物都知道先展示自己的优点吸引异性,才能有下一步动作,这尼玛简直在侮辱人类智商。。建议别看,真的挺浪费时间的