8649247
  • 皮卡皮卡佳
    2017/5/30 16:31:02
    假期解忧必备的喜剧电影

    该剧是一部具有奇幻色彩的冒险东北喜剧,讲述了程野和宋晓峰两批人马为争夺狼族遗迹,与非法倒卖文物团伙斗智斗勇的故事。里面笑料充足,情节跌宕起伏,惊险刺激,让人觉得轻松愉悦,这个端午,我的笑点都被它承包了,后面狼族守护者山神和野人的牺牲更是让人感叹唏嘘,欢乐的剧情,有趣的情节,值得一看。

    该剧是一部具有奇幻色彩的冒险东北喜剧,讲述了程野和宋晓峰两批人马为争夺狼族遗迹,与非法倒卖文物团伙斗智斗勇的故事。里面笑料充足,情节跌宕起伏,惊险刺激,让人觉得轻松愉悦,这个端午,我的笑点都被它承包了,后面狼族守护者山神和野人的牺牲更是让人感叹唏嘘,欢乐的剧情,有趣的情节,值得一看。

    【详细】
    8571149
  • 先锋电影制片厂
    2021/6/15 11:35:39
    王念一与他的“猛犸象”

    十年寒窗磨一剑,今朝出鞘试锋芒。2021年高考结束,第四届先锋艺术电影展征片通道也已经开启了两周,目前征集到的长短片作品超200部。

    值此之际,PAF对2020年3rd PAF闭幕影片《会考试的猛犸象》的导演,同时也是3rd PAF“先锋杯”最佳导演奖获得者、新锐导演、编剧王念一进行了一次专访。聊了聊电影剧本的构思来源,如何

    十年寒窗磨一剑,今朝出鞘试锋芒。2021年高考结束,第四届先锋艺术电影展征片通道也已经开启了两周,目前征集到的长短片作品超200部。

    值此之际,PAF对2020年3rd PAF闭幕影片《会考试的猛犸象》的导演,同时也是3rd PAF“先锋杯”最佳导演奖获得者、新锐导演、编剧王念一进行了一次专访。聊了聊电影剧本的构思来源,如何从最初的想法演变成现在的故事,与重庆的渊源,导演还向我们透露了关于下一部新片的计划。

    《会考试的猛犸象》是一部关于高考的作品,王念一导演也对今年参加高考的学子们送上了祝福:年轻是被爱的,年轻是被嫉妒的。

    13611545
  • Moonlight Bae
    2018/9/24 12:24:07
    Bojack Horseman S5E6 Scripts

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one.

    Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.”

    But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro.

    [people murmuring]

    [clears throat]

    Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it.

    Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman.

    [rustling]

    Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So…

    [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me.

    Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral.

    Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this.

    [groaning]

    [mourners gasping]

    Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday.

    [woman coughs]

    Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy.

    [clears throat]

    Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault.

    But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me.

    Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard.

    When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting.

    Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter.

    [owl chirping]

    My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face.

    [groaning]

    [mourners gasping]

    If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression.

    [woman clears her throat]

    [chairs squeak]

    I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.”

    Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed.

    Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything.

    [woman sighs]

    Back in the 90s, I was in a very famous TV show called Horsin’ Around.

    [man coughs]

    Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.”

    And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much.

    Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock.

    [murmur]

    I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.”

    “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom?

    I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots?

    [rimshot plays]

    Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing.

    [rimshot plays]

    Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket!

    [rimshot plays]

    Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch!

    [woman gasps]

    [murmurs]

    Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead.

    [woman sighs]

    You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.”

    [organ playing tune]

    Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim.

    [flashback]

    [partygoers laughing]

    [classical music playing]

    But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.”

    You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty.

    I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps]

    Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain.

    [rimshot plays]

    No, that wasn’t… would you just… dial it back, all right?

    I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that?

    I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause.

    [man coughs]

    Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for.

    Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show.

    I guess until there isn’t.

    [chuckles]

    My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.”

    “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro.

    You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales]

    I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker.

    Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away.

    My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead.

    [gulps, sighs]

    Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen.

    Is this Funeral Parlor B?

    —— from Reddit

    【详细】
  • 966723640
  • 阿甘
    2018/2/12 23:22:30
    整体不错

    我是唐粉。里面首先服装盔甲是唐代的,很满意。还有演员的柳将军李将军等无论服装还是演的内容都有骄兵悍将那种藩镇跋扈的感觉,我都喜欢。特别是柳将军,骁勇善战,很不错。

    黄河大侠也有种黄巢的感觉,就是没能拉起那帮难民一起对抗藩镇军队。反而开了个武馆,这就太文气武侠风了。

    不过段王爷风格好像不怎样,也是太文气,没有唐末藩镇的跋扈感。

    我是唐粉。里面首先服装盔甲是唐代的,很满意。还有演员的柳将军李将军等无论服装还是演的内容都有骄兵悍将那种藩镇跋扈的感觉,我都喜欢。特别是柳将军,骁勇善战,很不错。

    黄河大侠也有种黄巢的感觉,就是没能拉起那帮难民一起对抗藩镇军队。反而开了个武馆,这就太文气武侠风了。

    不过段王爷风格好像不怎样,也是太文气,没有唐末藩镇的跋扈感。

    【详细】
    9147182
  • 做事不能设假设
    2018/5/5 23:37:42
    谢苗有想法,但是难有作为啊。

    他饰演的角色洪文定(《新少林五祖》)和巩固(《

    他饰演的角色洪文定(《新少林五祖》)和巩固(《给爸爸的信》),都有一种孩子所难以演绎的冷静气质。那种令人啼笑皆非的酷味儿和沧桑劲儿,从小学到高中毕业,他大大小小获得了十几个武术比赛的冠军。在香港,人们开始叫他“李连杰接班人”。时光飞逝,那个虎头虎脑的小家伙,已没有他自己所形容的“一脸穷苦孩子样”,完全变成了时尚少年。和所有同龄大学生一样,谢苗过着单纯而快乐的生活。重返影坛的谢苗,有着与所有同龄人一样的单纯、青涩,却也有了一种别人所没有的成熟与淡定。

    【详细】
  • 9346739
  • Mr.Toro
    2015/9/27 23:06:21
    北京大妞闯情关
    《大猫儿追爱记》是由海润影视、新丽传媒联合出品的职场励志情感剧,正在安徽卫视、江西卫视每晚热播。其实,片名就透着浓浓的京味来,所谓“大猫儿”,一定要用带着儿化音的京腔念出来,其实一般指我们打牌时的大小王中的大王,常规来说,大猫儿一来,所有的牌都得“歇菜”。与片中扮演大猫儿的海清,也是有很多相似的地方,平常看似小萌女,关键时刻有主意,只可惜这一次深陷情关,一边是完美的高富帅,一边是亲如一家的发小,再
    《大猫儿追爱记》是由海润影视、新丽传媒联合出品的职场励志情感剧,正在安徽卫视、江西卫视每晚热播。其实,片名就透着浓浓的京味来,所谓“大猫儿”,一定要用带着儿化音的京腔念出来,其实一般指我们打牌时的大小王中的大王,常规来说,大猫儿一来,所有的牌都得“歇菜”。与片中扮演大猫儿的海清,也是有很多相似的地方,平常看似小萌女,关键时刻有主意,只可惜这一次深陷情关,一边是完美的高富帅,一边是亲如一家的发小,再加上职场的各类状况“捣乱”,令生活如“过五关斩六将”般,虽然最终取得了胜利,但过程岂能一路平坦。

    《大猫儿追爱记》由田有良执导,海清、陈思诚领衔主演,改编自人气网络小说《大猫儿的TT奋斗史》,讲述了一群从小一起长大的年轻人,初入社会尝尽了生活的酸甜苦辣咸,并在跌跌撞撞中找到自己人生方向和真爱的故事。这部戏,总的说来,一如片名,一如海清所扮演的北京大妞,实在是京味十足。其实近几年来,京味剧不够太火爆,相比当年的《渴望》、《那五》、《编辑部的故事》、《我爱我家》、《贫嘴张大民的幸福生活》等等,《大猫儿追爱记》又带来些有关这个城市的传统与现代的碰撞,爱情与职场的交织,看起来自然津津有味。

    本剧就大猫儿而言,是情场职场的双考验,对于职场而言,很积极向上,但又有警戒作用,都说职场如战场,大猫儿看似一帆风顺的工作前程,也会一而再,再而三的遭遇危机,特别是信任危机,无论是自己的业务被同事全部”翘“走,还是给别人背了黑锅,但这也符合她的性格,开朗、明快,不会算计人,也不会去揣摩别人的算计,何况,她还选择在可以升职的时机,选择其他部门从零开始。好的层面讲,会更多的时间活在阳光里,会追着自己的梦想跑,但不好的层面说,确实容易成为一个职场的失败者,因为不是每个人都有勇气抛弃稳定选择难走的路,也因为并不是每个人都有一个林莽莽随时救急。

    当然,林莽莽不仅能救工作的急,也能救生活的急,填补空虚的缺,填补爱情的缺,还能以百变的身份出现在你面前以赢得青睐。只可惜落花有意流水无情,大猫儿一门心思要与高富帅裴格永结同心,哪里还会回看身边呢?每个人在感情世界中,都会遇到的问题是,我爱的人不爱我,爱我的人我不爱,但大猫儿的情况不一样,当她发现,她爱的人也那样爱她的时候,简直就是神魂颠倒了,从她忙不迭的准备新加坡之旅的“破处”盛典,就能感觉这份炽热的心有多迫切。

    大猫儿的经历 ,带给我们的启示,其实是要懂得“知足”,工作要知足,爱情要知足,不可有妄想,更不能被突如其来的天上馅饼所砸晕,追梦可以,但这个梦想要实际。本剧的故事并没有说教,而是在轻松搞笑的氛围中,投射出生活的大道理,刀子嘴豆腐心的大猫儿,就如猫女,林莽莽是典型的接盘侠,裴格则是竖在两人之间的冰冻人,令《大猫儿追爱记》看起来更像一部超级英雄大片,虽然发生在市井,发生在写字楼,但对每个人都有很多的启示作用,用每一集的剧情来告诉我们,做自己的英雄,与生活与时代和解,才是永远的胜者,因为我们要闯的不仅仅有情关,还有时间关,金钱关,生命关……
    【详细】
    76101272
  • 亵渎电影
    2019/10/3 11:57:38
    明年奥斯卡预定电影,争议竟然这么大?

    看完了李安导演的这部新片《双子杀手》,第一感觉是激动。

    看完了李安导演的这部新片《双子杀手》,第一感觉是激动。

    10548200
  • Theobald.
    2018/6/30 0:33:47
    看不懂的不要进来评论,智商不在线的不予回复

    在观影后想在豆瓣找个知音,未果。那么只好自己写,开始:

    第一,篇幅安排。前面的铺垫过长,树立人物性格、感情线与现实状况,用了太长的时间,节奏上不够紧凑。小丑打怪出现一次就够了,后续的频繁切入有碍剧情的紧张感,这是整体上的一个不小的败笔。

    第二,逻辑错误,本片一度让我以为是科幻片。一个智商比较高的男主,会在游戏厅做小丑,使自己入不敷出;会频繁相信背叛过自己的发小,且在深

    在观影后想在豆瓣找个知音,未果。那么只好自己写,开始:

    第一,篇幅安排。前面的铺垫过长,树立人物性格、感情线与现实状况,用了太长的时间,节奏上不够紧凑。小丑打怪出现一次就够了,后续的频繁切入有碍剧情的紧张感,这是整体上的一个不小的败笔。

    第二,逻辑错误,本片一度让我以为是科幻片。一个智商比较高的男主,会在游戏厅做小丑,使自己入不敷出;会频繁相信背叛过自己的发小,且在深思熟虑后并且看过合同的情况下,以其母名义签下抵押担保,有违其智商较高的人设;发小用其母的270万市值房产抵押借款600万,除了还欠款的270万,其余竟然到账,至于发小又一次在澳门输光,这不合高利贷公司的基本原则;男主在第一次对阵boss时,竟然没有半分质疑其欠款的合法性,直接签字用性命赌博,不合其智商设定,毕竟按所有安排来说,在大陆这个公司是不敢明目张胆的作奸犯科的;在大陆坐船直接去公海,船是公司安排,不知道护照这个东西是为什么要出现的,boss会交代带护照?在大家接受麻药注射时,有一段男主逃跑戏份,从他上车打火挂档漂移出门起,我就认定这是一部科幻片,一个家境惨淡的小伙子,有这么娴熟的驾驶技术?且还能主动撞死追踪者,毕竟当时追捕方没有开枪等过激行为,我们的男主这个守法公民是怎么可以yy到这种真实场景的,注意一点,这里的想象没有用小丑与怪兽的渲染,所以,这一段只是导演为了打斗、飙车戏份而强加上的,果然,闪回了。这一段在整部电影里完全没有存在的必要。

    继续,上船后,boss介绍完规则时特意提示牌与星星都是可以赠予与买卖的,后续显示,除了暴力伤害的硬抢,其余行为都被默许,那么问题来了,只要大部分人智商在线,按兵不动,等有人输星无牌时,把所有牌赠予出去,是不是就可以偿还债务安全下船?

    这时候发小出现了,然而出现的理由十分牵强,他已找了担保摆脱了债务,为何干冒奇险来参与赌局?支撑的理由有点牵强

    继续牌面游戏,男主交代了大家都以均衡论出牌,男主以这个逻辑赢到了第一个胡子的两颗星,且牌面显示器一直是按照三种牌差不多流失量来走的,为何突然之间布的消耗量大增?石头和剪刀却比较慢?按均衡论逻辑来说,这是不存在的,除非有人把持石头与剪刀的牌,然而并没有,从头到尾只有男主一伙在囤牌,所以这是一个自打嘴巴的逻辑错误。之后,男主三人囤牌被外国人盯上,外国人开始囤积布牌,并且主动出击找男主的两个小弟进行对决,当时时间还有很多,外国人的星星与牌都很多,三个人出现绰绰有余,第一赌徒心态不会这么早就收手、第二外国人三人组为了对平局消耗牌面不一定是布牌挂单,且有人配合就算一张剪刀一张布佯装输星都可消耗,所以外国人不是必要性出布,而会选择心理战,不会傻了吧唧一定出布,这个地方智商不在线

    男主把外国人的两个同伙诓走之后,这里与外国人的交涉与交易是符合逻辑的,没有大问题

    之后,男主一伙有了六十多张牌,西装魔术男想从中做鬼进行洗牌,并透露出男主的囤牌策略,男主不得已也来参与洗牌,后魔术男将男主牌洒向空中,借此时机迅速与人对决。男主在其他人牌越来越少时醒悟,拆穿了魔术男的换牌伎俩,开始摆石头剪刀布三张均衡牌局,此时以魔术男的智商只需与一人进行谈判对决,承诺不论输赢都送予两星的交易,或与任意剪刀牌换牌,保证对面赢一颗星,他即可安全晋级,而不会等到除男主外再没有其他人有牌的尴尬局面。这里的反转比较牵强

    之后,男主赢了魔术男的五星,赠予两位同伴,自己由于持牌过多进入黑屋,发现刀疤男一伙儿的赚钱策略,这里有个大硬伤,纱布包钻石,先不论纱布包钻石的可行性,有多容易遗失、被发现、不安全性,这三人只需将本金存入某个银行、秘钥由刀疤男记住即可,为何舍本逐末冒这种风险。然后刀疤男的纱布与钻石被男主一把抢过,且刀疤男第一反应是去捡钱、完全没有感受背部更大财产的安全,不合逻辑。

    小胖的背叛也是为了反转而反转,比较生硬。

    男主出黑屋,打小胖未见保安任何阻拦,小胖的星星与钱都被抢走,这不合规矩。

    第三,动物世界的第一要务是生存,并非利益,主题不对,且导演与编剧想把小丑的生存法则作为男主的座右铭,刻画还不够深刻。毕竟,经历过这么多冒险与背叛后,他回到了现实生活,还是那个流氓青年,没有任何改变与升华

    第四,整部电影的画面表述和人物塑造都还不错,可以说在同类国产电影中算出类拔萃了,但是仅够及格,希望国产电影继续有所进益。

    有什么不对的地方欢迎指正,另大家觉得有什么bug欢迎补充

    【详细】
    94751899
  • 一二三四卌
    2021/2/14 12:17:00
    明月装饰了你的窗子

    剧本写得相当流水线。翻看一下红姑的记录,1987年到1988年,竟然拍了18部电影,发哥更加是两年拍了20部,产量惊人。在这种高产的氛围下,角色也似乎都为周润发与钟楚红度身定做,一个重义气的潇洒浪子,一个楚楚可怜的美貌女鬼,与两个人同期的银幕形象中高度重合,观众可以无缝接轨。人鬼殊途,本是一段凄美的爱情悲剧,发哥红姑俩人配戏起来已经熟练无间,以至于CP感都在下降。情侣间那种从忐忑到爱慕到浓情

    剧本写得相当流水线。翻看一下红姑的记录,1987年到1988年,竟然拍了18部电影,发哥更加是两年拍了20部,产量惊人。在这种高产的氛围下,角色也似乎都为周润发与钟楚红度身定做,一个重义气的潇洒浪子,一个楚楚可怜的美貌女鬼,与两个人同期的银幕形象中高度重合,观众可以无缝接轨。人鬼殊途,本是一段凄美的爱情悲剧,发哥红姑俩人配戏起来已经熟练无间,以至于CP感都在下降。情侣间那种从忐忑到爱慕到浓情蜜意,甚至为了对方幸福置生死不顾,都有种惯性”演”的成分。

    毕竟平均一个月就要完成一部戏,通通短平快,追求票房进度两开花。曾经一年拍七部戏的王晶在《吐槽大会》里调侃过徐峥拍戏慢,说如果在当年黄金年代按照他的速度拍戏,演猪八戒都不用化妆——直接被制片人打成猪头。

    相比发哥的平平无奇,红姑在清一色的”弱质女子”的角色的打造中,慢慢的多了几分岁月的成熟与妩媚。从《男与女》开始的角色,大都以受气的委屈的让人怜香惜玉的女子出现,80年代”大陆妹”仿佛成了人间鬼物,在香港偷偷摸摸生存不可见人。而且形象都是那种未见过世面,怯生生又土气十足的模样。

    《鬼新娘》里生前穷困交加的女鬼,无意中看到了发哥前女友留下的旧衣服。眼瞅着红姑欣喜的要试穿的,我心想着,怕不是又一个展示贫富差距和女星”花瓶”露肉的环节。这几乎是80年代港片的标配——一个是无形中透露出香港与内地经济实力悬殊的凡尔赛,另一种是借个桥段实现”变身”这种桥段。本来土土的怯生生的小村姑摇身一变,成为风情万种光艳动人的城市丽人。以以往的拍摄手法,镜头下也许还会从偷窥的角度开始,从女性的双腿慢慢摇向胸部,伴随着女生羞涩的期待,”好看吗?”,浓浓的男性凝视。比较惊喜的就是,这种套路没有在男性的审视下出现,而是在另一种男人处于最尴尬的场景下登场。发哥被打得鼻青脸肿,被前女友和偷情汉奚落得狼狈不堪的时候,一袭潮派港风的红姑不动声色的现形接茬了,出手了,以其人之道还其人之身了。明艳,可爱,解气还不失调皮。在当年千篇一律的”看到衣服——换衣——男人眼睛发亮颔首赞许”的惯有模式下,这就高明了许多。也显得这个女鬼非常的前卫,虽说生前连小家碧玉都称不上,但却有着果敢与慧性,孤魂野鬼逛最繁华的闹市尖东,这个小女子既不输场也不输阵。当然,全片最凄凉的角色应数发哥表姐,那个年过四十孑然一身的茅山老道姑。凌厉干练的发脚,人前咄咄逼人的气势,却在暗自无人时的怀伤嗟叹,有一颗小女子柔弱求爱的心。对着表弟枉费痴情,甘愿做桥下他人的风景。为了达成女鬼心愿,上了她的身得以行走人间。穿上平时绝对不会穿的性感服饰,终于能以自己的肉身和表弟约会。保守至极的男人婆穿上露脐装化身俏女郎,拉着意中人招摇过市般的大秀恩爱,场面足够的滑稽可笑。喜剧的内核就是悲剧啊,这种人在魂不在,身近心远的欢愉悲楚,患得患失,若即若离,五味杂陈。当鬼魂临时脱身试衣,表弟发现人物已非而急寻女鬼时,表姐脸上那种来不及掩饰的欣喜和骤然失落交汇跃然而上。与欢乐的二人分据镜头左右,越来越远。寥寥几秒着墨不多,却一击刺中了看客的心,司马青衫。(叶德娴由此片获得金像奖最佳女配角提名,演,唱,打,形色兼备,可以说是全片最大的亮色)

    ——每个人都有故事,但谁愿意沦为配角呢?

    132221527
  • 南栀
    2021/4/22 10:08:36
    八零九零

    目前来看,这部电视剧具备题材优势。故事的主线,便是一群老年人的养老问题。这是社会关心的大问题,所以观众们也愿意为这样的电视剧献上较为不错的口碑评价。与此同时,该剧的聚焦方式,则是非常温暖的,能够让观众在这部电视剧作品当中看到积极阳光的一面。虽然养老题材在内地剧当中,属于较为新鲜的题材内容,但是,放眼全球电视剧市场,养老题材其实已经不是那么新鲜了。甚至于很多这一题材的电视剧,开始出现“极度的写

    目前来看,这部电视剧具备题材优势。故事的主线,便是一群老年人的养老问题。这是社会关心的大问题,所以观众们也愿意为这样的电视剧献上较为不错的口碑评价。与此同时,该剧的聚焦方式,则是非常温暖的,能够让观众在这部电视剧作品当中看到积极阳光的一面。虽然养老题材在内地剧当中,属于较为新鲜的题材内容,但是,放眼全球电视剧市场,养老题材其实已经不是那么新鲜了。甚至于很多这一题材的电视剧,开始出现“极度的写实”。比如,反映养老院虐待老人的问题,反映老人们进入一种更加孤苦的状态当中的内容等等。目前已经有不少的悲观主义的写实性电视剧作品。与这些作品相比,《八零九零》是非常温暖的,没有用过分残酷的现实摧残观众。剧情温暖,是《八零九零》最大的特点。老院长身患绝症,所以不得不尽快把孙女培养出来,尽快给养老院找到职业经理人等等。而这些剧情线索背后,则是老院长对于养老院里边老人的细心照顾,披一件衣服,买更新鲜的蔬菜等等,都透露着巨大的温暖。这种温暖,可以感染观众,并且形成对抗冰冷的力量。对于观众而言,苍老,便是最大的一种冰冷。人性的温暖,是对抗苍老的最好方法。当然,从目前的两集剧情内容来看,《八零九零》因为坚持温暖叙事的原则,所以似乎缺少了一些故事性。这是影视剧创作的必然规律:非常刺激,非常好看的影视剧,必须出现强有力的反派才行。

    【详细】
    13495566
  • 呜哈哈
    2021/4/5 2:18:50
    观后感

    这部纪录片出现太及时了,最近刚好在看欧洲史的书,其中罗马帝国肯定是核心。这个纪录片的核心目的也是把罗马方方面面都要讲清楚,又因为罗马跨域很长,人物和事件,历史背景都很复杂,想讲清楚很不容易。

    这个纪录片很有水平,把罗马帝国分成若干支线去拆解,包括起源,政治体制,军事,核心时间线,追求情节,宗教,建筑,都很清晰。最后一集更是精

    这部纪录片出现太及时了,最近刚好在看欧洲史的书,其中罗马帝国肯定是核心。这个纪录片的核心目的也是把罗马方方面面都要讲清楚,又因为罗马跨域很长,人物和事件,历史背景都很复杂,想讲清楚很不容易。

    这个纪录片很有水平,把罗马帝国分成若干支线去拆解,包括起源,政治体制,军事,核心时间线,追求情节,宗教,建筑,都很清晰。最后一集更是精华,总结了罗马最大的遗产,无形的法律和有型的城市;

    也总结了三大矛盾:

    罗马矛盾1即罗马与希腊的矛盾关系,希腊虽然被占领但是文化又是希腊占领罗马,伴随着宗教进一步不合,使得罗马东西分裂,延续为拜占庭和法拉克对立,俄罗斯帝国和神圣罗马帝国对立,以及近代的苏联和西欧对立。

    矛盾2是凡圣矛盾,即凯撒的王国和基督的王国同时共存。

    矛盾3是南北矛盾,日耳曼摧毁了罗马帝国,但是日耳曼又归一了基督教,导致了矛盾3又发展了矛盾2,纠缠在一起,中世纪罗马基督教又凌驾于日耳曼王国的统治之上。但是,16世纪马丁路德新教改革,西北欧改信新教,摆脱天主教,于是英国,德国,荷兰这些当初贫穷的日耳曼国家分分崛起,而拉丁文化圈除了法兰西都没落了。

    现代,中西文明要通过一带一路,再创辉煌。

    【详细】
    13368636
  • 青煞
    2019/12/29 17:31:17
    湖南考题

    说真的,抽到这个题目的时候是非常庆幸的,真的是个好片子,不仅不偏,而且拍得很好,真的,考试院爱了我,感谢??

    相对于很多纪录片,这个片子不仅主题明确而且视听语言也很好写,是个非常好发挥的片子,很多的镜头都值得好好写,建议之后好好看看分析分析,拉拉片子。虽然40分钟对于考生来说会有点偏长,但是自我感觉还可以(因为非常好看),而且该片不是大讲空话,内容上的填充都很棒,从小人物

    说真的,抽到这个题目的时候是非常庆幸的,真的是个好片子,不仅不偏,而且拍得很好,真的,考试院爱了我,感谢??

    相对于很多纪录片,这个片子不仅主题明确而且视听语言也很好写,是个非常好发挥的片子,很多的镜头都值得好好写,建议之后好好看看分析分析,拉拉片子。虽然40分钟对于考生来说会有点偏长,但是自我感觉还可以(因为非常好看),而且该片不是大讲空话,内容上的填充都很棒,从小人物来看大深圳。

    附几句里面的话吧,个人是爱了。

    1.人们四处选择孤单,人们四处选择狂欢

    2.深圳没有忘记“达则兼济天下”这句话

    3.当城市陷入黑暗,这盏灯仍为你亮着

    希望湖南考生都有个好成绩吧,面试也要加油呀!

    【详细】
    12130342
  • 给我来只大猫
    2021/12/17 2:11:10
    就真的这么绝望嘛?

    小黑,失去了自由被迫沦为了劳工,日夜工作,却连洗澡的权利都没有。官商勾结,就算逃出去报警也会被抓送回来。被老板拿父母的生命来威胁工作,防止逃跑,如同被套上了层无形枷锁,无法逃脱。身边的伙伴更是猪队友,胆怯懦弱/欺软怕硬/纸上谈兵,聪明的小黑,好像除了妥协和助纣为虐外就别无他法。

    以小见大,这让我想到了当时身处

    小黑,失去了自由被迫沦为了劳工,日夜工作,却连洗澡的权利都没有。官商勾结,就算逃出去报警也会被抓送回来。被老板拿父母的生命来威胁工作,防止逃跑,如同被套上了层无形枷锁,无法逃脱。身边的伙伴更是猪队友,胆怯懦弱/欺软怕硬/纸上谈兵,聪明的小黑,好像除了妥协和助纣为虐外就别无他法。

    以小见大,这让我想到了当时身处旧中国的那位伟人,当时的旧社会才是真的让人绝望到极致。嘉兴游船上的十三名年轻人,为了自由和尊严去奋斗,救自己,也是救中国。在那个过程中犯的错,遇到的诱惑,不是历史的三言两语就可概括。聪明的人真的有很多路可以选,但伟人却选择了最难的一条,且坚持不变。这支撑他能一直下来的,我相信,是在船上那刻,一同确定下来的思想,并一同努力。

    回到正题,社会是个大染缸,你很难一个人去改变全部,只能被逐渐同化。当小黑选择用妥协去为伙伴们争取自由的时候,就是在慢慢变成恶龙的过程。他的初心也许是好的,可他跟原来的社会冲突。被所敌视,跟伙伴没有一个统一的思想。各找出路,慢慢只能沦为自私自利。

    革命能成功离不开一个统一的思想,“枪杆子里出政权”。

    站在上帝视角看,解答方法有二:

    与伙伴共同确定思想,分工明确。小黑去谋取老板信任,伙伴适度反抗。

    1、等待合适的机会,控制住老板,严刑逼供把钱全套出来,再让老板打电话把他的同伙骗过来,一并解决。(直到所有知道小黑劳工身份的人全部杀完,这里人数大概3个)然后把尸体埋了。然后小黑与同乡回老家发展分赃各奔东西,老板连废铁场都亲力亲为,只要把线索断了,议员就很难去为这小boss报仇,只能吃哑巴亏(有被发现的风险)。

    2、把老板绑架后,逼供出他犯罪的记录(废铁场开了这么久,之前的劳工都不在了,说明犯罪不少)。然后找大使馆帮助,用老板的钱请媒体大肆宣传,借助国际力量和网络舆论,让国家下手整顿。这样大家都能活在阳光下,明哲保身。

    一个人去屠龙终究变成恶龙,当一群人抱着共同的目标去屠龙时,必将屠尽恶龙。用恶龙留下的宝藏,改变那个破旧不堪的农村。

    【详细】
    140711079
  • Amélie
    2017/5/10 11:39:11
    《狗咬狗》dog bite dog导演/演员评论音轨

    版权归作者所有,任何形式转载请联系作者。

    作者:Amélie(来自豆瓣)

    来源:https://www.douban.com/note/617951010/

    第一次看这部电影是大概0

    版权归作者所有,任何形式转载请联系作者。

    作者:Amélie(来自豆瓣)

    来源:https://www.douban.com/note/617951010/

    第一次看这部电影是大概09或10年,看完最大的感受就是太脏了、太疼了,并不想看第二遍。最近我又看了这部电影,觉得它的摄影、主题包括表演在香港这十几年的片子里都算很突出的,同时发现原来很多人都很喜欢,特别是陈冠希的表演。

    导演讲评的评论人是郑宝瑞、监制和几位影迷,很多时间都是在讨论电影可以改进的地方,郑宝瑞在旁边解释为啥他要这么拍。听的出来,大家还是都很喜欢这部电影的,这么讨论的原因是想电影更完美一些,也很可惜这部电影在香港票房不好。演员讲评是陈冠希和熟知香港电影的英国人龙比意 Bey Logan,后者差不多电影里出现的每一位演员他都非常熟悉,可以讲上半个钟。然后这两人是用英语,只挑有意思的地方记下来。另外,我还截了一些我比较喜欢的图和片段。ps:导演讲评是粤语,字幕翻译的还可以。演员讲评是英语,后面字幕完全不知所云,声画也不同步,我只能自己听,有些没听懂。

    首先,要说下郑宝瑞选陈冠希演柬埔寨杀手的原因。有人问导演为什么选陈冠希,他“又斯文又帅” _(:з」∠)_ 为什么让他演这么卑劣又惨的角色?一般大家看到的说法是,陈冠希自己主动提出要演杀手。但是这里,郑宝瑞说他想找一个不像香港人的演员,虽然陈冠希很努力想告诉大家他是香港人,但是香港人不把他当香港演员,而把他当成“鬼仔”,“这个人在香港比较离群”。另外监制说陈冠希一直给人一种“美好”的形象,虽然他在电影里是残忍杀手,但是角色内心有一些闪亮的东西包括后面和女主的爱情,和演员还是比较相符的;反过来李灿森虽然是代表正义的警察,但是角色的气质又和他本身烂仔的形象一致。有人问主演会不会对一些很脏的戏份有抗拒,他们回答这是对陈冠希的一种误解,觉得他怎样怎样就不会怎样怎样,但其实他是很专业的,也非常想演好这个角色。

    然后,导演讲到最开始在船舱中的场面。他让陈冠希在吃完稀饭之后,眼睛一定要看着镜头。就是这个场景:

    85301287
  • Sailing.
    2013/10/8 11:31:49
    爱情是蝴蝶
    大灰狼跟小绵羊的故事,我更愿意把它理解成转角遇到爱的另一版本。本以为是讲猥琐大叔搞定萌妹子的事情,原来是两个同样失恋的人最后留下了许多耐人寻味的可能性。同样的是被前任莫名其妙狠心丢掉的大灰狼和小绵羊,同样是放不下前任,静静地守望,同样是从事反反复复的工作,一个负责复印打印试卷,一个负责分发收拢试卷,故事如果这样下去的话,就成柴米油盐的生活片了,但是本片不是啊。。。典型的台湾小清新文艺片有木有!两个
    大灰狼跟小绵羊的故事,我更愿意把它理解成转角遇到爱的另一版本。本以为是讲猥琐大叔搞定萌妹子的事情,原来是两个同样失恋的人最后留下了许多耐人寻味的可能性。同样的是被前任莫名其妙狠心丢掉的大灰狼和小绵羊,同样是放不下前任,静静地守望,同样是从事反反复复的工作,一个负责复印打印试卷,一个负责分发收拢试卷,故事如果这样下去的话,就成柴米油盐的生活片了,但是本片不是啊。。。典型的台湾小清新文艺片有木有!两个人都是漫画绘画天才啊,给同学们的试卷天天都是小狼小羊隔空传情啊,这要误导小孩子们怎么办啊!好吧,谁会拒绝这样浪漫的爱情。成千上万的纸飞机,女汉子被感动了好吗!但是台剧好含蓄一个,就算是刚刚的心情才惊天动地过,见了面只是句你好。
    爱情是蝴蝶,当你倾心追逐的时候,可能会一次次扑空。当你静静地坐下来等待,它就会落在你的肩上。
    【详细】
    6318363
  • 2021/5/22 16:31:49
    樱花散尽,唯爱永恒,善存心中,扬帆起航

    划过流星雨的夜空下,17岁的芽衣与航太,倚靠在天台上,静谧,祥和,温馨,浪漫。“希望能够永远这样下去,一直是我们现在这个样子,要是大家能够一直在这里就好”,芽衣认真地对着流星雨许下心愿,仿佛幸运女神也被她的真诚所打动。

    划过流星雨的夜空下,17岁的芽衣与航太,倚靠在天台上,静谧,祥和,温馨,浪漫。“希望能够永远这样下去,一直是我们现在这个样子,要是大家能够一直在这里就好”,芽衣认真地对着流星雨许下心愿,仿佛幸运女神也被她的真诚所打动。

    想象与年少时深深喜欢的人一起长大,读同一所大学,回同一座小城,这里有过去与她相关的一切回忆,还有当下和未来的所有记忆——就是这与我长相厮守、白头偕老、永浴爱河的她。我想,每个纯情少年少女都曾有过这样的黄粱一梦吧。但是,能打破现实的种种桎梏,最终与年轻时深爱之人步入婚姻殿堂的情人,还是寥若晨星。

    13560545
  • 大隐于是
    2022/5/23 22:25:12
    加油星期五,加油孙千

    点开这剧色契机是我打开优酷网页,在优酷首页的新剧推荐栏看到女主是孙千,对女主有兴趣因而有了观看的冲动。另一方面,男主我不认识,初印象到目前印象就一个字,就是跟满屏弹幕刷疯了的帅的反义词。

    恰逢周末一口看了更新的9集,故事脉络清晰明了,人物关系简单易懂,科幻机器人故事开门见山。不过我是从弹幕里知道,这是翻拍的韩剧,有着起因自然

    点开这剧色契机是我打开优酷网页,在优酷首页的新剧推荐栏看到女主是孙千,对女主有兴趣因而有了观看的冲动。另一方面,男主我不认识,初印象到目前印象就一个字,就是跟满屏弹幕刷疯了的帅的反义词。

    恰逢周末一口看了更新的9集,故事脉络清晰明了,人物关系简单易懂,科幻机器人故事开门见山。不过我是从弹幕里知道,这是翻拍的韩剧,有着起因自然面不了但弹幕里多多少少的争议,但这无伤大雅,也与我无关。

    对于孙千妹子,其实看她的剧不多,知道这个人物还是因为刘同的书和光线拍的几部电影电视剧,去年她参演那部周雨彤为主角里其中的一个角色,相当不讨喜,但人物还算有记忆点。我是觉得孙千属于长相舒服、演技自然、台词流畅的难得都用原声出演电视剧的95后小花。

    在剧中也是用的自己的原声台词,这是理所当然但是我还想说,你很棒!

    她圆脸与高挑细长的身材,似乎与可爱有点距离,但胶原蛋白的皮相里能够看出属于新生代小花的活力与灵动。

    14414671
  • 木林森
    2020/11/16 22:59:11
    很多事情来不及思考就这样发生

    影片很像我在高二时期睇过嘅一部短篇小说,也不知道是否有直接联系。

    想起来一句话,彻底的唯物主义者是无所畏惧的。

    莎士比亚四部曲我竟然都没看过,李尔王,麦克白,罗密欧与朱丽叶,威尼斯商人

    谁能有震天撼地的力量,改变细枝末节处的蝇营狗苟?

    曾国藩说了,以霹雳手段,显菩萨心肠。可能也是不畏果而畏因的缘故吧。

    我今天是够背的。

    影片很像我在高二时期睇过嘅一部短篇小说,也不知道是否有直接联系。

    想起来一句话,彻底的唯物主义者是无所畏惧的。

    莎士比亚四部曲我竟然都没看过,李尔王,麦克白,罗密欧与朱丽叶,威尼斯商人

    谁能有震天撼地的力量,改变细枝末节处的蝇营狗苟?

    曾国藩说了,以霹雳手段,显菩萨心肠。可能也是不畏果而畏因的缘故吧。

    我今天是够背的。

    哎!

    浑身是嘴也说不清楚了。

    而且那是2005年,这是2020年,十五年毫无意义的赛跑,我不要说别人,我才是个糊涂蛋,瓜皮,混沌人。

    【详细】
    12974282
  • SEANNN
    2016/7/6 22:48:12
    任何一次的“上位”都是权力争斗与妥协的产物
    本片的精彩程度相信各位大神的评论已经写的很清楚了,我也是看到了之前某位大神的推荐才来观看了这部相当出色的官场教育片。

    总评:本片对于中国社会(1994年时间段)的运作模式刻画的入木三分,从一二把手的权利斗争,主角的上位运作,下属间各类人物关系,家庭关系以及计划生育都从不同方面非常细致生动地展示给了观众。这里就谈谈主线剧情的发展脉络,家庭等副线暂时不表。

    像赞数最高的影评
    本片的精彩程度相信各位大神的评论已经写的很清楚了,我也是看到了之前某位大神的推荐才来观看了这部相当出色的官场教育片。

    总评:本片对于中国社会(1994年时间段)的运作模式刻画的入木三分,从一二把手的权利斗争,主角的上位运作,下属间各类人物关系,家庭关系以及计划生育都从不同方面非常细致生动地展示给了观众。这里就谈谈主线剧情的发展脉络,家庭等副线暂时不表。

    像赞数最高的影评写的那样,本片分为“明线”与“暗线”两部分,明线的主题当然显而易见是王双利副馆长为了扶正上位进行所发生的一系列明争暗斗,但是官场的主题与关注点,永远都会向更上一级聚焦,因为影片中基本没有提到比文化局局长更高层次的官员,所以另一个主题也是最后菜市场那段戏点名了的文化局局长位置之争。更高层次的权利争夺看似不着痕迹,但更有城门失火殃及池鱼的效果。

    故事从家庭对话开始,妻子在对话中表示王双利已经“代”馆长了几年之久,此次民意调评馆长势在必得,主人公本人包括一种下属也认为理所当然。王馆长在文化馆经营多年,有拉有打,赏罚分明,有原则,有手段,聚拢了几位铁杆下属,从评委事件中也看得出在馆内威望很高,总体来讲作为馆长是称职的。但是结果出乎意料,第一次是乡下的马副乡长就任文化局局长,第二次直接“秘书党”小阎空降。王副馆长经历了两次打击,为官心态也从争权好斗到了知足常乐的转变。在第一次与马馆长争权的过程中,王副馆长的手腕不可谓不精彩。从就职演说的下马威,到云淡风轻几句话挑拨会计与馆长关系,拖慢工程进度损管馆长颜面再出面解决博取好印象,到选照片的点睛之笔,成功挤走马馆长,达到目的。一环一环行云流水,这证明王副馆长的手腕无疑的成功的。凭借多时心血快速落成歌舞厅想要趁热打铁坐定馆长位置的主人翁,在欢声笑语中再次懵逼的听到秘书小阎要出任馆长的消息,这次打击无疑非常巨大,也是主人公心态转变的直接原因。

    那么核心问题是,为什么主人公在工作优秀又有政绩势在必得的情况下,两次想要扶正却两次失之交臂呢?我想答案呼之欲出,抛开一切次要因素,核心原因就是上层关系问题。

    冷局长为市属文化局局长正处级,徐副局长副处级,王副馆长为事业单位副科级,马副乡长为政府副科级,阎秘书理应也是副科级。作为文化局一把手的冷局长,有充分权利任命所处文化馆馆长职位,在王副馆长“代”馆长长达三年之久的时间里一直都没有转正,我想冷局长心里一定有明确想法。从王副馆长与冷、徐两位副馆长的交流情况来看,为比较正常的上下级关系,无亲密,无越距。但正常的上下级关系,在中国官场中恰恰是一种“不健康”的上下级关系。马副乡长从基层政府调入事业单位文化馆任馆长,相当于农民转行当作家,八竿子打不着的两份工作的调任充分证明背后一定是权利运作的结果,王副馆长在前期没有做好上层的权利铺垫,在权力斗争中已输了一筹。当然前文赘述过在后续的争斗中王副馆长还是充分展示了自己的政治手腕,在处理平级关系中游刃有余。第二次权力运作已经毫不遮掩,局长秘书下放任职文化馆一把手,老王最后幡然醒悟,知足常乐,最终留白或许给了个“塞翁失马”的结局,但我想这对老王今后的为官理念也产生了深远影响。

    所以根据主线核心剧情的发展,我们可以很清晰的感受到,官场也包括职场,任何一次职位的调整都不是无迹可寻的,像一根根透明的丝线,把所有人缠绕在一起。而任何一次升迁,降职,平调,都不是简单的“理所当然”“顺理成章”“众望所归”可以解释的,背后一定也是权力斗争与妥协的产物。

    对于老王来说,握着文化馆馆长这根丝线的手在哪里,老王你清楚了吗?
    【详细】
    79661509
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