15年看的。当时不知道男主是Korean
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女主女二是一对亲姐妹,二人一直在一张床上睡觉。姐姐是一个心理医生,一日落魄画家男主来到姐姐的地点来心理辅导。姐姐收工后,将一个音乐盒送给了刚刚街头表演完舞蹈的妹妹。妹妹的搭档问姐姐从前也是练舞之人 为什么放弃,姐姐没有回答。画家男主又来到
15年看的。当时不知道男主是Korean
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女主女二是一对亲姐妹,二人一直在一张床上睡觉。姐姐是一个心理医生,一日落魄画家男主来到姐姐的地点来心理辅导。姐姐收工后,将一个音乐盒送给了刚刚街头表演完舞蹈的妹妹。妹妹的搭档问姐姐从前也是练舞之人 为什么放弃,姐姐没有回答。画家男主又来到姐姐的工作室,他说并不觉得自己是个病人……然后机缘巧合之下,姐妹俩与男主展开了三角恋请……
很多人说小宝变得更像邵庄了,还有人说是像赵宁。他更强大,做事情更加有条理,还学会了制定planB。
可我却在第一集看到他坐在公交车上那疲惫的脸上看到了深深的孤独。
他不像邵庄, 他也不像赵宁。
我变得好心疼他,哪怕明
很多人说小宝变得更像邵庄了,还有人说是像赵宁。他更强大,做事情更加有条理,还学会了制定planB。
可我却在第一集看到他坐在公交车上那疲惫的脸上看到了深深的孤独。
他不像邵庄, 他也不像赵宁。
我变得好心疼他,哪怕明知道一切都在他的计划之中,也觉得,啊, 他好让人难过啊。
邵庄和赵宁不会用苦肉计,不会让自己一次次挨打来换取信任;邵庄和赵宁都是自信的,骨子里是骄傲的。小宝那么聪明,可是他的骄傲却在多年的磨砺中没有了,消失了。
有好多次,看到他在城市里穿梭,天光落在他脸上,他却从来没有笑过。即便有,也多是苦笑,无奈的笑 ,和伪装的讨好的笑。他身边没有其他人了,每个人都有自己的生活。他却是为了父亲的遗愿。
每次见到他在挨打,置身险境的时候,都会觉得,他身上充满了强烈的厌世感。
他那么强大,聪明,又那么脆弱。
团队里的人几乎每一个都比过去胖了一些,圆润了很多。只有他,高高的个子,消瘦的脸颊。这些年,他送走了朋友,亲人,孑然一身,无牵无挂。
他变得稳重了许多,面对异性可以游刃有余。不再像对赵宁时那样莽撞冲动,也不再像对林小娴那样小心翼翼。他更坦然,更自然,可以大大方方地说,这车不管多久还回去都算一天,我带你逛逛吧。
小宝是世俗的人,像他父亲说的那样,用你的前半辈子去经历别人没有经历的生活,用你的后半辈子去经历别人正在经历的。
邵庄超脱物外,享受孤独,享受独处。于他只要一杯茶一本书就可以从天亮坐到天黑。而小宝不行,他心里需要爱,需要陪伴,需要家人。他会给老爷子做饭,替兔兔报仇。
他是世俗意义上的奇人,到后面,他成为了一个像扫地僧般的存在。江湖上流传着他的传说,许多人从他身边走过,但谁也不知道这个和普通人没有两样的平凡男人曾经有过多么荡气回肠的经历。
而这些经历,或许在之后的年月被尘封,再也无人知晓。
. 剧中来自阿尔巴尼亚的侍者,在军官和记者面前展示了他的伤疤。他以前是士兵,但伤疤却并不来自于枪炮,而是幼时母亲为了不让他忘记自己的民族,亲自用刀刻下的。
士兵可以用血肉、钢枪去对抗入侵的敌人,但哪怕是最强有力的战士,也无法对抗那来自于灵魂深处的迷茫 —— 我是谁?我来自于那里?
. 剧中来自阿尔巴尼亚的侍者,在军官和记者面前展示了他的伤疤。他以前是士兵,但伤疤却并不来自于枪炮,而是幼时母亲为了不让他忘记自己的民族,亲自用刀刻下的。
士兵可以用血肉、钢枪去对抗入侵的敌人,但哪怕是最强有力的战士,也无法对抗那来自于灵魂深处的迷茫 —— 我是谁?我来自于那里?
被台词吸引来的,前两集看得我一头雾水,从父亲节开始渐入佳境,回归主线剧情。
个人感觉如果一直是前十集的水准,这个剧阔以在7分左右??目前里面插入了一些海贼王的概念,宣传的是总有一天你会和伙伴一起远行一起做梦的感觉,太太太喜欢了!!
大明星和表姐老师的线偶尔演技尴尬,但是很甜我又可以了!!!油渣和神经的感觉也还不错,虽然目前不如影版,但是没有一两星那么差啊啊啊!!
被台词吸引来的,前两集看得我一头雾水,从父亲节开始渐入佳境,回归主线剧情。
个人感觉如果一直是前十集的水准,这个剧阔以在7分左右??目前里面插入了一些海贼王的概念,宣传的是总有一天你会和伙伴一起远行一起做梦的感觉,太太太喜欢了!!
大明星和表姐老师的线偶尔演技尴尬,但是很甜我又可以了!!!油渣和神经的感觉也还不错,虽然目前不如影版,但是没有一两星那么差啊啊啊!!
最后安利一遍,挺过前两集啊朋友们!!!有很多小细节很戳人的!!
是从39集开始看的,被剧情冲突吸引,追着看了几集,父亲总在一边给我讲那个时代就是电视里这样的很写实,又用好笑的语气解析人物角色的心理,让我也不由得笑起来。于我和父亲,这种欢乐的氛围并不常见。我在看到结尾前打住,也带着对剧中人物过去故事的好奇,回到第一集。
这样重头看导致的倒叙手法有
是从39集开始看的,被剧情冲突吸引,追着看了几集,父亲总在一边给我讲那个时代就是电视里这样的很写实,又用好笑的语气解析人物角色的心理,让我也不由得笑起来。于我和父亲,这种欢乐的氛围并不常见。我在看到结尾前打住,也带着对剧中人物过去故事的好奇,回到第一集。
这样重头看导致的倒叙手法有一种历史感,就像站在结局已定的彼岸回望剧中人物刚开始驶向未知的命运,好像充满了可能但一切又早已注定。
在看到评分时我一度以为搜错剧名了,后来甚至怀疑难道自己的审美开始庸俗化了,但一路看下来包括有些仓促的结尾,我还是相信这部剧不该是这么低的分。
最大的诟病应该就是彭天翼在和宋赫男分手后马上又和蒋欣童结婚,虽然这个结局早有暗示,但这个处理手法确实让彭天翼和他的人物特征相违和。之前他一直都是伟光正的表现(我们不能因为自己做不到就否认现实中会有如此高尚的品格),不该忘记这并不是一部流量商业剧,而是官方出品的主旋律作品,主要展现不同人物在时代下的命运转变,性格和感情的抒写难免不够圆滑。
蒋欣童的性格剧中也借两位男主的口点明了特征:倔犟,自尊心强,宁愿放弃利益也要保存尊严。看后面她的表现是不怎么讨喜,但是当我回到开头发现她一开始也是个善良开朗的女生,又能够慢慢理解她的转变(开头的蒋嗓音轻柔语速温和,后来变得更尖锐和攻击性)。当观众真的讨厌一个角色又能不能反过来说明演员演得好呢?
在罗永泽的身上可以明显感觉到矛盾,因为大多时候他是被剧情需要推着走,需要他在一开始将彭蒋的感情分开,需要他在后来一次次给蒋带来伤害,从而给结尾彭蒋的结合合情理的铺垫。
还有个地方让我忍不住吐槽或是感慨,里面的演员各个都好敬业,几乎每场戏都会演得眼泪直流,这样的感情渲染确实强好多,好担心他们补水跟不上。
就像欣赏一幅画,可以从它的线条色彩构图,从直观的感受到它蕴含的感情,到背后的文化故事历史。评价一部剧也不该单单抓住它的狗血不放(如果作为一篇爱情小说也许可以?)。另外我也想到,其实这部剧的大部分观众并不是会特意来评分的人群,有部分偏差也属情理之中。
中秋的节目看了一场电影:导演的线铺太多了,有些地方太刻意去表达,有点弄巧成拙,主题上明确,但感觉不到力量;演员的话,日本鬼子演技太烂了,其他都正常水平;对于窦骁所扮演的徐牛,让我想到见字如面第二季中读到陈难写给美惠子的那封信,嘉宾就提到那代人很多人都具备同情共感的能力:徐牛经历了战争,被日本人吊打,甚至眼看着小石头翻墙被高压电电死,尸体被日本人放在高压电墙上,他经历这么多最后抗战胜利了,鬼子
中秋的节目看了一场电影:导演的线铺太多了,有些地方太刻意去表达,有点弄巧成拙,主题上明确,但感觉不到力量;演员的话,日本鬼子演技太烂了,其他都正常水平;对于窦骁所扮演的徐牛,让我想到见字如面第二季中读到陈难写给美惠子的那封信,嘉宾就提到那代人很多人都具备同情共感的能力:徐牛经历了战争,被日本人吊打,甚至眼看着小石头翻墙被高压电电死,尸体被日本人放在高压电墙上,他经历这么多最后抗战胜利了,鬼子不干了要把战俘杀死,结果他磨尖木头去骂鬼子。在那个年代每天都有人死在日本鬼子的年代,他骂了鬼子什么呢?他骂的是你们这样干你们子孙怎么办,你们能对得起子孙么,担心鬼子的后代受到父辈的影响怎样面对世人!他最后把旗子撕两半,意味着他所憎恶的是侵略战争
影片我是在一个专门更新日韩青色电影的公肿浩(美恒影视)看的,影片中 落魄女子智研因朋友背叛而被追债,在她被高利贷债主追得无路可逃时受到了有魔性魅力的男人成烈的蛊惑,希望能一夜改变自己的人生,不顾危险登上了澳门最高级的豪华游艇,为了改变命运被卷入一场被欲望左右的危险交易,和两个男人之间产生了爱和欲望
影片我是在一个专门更新日韩青色电影的公肿浩(美恒影视)看的,影片中 落魄女子智研因朋友背叛而被追债,在她被高利贷债主追得无路可逃时受到了有魔性魅力的男人成烈的蛊惑,希望能一夜改变自己的人生,不顾危险登上了澳门最高级的豪华游艇,为了改变命运被卷入一场被欲望左右的危险交易,和两个男人之间产生了爱和欲望
这个导演比较不走寻常路,通常这种悬疑性质很大的电影,导演都会回避特别清楚地回答观众疑问,他反而在各种访问、活动一一回答了大部分问题。
以下两个链接说得很清楚了:
这个导演比较不走寻常路,通常这种悬疑性质很大的电影,导演都会回避特别清楚地回答观众疑问,他反而在各种访问、活动一一回答了大部分问题。 以下两个链接说得很清楚了: https://variety.com/2018/film/awards/hereditary-ari-aster-answers-burning-questions-1202841448/ And the fact the family is completely unaware adds to the terror.One way that I pitched the film when I was first taking it out was “it’s a story about a long-lived possession ritual told from the perspective of the sacrificial lamb.” Ultimately we are with the family in their ignorance of what’s really happening. But I also wanted to imbue the film with this sinister, more knowing perspective. Even though we are with the family in their ignorance, the movie itself knows exactly where the story is going. And everything is inevitable. Throughout the film, things are just sort of clicking into place and all those things are driving this family towards one end. In an early scene, the subject of free will is discussed. Are you saying this family has no free will?Yeah, absolutely. I see the film as being very Greek in that sense. This is absolutely inevitable, the family has absolutely no agency. There is nothing Annie can do to stop this from happening?No, I don’t think so. That’s where the dollhouses came in. Annie creates these miniature figures and dollhouses and they served as a perfect metaphor for the situation; they’re dolls in a dollhouse being manipulated by outside forces. Any control they try to seize is hopeless. Is that why she thinks she can stop it by burning the Charlie’s sketchbook – the first time she tries, she catches fire — but the second time, her husband Steve catches fire?Exactly. Even that scene is meant to play as Annie’s big redemptive moment, she’s going to sacrifice herself for her son. It’s a beautiful gesture but part of the cruel logic of the film is it’s an empty gesture. Ultimately, it’s not her choice to make. She thinks there’s a design here and she can end things if she sacrifices herself. But there’s no design and there are no rules. There is a malicious logic at play. Could it have been prevented if she hadn’t been tricked into casting the spell given to her by Joan?The thing is, that scene is ultimately a red herring, and it’s a piece of misdirection. It plays as a séance scene but really it’s a much darker conjuring and they need Annie to take part in it in order to bring it in the house and in order to further this ritual along. When she invites it in, she escalates things. But it would’ve happened anyway, we’re just seeing how it happened. We’re seeing one of the ways it could play out. There’s a lot of talk about what a bad mother Annie’s mother was. Did she just have kids for the purpose of this ritual?That’s pretty much what is suggested. If you listen to Annie’s speech at the group therapy, there are a lot of keys in her monologue as to what came before this and how far back this goes. Early on, Charlie cuts the head off a pigeon and makes a strange figurine out of it. Can you elaborate on that?I don’t want to be too obvious but we find later that Charlie has been building these figurines to populate a diorama she’s been building that serves as a shrine to Paimon. It also functions as a metaphor for what Paimon is doing to this family. If you look at the diorama you’ll see they’re headless figurines bowing to a pigeon-headed creature with a crown on its head, which is not far away from what we’re left with in the last scene of the film. Annie talks about how her mother got “her hooks” into Charlie at an early age. Are we meant to think Charlie is in on it?Charlie is the first successful host for Paimon. It’s transferred from Charlie to Peter at the end. Because Paimon wants a male body?Exactly. Is there ever a Charlie or is she Paimon from the moment she’s born?From the moment she’s born. I mean, there’s a girl that was displaced, but she was displaced from the very beginning. In an odd way, that makes me feel better.(Laughs) That’s nice. See, it’s a happy ending. But obviously, there’s a boy who’s horribly displaced by the end. http://www.vulture.com/2018/06/explaining-the-end-of-hereditary.html Is Paimon a real thing?He is! Well, real in the sense that if you believe in hell and the Devil, Paimon is an actual entity that people do worship. Across various sources, he is designated as “a great King,” “one of the chief demons,” and “one of the most significant Angelick Rulers.” He pledges intense fealty to Lucifer, and is often rendered riding atop a camel (as we see in the movie). There are conflicting points of view on whether or not Paimon and the demon Azazel are the same. According to the Black Witch Coven, “He is one of the demonic princes overseeing the four cardinal directions, West being his domain,” which is why Joan (Ann Dowd) and her minions “looked to the Northwest” to summon him in the movie. According to the Joy of Satan Ministries, “Paimon gives the power to influence and control others,” and that seems to scan with how he operates in Hereditary. However, the Ministries also describe the hell king as “full of energy. Loud noises and bright lights tend to make him more active. He is very colorful and very friendly.” Maybe the “party naked” side of him just got left on the cutting-room floor, because that guy seems like a downer. Toni Collette Gets the Worst Inheritance Ever in HereditaryLet’s Talk About the Scene With the Car in Hereditary What are the “rewards” Annie’s mom wrote to her about in that note?In the Invocations book that Annie pulls out of her mom’s box of things, a photo opposite the image of Paimon shows a person sitting atop a mound of treasure that says “Riches to the conjurer” in a caption beneath. When Joan speaks to Peter/Charlie at the end and crowns him, she asks Paimon to give her and the other followers “knowledge of all secret things, honor, wealth, and good familiars.” She also asks that he bind all men to them, as the worshippers have bound themselves to Paimon. Those sound like “riches,” and what with a king of hell being resurrected, being recognized as one of his privileged followers will probably be a lot safer than, well, not. In a description of his abilities, Satan Ministries says Paimon “teaches the arts and sciences” in addition to providing “good familiars and gives one position and honor. He can reveal anything about the Earth and one’s mind.” At least some rulers recognize the necessity of science education! So is Peter Charlie? Or is Peter Paimon?It’s likely that Charlie never knew she was imbued with the spirit of a king of hell, but as Annie says in her grief-counseling group, her mother got “her hooks” in the young girl from the time she was a baby. (Annie’s mom, Ellen, even insisted on feeding baby Charlie — and one of the miniatures depicts grandma offering the infant her exposed breast — which is probably the most unremarked upon insane thing that happens in Hereditary!) As we learn in the opening eulogy, Annie’s mom had “private rituals” and “private friends,” a lot of which probably revolved around putting Paimon into Charlie. Clearly, though, the long game was to get Paimon into Peter, since Paimon desires a male host, and Charlie sure didn’t seem like she knew she was a preferred underling of the Morning Star! So Paimon was bound to Charlie, and when that little light flash dissolves into Peter’s limp body after he pitches himself out of the attic window at the end, that’s the spirit entering him. With the transfer complete, Joan seems like she’s ready to let Charlie (in Peter’s body) know about everything that’s been going on, and who she really is. Remember, too, that Annie’s brother hung himself at the age of 16, leaving a note behind saying that his mother had been trying put people inside of him. Ellen failed to secure her son as a host, and she missed her first shot with Peter since Annie had excommunicated her, so she used Charlie as a temporary vessel until the ritual was able to be completed later on. As Aster told Vulture, “The film is about a long-lived possession ritual that is seen from the perspective of the sacrificial lambs.” How Scary Is Hereditary, This Year’s Horror Hit at Sundance?Hereditary Director Ari Aster Answers His ‘Upsetting’ Film’s Burning Questions With that in mind, you can think of the movie’s sinister events as being carried out by an invisible hand, of sorts. That sigil painted above grandma’s headless body in the attic? It’s the actual symbol of Paimon, and it was also carved in the utility pole that tore Charlie’s head off. The leafy bit that Annie brushed off her lip when she was drinking tea at Joan’s apartment? Probably a witches brew of some kind (or another red herring, because by now you’re paranoid!). Peter feeling his throat close up and taking the posture of Charlie’s decapitated body before ramming his head into a desk? His body was being primed for a spiritual takeover. Those scrapbook photos of Ellen wearing a white dress and a veil as she’s being showered with gold coins? That sure looks like a wedding ritual, once you see her framed portrait in the satanic tree house, which has a placard with “Queen Leigh” fixed to the top. Does that mean grandma was spiritually married to her granddaughter and therefore breastfed her husband-grandchild when she was an infant? It seems like it! Did Annie do any of those weird things — decapitating her dead mom’s body, spying on Peter outside his window — or was it the Paimon cult?Aster told Vulture that, “The audience is supposed to suspect that it might be Annie (Toni Collette), but it is the cult of which Ann Dowd is a very significant part. But you are supposed to feel through the film that there are people on the periphery that are watching this family and are hovering just outside.” Therefore, Annie’s sleepwalking was not resulting in her exhuming bodies and cutting their heads off. It was a red herring! Aster laid a sort of bread crumb trail throughout the whole movie, tipping the audience off that the Grahams were always being watched by associates of Ellen and Joan: the man who smiled at Charlie at Ellen’s funeral, all those “new faces” who mourned her death, the woman waving at Charlie across the street from her school, the person breathing in the dark outside of Peter’s window — all of whom we probably saw naked in the tree house during the finale. What was with that book setting people on fire?It seems like a safe bet that the book was bound to protect itself. The cult did demonstrate they had a pretty long reach when it came to influencing events, and they even stashed a whole headless body in the Graham’s attic when no one was looking. When Annie tried to destroy the book, it protected itself, but Annie was also essential to completing the possession ritual, so she couldn’t just burst into flames and die. We’ll call that a warning shot by the book. But Steve (Gabriel Byrne)? He had to get out of the way, and the moment he died, Annie stopped being Annie and started being an agent of Paimon, much like when she channeled Charlie into her own body during the previous seance. When that ring of light flashes over her, that’s Paimon beaming into a new host, as Collette explained to Vulture, “Ari was standing to the side, and he let me watch this person be on fire for a while [laughs] and then he said, ‘Okay. Now, Paimon, the light, is going to enter you.’ We never talked about what that would ever look like or be like. I just did one take and that was it.” And that, ladies and gentlemen, is called acting. Toni Collette on Hereditary, the Wildest Movie of Her CareerNo Kids Were (Permanently) Hurt While Filming Hereditary What about Annie’s sleepwalking, then?Go with us on this one. What if the sleepwalking was Annie’s subconscious way of fighting her mother and the ritual? She tried to set Peter and Charlie on fire once before, but snapped out of it, right? And then in the dream we see where she admits she wanted to abort Peter but her mom wouldn’t allow it — and so she tried to force a miscarriage — she screams at him, “I wasn’t trying to kill you! I was trying to protect you!” Somewhere in Annie’s subconscious, she must have known her children were in danger, and just as her brother had to kill himself to escape Ellen’s clutches when he was a teenager, Annie must have known deep down that as long as the kids were alive they were existentially threatened. As Collette told Vulture, in that moment Annie is surfacing what’s in her subconscious, which “allows the audience to know that this is a kind of murky, not entirely understood, gray area about the safety of her children and the intention behind the creation of them — and how her mother was involved, right? So it’s still not entirely clear, but there is an indication of some concern there.” Annie realizes after it’s too late, though, that she part of that threat, and must die if she wants to protect her kids. But by that point the toothpaste is out of the tube, and it just isn’t going back in. Are the decapitations part of Paimon-related lore?Not really. Aster added that element himself, and he’s not into explaining why. As he told Vulture, “I think it would be disingenuous for me to give any sort of intellectual answer. I feel like there are a lot of really good reasons and I like all of them, but uttering them kind of robs them of something. But I do like all the things that they might provoke in somebody.” As for Collette, she has formed her own theory about all the rolling heads. “We’re so attached to our bodies, we’re so attached to the brain and the mind. They’re like the control center, and that once you lose that metaphorically, you become nothing, and therefore you are able to give yourself over to this greater force?” Speculate away! So why did he use Paimon?No special reason, really. Aster said to Vulture that he just didn’t want to deploy Lucifer again, and hey, that’s fair. If you need a more substantial explanation than that — just let it go. Sometimes creepy is enough.Related Stories
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神澜奇域无双珠为法铧和蓝歌两个小可爱疯狂打call,温润尔雅腹黑公子x率性直爽小少爷,这个组合设定真是妙蛙种子进了米奇妙妙屋,妙到家了。动漫也把两位天才少年的面容描绘的丰神俊逸,,蓝歌奔放豪爽又有点逗比的少年气扑面而来,法铧平常--副内敛老干部的模样,但和蓝歌相处的时候总会不介意流露出一股傲娇劲儿,有些人表面上矜贵自持一五阶掌控者,实际上就是暗戳戳比成绩的小学生。剧情方面是一如既往的玄幻风格
神澜奇域无双珠为法铧和蓝歌两个小可爱疯狂打call,温润尔雅腹黑公子x率性直爽小少爷,这个组合设定真是妙蛙种子进了米奇妙妙屋,妙到家了。动漫也把两位天才少年的面容描绘的丰神俊逸,,蓝歌奔放豪爽又有点逗比的少年气扑面而来,法铧平常--副内敛老干部的模样,但和蓝歌相处的时候总会不介意流露出一股傲娇劲儿,有些人表面上矜贵自持一五阶掌控者,实际上就是暗戳戳比成绩的小学生。剧情方面是一如既往的玄幻风格,华丽的国风元素搭配不同领域的风格,较为浓郁明艳的色彩缤纷呈现,冲击力满分,看上去挺舒适的。困扰着众人千百年,无双珠的秘密,围绕着法铧和蓝歌的逐渐成长而揭开,在整片大陆的生死存亡之际,被无双珠选定的两人互相交织的命运会怎样发展?不得不实名吹一波动漫,特效大家都看在眼里自有分晓,还原度高创新赞再刷666,法铧和蓝歌的互动听着看着忽然会忍俊不禁,你们俩可是被命运大神绑定的主角,这么相爱相杀真的好吗?蓝歌你不要打着打着就钻到人家法铧背后啊。还有法铧同学不要凹造型了!你的衣服变成露背装了!笑死,这是可以看的吗,那个若即若离的秀发看的人心痒难耐恶趣味快要溢出来,男神形象就此崩塌?不,破衣服也要高冷的飞走!只要飞的够稳,就没有人知道内心的崩溃!配音死死拿捏住了!
最起码造型没那么雷人。剧情算凑合,适合边玩手机边看的那种。非得凑够一百四十字。我的天啊。大概内容就机器人和一个女人穿越到过去学习武术,最后碰到的大Boss好像是外星人派来的,学习的是西洋拳法,主角还融合了历史和传统文化,最后练成了苏乞儿的降龙十八掌,跟外星人??同归于尽,没想到居然还有续集,估计还得在cctv6播放。这下凑够字了吧
最起码造型没那么雷人。剧情算凑合,适合边玩手机边看的那种。非得凑够一百四十字。我的天啊。大概内容就机器人和一个女人穿越到过去学习武术,最后碰到的大Boss好像是外星人派来的,学习的是西洋拳法,主角还融合了历史和传统文化,最后练成了苏乞儿的降龙十八掌,跟外星人??同归于尽,没想到居然还有续集,估计还得在cctv6播放。这下凑够字了吧
本文首发于知乎「剧荒人就慌」 专栏。
一剧一世界
值得看的英美剧推荐与烂剧避雷,欢迎关注本专栏「剧荒人就慌」。我们有个追剧群,进群方式见文末。<
本文首发于知乎「剧荒人就慌」 专栏。
一剧一世界
值得看的英美剧推荐与烂剧避雷,欢迎关注本专栏「剧荒人就慌」。我们有个追剧群,进群方式见文末。
汤老湿(Tom Hardy)出新剧了!整部剧基于历史而构建,融入未知的神秘元素,对于喜爱这类剧的朋友来说非常值得一看。剧情后期除历史外,还可能和原始部落、巫毒/巫术等有关。同时,因汤老湿的母亲来自于小岛部落,外加剧名“禁忌”,汤老师可能自带使用巫术的能力(一个猜测,不一定怼)。除了汤老湿,第一二集已经出现了很多熟脸:1. 演员Oona Chaplin,她曾在权力的游戏里扮演Stark家长子RobbStark的妻子。你可能不知道的是,Chaplin这个姓翻译成中文是“卓别林”,没错,她就是喜剧大师卓别林的孙女!她在剧中饰演汤老湿同父异母的兄妹Zilpha Geary,两人之间有过一段不可告人的秘密(德国骨科没差)。后来女主嫁人,但汤老师还惦记着她,之后会有感情戏(床戏)那简直是一定的。
故事逻辑清晰,但情节内容毫无悬念 落入俗套,部分情节细扣还是有漏洞,如男主和女主的轻易相恋,在揭开家仇后又轻易放下甚至愿意为彼此放弃自己生命的设定不但不感人,甚至有点搪塞观众了;还有复仇联盟四人上山找吕婵报仇时,居然为了营造两对情侣的浪漫爱情硬是安排了一场不合时宜也不合情理的烟花秀,男主甚至对女主说“这是我特意为你安排的”...... 复仇帮天天在一起,男主也是每
故事逻辑清晰,但情节内容毫无悬念 落入俗套,部分情节细扣还是有漏洞,如男主和女主的轻易相恋,在揭开家仇后又轻易放下甚至愿意为彼此放弃自己生命的设定不但不感人,甚至有点搪塞观众了;还有复仇联盟四人上山找吕婵报仇时,居然为了营造两对情侣的浪漫爱情硬是安排了一场不合时宜也不合情理的烟花秀,男主甚至对女主说“这是我特意为你安排的”...... 复仇帮天天在一起,男主也是每天拼命练功,还得寸步不离的保护女主,哪有时间跑上山去安排一场浪漫的烟花?而且还是在复仇的前一秒打草惊蛇,整个门派的弟子都一起观看了这场烟花秀,放完就开打,简直不要太扯。
提出一点小疑问,欢迎大家积极讨论和指点!片中既有昆仑门还有五毒教,可是也有人族和鲛族,像这种江湖与玄幻结合在一起的元素,“武侠”标签还能不能贴?武侠武侠,更多的是表达一种“侠之大义”的气魄,还是只要有个“昆仑”“蜀山”之类的门派就可以称作为武侠?一开始我认为这部影片可以贴“武侠”标签的,可是越看到后面越发现有点偏“仙侠”的味道了,但这部影片也不是修仙题材,所以很纠结。
还是说,内地网络电影终究逃不过元素一多就变成四不像。。。
2017年,我整整30岁。
在30岁的这一年,我结了婚,换了一个城市生活。像是又一次开启了人生的新篇章,许多的事情,从零开始。我不得不去适应一个新的生活方式,不得不去了解新城市的人,找新的朋友。
我无法单纯地总结这一切,到底是好还是坏?起码有一种状况是可以肯定的,那就是,在新的环境与状态之中,我从来不敢有一丝偷懒。总想在这一段路的起跑线
2017年,我整整30岁。
在30岁的这一年,我结了婚,换了一个城市生活。像是又一次开启了人生的新篇章,许多的事情,从零开始。我不得不去适应一个新的生活方式,不得不去了解新城市的人,找新的朋友。
我无法单纯地总结这一切,到底是好还是坏?起码有一种状况是可以肯定的,那就是,在新的环境与状态之中,我从来不敢有一丝偷懒。总想在这一段路的起跑线上,可以走的多一点。也想着,付出全部的努力把要做的事都做好。
生了孩子的朋友跟我说,得趁早生孩子,过了30岁,身体会大不如前。创业的朋友跟我说,多赚钱见世面,是女人的安全感。出门倒垃圾都在盛装下楼的朋友告诉我,漂亮才是女人的第一生产力。
这些我全部都认同,又觉得全部都空洞。
30岁女人的矛盾,大抵都如此。
剧情内容太嘈杂了,男二的人设太人间理想化了,导致我看的都跑偏了最后全部看下来真心粉男二,而且和男主剧情太少了最后两集才在一起,真的是尴尬无比,感情全靠心底里的意念,不做评价,打发时间看看无妨,和电视剧别较真,最后剧情太快了可能是前边剧情拉的太长了,感觉男女主的感情线不明朗,所以好多剧粉都喜欢男二,再多几集就好了,虽然和男二分手了??,最后没在带入一下各自安
剧情内容太嘈杂了,男二的人设太人间理想化了,导致我看的都跑偏了最后全部看下来真心粉男二,而且和男主剧情太少了最后两集才在一起,真的是尴尬无比,感情全靠心底里的意念,不做评价,打发时间看看无妨,和电视剧别较真,最后剧情太快了可能是前边剧情拉的太长了,感觉男女主的感情线不明朗,所以好多剧粉都喜欢男二,再多几集就好了,虽然和男二分手了??,最后没在带入一下各自安好的时候