14029449
  • 开心快乐每一天
    2017/5/5 10:05:18
    简单又不简单的表达

    根据小说《永不回头》改编,汤姆克鲁斯主演的电影。故事很简单,甚至老套。杰克(汤姆克鲁斯饰)在受到陷害后,历经周折与磨难,为自己、为战友洗清不白之冤,背后的罪犯罪有应得。电影依然是典型美国式的个人英雄主义表现手法,受冤-战友、罪犯-官僚。但我依然喜欢看种类电影。

    故事虽然简单,但始终传递着一种让我能感受的到的正义或正气,案件始终是围绕杰克与罪犯的狡诈阴险凶残斗争,我的情绪调动在担心

    根据小说《永不回头》改编,汤姆克鲁斯主演的电影。故事很简单,甚至老套。杰克(汤姆克鲁斯饰)在受到陷害后,历经周折与磨难,为自己、为战友洗清不白之冤,背后的罪犯罪有应得。电影依然是典型美国式的个人英雄主义表现手法,受冤-战友、罪犯-官僚。但我依然喜欢看种类电影。

    故事虽然简单,但始终传递着一种让我能感受的到的正义或正气,案件始终是围绕杰克与罪犯的狡诈阴险凶残斗争,我的情绪调动在担心与兴奋之间。

    故事里所有歪门邪道是罪犯为了犯罪而生,而杰克,包括破案团队都是围绕破案展开,只是视角不同而已,没有内部勾心斗角的累心与郁闷,没有内部为个人利益争斗的内部耗能。这就是我喜欢简单的美国式电影的原因。

    【详细】
    8519314
  • YD
    2021/9/26 12:24:04
    刘墉追案大结局

    刘墉追案大结局了,豆瓣评分5.5,还是比较客观的。先说好的地方,几位主演的演技是在线的,这是值得肯定的地方。但更多的也是瑕疵。电视剧叫《刘墉追案》,可电视剧重点不在于追案,而是各种感情线。即使有查案,案件推理也很菜,中间注水严重,和经典古装探案电视剧《神探狄仁杰》,《大宋提刑官》,《少年包青天》根本不在一个档次。假如这部电视剧重点不是刑侦,只是反腐,那也比不上《一代廉吏于成龙》,《包青天》这

    刘墉追案大结局了,豆瓣评分5.5,还是比较客观的。先说好的地方,几位主演的演技是在线的,这是值得肯定的地方。但更多的也是瑕疵。电视剧叫《刘墉追案》,可电视剧重点不在于追案,而是各种感情线。即使有查案,案件推理也很菜,中间注水严重,和经典古装探案电视剧《神探狄仁杰》,《大宋提刑官》,《少年包青天》根本不在一个档次。假如这部电视剧重点不是刑侦,只是反腐,那也比不上《一代廉吏于成龙》,《包青天》这样的电视剧。结尾几集太仓促,突然蹦出个魏一,还给富国泰强行洗白。真不知道这样电视剧意义何在,整部片子中间注水严重,结尾太仓促,剧情不连贯,烂片一个。

    【详细】
    13886278
  • 每一个清晨
    2021/8/2 5:36:07
    绝命毒师无解的局 悬念足 演技在 "完美"结局

    悬念足演技在的好剧 结局意外但其实是完美的深刻第一集 如此展开的故事 张力十足 让人顿觉期待后面几集 比我想象的黑暗了不少 牵扯很多种族阶级因素 无辜的少年在警察那里suffer然后又惨死 无辜的家人 而且是几个儿童 也因此被杀 配乐仿佛回到了使女的故事 撕裂的金属声音 没想到如此的压抑可怜天下父母心 法官操碎的心 和儿子弱者的拆台 更令儿子这角色让人烦到不行结局确实让我意外了 但是却是最高

    悬念足演技在的好剧 结局意外但其实是完美的深刻第一集 如此展开的故事 张力十足 让人顿觉期待后面几集 比我想象的黑暗了不少 牵扯很多种族阶级因素 无辜的少年在警察那里suffer然后又惨死 无辜的家人 而且是几个儿童 也因此被杀 配乐仿佛回到了使女的故事 撕裂的金属声音 没想到如此的压抑可怜天下父母心 法官操碎的心 和儿子弱者的拆台 更令儿子这角色让人烦到不行结局确实让我意外了 但是却是最高明的 最深刻的 甚至以这个故事来说是最完美的另外一细节 新奥尔良看起来家里平时也吃煮大虾 Cancun海鲜不要太好吃 馋够呛

    13722432
  • Fools
    2023/2/3 0:48:30
    茶叶里那么一点点的感情线

    薏心与KK和文贵,就像茶叶从采摘到烘焙到成品,最后品味的是入口后那么层次叠进的回味。在经历无数个过程之后,是不是一杯好茶,你也不知道在哪里这颗茶叶发生了如此的变化。这两个人不是薏心非此即彼的选择,在很多次的交织里,薏心的感情也如茶叶烘焙萃取一样,自在心中千变万化。而人也不是茶,茶可以最终选出那杯好茶,而人不是。

    薏心与KK和文贵,就像茶叶从采摘到烘焙到成品,最后品味的是入口后那么层次叠进的回味。在经历无数个过程之后,是不是一杯好茶,你也不知道在哪里这颗茶叶发生了如此的变化。这两个人不是薏心非此即彼的选择,在很多次的交织里,薏心的感情也如茶叶烘焙萃取一样,自在心中千变万化。而人也不是茶,茶可以最终选出那杯好茶,而人不是。

    KK是什么时候慢慢沁入了薏心的眼里心里的呢。一次又一次的交集里,薏心从开始用眼神打招呼,到眼里自开始找到他。他坚定了薏心可以飞向更大的地方的稚嫩的心,也让薏心第一次肯定自己终于说出不想被安排结婚,她自主走出的那第一步有他在。他好像一颗永远在那里的树。薏心决心一心扑到日光里的时候,会抬眼就看到在工作间里的他。而他也许自己都没察觉到,那一美元不仅仅是鼓励,也是如此相信一个人的最大底气。他对薏心的每一次的细心和耐心照顾,是旁人看了都会觉得,你可没真把她当小女孩。最后留着的那一美元也是证明。

    薏心的心思会被最爱她最疼她的吉桑看出来,但她小心翼翼地只能靠工作和事业不断接近他,也一直生不出勇气问关于孟小姐的一切,直到KK对她回答文贵是不错的选择。就好像还没完全走进一个人,可是这条线就断了,薏心坐在车里第一次为还没开始就结束的感情留下眼泪。对啊,KK的全部薏心还没有完全看到,她还只知道她觉得忧伤的描述来自他已经全部离去的家人。KK对家的定义得平凡朴素,因为那就可以让他生活下去,他只要生活下去的“爱情”,在他的过去,失踪的女儿是他的心病,他无数次知道活下去的重量。他尊重敬佩薏心,他却也不能再多往前一步,他太清楚在无数次经历生与死之间之后,不是惧怕生与死,是理想这样的重量,他背不动,他已全身习惯背负着“活下去”。他对薏心生出的爱心与呵护,却远不及看到“女儿”的心防轰然倒塌。薏心注定是要不断挑战“新的”“理想的”那样的人的。

    可是那两碗绿豆汤,那一美元,写的薏心的名字,却又是他们彼此心意依靠,心意相通抹不去的时刻。他们都只能为彼此迈到那一步了,最终却只能擦肩。

    文贵的出场很顺情节。一个什么都不懂还略带憨憨自卑的准赘婿,却站在院子里听着薏心在房间里流出的钢琴声。

    这场婚配失败得理所当然。薏心不是只会听父命的人,甚至她还没仔细瞧过他几眼,这场婚事就草草夭折了。但对文贵来说,也许是那些钢琴声,也许是那套西服,薏心在他心里刻下了印子。他灰头土脸的时候还记着想挽回一点吉桑和薏心的面子,就是回去还西服。

    之后摇身一变,他成了贸易公司的得力干将。他可以在日光无数的危机时刻提供恰到好处的出现,这时候他可以带着一点光环站在那里了,可是在薏心那里却还没改变,他依旧习惯性“低头”。薏心好像无论何时对他而言都是在上的“女神”,他总是自卑的。

    等到薏心真的平视他的时候,终于看到了他的能力和野心,此时才真的握手合作。他们也有着一同一鼓作气的携手,说服了政府走出大门两人真实紧张消失的巨大愉悦,是真的。薏心也说他是一匹孤狼。

    而他的愿望也从头到尾都没改变,希望跟她结婚。薏心又怎么会不知道,所以在破产边缘想拿这个当筹码。最后日光决心走向破产的时候,这个筹码失效了,他们的最后一通电话,薏心却说你先挂我再挂,薏心最终做了决定,是生意也是他们之间的缘分。第一次他们是父母之命媒妁之言,他们都被支配。而这一次她为他们之间再次下决定,他们此时是同桌对座的伙伴,她给了他平等的尊重。

    他们可以因为生意事业而达成默契,一同前进。薏心却也明白他们本质上有着一些不同,就像她对他最后的嘱咐是希望他好好对待所有的茶农。

    也许可以用薏心值得更好的来做结语,但无论是KK还是文贵,他们没有谁更好,是更好的人还是更好的时机,好像很难说。薏心跟他们交织着,慢慢焙炼成了今天的薏心,而他们最终都只是跟她交集过后留下背影。

    【详细】
  • 149601889
  • 豆友185336060
    2022/3/9 14:15:26
    我们的暑期

    很惊喜看到一部讲述上世纪80年代末90年代初的儿童电影,电影的场景完全还原了当时那个年代的生活气息,让人倍感亲切。电影主要讲的是作为独生子女的小进寻找各种有趣的方式来面对漫长的暑假,当然犯了错误时免不了被父母教训一顿。故事简单却真实、平淡中带有新颖,小演员很可爱演的也棒,让人回想到了童年时光,好像我们就是这么长大的。很棒的一部儿童电影,老少皆宜、值得一看!

    很惊喜看到一部讲述上世纪80年代末90年代初的儿童电影,电影的场景完全还原了当时那个年代的生活气息,让人倍感亲切。电影主要讲的是作为独生子女的小进寻找各种有趣的方式来面对漫长的暑假,当然犯了错误时免不了被父母教训一顿。故事简单却真实、平淡中带有新颖,小演员很可爱演的也棒,让人回想到了童年时光,好像我们就是这么长大的。很棒的一部儿童电影,老少皆宜、值得一看!

    14264352
  • 天涯
    2018/11/3 2:12:01
    强烈要求豆瓣网修正影人资料,编剧根本不是月关

    看了夜天子,很期待回明,因为都是原著作者编剧,想必不会差。昨天晚上终于等到首播,迫不及待点进优酷,看了几分钟,心情顿时比上坟还压抑,抱着对原著的喜爱,揪着心快进看完8集,实在忍不住想找地方吐槽。

    这特么拍的什么玩意儿?

    1,演技,蒋的演技不说了,尴尬一比,温情戏份一个表情,九城寻医还是一个表情,笑得勉强,哭不出来,看的好尴尬。

    2,布景,看得出,导演想将整

    看了夜天子,很期待回明,因为都是原著作者编剧,想必不会差。昨天晚上终于等到首播,迫不及待点进优酷,看了几分钟,心情顿时比上坟还压抑,抱着对原著的喜爱,揪着心快进看完8集,实在忍不住想找地方吐槽。

    这特么拍的什么玩意儿?

    1,演技,蒋的演技不说了,尴尬一比,温情戏份一个表情,九城寻医还是一个表情,笑得勉强,哭不出来,看的好尴尬。

    2,布景,看得出,导演想将整部剧想要打造唯美画面,所以桃花屋,江南水乡美景都出来了,但说好的家徒四壁呢,还特么桃花满院子开,导演你家桃花夏天开啊?

    还有,三箭定情,马怜儿一定从马背上飞起来,凌空独立几秒,逼格十足射三箭吗,看到这一幕,我差点吐血。

    这特么是武侠剧?还是神话剧?至于之前打斗戏都不想吐槽了。

    3,剪辑,穿越题材过审难,我理解,但是剪辑能不能用点心,看着像看预告片似的,有时突然断片了,我还以为网络卡顿了。看了8集,给我感觉放了28集剧情。

    4,编剧,特么好狗血剧情,冬天换成夏天忍了,家徒四壁变小康还有桃花羹喝也忍了,跳崖好让人吐血,至于那些违背历史常识的,作为历史小说爱好者,我都不想吐槽了。

    原本以为是月关编剧,豆瓣也是这么介绍的,结果正剧片头,有四个编剧,全都不认识。

    瞬间感觉被骗了。。。。。。

    可即便是普通编剧,这特么知道什么是故事看点吧。

    一开始家徒四壁,夫妻相濡以沫的温情,九城寻医,公然抗旨的感动。。。。。

    结果,我看到了一部粗制滥造的垃圾,主角莫名其妙对女主好,莫名其妙升官,莫名其妙有只老虎祝寿。。。。。

    我只想说,豆瓣请更正编剧信息,不要给月关抹黑,因为这剧,即便不看正剧片头,也知道编剧不可能是月关,即便一个扑街小说作者,也写不出这种垃圾剧本。

    真特么不知道那些编剧脑子是不是进水了,还是一个个清高无比,看不起网络作者,总想在剧本里表达自己的东西,东改西改,改的一塌糊涂,一无是处。

    这些年,从坏蛋是怎样练成的开始,不少男频小说被搬上荧幕,早期的纳妾记,陈二狗,盗墓笔记,鬼吹灯,极品家丁,诛仙,斗破苍穹,武动乾坤,夜天子,唐砖,将夜,回明!

    作为一个网络小说爱好者,我很希望喜欢的小说被搬上荧幕,但是投资越大,垃圾越多,以前陈二狗,纳妾记什么的还能看,但是现在,投资大了,制片公司能找更多编剧魔改,但改出来的都是什么鬼?

    除了夜天子外,全部改成了言情偶像剧。

    能不能有点正能量,能不能有点热血,能不能有点斗智斗勇?

    难道我一个大佬爷们,天天追言情偶像剧?那特么不如去看韩云溪,香密密了。

    四大名著除了红楼,其他三部也没有言情腻歪,怎么就成为千古绝唱的。

    感觉影视圈邪风了!

    让我只能黯然回首,温习老剧。。。。。。

    默默关注豆瓣几年了,今天实在忍不住注册登录,吐槽一番!!!!!

    【详细】
    97381317
  • 娱乐码头
    2017/12/12 23:24:11
    《大嫂》:女人称霸江湖必须要狠
    文/娱乐码头 王晶今年火力开挂,不仅在银幕上旗开得胜,在网络上也频出精品,导演作品从票房大卖的《澳门风云》系列到今年的口碑爆棚《追龙》,王晶不仅收获了超高的票房也赢得了好口碑。监制、编剧方面也是全面开花,不仅有院线《黑白迷宫》、《降魔传》,还有网剧《龙凤店...  (展开)
    文/娱乐码头 王晶今年火力开挂,不仅在银幕上旗开得胜,在网络上也频出精品,导演作品从票房大卖的《澳门风云》系列到今年的口碑爆棚《追龙》,王晶不仅收获了超高的票房也赢得了好口碑。监制、编剧方面也是全面开花,不仅有院线《黑白迷宫》、《降魔传》,还有网剧《龙凤店...  (展开)
    【详细】
    8981216
  • 纪录中国docucn
    2020/5/6 20:29:51
    光明日报:《大国仪仗》 把国家形象体现在每一个正步中

    近日,中央广播电视总台《国家记忆》栏目推出的纪录片《大国仪仗》,以10集的篇幅,第一次运用丰富的纪实影像和权威采访,对这支特殊之旅、神秘之旅进行了全面详尽的展示。

    近日,中央广播电视总台《国家记忆》栏目推出的纪录片《大国仪仗》,以10集的篇幅,第一次运用丰富的纪实影像和权威采访,对这支特殊之旅、神秘之旅进行了全面详尽的展示。

    12572254
  • 2013/8/3 22:01:13
    王葡萄究竟是真傻还是装傻
        首先摆明立场,看这部剧就是冲着李东学看的(花痴一枚),这是我看的第一部年代戏。下面只是些许拙见。
        电视剧跟原著之间没有可比性。电视剧里面有好多情节是在小说的基础上改动的,但是改动过大,整部剧看下来连贯性不大,就算断着看都没有太大的关系。而小说却是你如果跳过一点儿那就看不下去了。我是看了三集电视剧之
        首先摆明立场,看这部剧就是冲着李东学看的(花痴一枚),这是我看的第一部年代戏。下面只是些许拙见。
        电视剧跟原著之间没有可比性。电视剧里面有好多情节是在小说的基础上改动的,但是改动过大,整部剧看下来连贯性不大,就算断着看都没有太大的关系。而小说却是你如果跳过一点儿那就看不下去了。我是看了三集电视剧之后看的小说,等把小说都看完了才又继续看下去。电视剧里面孙银虎在小说里应该是孙怀清的大儿子。在小说里面孙怀清有三个儿子。孙少勇是孙二大的二儿子。然后后面很多的情节,人物结局跟小说里面完全不一样。并且人物设置,人物形象的表达也不同,在一定程度上电视剧要比小说更突出了农民的善良,淳朴。侧重点是有所不同的。电视剧侧重表达人们之间的关爱,那种大爱,而小说更多的是侧重历史背景下的人们生活和人们的爱。
        我有一个建议,如果你看过这部小说,那就不要看电视剧。如果你没看过小说,你可以看电视剧。这两个完全不能放在一起谈。但是有一个可以放在一起谈就是女主,王葡萄。
        首先说说电视剧里面的女主,叶璇饰演的王葡萄。对于王葡萄,我对她的定位是大字不识一个的村妇,不懂得大道理,只懂得怎样过日子的一个女人。她不是傻,她是因为不懂,所以不用多想的那种简单纯粹。可是在电视剧里面,叶璇的演出会给人一种觉得王葡萄是真傻的感觉,可是说是真傻吧,她的演技又有刻意而为之的感觉,整部戏三位主演的演技如果做个比较,叶璇的必然是排在最后的,整部戏里面所有的演员都放在一起她的演技都不会说能排的靠前。谈回王葡萄这个人,在电视剧里面我感受到了她对少勇的感情,是那种在自己最狼狈失意的时候,你遇到一个人,他完全的相信你,懂你,敢直视你的眼睛的那么一个人的一种感情。一种懂得的感情,一种甘愿追随的感情。王葡萄对少勇的感情是这样,对二大的感情也是这样。只不过一种是爱情,一种是亲情。然后便是王葡萄与少勇的激情戏。少勇在戏里是一名有学识的人,从小在城里读书的人,应该是会喜欢一个能与他谈天论地的人,可是偏偏是王葡萄,慢慢的也能理解,他喜欢的就是那种从葡萄眼里流露的纯粹和混不吝的那种勇。王葡萄应该就是个初生牛犊不怕虎的那种劲儿,因为不懂所以不怕。因此他俩的激情戏可以说成是因爱生性。但是后面呢,王葡萄又跟了别人,那是因为什么呢?她从始至终心里只有少勇,那她的欲望,她的性,又交予别人。你说这是真傻还是装傻呢?因为电视剧着重了葡萄与少勇的感情,所以葡萄后面的性给人一种不知如何评价的感觉。
        然后说说小说里的王葡萄。小说里的王葡萄,是一个既有感情又有性的一个人。小说里的因性而性,给人一种彻底的纯粹,把人性的欲望毫不遮掩的显示出来。小说里王葡萄的第一个男人并不是孙少勇,而葡萄与少勇的性也许是有情在里面的,孙少勇离开之后,王葡萄再有的男人,甚至是孙少勇,其实在一部分上都是为了满足自己的欲望而已。小说里,把情与性分开来说,让人感受到了情,不论是什么感情都是有情的,也让人感受到了人们的欲。不至于让人去讨厌这个感情分明,有血有肉的王葡萄。
        电视剧与小说的情节差距太大,不做对比了。但是电视剧单拿出来说还是可以的。
        对于王葡萄,这个人物不论是小说还是电视剧,我对她的定位都不是傻。她不傻,她是不知而无畏,所以,叶璇的演绎有点儿曲解了王葡萄的定位。
        对于孙二大,刘佩琦的演技好的没话说,是小说里那个孙怀清。冲着刘佩琦的演技这部剧值得一看。
        对于孙少勇,因为情节,以及定位的不同吧,觉得小说与电视剧无法比较。但看李东学的演技,觉得是个痴情的孙少勇,演技不错。客观的评价,会觉得要比甄嬛传里面的果郡王的演技更好了。
        对于这部电视剧,完全可以冲着两位男主演的演技去看,其他的演员演得也不错。这部剧无法与原著进行比较,情节安排,人物定位与小说差距太大。只能把这部剧放到年代戏的圈子里去看。
    【详细】
    61951824
  • HURRY
    2018/6/7 10:45:34
    且行且珍惜,这样的电影已经不多了
    首先,我要阐明自己为什么打了满分。不是因为它的质量值得满分,而是鉴于豆瓣近些年来总体分数的“通货膨胀”现象,以及恐怖片在豆瓣向来被排挤贬低的事实。客观来说,这部电影比不上我心中NO.1的《孤儿怨》,这是纵向的对比。同最近一年中的北美口碑爆棚的一系列恐怖片比较,...  (展开)
    首先,我要阐明自己为什么打了满分。不是因为它的质量值得满分,而是鉴于豆瓣近些年来总体分数的“通货膨胀”现象,以及恐怖片在豆瓣向来被排挤贬低的事实。客观来说,这部电影比不上我心中NO.1的《孤儿怨》,这是纵向的对比。同最近一年中的北美口碑爆棚的一系列恐怖片比较,...  (展开)
    【详细】
    9418216
  • 晨光搁浅
    2020/10/13 18:09:36
    还好

    原著小说是当初刚看文的其中一本还是古言而且是清朝 印象深刻 当初感觉虐死的剧情 为他们的命运感到悲哀 第一次看的be作品 后来往往不敢看be 太心疼了 对原著很喜欢

    对于电视剧没有太大兴趣 选角没有太过惊艳 美璃前期的欢脱大胆任性 不顾一切爱靖轩 到后面被磨平棱角 看破一切 靖轩的爱很别扭 但是他真的爱惨

    原著小说是当初刚看文的其中一本还是古言而且是清朝 印象深刻 当初感觉虐死的剧情 为他们的命运感到悲哀 第一次看的be作品 后来往往不敢看be 太心疼了 对原著很喜欢

    对于电视剧没有太大兴趣 选角没有太过惊艳 美璃前期的欢脱大胆任性 不顾一切爱靖轩 到后面被磨平棱角 看破一切 靖轩的爱很别扭 但是他真的爱惨她了

    当初是颜控 感觉男主没有那种气质 小说的靖轩描绘好好看??

    可圈可点至少有原著打底 还可以

    【详细】
    12911302
  • 豆友z30-RZ2MEA
    2022/1/1 1:45:56
    反智剧

    如此反智的“谍战”片真是令人惊叹,全剧毫无逻辑,把间谍写得跟脑瘫一样,把国安写的也跟小学生一样。路上的摄像头都是摆设,林彧从便利店到天桥,再推完人满大街狂奔逃命,愣是一张照片都拍不到。耳后痦子能用烟头烫掉,间谍都扎堆故意碰到或无意偶遇,连间谍夫妻飞来夏州都还要李唐去接机,这是全夏州没网约车、出租车了,怕不被发现一锅端吗?

    又是卖身又是仙人跳好不容易去安的窃听器,需要在天花板上特地

    如此反智的“谍战”片真是令人惊叹,全剧毫无逻辑,把间谍写得跟脑瘫一样,把国安写的也跟小学生一样。路上的摄像头都是摆设,林彧从便利店到天桥,再推完人满大街狂奔逃命,愣是一张照片都拍不到。耳后痦子能用烟头烫掉,间谍都扎堆故意碰到或无意偶遇,连间谍夫妻飞来夏州都还要李唐去接机,这是全夏州没网约车、出租车了,怕不被发现一锅端吗?

    又是卖身又是仙人跳好不容易去安的窃听器,需要在天花板上特地挖个洞吗?间谍都穷到安个录音机当窃听器,还是带指示灯的?指示灯还特地要对着洞口?

    弄一男一女住隔壁监视监听,大白天两人都不用上班,这隔壁的间谍该不是个傻子吧?都201x年了,平时监听啥声都没,就安排艺校女学生去送金条时候间谍特地要打电话说,就算怕智能机和软件被监控不用微信,整个老年机发短信都行,这是怕不被发现特地打电话呢。国安警员钓鱼的情节编剧没十年脑血栓写不出来吧?赌球赌得人尽皆知,居然还能不被停职,你当间谍是莎比?然后你就算演戏烂赌,用得着在家里对着老婆各种刺激各种耍烂,难道家里被间谍装了一万个摄像头需要演吗?最搞笑是老婆要离婚了马上领导告诉老婆他是在钓鱼,那你在家演个鸡毛呢?

    间谍夫妇飞来夏州啥事没干就是为了落网?然后都知道被组织下毒了,还会不竹筒倒豆子把林彧和李唐夫妇供出来?用一个生良性肿瘤和一个状态不好就能画句号了?全剧里面的间谍不知道在忙些啥,主线找钱?安排女主各种卖身?间谍穷到连经费都没?现在是什么时代了?拿解放前的脑回路编现代剧?还是就想黑黑海对面的间谍的智商?如果间谍都这种水平,那都不需要国安这个单位了。

    【详细】
    14108684
  • Xc
    2022/9/27 22:33:49
    爱与崇拜,愤怒与仇恨
    这篇影评可能有剧透 2000年夏天,一位名叫弗洛伦蒂诺·佩雷斯的西班牙商人当选皇马主席,就此开启了“银河战舰”时代。作为当选主席的承诺,他激活了巴萨球员路易斯·菲戈的买断条款,这桩改变世界足球格局的转会就此诞生。 当菲戈第一次以皇马球员身份做客诺坎普,整座球场流露出的敌意氛围令人窒...
    这篇影评可能有剧透 2000年夏天,一位名叫弗洛伦蒂诺·佩雷斯的西班牙商人当选皇马主席,就此开启了“银河战舰”时代。作为当选主席的承诺,他激活了巴萨球员路易斯·菲戈的买断条款,这桩改变世界足球格局的转会就此诞生。 当菲戈第一次以皇马球员身份做客诺坎普,整座球场流露出的敌意氛围令人窒...  (展开)
    【详细】
    14674255
  • ???随安
    2017/5/14 2:32:56
    都在感叹剧中夫妻幸福温馨,有没有想过其实阿发其实对琴操也动心了?
    剧里面说过了,阿发是在送她夜明珠她一点反应都没有时才判断出琴操不是女人,但是在这个时间点,他一开始和她相遇时内心那场戏已经表现出他的心动,可谓一见钟情,而偷夜明珠送她这个行为无疑是已经非常失了智才会这么做,是不是可以说明他对琴操已经在感情上把持不住了呢?

    有人可能会说这是琴操身上的夺魄勾魂香水的效果,但是如果这个香水这么有效的话,他还会理智的做出出眼前这个美女其实不是女人的判断?剧里面说过了,阿发是在送她夜明珠她一点反应都没有时才判断出琴操不是女人,但是在这个时间点,他一开始和她相遇时内心那场戏已经表现出他的心动,可谓一见钟情,而偷夜明珠送她这个行为无疑是已经非常失了智才会这么做,是不是可以说明他对琴操已经在感情上把持不住了呢?

    有人可能会说这是琴操身上的夺魄勾魂香水的效果,但是如果这个香水这么有效的话,他还会理智的做出出眼前这个美女其实不是女人的判断?

    而且在后来真相大白的颁奖典礼上,他老婆指出:不对啊老公,我听心跳的时候,真的感觉不到我和你有交流,只觉得你好像完全没有办法入戏,你真的不是很会演戏。这一段是不是也侧面说明了其实阿发对琴操确实是动了心动了情的,只是因为残酷的事实所以才不得不接受现实。

    当然有人可能会说这个是星爷在自嘲自己演技不行得不到金像奖的承认。关于导演的真实想法我们现在已经不得而知,我也是提出自己的一个看法,欢迎大家讨论。

    不过还有一点要说的就是,这个命题其实星爷不止一次提出过,最经典最著名的就是《大话西游》里:当你已经认识了白晶晶并和她有了婚约,却发现自己遇到了真爱紫霞,你会怎么办?你可以骗自己,但是骗不了自己的良心。
    【详细】
  • 8538518
  • 金金虫
    2020/11/18 17:52:40
    没想到谭伯顿最后成了犀利哥

    相信追剧的小伙伴一定对剧里谭伯顿的行头印象深刻吧,最开始的时候,就是英姿飒爽的黑色look,手举着证件,报上自己的大名——警务公所一级警官谭伯顿

    相信追剧的小伙伴一定对剧里谭伯顿的行头印象深刻吧,最开始的时候,就是英姿飒爽的黑色look,手举着证件,报上自己的大名——警务公所一级警官谭伯顿

    12977261
  • 康康
    2022/11/17 1:00:29
    貌似正剧,实则烂剧

    模糊的时间背景,导致商业行为和人物行为很不合理;核心情节缺乏足够的铺垫和描述,导致剧情很不真实。1.企业破产,20年前代表企业死亡,20年后代表企业存在减债重生的机会,开篇持续纠结破产问题,时间背景交代不清楚导致没看懂;2.男主职务任命,把国企任命规则拍成了民企父子交班。女主父女对男主接班的看法,几句话就可以逆转;3.企业报销员工医药费,不用医保吗?(时间背景问题

    模糊的时间背景,导致商业行为和人物行为很不合理;核心情节缺乏足够的铺垫和描述,导致剧情很不真实。1.企业破产,20年前代表企业死亡,20年后代表企业存在减债重生的机会,开篇持续纠结破产问题,时间背景交代不清楚导致没看懂;2.男主职务任命,把国企任命规则拍成了民企父子交班。女主父女对男主接班的看法,几句话就可以逆转;3.企业报销员工医药费,不用医保吗?(时间背景问题)4.男主做了什么,公司就上市了?5.大股东随便挪用或占用上市公司资金是违法行为,特别是香港上市;6.企业之间借款,不讲商业利益,一句我们是同学就要借钱,太儿戏;7.大量配角,形象刻画不鲜明、不合理,或对剧情推动作用不大,但多次出场,拖沓剧情。此剧槽点多多,处处出戏。

    【详细】
    14766338
  • 水之南
    2012/2/11 4:40:44
    长短句
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人的,而不是像托子那样不可知,也不显现。

    我要说,洛克的托子的作用是保证物的个体化与同一性。这个作用在康德那儿,似乎是由物自体和先验范畴共同完成。先验范畴组织现象,在使意识对现象的认识成为可能的同时,也使同一的意识本身成为可能——对先验对象的构成即对自我的构成。而物自体在这个过程中究竟如何起作用,不详。康德的物自体与洛克的托子一样,是个让理论显得尴尬,却又不得不进行的假设。

    尽管康德反复说现象中的实体不是洛克的托子,但这个实体究竟是什么,他又语焉不详。出于他对牛顿力学的接受,有人尝试将其理解为牛顿意义上的质量。我论证过,这样的解读将面临一个两难困境:如果实体是个体化了的质量,时间便不是惟一的;如果实体是现象世界中的总质量,基于二律背反的理由——这个总体无法成为经验对象——我们便无法经验到它。(详细论述见篇末附录)

    若是跳出康德阐释,取前一个困境:时间不是惟一的,每个作为现象的物都意味着一个独立的时间体系,我们就科幻了:空间中的一个一个的物,奠基着意识中的一个又一个时间系,我们可以生活在不同的时空中,当我们经验不同的物。甚至,对应地说,我们总在成为另一个人,当我们来到不同的时空。

    于是,我情愿把亨利的生活看作对康德的一次失败却有趣的解读。与其说他是一位时间旅行者,一位不停地穿越时空的超人或可怜人,不如说,他的意识中并没有一个绝对惟一的时间,他所来到并离开的每一个时空,都是一个独立自在的世界,尽管这些世界看上去很像,但哪个都不依赖于另一个——从理念的意义上说。


    二、沉默,或消失


    影片的前半部分,亨利的突然消失被解释为一种不治的遗传疾病。没有理由地,他时不时就去了另一个时空,赤身裸体地寻找可以穿上的衣服。仿佛常人来到一个新的环境,总是迫不及待地寻找一个身份,穿到自己身上。
    亨利总会在一个无从预料的时刻消失,克莱尔生活在一个不确定的世界中。她的爱情是确定的,但她爱的人不确定地存在着。她的生活中弥漫着不确定性,而这恰好让她格外珍惜亨利在她身边的每一分钟。

    克莱尔一次次怀孕又一次次流产,因为胎儿也有穿越症,莫名其妙地,便在某个时刻,出离了子宫。但克莱尔最后一次怀孕时,对亨利说,你每次消失都是因为感觉到了压力。所以,从现在开始,我要保持绝对地平静,这样胎儿就可以顺利出生了。
    看到这里,我恍然大悟,原来亨利的穿越症是个隐喻,关于男人的隐喻:面对压力,便会沉默与回避,这不正是男人的本能反应么——而这在女人看来,仿佛爱人去了另一个时空,不知何时才能回来,甚至,会不会回来。

    我查了查,电影改编自一位女造型艺术家的首部小说,写于一段失败的恋情之后。原来如此。

    很多年前听到过一个说法:爱情,对男人来说,是挂在墙上的一幅画,你并不总是去看它;但对女人来说,则是房间里音乐,你想不听都不行。所以,男人需要时不时地呆在纯然属于自我的世界里,在沉默中成为自己。女人却要认为这是对她的疏远、对亲密的疏离,并因此而坐立不安,想方设法闯进那份铁一般的沉默。结果,要么把自己撞疼,要么把爱情撞碎。
    这是对小儿女情态的描述。若成年点,便会更同情于另一个说法:人生在世,无非是男人讨慰藉,女人讨生活。人并不总是需要慰藉,尤其在得意之时。人却总在生活,就算你不想。


    三、看着,却无法改变


    在一次穿越中,亨利来到母亲身边,在地铁里,母亲在看报,他们作为陌生人简短却亲切的交谈了一会儿。亨利告诉母亲,他要结婚了,这个女孩让他感到安全。
    克莱尔问他:你什么不去阻止那场车祸,既然你可以回到车祸发生之前。“我无法阻止。无数次我回到过去,回到母亲还在的时候,但每次我都无法改变发生着的一切。”——这话让人特别难过。我们并不能改变过去,就像不能重新雕刻一座已然完成的塑像。

    不是么?很多时候,我们从自己当下的境遇中抽身而出,试图站在一个更开阔的角度,超脱地看现在的纠结、焦虑,或苦闷,并自嘲这些都没什么的。但当你身在当下,你知道未来的自己就坐在对面,笑着,看着自己,慈悲地。但你还是无法因此脱身而出。你仍然只能呆在你当下的处境中,无论是过分的快乐,还是仿佛无法挣脱的哀伤。

    每一个时刻都是三维的,它包含着过去、现在,和未来这三个维度。我们在回忆中编辑时间,编辑自己,有意无意地遗忘一些,并把另一些反复摩挲。过往明明灭灭,像晴天里,随风晃动的百叶窗投在墙上的影子。每次回忆之后,我们都成为另一个人。
    未来也是。未来无数次作为想象呈现于当下,各式各样地,仿佛清晰的回忆。回忆与憧憬,如同天平的两臂,对称着,平衡着,在现在这个支点上。所以,现在这个时刻,最重。


    四、期限


    有天聚会时,亨利中枪后痛苦挣扎的裸体突然出现在他们的门厅里。又消失了。克莱尔说,我从没见过四十岁之后的你。我见过的你总是很年轻。从这个时候起,死亡就成了他们中的另一个在场者,尽管它总是沉默着。

    亨利穿越到未来,遇见了自己的已经十岁的女儿。女儿告诉他,他死于自己五岁那年。她们一直很想念他。那时他们的女儿还没出生。那时克莱尔还一如既往地希望与亨利白头偕老,就像她还没长大时那样,就像她长大之后第一次遇到亨利时那样,就像亨利死后,她仍然留着亨利所有的衣服,等着亨利回来那样。

    于她而言,亨利是不会死的。他无非是走远了一下子回不来,他无非是在时空中迷了路,找不到一件让他温暖的衣服。

    女儿五岁那年,亨利和克莱尔都已知道,亨利即将死去,中弹而死。期限降至,可能在任何一天,任何一个时刻。在它到来之前,所有相聚的时光都是铭刻,都是用最日常的方式来进行的一次祭奠,一次追忆。当这个期限还不确定,他们相爱着,仿佛一对最平凡的恋人;当这个期限已然确定,他们相爱着,装作不知道他们即将分离。

    一个期限并不见得让期限到来之前的一切都显得美好。但,美好的东西都有一个期限。确定的期限,或不确定的期限。你不能试图挽留,那会犹如握紧手中的细沙,握得越紧,便流失得越快,宛如时间,从指缝间悄然流走。
    这个期限是否到来,何时到来,都不是你能选择的。你能做的,仅仅是在它到来之前的每一刻,不让自己在未来后悔——克莱尔明白这些,并且,她做到了。

    而,这不正是人生么。


    ——————
    附录:On Understanding Substance as Mass

    Introduction

    In the First Analogy of Experience, Kant argues that there must be some permanently persistent substance in the appearances which represents the persistence of time. Given Kant’s endorsement of Newtonian physics, commentators such as Eric Watkins suggest that such permanently persistent substance can be understood as Newtonian mass. In this paper, however, I argue that we face a dilemma when we try to cash out the notion of substance in terms of Newtonian mass.
    The paper proceeds in three steps. In the first section, I present the reason why there needs to be a permanently persistent substance in the appearances, and discuss why it seems to be compelling to conceive of the permanently persistent substance as Newtonian Mass. Then, in the second section, I argue that there are (only) two ways of conceiving of the permanently persistent substance as Newtonian mass, namely, to conceive of substance as individuated mass and to conceive of substance as the sum total of mass in the world of appearances. I show that there are textual indications as well as philosophical reasons to support each option. In the third section, however, I argue that both ways suffer from inescapable problems. Thus, conceiving of the permanently persistent substance in terms of Newtonian mass is not viable.

        
    Section I. The Permanently Persistent Substance

    In this section, I shall first present the reason why Kant thinks that there must be a permanently persistent substance in the appearances. I then discuss why it is compelling to conceive of such substance as Newtonian mass.
    In the chapter “System of all principles of pure understanding,” Kant discusses what makes possible the applications of the categories, i.e. the pure concepts of understanding, to objects, i.e. appearances that are given to sensible intuitions. That is, he discusses what it is that makes the categories have objective validity. Kant’s claim is that the applications of the categories are only possible under certain conditions, and these conditions are spelled out by the principles. For instance, the applications of the relational categories (substance-accidents, cause and effect, and mutual interactions) are possible if they are applied to objects according to the principles of Analogies of Experience. In addition to the three specific principles that correspond to each of the three relational categories, Kant also provides a general principle overarching all three Analogies. The general principle is stated in the second edition as follows: “Experience is possible only through the representations of a necessary connection of perceptions” (B 218). Watkins provides a helpful interpretation of this general principle:
    “The general idea is that each of the three relational categories represents a necessary connection that is required for experience of a single time and of objects existing and being temporally related to each other within a single time to be possible.” (My emphasis)
    Since this paper is focused on the notion of substance in the first Analogy, I shall ignore the second and third Analogies. So I now turn to a close examination of the first Analogy.
    The first Analogy, i.e. the principle of the persistence of substance, is stated in the second edition as follows: “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) Watkins summarizes Kant’s argument for the first Analogy as follows (which I take to be a correct interpretation):
    Premise 1: Appearances, i.e. objects of experience, are made possible by time’s persistence.
    Premise 2: We do not perceive time itself.
    Therefore, In order to have experience of appearances, there must be some permanent substance in the appearances which can represent time or time’s persistence.
    While the appearances, as the objects given to our intuitions, are changing, the substance in appearances always stays the same and is permanent. So, Kant calls the permanent substance “the substratum of everything real” (B 225). But, some clarifications about Kant’s use of the term “substratum” are needed to prevent potential confusions. Substratum in Kant’s text does not mean what Locke uses this term to mean, namely, the bearer of properties which is unchanging and about which we can have no knowledge. For, according to Locke, we can only know what is given to our senses, but since the underlying substratum cannot be given to our senses, we have no access to it and therefore cannot know it.
    Kant, by constrast, does not think that there is any Lockean substratum in the world of appearances. For Kant, the fact that the states of the substance are changing and the substance stays the same does not mean the states are separable from the substance. Rather, the changing states of the substance are simply the ways in which the substance is given to us. Thus, we can know the substance, that is, we know the substance through its states. In order to avoid the Lockean implication of the term “substratum,” I shall only use “substance” to refer to the permanently persistent thing in the appearances despite Kant’s own use of “substratum” to talk about what is permanent in the appearances.
    Since I have argued that Kant’s notion of substance is not the Lockean substratum, then what is the Kantian notion of substance? We need a positive account of what the substance is. It is obvious that such a permanently persistent thing cannot be captured by ordinary physical objects, no matter whether they are natural objects (say, rocks) or artifacts (say, ships), for neither artifacts nor natural objects always stay the same such that in principle they can never suffer changes. So, it seems no ordinarily construed physical things can be qualified as substance that is permanently persistent. On the other hand, it is very hard to imagine that anything non-physical could play the role the substance is supposed to play. For it is hard to imagine how a non-physical being could be given to our sensible intuition or could be spatiotemporally organized by our a priori intuitions. So, it is unlikely that Kant means something non-physical by “substance.” Thus, there are two constraints on spelling out what substance is. First, it is something physical. Second, as I have shown, the physical being that can be understood as substance cannot be ordinarily individuated physical things such as planet or rock.
    In order to meet the above two conditions, Watkins suggests that, given Kant’s commitment to Newtonian science, it is likely that Kant has Newtonian mass in mind when he talks about the substance, since no matter how a physical object changes, its mass always stays the same. Since Newtonian mass is physical and is not an ordinarily individuated object, it seems quite compelling that the substance, which is permanently persistent, just is Newtonian mass. According to common sense, Newtonian mass is understood to be underlying objects such that we cannot directly perceive mass but can only perceive mass through the way it is given to our intuition, namely, through the perception of the objects that have mass. Thus, mass is neither unknowable nor directly perceivable, which seems to fit the description of the substance perfectly.
    Moreover, there are many textual indications that suggest the identification of substance with mass. Let me note two examples. First, recall the general principle overarching the three specific Analogies, namely, “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) It seems that “quantum” is most naturally to be understood as mass, for mass seems to be the only thing in nature that is neither increased nor diminished on Newtonian physics.
    The other indication is Kant’s example to illustrate his claim that “he <a philosopher> thus assumed that as incontrovertible that even in fire the matter (substance) never disappears but rather only suffers an alteration in its form.” (B 288, my emphasis):
    “A philosopher was asked: How much does the smoke weigh? He replied: If you take away from the weight of the wood that was burnt the weight of the ashes that are left over, you will have the weight of the smoke.” (B 288)
    We can see that here Kant explicitly identifies substance with matter. And it is quite plausible to think that “matter” is just another way of saying “mass”. That is, “mass” seems to be the theoretical analog of the term “matter.” This hypothesis is supported by the example of the weight of smoke. For, in the example, the way to calculate the weight of smoke just is to calculate the mass (multiplies the gravitational constant).
    However, despite the compelling reasons for the identification of substance with mass, in the next sections, I shall argue that the substance cannot be understood as Newtonian mass, for when we try to work out the details of understanding the substance as mass, we face an unavoidable dilemma.


    Section II. Some Mass or the Sum Total of Mass

    In this section, I shall argue that there are two ways of conceiving of substance as Newtonian mass, and then show that both ways have some support from the text and are to some extent philosophically plausible. So, both ways deserve detailed considerations. But, in the next section, I shall argue that both ways face insurmountable problems.
    In identifying substance with mass, we need to settle an ambiguity: Is the mass meant to be some mass, say the mass of a rock which is 7 kilograms (a randomly chosen weight), or to be the sum total of mass in the world of appearances which is a very large but nonetheless definite amount? Since both some mass and the sum total of mass are permanently persistent, we cannot tell which way of identifying is more plausible with respect to the permanent persistence of substance. So, we must appeal to some other philosophically and/or textually interesting points to ground a preference in choosing one over the other.
    Let us first consider identifying the substance with some or individuated mass. First, the first Analogy is the principle according to which the relational category substance-accident is to be applied. Kant defines accidents to be “the determinations of a substance that are nothing other than particular ways for it to exist.”(B 229) Many commentators interpret the relation to be between object and its properties or states. Thus it makes more sense to think that the mass, which is the underlying bearer of properties, is the individuated mass of some object, instead of the sum total of mass in the world of appearances. For instance, in the example of the weight of smoke, Kant seems to conceive of substance as the matter, i.e. mass, of an individual object. Moreover, if we conceive of substance as the sum total of mass in the world of appearances, it is very hard to imagine how substance can be the bearer of properties or what kind of properties of which substance is the bearer.
    One might argue that, on the interpretation according to which substance is the sum total of mass, even though we could imagine no properties of which substance is the bearer, we can still conceive of substance as the bearer of (changing) states, i.e. the successive states of the world of appearances. I reply that Kant cannot accept such an idea because the states of the world are not objects of possible experience, for it is at least empirically true that no one could have the whole world of appearances as his object of experience. I will return to this point later on in the paper and use it to argue that conceiving of substance as the sum total of mass is untenable given Kant’s theoretic commitments.
    The above discussion is about reasons to prefer the identification of substance with some mass. I now turn to the reasons to prefer the identifications of substance with the sum total of mass. There are some textual evidences in the first Analogy that suggest this latter identification. For instance, the following passage:
    “…here the issue is only appearances in the field of experience, the unity of which would never be possible if we were to allow new things (as far as their substance is concerned) to arise. For then everything would disappear that alone can represent the unity of time, namely the identity of the substratum in which alone all change has its thoroughgoing unity. This persistence is therefore nothing more than the way in which we represent the existence of things (in appearances).” (B 229/A186, my emphasis)
    In this passage, Kant seems to identify the permanent persistent substance that represents the persistence of time with the unity of appearances, which seems to be the sum total of mass in the whole world of appearances. Let me argue for my understanding of this passage that it indicates that Kant identifies substance with the sum total of mass. I shall argue by reductio: Suppose Kant identified substance with individuated mass in the above passage. Then, it would make no sense to think that the arising of new substance could make the representation of the unity of time impossible. For the arising of new substance in no sense affects the substance, i.e. the mass, of the original objects. Let me use an example to illustrate. Suppose there is a rock whose mass is 7 kilograms and there arises a new object out of nothing, whose mass is 5 kilograms. Insofar as the rock’s mass remains the same, whether or not there are new masses arising out of nothing does not affect the unity of the rock’s mass, which is 7 kilograms. Therefore, in this passage, Kant conceives of substance as the sum total of mass in the whole world of appearances.
    So far I have shown that there are compelling reasons to identify substance with some mass or with the sum total of mass respectively. In the next section, I shall argue that there are also devastating reasons to each identification such that either way we go, we face unsolvable problems.


    Section III. One Single Time and the Limit of Possible Experience

    I now turn to the problems from which the each identification suffers. In this section, I shall argue that these problems make both identifications untenable. Let us first consider the identification of substance with individuated mass (i.e. some mass). I argue that the reason why individuated mass cannot be identified with substance is that individuated mass cannot represent the oneness of time. Recall Kant’s argument for the principle of the first Analogy: in order to have experiences of objects as temporal, we must identify a permanently persistent substance that can represent time in objects. While the states of the substance change, the substance persists so that the substance can represent time that persists. It is important to notice that time, which is supposed to be represented by substance in appearances, is one single time. But, individuated mass cannot represent one single time. For there are many individuated masses, for instance, the mass of a rock which is 7 kilograms, the mass of a cup which is 0.5 kilogram, and the mass of a table which is 3 kilograms, each of which is permanently persistent and undergoes changes. If one of them can represent time, any other also can. In that case, we do not have one single time. Rather, we have many times or time-series, each of which is persistent.
    Let me explain in details why multiply individuated masses cannot represent on single time. If these individuated masses can represent one single time, there must be some one single thing that is shared by these individuated masses that serves to represent the singularity of time. Whatever this shared thing is, it is not any of these individuated masses. Therefore, individuated mass cannot present one single time. However, on the other hand, time has be to singular. Here is a passage in the first Analogy which explains why time has to be one single time rather than a plurality of times:
    “Substances (in appearances) are the substrata of all time-determinations. The arising of some of them and the perishing of others would itself remove the sole condition of the empirical unity of time, and the appearances would then be related to two different times, in which existence flowed side by side, which is absurd. For there is only one time, in which all different times must not be placed simultaneously but only one after another.” (B 232/A189)
    One might argue that it does not matter how many individuated masses can represent time, it only matters that there is an individuated mass that represents time. Insofar as there is such a substance, which is permanently persistent, it suffices to represent one single time. I reply that, in that case, we still do not know which individuated mass is suppose to be the representer of the one single time in appearances. For there is not reason to think that the mass of one object is more suitable to represent time than the mass of another object is, insofar as both of the individuated masses are permanently persistent. Any choice of one over the other is arbitrary. But the unity or singularity of time is not arbitrary, for there can only be one time-series which persists, and any other time-series or temporal relations are just temporal parts of this unique time-series. Thus, I conclude that individuated mass cannot be the representer of time in appearances.
    I now turn to argue that the sum total of mass cannot represent time either. The idea of my argument is to make use of Kant’s solution to the Antinomies to show that the permanently persistent substance that represents time in the appearances cannot be the sum total of mass because the sum total of mass is not an object of possible experience. Let me lay out my argument in detail.
    In “The Antinomy of Pure Reason” chapter, Kant presents four pairs of arguments concerning four cosmological ideas about the world-whole, namely, whether there is a beginning of time, whether there is indivisibly simple substance, whether there is a first cause, and whether there is a necessary existent. As Allen W. Wood argues, the four antinomies share a general form, namely, the thesis of each antinomy claims that there must be a first member of the conditioning-conditioned chain, while the antithesis of each antinomy claims that there is no first member of such a chain and that the chain goes back into infinity. Kant argues that there are valid arguments for each of the four theses as well as valid arguments for each of the four antitheses, so we need a solution to such contradictions.
    Kant’s solution to the contradictions, as Wood argues, relies on his doctrine of transcendental idealism. As for the first two antinomies, Wood argues
    The mathematical antinomies are generated by mathematical principles that apply to things only insofar as they are given in sensible intuition…But these [the first two] series of conditions are never given to intuition as a whole...The theses are false because the principles of possible experience make it impossible for objects corresponding to the cosmological ideas of a first event, a largest extent of the world or a simple substance, ever to be given to intuition.”
    Thus, the reason why Kant thinks that the claims made by the theses of the first and second antinomies are false is that neither the beginning of time nor the spatial boundary of the world or an indivisible substance can ever be given to our sensible intuition. If something cannot be given to our sensible intuition, according to Kant, we cannot have experience of it. Let me call this principle the object-of-sensible-intuition principle, namely, if something cannot be given to our sensible intuitions, then it cannot be object of our possible experience. And we can apply this principle to an object to determine whether that object can be object of possible experience. That is, if the object in question can be given to our sensible intuition, then the object can be object of our possible experience, but if the object cannot be given to our sensible intuition, then it cannot be object of our possible experience.
    Now, let me apply the object-of-sensible-intuition principle to the idea of the sum total of mass. We can see that the sum total of mass cannot be given to our sensible intuition, so, the sum total of mass cannot be object of our possible experience. For the world of appearances seems to mean the whole universe or cosmos (because everything in the universe stands in causal relations to each other), there is no way for all of the mass in the whole universe to be given to our sensible intuition. Actually, we do not even know whether there are spatial boundaries of the universe, so we do not even know whether the sum total of mass in the all universe is finite. Thus, the sum total of mass cannot be object of possible experience. So, the sum total of mass cannot be that which represents time in appearances. For the reason there must be a permanently persistent substance in appearances which represents time is to make our temporally connected representations of objects possible. But, if the sum total of mass cannot be object of experience, it cannot make our experience of object possible. Thus, the permanently persistent substance in appearances cannot be the sum total of mass.
    One might object that in the antinomies, the cosmological ideas at issue are condition-condition series. (B 436/A410) But the sum total of mass is not a series. Rather, it is an aggregate about which the question of conditioning and conditioned does not arise at all. Thus, Kant’s remarks on the antinomies have no bearing on whether the idea of the sum total of mass has any objective validity or significance. Moreover, the first two antinomies concern whether the conditioning-conditioned series go on into infinities. And it seems that it is impossible for us to experience infinity, for no matter what we experience it is finite insofar as we have experienced it. But, the quantum of the sum total of mass seems to be a definite and finite amount. By virtues of what can we claim that the sum total of mass cannot be object of experience? Is this “cannot” an empirical cannot, or an In-Principle cannot? If the answer is the former, the empirical “cannot” does not seem to be strong enough to show that the sum total of mass cannot be experienced, because we cannot know or predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience. If the answer is the latter, at least further explanations of why the sum total of mass, which is a finite and definite amount, cannot be object of possible experience in principle are needed.
    To the first objection I have two replies. First, in the first antinomy, Kant also discusses whether there is boundary or the largest extent of space. It is not obvious that there is a spatial series in the sense that it is obvious that there is a temporal series in which one moment succeeds its previous moments. However, according to Kant, we can think of the space acquiring its quantum through repeatedly or successively adding spatial units to the previous spatial units. (A 428/B 456) That is, the way of conceiving of space as a spatial series depends on the way of conceiving of time as a temporal series, which is naturally serial. Then, by the same token, we can also think of the sum total of mass acquiring its quantum by successively adding massive units to previous massive units. Thus, if the object-of-sensible-intuition principle applies to the idea of the boundary of space, it should also apply to the idea of the sum total of mass of the whole world of appearances.
    Second, the fact that Kant applies the object-of-sensible-intuition-principle to the first two (or three) cosmological ideas to solve the contradictions does not mean that the principle can only be employed to deal with the antinomies. If the principle is applicable to other ideas, we can also use the principle to deal with other ideas. Since the object-of-sensible-intuition principle is derived from transcendental idealism, which is an important element in the whole Critique, there is no reason why the principle cannot be applied to other ideas than cosmological ideas. Thus, it is legitimate to use the object-of-sensible-intuition principle to show that the sum total of mass of whole world of appearances cannot be object of possible experience. So, the sum total of mass cannot be what represents time in appearances.
    My reply to the second objection has two steps. First, it needs to be clarified that, although the first two antinomies concern whether the conditioning-conditioned series are infinite, Kant’s solution by the object-of-sensible-intuition principle does not rely on the whether the series are infinite. The principle only concerns whether the things to which the cosmological ideas refer can be given to our sensible intuition. It does not concern whether the things are infinite. It seems true that infinity cannot be object of sensible intuition. But this does not mean that all finite things can be given to our sensible intuition. Actually Kant rejects the claim that all finite things can be given to our sensible intuition. For Kant thinks the thesis of the first antinomy is false, because the beginning of time or the boundary of space cannot be given to our sensible intuition so that it cannot be object of possible experience.
    The second step of my reply is to spell out in which sense of “cannot,” the sum total of mass cannot be object of possible experience. It seems to me that the distinction between empirical “cannot” and In-Principle “cannot” is hard to cash out in the context of Critique. For, in the Critique, any legitimate claim to knowledge entails that the object of which the knowledge is can be experienced. Thus, it seems that the empiricality of the “cannot” entails the In-Principality of the “cannot”.
    However, concerning the claim that we cannot predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience, what would Kant say? Would Kant agree that future sciences and technologies might or could transform a transcendent idea into an idea which refers to object of possible experience? I do not think he would. For Kant thinks his Critique settles metaphysical questions once and for all by theoretical reason, which is static or a-historical. Future discoveries made by sciences and technologies should be able to do no damage to the doctrines in Critique. Moreover, it should be odd to Kant’s ear that progresses made by empirical sciences could have any bearings on the doctrines in the Critique, which he builds up from scratch employing only pure reason, which is absolutely a-historical.
    Thus, I conclude that the above arguments show that identifying substance with the sum total of mass in the world of appearance is not tenable. Since I showed earlier in this section that identifying substance with individuated mass is not tenable either, I conclude that the general strategy of identifying substance with mass is untenable.


    Section IV. Concluding Remarks

    In this paper, I showed that a seemingly very promising way of understanding the permanently persistent substance discussed in the first Analogy, namely, conceiving of substance as Newtonian mass, is untenable. Then, I wonder whether there are other promising ways of providing a positive account of substance or actually it is the case that the notion of substance in the first Analogy is itself untenable. At this stage, maybe I could follow Kant’s stance on the things of themselves, namely, they exist, but we can have no knowledge about the way of their existence. But, at the same time, we need to have this minimal conviction that they exist. Similarly, concerning substance, we can have no knowledge about what the permanently persistent substance is, but we need to have the minimal conviction that it exists in the world of appearances and it serves to represent time.
    【详细】
    530131278
  • 宇宙之王
    2010/3/5 14:09:23
    看了新加坡版,不错的
    很小的时候看过,如今也只记得那个名字以及戏挺好看,今次“重温”(看的不是当年的版本),以为这么多年前的戏在现在看来会很BC,啊,我错了!

    配音不好,口型延迟,加速播放后,感觉好多了,前后用三天看完了。

    剧情穿越唐宋明三朝,全和爱情有关(最后讲的就是钟馗的爱情);还让钟馗会包公;经常看到眼泪汪汪的人;其中还穿插了钟馗的前世今生,挺不错的。

    下面分享3段视频<
    很小的时候看过,如今也只记得那个名字以及戏挺好看,今次“重温”(看的不是当年的版本),以为这么多年前的戏在现在看来会很BC,啊,我错了!

    配音不好,口型延迟,加速播放后,感觉好多了,前后用三天看完了。

    剧情穿越唐宋明三朝,全和爱情有关(最后讲的就是钟馗的爱情);还让钟馗会包公;经常看到眼泪汪汪的人;其中还穿插了钟馗的前世今生,挺不错的。

    下面分享3段视频

    《明明知道相思苦》 插曲首现
    http://www.tudou.com/programs/view/CyR98ANh7c0/

    《无悔》 插曲首现
    http://www.tudou.com/programs/view/aNu2BlhHf0o/

    钟馗会包公
    http://www.tudou.com/programs/view/8i6DOkNpuq4/
    【详细】
    3040689
  • 一颗小豆芽
    2019/12/12 21:19:43
    吐槽着感动着,认识了这样“一家人”

    第一次无意间在电视剧频道看到了这部剧,看了没一会就换台了,隔了两天再次遇见时却开始了追剧,并且在爱奇艺上把之前的都补起来,之后每天晚上七点半都要准时打开电视剧频道,期待着与“一家人”相遇。究竟是什么支撑着对“一家人”的追逐呢?大概是在热腾腾的生活气里弥漫着的一种凝聚力。这种凝聚力是经历过生活风雨的真心实意,是历经历史沧桑的民族精神。

    一个陌生又熟悉的工作

    城市民族管理

    第一次无意间在电视剧频道看到了这部剧,看了没一会就换台了,隔了两天再次遇见时却开始了追剧,并且在爱奇艺上把之前的都补起来,之后每天晚上七点半都要准时打开电视剧频道,期待着与“一家人”相遇。究竟是什么支撑着对“一家人”的追逐呢?大概是在热腾腾的生活气里弥漫着的一种凝聚力。这种凝聚力是经历过生活风雨的真心实意,是历经历史沧桑的民族精神。

    一个陌生又熟悉的工作

    城市民族管理是一个听起来有些陌生的工作。刚接触工作的越永强同样感觉陌生,甚至有些“厌恶”。可是在慢慢熟悉内容之后,越永强越来越懂群众的实际,心也和群众越走越近。看着看着,好像就想到了我们身边的“越永强”们,想到了他们在一线做的点滴工作。他们可以是社区的大爷大妈,可以是扶贫的小李小张,也可以是学校中的某位老师。在我们遇到问题时,大妈曾经的招呼;在我们遇到困惑时,老师曾经温暖的肯定。看到越永强全心全意帮助群众,甚至无法顾及个人家庭,我们越是心疼越永强,越是感动那些家庭的付出。

    一群热腾又可爱的角色

    最可爱的cp要数郭达老师演的拉面馆老板马永福和新疆餐厅老板库尔班了。前者精明小气,后者冲动保守。他们有缺点,有时甚至有点“可恨”,可是他们也非常可爱。他们是是活跃在热腾生活里真实的人们,这种真实就是他们最大的可爱。爱郭达老师自然有度的演技!

    一个落幕没结束的故事

    当然,剧里也有很多槽点,槽这里就不一一列举啦。刚开始在百度和爱奇艺看到这部剧有40集,于是满怀着40集的期待追啊追,突然有一天没有了,才意识到集体婚礼已经是大结局了,还有种失落。以后的好几天都会想念“一家人”。越永强的故事告一段落了,可是越永强们的故事正在新时代继续书写。

    【详细】
    12093740
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