硬核标志影评

14422706
  • 夏木又子
    2019/3/21 14:31:45
    那些骂键盘侠的作者,也有可能成为键盘侠本人

    苏打给世人上的这一堂课,受益匪浅。

    懂得人早就明白其中含义,但不懂的人永远不会想去明白。

    作为一个新媒体工作者,我们之中有些人,其实和键盘侠又有什么区别。

    开会的时候,总编一直强调,你们不能中立!不能中立!一定要有自己的观点,观点一定要强,这样才能煽动读者情绪,才能让他们跟着你走!

    总编有总编自己的想法,但其实这条路很危险。作者三观稍不正,就会

    苏打给世人上的这一堂课,受益匪浅。

    懂得人早就明白其中含义,但不懂的人永远不会想去明白。

    作为一个新媒体工作者,我们之中有些人,其实和键盘侠又有什么区别。

    开会的时候,总编一直强调,你们不能中立!不能中立!一定要有自己的观点,观点一定要强,这样才能煽动读者情绪,才能让他们跟着你走!

    总编有总编自己的想法,但其实这条路很危险。作者三观稍不正,就会毁掉很多人。

    要知道这几万几十万阅读,一个阅读就代表一个人。

    群众的情绪是很容易煽动的,他们可以被你激发出人性中的善,也能激发出人性中的恶。

    从事这个行业以来,发生过的新闻实在太多。

    其中日常关注的,多是负面新闻。

    因为负面新闻影响力大,人们爱看。

    骂渣男,骂小三,诋毁婆婆,捧高女性,根本不必花时间去了解这件事背后的真相,只管把大家讨厌的人往死里骂。

    把这些人骂完后,他们又接着又去骂那些新闻评论底下的键盘侠。

    就拿前段时间飞机失事的女孩来说,女孩死去后,评论下一片调侃诋毁,难听的话只有你想不到没有你见不到。

    可是,那些人真的见过那女孩吗,了解那女孩吗,没有的。键盘侠骂女孩,原因有很多,但都脱离不了恶趣味和个人利益。

    批判键盘侠看起来很正义,但事实上,和有些作者和键盘侠的恶行毫无区别。

    那些骂键盘侠的作者,他们借这个轰动世界的新闻来批判那些键盘侠,阅读爆涨。然后,把这篇文章转发到朋友圈,恭喜贺喜自己喜提十万+,欢迎各位老板来转载。

    女孩遭遇不幸的背后,是千万人的一场狂欢派对。

    所以每次写这类型文章时,我的良心都在被扣分。

    就在刚才,一位编辑给我发了一个选题,示意让我抓住机会写起来。

    选题内容是一个新闻。母亲在孩子面前虐待小狗致死,孩子愤怒之下,杀害母亲。这是新闻报道的全部内容。

    可是,这件事情的背后,还有什么样的细节,却是我们不知道的,寥寥几行文字,没法还原整个事件的经过。

    所以,我是该谴责这位母亲,还是孩子,还是有什么样的家庭就有什么样的孩子?在我看来,这些表面叙述都太过肤浅了。

    有时候,耳听,眼见,未必是全部真相,缺乏冷静思考,再下定论的人实在太多。

    苏打说,你们的眼睛,嘴巴,生来不是用来伤害人的,而是用来分享喜怒哀乐的。

    那就,让我们温柔以待地和人相处吧。

    100571246
  • 郑有仇
    2019/12/16 11:40:33
    求编剧长点心——再不更换编剧团队就真的要毁童年了

    什么天降神兵,强行降智,主角光环……所有能犯的编剧大忌犯了个遍。没有逻辑,不管细节。只要编剧安排剧情那样,剧情就强行那样,根本不管说不说的通。这种态度真的过分了。

    请不要糊弄孩子们。不要以为定位是子供向,编剧就可以肆无忌惮胡作非为。亚旗啊,你再和于飞这种不专业不敬业的编剧合作,你老爸的青春真的要被你毁了。我们的童年毁不毁其实没那么重要,大家还有更多更好的影视剧作作品可以欣赏。但你

    什么天降神兵,强行降智,主角光环……所有能犯的编剧大忌犯了个遍。没有逻辑,不管细节。只要编剧安排剧情那样,剧情就强行那样,根本不管说不说的通。这种态度真的过分了。

    请不要糊弄孩子们。不要以为定位是子供向,编剧就可以肆无忌惮胡作非为。亚旗啊,你再和于飞这种不专业不敬业的编剧合作,你老爸的青春真的要被你毁了。我们的童年毁不毁其实没那么重要,大家还有更多更好的影视剧作作品可以欣赏。但你老爸的代表作,能有几次投资制作的机会?让这种级别的编剧呈现给大家,不说观众满不满意了,你扪心自问,这样的剧作你自己觉得怎么样?

    影视作品不比文字,很多文字叙事中天马行空的剧情,到了影视中要让人信服就必须做足细节,构建逻辑。这是一个专业编剧的义务和职责。即使原著天马行空,最终出来的影视作品也应该追求令人信服的剧作目标。而不是现在这样各种强行推进。再这样下去,舒克贝塔真的要被毁掉了。死忠粉看完都不好意思给人安利。

    动画制作组的辛勤工作成果也要被这种不走心的编剧毁得七荤八素了。我能看到导演和剪辑师的付出,幸好剪辑节奏还是比较优秀的,能在一定程度上给低质量的编剧遮羞。可是靠这些挽救不了一个作品的核心啊。

    舒克贝塔这个级别的原著,其剧作质量起码应该对标疯狂动物城和超能陆战队这样的作品吧?制作上碍于投资量级就算了。剧作呢?现在这种水平还能和国际一流水准对标吗?还是说以郑渊洁的原著水平不配对标好莱坞?

    实在不行,下一季升级一下编剧团队吧。找宁浩的坏猴子团队,肯定会比现在强。没钱我愿意参与众筹。

    【详细】
    12101674
  • maryhen
    2021/8/13 18:43:30
    这类型的电影中是值得推荐的一部作品
    故事挺好,情节从逻辑角度讲基本没有明显的bug.虽然演员看着没有一个眼熟的,但主演父子俩和两大反派演技也都在线。虽然游戏术语不太懂,但是也不太影响,整体片子非常好看。不知道现实中有没有原型,戏剧冲突还是设计得很不错,特效和真人结合得也很好。想跟小哥哥一起再看一...  (展开)
    故事挺好,情节从逻辑角度讲基本没有明显的bug.虽然演员看着没有一个眼熟的,但主演父子俩和两大反派演技也都在线。虽然游戏术语不太懂,但是也不太影响,整体片子非常好看。不知道现实中有没有原型,戏剧冲突还是设计得很不错,特效和真人结合得也很好。想跟小哥哥一起再看一...  (展开)
    【详细】
    13793216
  • Jack
    2019/8/25 21:25:55
    20190825, s01e10, evil still prevails ~~~~~~~~~~~~~~~~

    20190825, s01e10, evil still prevails ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    20190825, s01e10, evil still prevails ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

    【详细】
    10438525
  • 心路飞扬
    2021/10/2 17:57:48
    恐怖宗教异形片。无身份租屋女郎深陷宗教异形祭祀危局,勇敢自救被黑化。前半段的恐怖不新鲜,很多地方不好自圆其说,到活人生祭,怪物出现,女主反杀开始高潮,最后的反转还是不错,最起码没有平庸地结束就是亮点。

    恐怖宗教异形片。无身份租屋女郎深陷宗教异形祭祀危局,勇敢自救被黑化。前半段的恐怖不新鲜,很多地方不好自圆其说,到活人生祭,怪物出现,女主反杀开始高潮,最后的反转还是不错,最起码没有平庸地结束就是亮点。

    一开始的黑人女孩看到了怪物的箱子,然后被身后的鬼影掳走。然后就是一个女孩偷渡到了美国,没有身份。现在汽车旅馆暂住,在一个服装工厂工作。后来通过告示,找到了一处只可供女子住宿的房子,

    恐怖宗教异形片。无身份租屋女郎深陷宗教异形祭祀危局,勇敢自救被黑化。前半段的恐怖不新鲜,很多地方不好自圆其说,到活人生祭,怪物出现,女主反杀开始高潮,最后的反转还是不错,最起码没有平庸地结束就是亮点。

    一开始的黑人女孩看到了怪物的箱子,然后被身后的鬼影掳走。然后就是一个女孩偷渡到了美国,没有身份。现在汽车旅馆暂住,在一个服装工厂工作。后来通过告示,找到了一处只可供女子住宿的房子,价格比较低,她就跑去了。房东是个男子,说他这里只租给女房客,现在只有女主还有楼下的一个女的在住。女主住进去以后,老是梦到自己的母亲让自己多陪陪她不要离去,还在梦里看到很多的鬼魂,好像要给她什么提示。经和住在楼下的女子核实,这楼里不是只有她们两个人住。女主为了自己的身份听信了自己的一个同事可以办证,结果那个同事把她用于办证的钱全部卷走了。她身无分文,感觉自己住的楼有问题,但还是回去问房东要退租的钱。这时房东露出了真面目,原来他们就是通过女租客前来租房控制住女租客,用来献祭的。女主还发现被房东骗进来的两个女子也被控制了起来。虽然女主的舅舅来找她,但还是给房东的弟弟袭击了。女子一个个被拉去献祭。轮到女主了,虽然女主反复抵抗,但是没有用,还是被绑在了献祭台。一个怪物从石箱子里钻出来,想要吞噬女主。但是昏迷的女主没有被控制,反而反杀了自己梦中的母亲,把怪物吓走了。女主冲出祭祀处,将房东和哥哥全部杀死,但是当她准备离开这个房子时,自己受的伤全部复原了,自己也仿佛获取了新的力量,应该是被怪物黑化了,应该是继续当房东,去祸害女孩献祭,因为怪物需要这么一个人。

    联系前后,一开始怪物是化作女鬼影掳走女子,但是这兄弟两个人是因为杀死母亲,被怪物控制,成为了怪物的马前卒,帮他将女租客骗进来,生祭。这个形如蝶蛹的怪物应该是母系氏族的提现,应该是一个怪物界的母亲形象,它惧怕那些弑女的情绪,女主也是弑母了以后吓跑了怪物,被征召的。同样这兄弟俩应该也是因为杀死母亲被征召的。这样就可以解释一开始黑人女孩被掳走的事情了。

    女主应该是墨西哥南美族,比较显老,不过还算凑合。房东其实还不是很坏,主要是被哥哥胁迫的,所以女主最后把他献祭了,觉得有点残忍。这个怪物做的蛮逼真,蛮真实的,给影片增色不少。

    只是女主在洗澡时听到的下水道喊“救命”的声音是从何而来,是被献祭的女子嘛?不是很明白。

    【详细】
    138981006
  • 胡椒酱
    2007/11/15 14:56:51
    很久以前看过……
    这部剧初三的暑假时曾经在上海电视台放过,那时就觉得很不错。带有很明显的吴宇森风格,激烈的打斗场景经常会配合美声或乡村音乐——奇怪的组合~~ 于是给人的感觉就不会显得过于暴力、喧闹,于是就能静下来好好欣赏。
      记得第一季的结局是表面上三人都牺牲了,只剩下他们的“头”独自逃出来,伤心地想起许多与他们在一起的快乐往事,当时的我也跟着郁闷了好一阵。
    这部剧初三的暑假时曾经在上海电视台放过,那时就觉得很不错。带有很明显的吴宇森风格,激烈的打斗场景经常会配合美声或乡村音乐——奇怪的组合~~ 于是给人的感觉就不会显得过于暴力、喧闹,于是就能静下来好好欣赏。
      记得第一季的结局是表面上三人都牺牲了,只剩下他们的“头”独自逃出来,伤心地想起许多与他们在一起的快乐往事,当时的我也跟着郁闷了好一阵。
    【详细】
    1240176
  • 易知难
    2017/10/26 4:14:12
    影评需要客观,不要喷子
    说良心话本来这部片子我是准备打三星的,但是看了评论区的各种声音,我果断决定给四星了。当然不乏有打五星的人可能还会觉得我给的低,而我对电影的要求是只有绝对经典和几乎没有瑕疵才给五星,所以四星确实可以了。 好了,言归正传。从影片本身来讲,我其实也挺纠结的,思来想...  (展开)
    说良心话本来这部片子我是准备打三星的,但是看了评论区的各种声音,我果断决定给四星了。当然不乏有打五星的人可能还会觉得我给的低,而我对电影的要求是只有绝对经典和几乎没有瑕疵才给五星,所以四星确实可以了。 好了,言归正传。从影片本身来讲,我其实也挺纠结的,思来想...  (展开)
    【详细】
    8886215
  • 沉寂
    2018/3/24 21:51:41
    观后感
    第一次写,其实我和大部分人一样为的是薛之谦和王晓晨才看的这个电视剧,刚开始以为是一个搞笑的爱情喜剧,可是看到最后我哭了好几次。
      我看了一些别的评论,感觉有一些不同的看法所以想来评论一下,想告诉那些没有看过的人让他们去取舍看与不看,整部影片不做过多的人物评价,从前面3/1来说其实是一个铺垫,为的是最后的那几集,虽然结局不是很完美,但是生活就是这样现实。
     
    第一次写,其实我和大部分人一样为的是薛之谦和王晓晨才看的这个电视剧,刚开始以为是一个搞笑的爱情喜剧,可是看到最后我哭了好几次。
      我看了一些别的评论,感觉有一些不同的看法所以想来评论一下,想告诉那些没有看过的人让他们去取舍看与不看,整部影片不做过多的人物评价,从前面3/1来说其实是一个铺垫,为的是最后的那几集,虽然结局不是很完美,但是生活就是这样现实。
      其实我看这部篇感觉之所以大是因为我也离婚了,6年的感情因为一部电视剧历历在目,虽然不是想电视剧里面那样曲折,但是感通深受,写这个影评就是想告诉大家想要看这个电视剧一定从头要看完,不要只看前几集就完了,可以说在30集之前我一直认为是爱情搞笑片,为了看薛之谦和打发无聊的时间而看,但是看后面,看到幸福为他们做的事,看到因为一个一个的误会而去分离,看到了感情里面的冲动,看到了最后和谐之后的理解和付出,等等等,说实话我被感动了。
      我不想评价这个电影有多好的演技,多好的剧情,但是他让我看到了感情和珍惜,所以想看从头看完,一部电视剧我们又不是专业的影评人只要能让我们看到感触到东西我感觉就是一部值得看的电视剧,没有必要因为演技不好,人物关系怎么样而去抱怨,就是感情一样分手的才知道对方的好,因为你去仔细回想了你们的经过,美好的永远是回忆,因为你根本没有想到过珍惜现在的拥有。
    【详细】
    9246605
  • 薛伟
    2021/1/13 15:36:49
    请不要再毁经典了好不好

    看完以后不能更失望了,鬼吹灯这么好的IP,被拍成这个样子,太让人无语剧情在原著基础上做了大幅的删减,而且中间几乎毫无衔接,转折生硬,而且没有任何逻辑可言。只是披了个鬼吹灯的外衣,毫无惊悚,毫无悬疑,毫无情节可言。

    还有,我可能看到了所有版本里颜值最差、身材最拉胯的Shirley杨。

    希望能再出像“寻龙诀”这样的优质作品,不要再毁经典了

    看完以后不能更失望了,鬼吹灯这么好的IP,被拍成这个样子,太让人无语剧情在原著基础上做了大幅的删减,而且中间几乎毫无衔接,转折生硬,而且没有任何逻辑可言。只是披了个鬼吹灯的外衣,毫无惊悚,毫无悬疑,毫无情节可言。

    还有,我可能看到了所有版本里颜值最差、身材最拉胯的Shirley杨。

    希望能再出像“寻龙诀”这样的优质作品,不要再毁经典了

    【详细】
    13135187
  • 这胖子爱看电影
    2019/5/19 21:09:39
    想不到《牛津英语字典》的“主编”居然是疯子和杀人犯!
    这篇影评可能有剧透 《教授与疯子》 (The Professor and the Madman),仅凭这个片名很难引发大多数影迷的观影期待,但看到演员表之后,估计很多人会选择入坑。 梅尔·吉布森 和西恩·潘两大老牌影帝联袂,极大的提高了观影兴趣,再仔细看看剧情简介,基本上可以断定这部影片不会
    这篇影评可能有剧透 《教授与疯子》 (The Professor and the Madman),仅凭这个片名很难引发大多数影迷的观影期待,但看到演员表之后,估计很多人会选择入坑。 梅尔·吉布森 和西恩·潘两大老牌影帝联袂,极大的提高了观影兴趣,再仔细看看剧情简介,基本上可以断定这部影片不会太差。根据真实历...  (展开)
    【详细】
    10190268
  • 南悠一
    2021/10/19 23:37:25
    对话孔大山:诗、古典乐和伪纪录片创作方法浅论

    (本文在采访时已避免出现剧透,避免因深聊细节而影响观看,部分角度仅供观影时辅助理解)

    从影片放映前一天被引荐认识,到发布会发言,再到这次专访,三次见面,导演孔大山给人的感觉一直是不怎么说话,很不善言辞。

    据资料,孔

    (本文在采访时已避免出现剧透,避免因深聊细节而影响观看,部分角度仅供观影时辅助理解)

    从影片放映前一天被引荐认识,到发布会发言,再到这次专访,三次见面,导演孔大山给人的感觉一直是不怎么说话,很不善言辞。

    据资料,孔大山1990年出生,毕业于北京电影学院导演系,曾经拍摄过一部名叫《法治未来时》的短片,讲了一个关于“文艺片闷死人”的故事,常被当成他的代表作来介绍,以至于平遥影迷在坊间评价他,“颇有宁浩的意思”。

    10月18日,这位青年导演凭长片处女作《宇宙探索编辑部》,在自己参与的首个电影节连续上台三次,拿到全场第一份荣誉,也拿到全场最后一份荣誉。第一次登台,他作了极简单的发言;第二次登台,他把编剧王一通拽上了台,王一通是他的朋友、搭档,没想到二人都不善于讲话,也没说几句;第三次,他终于把该感谢的人都致谢了一遍。

    今年,第五届平遥电影展以“聚”为主题,把天南海北的电影人汇聚一起。在接近闭幕时,人们在观影口味上仿佛达成了一致:影评人评委通过授予“迷影选择荣誉”表达对它的喜欢;五位青年导演和演员作为青年荣誉的评委,授予它“影片荣誉”,表达对它的赞美;费穆荣誉评委是五位资深电影人,把沉甸甸的最佳影片荣誉颁给了这部电影。

    青年荣誉评审王俊凯评价说,“它浪漫至极,令人情难自禁。它探索了中国电影的新可能,也探索了我们的内心。”费穆荣誉最佳影片的颁奖词则写道:“影片脱胎于现实生活的荒诞,将目光投射于一位癫狂执拗的科学家身上,一段悲喜交加的旅程带领我们探索未知的宇宙,窥探社会和人心的角落。”

    放映完赢得高口碑,以高开分成为爆款,这部电影还有很多可圈点的细节:据介绍,故事曾被推翻一次;原本是导演计划的毕业作品,最终未能成为毕业作品;因为疫情,剧组经历了一次停摆;影片从剧本开始就得到了郭帆、龚格尔等电影人支持;它有一个宝藏剧组,藏着艾丽娅这样的实力派演员;如今,这部极低成本的软科幻电影有很长的片头,得到了万达、华谊、郭帆工作室、猫眼、淘票票等多家顶尖电影公司垂爱……

    在平遥,我们约到了《宇宙探索编辑部》导演孔大山,在疲惫的工作间隙,用30分钟时间简单对话,聊聊关于剧本、剧组、伪纪录片、科幻、和郭帆导演合作的事儿……

    QA:新浪电影 X 孔大山

    新浪电影:昨天看完这个片子,很多人都觉得好。在发布会上,王红卫老师说,剧本在前期被推翻过一次。

    孔大山:最开始推翻的不是剧本,是故事梗概。我花两个月写出一个故事梗概,给王老师看,他不是很满意。我调整了一下思路,再给到王老师时,他觉得之前是30分,这一版是70分,可以按照这个思路继续推进了。

    第一稿的梗概更像一个闹剧,纯闹剧,没有人物,角色不是很突出,都是通过一些事件来推进的。第二稿才有了唐志军这个角色,通过这个贯穿的人物来推动所有情节发展。有这个让观众移情的角色,整个故事顺着逻辑推演出来,变得自然很多。

    唐志军这个人物,是从我的上一部短片延续下来的形象,那部短片是由我爸出演的,我爸的形象跟电影里的唐志军一样,戴个眼镜,穿一个黑棉袄,骑着个电瓶车。至于这个人物的内核上,可能有很多的灵感来源。比如说,他身上有一种尼采式的狂暴,一种酒神的气质,另一方面自身又存在一些很矛盾的东西,有所谓的理想主义者的感觉。

    灵感有一部分来自于一些纪录片,比如有一个纪录片叫《自行车与旧电钢》,里面有个角色叫张宜苏,是一个音乐人,弹钢琴的,他就是这个世界上另外一个唐志军,当时看到这个角色,让我觉得,这种人存在于这个世界上,是非常得不真实的,他比你通过文学、影像创作出来的人物都更加迷人。看了很多纪录片,我可能潜意识里被这些真实世界里的人物打动,才有了后面对这个角色的创造。

    新浪电影:在电影里,唐志军这个角色由杨皓宇出演。为什么会找到杨老师?

    孔大山:刚写完一稿剧本的时候,赶上《流浪地球》首映,我在电影里发现了杨皓宇老师。后来郭帆导演问我,你对电影的男主角有什么意向?我就直接说了杨老师。他说没问题。

    首先,第一眼肯定是形象。他的形象就是知识分子,很老派的知识分子,跟我想象的唐志军非常接近。其次,我看了很多杨老师之前的表演,能看出来他的表演功力,表演的谱系是非常宽的,可以驾驭很多不同角色,从表演技术层面,他肯定可以胜任这个角色。

    在前期筹备阶段,我们充分沟通过关于人物的一些认知,大到角色有一个什么样的世界观,精神内核是什么,小到角色走路的时候能不能手插兜,类似于这种细节,给人物设定了一个非常明确的边界,有些事能做,有些动作不能做,有些话可以说,有些话是不能说的。通过这些排除法,这个人物的属性就会越来越明确,我们彼此之间也达成了共识。

    新浪电影:这部电影的剧组是个宝藏剧组,艾丽娅也是一位宝藏女演员。

    孔大山:我在电影学院上学的时候,经常看到我们学校的毕业联合作业,很多都会邀请艾丽娅老师。出于对后辈们的提携,她也是经常没有片酬就拔刀相助,是一位非常性情的前辈。写秦彩蓉这个角色时,我首先就会想到她,当时也没敢请她。我虽然参考的可能是她,但我本来希望找一个素人来演,找来找去发现还是没有太合适的,索性还是找艾丽娅老师来了。

    新浪电影:两个年轻角色,蒋奇明(饰演那日苏)是话剧演员,盛晨晨(饰演晓晓)是素人演员。

    孔大山:对,还有王一通(饰演孙一通)也是素人演员,这两位素人演员是我的朋友,都是第一次当演员。

    新浪电影:所以这是一个科班演员、素人演员混合的班底。发布会上,艾丽娅老师说起拍摄经历,用了“恐怖”一词。她说,她不知道素人演员们想什么、是什么状态,摄影机还一直跟着拍,所以很“恐怖”。

    孔大山:不光是这些主演,很多群演也是素人。我们的拍摄现场更像一个沉浸式话剧,或者沉浸式密室。我们假设起点在这个房间,当走到另一个房间时,那个地方可能就被安插了素人,突然会出现,演员可能事先不知道。这是一个非常反常规的操作。

    新浪电影:所以电影里有很多场景是即兴表演?

    孔大山:对,因为剧本的设定基本很明确,大的叙事任务、节奏点都是明确的,在这个过程中,我是非常欢迎演员有即兴发挥的成分。我最开始跟演员说,举个例子,就好比我给出一个坐标、一个目的地,路上会途经某几个点,你的任务就是途径这几点,最终到达目的地。如果你能在通往经过这几个途经点的过程中,还能够探索到其他地方,我是非常欢迎的。但是,途经的点是必须要有的。

    新浪电影:岔开一下话题,我记得看你之前在一篇采访说过,表达才是最重要的,电影好像没有那么重要,所以你也体验了很多游戏。你刚才说的模式,就很像游戏。

    孔大山:我觉得电影也好,游戏也好,都是载体,最重要的是你想通过这个载体讲述什么东西。我觉得未来电影发展会越来越像游戏。就像之前不断升级的电影的技术规格,无无外乎是为了无限地接近沉浸感,游戏反而是更轻而易举能达到的。人类对沉浸感的追求是永远不会变的。

    新浪电影:追求沉浸感和追求现实感之间有区别吗?

    孔大山:现实感是,我们每天都活在现实中,现实是无力改变的,不管你是谁,你每天都要经历同样的物理意义上的24小时,你在二环上堵着车,必须就是在那堵着车,没办法跳切到下一个场景。现实是无力的,但游戏也好,电影也好,它永远可以给你在现实中达不到的体验。

    新浪电影:说到现实感和沉浸感,孙一通这个角色很有意思,他头戴一口锅,时不时晕倒,还有一个特别的结局,这个人物是不是也有类似的思考在里边?

    孔大山:我写的时候没有按照一个正常人类去塑造他,但我很难形容的到底是什么,感觉是一种可望而不可及的状态。

    新浪电影:你心里是否有预期观众会怎么理解这个人物?

    孔大山:我敢肯定观众都会觉得他很可爱。

    新浪电影:你是怎么说服你的朋友来演这个角色?在电影里的诗是他的写的,你本来就知道他会写诗?

    孔大山:不需要说服他,只是通知他(笑~)。我俩刚认识的时候,朋友之间会互相分享自己的东西,拍过的电影,写过的诗、小说。他除了是一个电影导演之外,还是一个非常优秀的作家,我看过他的小说。我不知道是不是我看的东西太少,我总感觉在华语短篇写作里,很难看到这么好的文笔。特别喜欢。

    关于电影里的诗,我会跟他说我的诉求是什么,这场戏最后一首诗一定要有所指向性,它不能真的只是诗,一定要跟剧作,跟整个电影的主题,跟很多元素要有一些暗含的勾连,它要完成戏剧的任务,还要考虑到节奏问题,那首诗不光是文字意义上的,它还是音响音效甚至音乐,是构成视听的一部分,一定要有它的节奏。

    新浪电影:电影里用了非常大量的古典音乐,比如最开始的肖斯塔科维奇第二圆舞曲,库布里克、拉斯·冯·提尔、姜文等大导演都用过。

    孔大山:我记得我在网易云音乐上看到关于这首音乐的一则网友评论,我发现他写评论就是我感受到的感觉,像是唐志军这个人物的一个判词。

    我找一下那个评论。第二圆舞曲有很多版本,我在电影里用的是安德烈·瑞欧的版本,是完全无法替代的一个版本。就是这一条——

    (网友评论:一种理想主义怀着热烈的情感在巨大的悲剧里狂欢,在痛苦和绝望里产生了美好又盛大的幻觉。)

    ——我觉得他写的其实就是唐志军的判词。

    新浪电影:之后还有一首欢乐颂。

    孔大山:在写剧本过程中,我觉得这部电影的音乐应该是大量的古典音乐。它的人物和故事,有一种古典浪漫主义色彩。把古典音乐跟很粗粝的现实进行混合,会有一些非常奇妙的化学反应。而且我在不同的阶段都特意选择了华尔兹,比如开场是第二圆舞曲;中间他们愉快地上路后,又是一段华尔兹;最后是“The last waltz”(最后的华尔兹),武满彻的那一版。其实也是完成一个呼应吧。

    新浪电影:为什么会选择伪纪录的方式呈现这个故事?

    孔大山:我是先选择了伪记录,然后才写的剧本,所以是先确定了风格。这个片子的监制王红卫老师,是我研究生导师,他开学第一天给我们布置的作业就是拍摄伪纪录片。伪纪录片能非常好的训练一个导演对假定性的完成,你可以通过伪纪录片创作去反推导演工作中所有要控制的细节。从那次训练我才意识到,伪纪录片是一种特别能容纳很多可能性的风格,又有极强烈的辨识度。

    新浪电影:在这部电影里,观众该怎么理解这种摄影机在现场的叙事?刚开始时,摄影机会强调在场感,慢慢的随着角色的一步步深入,这种在场感被不断削弱,甚至产生矛盾。

    孔大山:在一开始必须让观众明确摄影机的存在,建立语境,然后明白这不是一个正常电影的摄影机,这是一个伪纪录片的摄影机。随着往后推进,观众慢慢进入故事后,在潜意识里可以跟着人物走,这时候摄影机的存在感可以慢慢退后,让位给角色、情节。在电影里,观众会慢慢意识不到摄影机的存在,直到日食发生的时候,角色用手挡住镜头,再打开,这就像给予观众一个礼物,跟观众有一个交互,让其再回到原有的语境里。

    新浪电影:所以电影里用了很多跳接,是你剪辑时有意设计的吗?

    孔大山:手持镜头加跳接,肯定是同一个系统里面的东西,在确定了伪记录风格之后,我必须要使用的同一套语言。在另外一个层面上,这也可以帮助演员重塑表演。

    新浪电影:什么样的科幻会比较打动你?

    孔大山:我对科幻倒也没有说特别了解或者怎么样。如果从历史规律的大数据来倒推,推算出我们的未来可能只有一个路径。科幻就是让我们抛开这些东西,给出无数个路径,人类的未来到底何去何从,科技的发展到底如何改变社会形态,甚至人性本身有没有可能被影响,看看我们人类未来到底是什么德行。

    科幻是幻想了未来关于世界的另外一种可能性,当你看到一个特别不一样的答案时,就会非常兴奋,就会被满足。我觉得这是科幻最大的意义。

    新浪电影:在发布会上你也透露开场录像带的效果是来自郭帆的建议,导演自己也亲自参演了一下。说说你跟郭帆导演的合作吧,他是否给了一些成本控制的经验?

    孔大山:这个剧本是郭帆导演最开始让我写的,当时他刚拍完《流浪地球》杀青,把我叫到工作室聊天,问我想拍什么,我给他发了一个新闻,新闻说的是一个村民声称抓到了外星人,带着记者到他家打开冰柜,里面有一个硅胶外星人。他一看觉得挺好玩的。我说我想把它拍成一个电影,但具体讲什么故事我不知道,我就想把这种感觉拍出来。然后他说写剧本吧。

    每一个剧本的关键期,他都会给我具体的反馈。不只是剧本层面,他在导演层面、美术层面、特效层面也会给我很多宝贵意见。毕竟我是第一次拍电影,完全不了解工业体系到底能做什么,郭帆导演会很明确的告诉我这个地方可以这样,那个地方可以那样。我也是通过这样的过程一步步完善剧本的。

    这部片子本身定位不能是硬科幻,要不然就失去了它的意义,它一定得是一个四两拨千斤的东西。所以我们只能靠创意来制造一些视觉奇观。比如日食部分,我们只做了两个残缺的日食的特效,其它的可以通过不同时间段的拍摄来完成。电影里的确有一定的视觉奇观,但是实施起来是零成本的。

    新浪电影:去年因为疫情剧组停摆了一次?

    孔大山:我们本来是19年就开始筹备的,预计是2月份开机,所以筹备到1月21号放假回家,结果1月22号爆发了疫情,整个剧组就散掉了,大家都不知道这个电影会怎么样,也不知道这个世界会怎么样,算是经历了一次至暗时刻。好在郭帆导演不断力挺我,一定要把这个剧本拍出来。

    我们启动了第二次筹备,大概在4月份的时候,当时疫情已经稍有缓和了,郭帆导演把我叫去开会,商量了一个预计的开机时间。时间是通过一个非常“严谨”、“科学”的方法得出的,就是抓阄,一个是7月,一个是11月。因为疫情,我们说不准到底何时更安全,那就看天意吧。结果抓到了11月。整个拍摄周期有37天。

    新浪电影:这部电影现在有这么多行业顶级公司加入,算不算有了一个好结果?

    孔大山:有这些大公司的支持,肯定是对电影有帮助的,至于未来怎么样,不在我的控制范围内,作为导演,我只负责导演范围内的事儿。

    新浪电影:从个人或者产业来看,你会给自己一个什么样的评价?

    孔大山:我其实没办法客观的给电影评价,非常矛盾,写剧本的时候就不知道这个电影会拍成什么样子,拍完又不知道这个电影最终什么样子,我的心里没底。直到我剪的时候,才慢慢意识到好像是这个样子。但情况又会出现反复。我开幕前一天还在做后期,到现在也没办法特别客观地看这部片子。

    (梵一,首发于新浪电影)

    【详细】
    139428192
  • 梳子等河山
    2018/5/10 2:25:30
    东野圭吾的锅
    这篇影评可能有剧透 和期望持平。也就是很一般。 我一直觉得推理到最后是超能力or神棍or多重人格都是因为作者编不出来了的缘故。前几年可能还新鲜,现在还玩这种梗真的不要紧吗?不仅手法直接省事的推给了超能力,连作案动机都是说不过去的离奇扯蛋。里面的场景特效做的也是差强人意看着好假。教授...
    这篇影评可能有剧透 和期望持平。也就是很一般。 我一直觉得推理到最后是超能力or神棍or多重人格都是因为作者编不出来了的缘故。前几年可能还新鲜,现在还玩这种梗真的不要紧吗?不仅手法直接省事的推给了超能力,连作案动机都是说不过去的离奇扯蛋。里面的场景特效做的也是差强人意看着好假。教授...  (展开)
    【详细】
    9356255
  • BETTER.
    2022/7/16 14:06:44
    论如今爱豆转演员最合适的出圈方式

    今年能看到这部剧还是很惊喜的,人是视觉动物,这部剧带给我最直观的感受就是颜值很阔以。我追剧的一大原则:要么长得好,要么演技好,这部剧满足了我颜狗的属性。让我追忆起了年少时看言情小说脑补的颜值。

    对于这两位主角我还是有印象的,两位都是秀人出道,爱豆出身。

    今年能看到这部剧还是很惊喜的,人是视觉动物,这部剧带给我最直观的感受就是颜值很阔以。我追剧的一大原则:要么长得好,要么演技好,这部剧满足了我颜狗的属性。让我追忆起了年少时看言情小说脑补的颜值。

    对于这两位主角我还是有印象的,两位都是秀人出道,爱豆出身。

    14516308
  • Hoppípolla
    2022/7/23 11:57:47
    一些完结感想

    看完柔美细胞君2感叹当下的韩剧已经不止致力于烂尾,刘巴比真真就一纸片人,be我个人完全没意见出轨没什么好原谅的,但细胞活动连小配角安大龙的细胞戏份都比巴比丰满完全理解不可,怎么只要有细胞活动的人物谁都比巴比的细胞更活跃呢?具熊的细胞戏份简直不要更多更活跃,观众也想看看巴比的心理历程啊,前期戏份不多后期简直就和死了没两样。如果不是编剧犯懒或者故意偏心真的无法

    看完柔美细胞君2感叹当下的韩剧已经不止致力于烂尾,刘巴比真真就一纸片人,be我个人完全没意见出轨没什么好原谅的,但细胞活动连小配角安大龙的细胞戏份都比巴比丰满完全理解不可,怎么只要有细胞活动的人物谁都比巴比的细胞更活跃呢?具熊的细胞戏份简直不要更多更活跃,观众也想看看巴比的心理历程啊,前期戏份不多后期简直就和死了没两样。如果不是编剧犯懒或者故意偏心真的无法解释,巴比对情绪的掌控觉知力以及他这样温柔细心擅长察言观色的人,内心细胞活动肯定很有看头,在线追更也有部份原因是想看出轨心理纪实(bushi,就算是中央空调出轨渣男他也是个人啊,一个人的内心深处有多少东西可以挖掘,更何况巴比还是个心思深沉复杂的人。结果真就看了个寂寞,这点是我对第二部最大的遗憾。

    结局倒是没怎么伤心不是巴比粉出轨确实无解,具熊过去式我也不磕(讲真戏份过多看着有点膈应作为前任出现过于频繁甚至在柔美巴比复合后还想着要去参加婚礼这点作为前任着实越界),但看完总有种被编剧摆了一道的心情很不美丽。明明按人物戏份来说巴比是第二季男主,但刻意隐去大片心理活动甚至增多男二男配的细胞活动,这简直无异于诈骗。所以看完心情五味杂陈,一方面不觉得烂尾,一方面又总别扭于第二部的情感逻辑不太对。大概是因为驯鹿的不少情节被安到巴比身上,导致巴比的人设明明很暖心细腻到接近完美的程度,却转而又按照原漫画的走向把他写出轨,这就让巴比的人设步入很矛盾的方向,分明能察觉到他对柔美的爱出自真心,但出轨也是不容分辨,结果就是硬生生把观众搞精分。

    很满意的部份是柔美的细胞活动,一个个都太可爱了无法挑出最爱,最后爱情细胞也回来了,“做一个浪漫的人需要满怀希望”,就算总是遇到不对的人也不要丧失希望,活着活着总会遇到值得爱的人,退一万步说遇不到也没关系,如第一部结尾般和独属于自己的可爱细胞们一起爱自己不也是一件挺美好的事情吗?

    最后,私心附上一张柔美巴比恋爱中让我心动的一幕。就算be了也曾是一段美好的感情啊~

    145311088
  • 一念成魔
    2020/1/20 20:58:43
    风云再起

    水亭暮雨寒犹在,罗荐春香暖不知。

    这样一句唐诗,竟然出现在了一部网络武侠片《夺命剑之风云再起》中,让人不由得不从诗面的蕴意,延伸至整个故事的深意。诗意是在叹牡丹为雨所败,而忆旧念往。整部影片,则是围绕一桩二十年前的灭门惨案展开,曾经显赫一时的八大高手,在经历了足够辉煌与荣耀的峥嵘岁月之后,不得不面对来自神秘人的强悍复仇。该神秘人身着一袭黑衣,脸戴狰狞面具,不仅武功高强,而且还有武

    水亭暮雨寒犹在,罗荐春香暖不知。

    这样一句唐诗,竟然出现在了一部网络武侠片《夺命剑之风云再起》中,让人不由得不从诗面的蕴意,延伸至整个故事的深意。诗意是在叹牡丹为雨所败,而忆旧念往。整部影片,则是围绕一桩二十年前的灭门惨案展开,曾经显赫一时的八大高手,在经历了足够辉煌与荣耀的峥嵘岁月之后,不得不面对来自神秘人的强悍复仇。该神秘人身着一袭黑衣,脸戴狰狞面具,不仅武功高强,而且还有武林神器——雪蝉丝傍身,俨然是神挡杀神、佛挡杀佛般如入无人之境,搅乱了这一池的江湖,也击碎了众侠客的甜美迷梦。

    【详细】
    12177258
  • 张慧敏
    2020/12/4 17:49:27
    小成本也能拍出好电影

    今天去华谊影城望京店看了,剧情不错!吸引人!都市焦虑、金钱诱惑、田园梦想、人性拷问、良知回归都有了!想打四星的,听说是小成本,加一星,为追求梦想的电影人点赞!今天去华谊影城望京店看了,剧情不错!吸引人!都市焦虑、金钱诱惑、田园梦想、人性拷问、良知回归都有了!想打四星的,听说是小成本,加一星,为追求梦想的电影人点赞!

    今天去华谊影城望京店看了,剧情不错!吸引人!都市焦虑、金钱诱惑、田园梦想、人性拷问、良知回归都有了!想打四星的,听说是小成本,加一星,为追求梦想的电影人点赞!今天去华谊影城望京店看了,剧情不错!吸引人!都市焦虑、金钱诱惑、田园梦想、人性拷问、良知回归都有了!想打四星的,听说是小成本,加一星,为追求梦想的电影人点赞!

    【详细】
    13031165
  • LOONG飞
    2017/11/27 0:22:49
    『我不做大哥好多年』大尾鲈鳗2
    『我不做大哥好多年』 原名《大尾鲈鳗2》, 台湾艺人猪哥亮遗作, 全程闽南语, 可能有部分文化差异的原因, 几乎全程的笑点都无法get到, 剧情尴尬到家, 时不时的闪现第一部的镜头, 在没有看过的情况下也是云里雾里。 【4分】 『我不做大哥好多年』原名《大尾鲈鳗2》,台湾...  (展开
    『我不做大哥好多年』 原名《大尾鲈鳗2》, 台湾艺人猪哥亮遗作, 全程闽南语, 可能有部分文化差异的原因, 几乎全程的笑点都无法get到, 剧情尴尬到家, 时不时的闪现第一部的镜头, 在没有看过的情况下也是云里雾里。 【4分】 『我不做大哥好多年』原名《大尾鲈鳗2》,台湾...  (展开)
    【详细】
    8948222
  • 大志的小耳朵
    2017/5/17 9:27:05
    当花瓣离开花朵,花朵没有凋零

    最喜欢的国产剧之一,每次听到暗香看到MV就感慨万千,就像仙剑一一样。喜欢暗香,也喜欢让她降落,感觉让她降落这首歌的主角是小怜,每一句写的都是她,“他没有烟火绚丽,也不像鸟儿会迁徙...”

    因为董洁的冷清秋一直没办法讨厌她,她就是那个单纯的,清冷的不食人间烟火的清秋本人啊,她喜欢百合,她像百合一样纯洁,现在没当看到百合花就想起她拿着一盆百合的那张剧照;她的小楷很漂亮很秀气,她喜欢写

    最喜欢的国产剧之一,每次听到暗香看到MV就感慨万千,就像仙剑一一样。喜欢暗香,也喜欢让她降落,感觉让她降落这首歌的主角是小怜,每一句写的都是她,“他没有烟火绚丽,也不像鸟儿会迁徙...”

    因为董洁的冷清秋一直没办法讨厌她,她就是那个单纯的,清冷的不食人间烟火的清秋本人啊,她喜欢百合,她像百合一样纯洁,现在没当看到百合花就想起她拿着一盆百合的那张剧照;她的小楷很漂亮很秀气,她喜欢写诗,也把自己活成了一首诗。

    男女主的爱情一开始可谓轰轰烈烈,总理家的少爷对一个平民少女一见钟情,两人身份悬殊,有家庭的反对但反对没有那么强烈。男主追求女主的过程很浪漫,到女主的学校当她的老师,两人一起骑行去向日葵的海洋,从诗词歌赋谈到人生哲学。。。最后在大家的祝福下步入了婚姻的殿堂,一直到这里,男主都是非常爱女主的,所以我一直无法接受后来男主对女主的冷漠,即使知道他是因为家道中落为了讨好白秀珠而不得不做的妥协。

    结局两人坐火车擦肩而过,留给观众太大的遗憾,我想他们应该是不太可能重逢了,他们已经不是那时的他们。

    当花瓣离开花朵,也许花瓣并没有凋零,爱情还在。

    【详细】
    8545503
  • kingkongofkhan
    2008/10/16 10:53:26
    80雷片一番!
    转载:

    如何能通过审查
    “筹拍《东陵大盗》,是在1984年春天。从当时电影市场的势头来看,大量观众热衷于看故事曲折、打斗热闹、有娱乐性的影片。我们以惶恐不安的心情,把影片带北京送审,在北京呆了40天,开始不敢往出拿,说好不作正式审查,先看看,结果领导给予了肯定。这部影片原定名为《慈禧墓珍宝传奇》,是怕审查通不过,想以‘传奇’二字掩饰。今天看来没有必要了,并且片名太长,现在统一为
    转载:

    如何能通过审查
    “筹拍《东陵大盗》,是在1984年春天。从当时电影市场的势头来看,大量观众热衷于看故事曲折、打斗热闹、有娱乐性的影片。我们以惶恐不安的心情,把影片带北京送审,在北京呆了40天,开始不敢往出拿,说好不作正式审查,先看看,结果领导给予了肯定。这部影片原定名为《慈禧墓珍宝传奇》,是怕审查通不过,想以‘传奇’二字掩饰。今天看来没有必要了,并且片名太长,现在统一为《东陵大盗》一、二、三、四、五集。影片中有四处审查时由于有关领导提出意见而被剪掉了。一是谭温江在混战中慌不择路跳进女浴池一场大全景,说不要授人以柄;二是地道里慈禧显魂,说这是传播迷信;三是地宫里抢宝的士兵打得你死我活,说普通士兵都是劳苦大众,简略一些好;四是外国人抢宝,建议是不是去掉。这几个地方剪掉了,观众不清楚,一些专家觉得可惜。下剪子处都是令人心疼的地方,是颇有娱乐性的地方。”——导演李云东
     
    “在拍《疯狂的代价》以前,我拍了部《他们正年轻》,至今仍未和观众见面。这是一部反映中越边境自卫战的影片。电影局审查通过后,由于有关方面的意见,而被卡住了,影片已经开始洗印拷贝,被指令停了下来。修改后,厂里给电影局打了报告,至今没有下文。我想,拿出来让群众看了,是会有恰当结论的。对于影片的层层审查,我没意见;但怎么审查,是需要考虑的。”——导演周晓文
     
     
     更多精彩内容请见2008年10月号《电影世界》,转载请注明。
    【详细】
    1526648
  • 2020/1/12 18:30:48
    原报道:AMERICAN NIGHTMARE: THE BALLAD OF RICHARD JEWELL
    On July 30, 1996, the media identified Richard Jewell as the F.B.I.'s prime suspect in the Olympic Park bombing. For the first time, the 34-year-old security guard tells his extraordi
    On July 30, 1996, the media identified Richard Jewell as the F.B.I.'s prime suspect in the Olympic Park bombing. For the first time, the 34-year-old security guard tells his extraordinary story, to MARIE BRENNER: his brief moment as a national hero, his hounding by the Feds and the press, and his eccentric friendship with the unknown southern lawyer who helped him through his public torment.

    FEBRUARY 1997 MARIE BRENNERDAN WINTERSThe search warrant was short and succinct, dated August 3, 9:41 A.M. F.B.I. special agent Diader Rosario was instructed to produce "hair samples (twenty-five pulled and twenty-five combed hairs from the head)" of Richard Allensworth Jewell. That Saturday, Atlanta was humid; the temperature would rise to 85 degrees. There were 34 Olympic events scheduled, including women's team handball, but Richard Jewell was in his mother's apartment playing Defender on a computer set up in the spare bedroom. Jewell hadn't slept at all the night before, or the night before that. He could hear the noise from the throng of reporters massed on the hill outside the small apartment in the suburbs. All morning long, he had been focused on the screen, trying to score off "the little guy who goes back and forth shooting the aliens," but at 12:30 the sound of the telephone disturbed his concentration. Very few people had his new number, by necessity unlisted. Since the F.B.I. had singled him out as the Olympic Park bombing suspect three days earlier, Jewell had received approximately 1,000 calls a day—someone had posted his mother's home number on the Internet."I'll be right over," his lawyer Watson Bryant told him. "They want your hair, they want your palm prints, and they want something called a voice exemplar—the goddamn bastards." The curtains were drawn in the pastel apartment filled with his mother's crafts and samplers; A HOME WITHOUT A DOG IS JUST A HOUSE, one read. By this time Bryant had a system. He would call Jewell from his car phone so that the door could be unlatched and Bryant could avoid the questions from the phalanx of reporters on the hill.Turning into the parking lot in a white Explorer, Bryant could see sound trucks parked up and down Buford Highway. The middle-class neighborhood of apartment complexes and shopping centers was near the DeKalb Peachtree Airport, where local millionaires kept their private planes. The moment Bryant got out of his car, the reporters began to shout: "Hey, Watson, do they have the murderer?" "Are they arresting Jewell?" Bryant moved quickly toward the staircase to the Jewells' apartment. He wore a baseball cap, khaki shorts, and a frayed Brooks Brothers polo shirt. He was 45 years old, with strong features and thinning hair, a southern preppy from a country-club family. Bryant had a stern demeanor lightened by a contrarian's sense of the absurd. He was often distracted—from time to time he would miss his exits on the highway—and he had the regional tendency of defining himself by explaining what he was not. "I am not a Democrat, because they want your money. I am not a Republican, because they take your rights away," he told me soon after I met him. Bryant can talk your ear off about the Bill of Rights, ending with a flourish: "I think everyone ought to have the right to be stupid. I am a Libertarian."At the time Richard Jewell was named as a suspect by the F.B.I., Watson Bryant made a modest living by doing real-estate closings in the suburbs, but Jewell and his lawyer had formed an unusual friendship a decade earlier, when Jewell worked as a mailroom clerk at a federal disaster-relief agency where Bryant practiced law. Jewell was then a stocky kid without a father, who had trained as an auto mechanic but dreamed of being a policeman; Bryant had always had a soft spot for oddballs and strays, a personality quirk which annoyed his then wife no end.The serendipity of this friendship, an alliance particularly southern in its eccentricity, would bring Watson Bryant to the immense task of attempting to save Richard Jewell from the murky quagmire of a national terrorism case. The simple fact was that Bryant had no qualifications for the job. He had no legal staff except for his assistant, Nadya Light, no contacts in the press, and no history in Washington. He was the opposite of media-savvy; he rarely read the papers and never watched the nightly news, preferring the Discovery Channel's shows on dog psychology. Now that Richard Jewell was his client, he had entered a zone of worldwide media hysteria fraught with potential peril. Jewell suspected that his pickup truck had been flown in a C-130 transport plane to the F.B.I. unit at Quantico in Virginia, and Bryant worried that his friend would be arrested any minute. Worse, Bryant knew that he had nothing going for him, no levers anywhere. His only asset was his personality; he had the bravado and profane hyperbole of a southern rich boy, but he was in way over his head.For hours that Saturday, Bryant and Jewell sat and waited for the F.B.I. From time to time Jewell would put binoculars under the drawn curtain in his mother's bedroom to peer at the reporters on the hill. Bryant was nervous that Jewell's mother, Bobi, would return from baby-sitting and see her son having hairs pulled out of his head. Bryant stalked around the apartment complaining about the F.B.I. "The sons of bitches did not show up until three P.M.," he later recalled, and when they did, there were five of them. The F.B.I. medic was tall and muscular and wore rubber gloves. He asked Jewell to sit at a small round table in the living room, where his mother puts her holiday-theme displays. Bryant stood by the sofa next to a portrait of Jewell in his Habersham County deputy's uniform. He watched the F.B.I. procedure carefully. The medic, who had huge hands, used tiny drugstore tweezers. "He eyeballed his scalp and took his hair in sections. First he ran a comb through it, and then he took these hairs and plucked them out one by one."Jewell "went stone-cold," but Bryant could not contain his temper. "I am his lawyer. I know you can have this, I know you have a search warrant, but I tell you this: If you were doing this to me, you would have to fight me. You would have to beat the shit out of me," Bryant recalled telling the case agent Ed Bazar. Bazar, Bryant later said, was apologetic. "He seemed almost embarrassed to be there." As he counted out the hairs, he placed them in an envelope. The irony of the situation was not lost on Bryant. He was a lawyer, an officer of the court, but he had a disdain for authority, and he was representing a former deputy who read the Georgia law code for fun in his spare time.It took 10 minutes to pluck Jewell's thick auburn hair. Then the F.B.I. agents led him into the kitchen and took his palm prints on the table. "That took 30 minutes, and they got ink all over the table," Bryant said. Then Bazar told Bryant they wanted Jewell to sit on the sofa and say into the telephone, "There is a bomb in Centennial Park. You have 30 minutes." That was the message given by the 911 caller on the night of the bombing. He was to repeat the message 12 times. Bryant saw the possibility of phony evidence and of his client's going to jail. "I said, 'I am not sure about this. Maybe you can do this, maybe you can't, but you are not doing this today.'"All afternoon, Jewell was strangely quiet. He had a sophisticated knowledge of police work and believed, he later said, "they must have had some evidence if they wanted my hair. ... I knew their game was intimidation. That is why they brought five agents instead of two." He felt "violated and humiliated," he told me, but he was passive, even docile, through Bryant's outburst. He thought of the bombing victims— Alice Hawthorne, the 44-year-old mother from Albany, Georgia, at the park with her stepdaughter; Melih Uzunyol, the Turkish cameraman who died of a heart attack; the more than 100 people taken to area hospitals, some of whom were his friends. "I kept thinking, These guys think I did this. These guys were accusing me of murder. This was the biggest case in the nation and the world. If they could pin it on me, they were going to put me in the electric chair."I met Richard Jewell three months later, on October 28, a few hours before a press conference called by his lawyers to allow Jewell to speak publicly for the first time since the F.B.I. had cleared him. Jewell's lawyers also intended to announce that they would file damage suits against NBC and The Atlanta Journal-Constitution. It was a Monday, and that weekend the local U.S. attorney had delivered a letter to one of the lawyers stating Jewell was no longer a suspect. "Goddamn it," Bryant had told me on the phone, "the sons of bitches did not even have the decency to address it to Richard Jewell."I had been instructed to come early to the offices of Wood & Grant, the flashy plaintiff lawyers Bryant had pulled in to help him with Jewell's civil suits. When I arrived, I was alone in the office with Sharon Anderson, the redheaded assistant answering the phones. "Wood & Grant . . . Wood & Grant . . . Wood & Grant"—the calls overwhelmed her. Lin Wood and Wayne Grant were rushing from CNN to the local NBC and ABC affiliates, working the shows. "Everyone has theories of who the real bomber is," Sharon said. "I just write it all down and give it to the boys."When Lin Wood arrived, he was still in full makeup. Movie-star handsome with green eyes and styled hair, Wood has the heated oratory of a trial lawyer. "It's a war! Why in this bevy of stories does not anyone point out the fact that Richard was a hero one day and a demon the next? They have destroyed this man's life!"Watson Bryant had worked with Wood and Grant years before in a local law firm. He admired Wayne Grant for his methodical sense of detail; Grant, a New Yorker, had once forced the city of Atlanta to pay large damages to a man injured while illegally digging for antique bottles in a park. But Lin Wood's suppressed rage was a marvel to Bryant. "He is so tough he could make people cry in depositions when we were kids," Bryant told me. Wood possessed the smooth style of a member of the Atlanta establishment, but he had a hardscrabble past. He was a boy from "the wrong side of the tracks" in Macon who at age 17 discovered his mother's body after his father had murdered her. His father went to jail, and Wood wound up as a lawyer. He went through college and law school on scholarships and with part-time jobs. I could hear Wood on Sharon's telephone: "He's more than innocent. He's a goddamn hero. . . . Everyone is going to pay who wronged Richard Jewell. Besides NBC and The A.J.C., we are going to look into suing CNN and Jay Leno."Through the large picture window, I had a clear view of the remains of the Centennial Olympic Park, where the bomb had exploded on the night of July 26. Where the sound-and-light tower had once been, there was now a flattened dirt field. It was possible to see the Greek commemorative sculpture that Richard Jewell used to describe for tourists at the AT&T pavilion, where he worked as a security guard.Suddenly, Jewell was in the room. "Hi. I'm Richard. I'm a little late. I don't want you to think I am rude. I am not like that." He had an open face, a bland pleasantness, an eagerness to please. "Can I get you a Coke?" he asked me. "How about some coffee?" Jewell wore a blue-and-white striped shirt and chinos. He occupied physical space like a teenager; he sprawled, he lumbered, he pawed through Sharon's candy bowl. On TV his face had a porcine blankness; he appeared suspicious. In person, Jewell has a hard time disguising his emotions.We were alone in the conference room; I noticed that Jewell avoided looking out the window toward the park. He shifted his glance nervously away from the view. He often awakens in the middle of the night, drenched in sweat, thinking of the events in the park in the early morning hours of July 27. "It took me days before I could even come in here," he said anxiously.The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first.When Jewell noticed a local ABC reporter outside near Sharon's desk, his face darkened. "I don't want to be around reporters right now. I guess I am a little nervous. What is he doing here?" The atmosphere was now filled with tension; the reporter was escorted out.Moments later, we gathered in the hallway. Wood was steely: "We are going in two cars. Richard, you drive with me. Your mother will go with Wayne. As we walk down the hall right now, if the ABC people are outside, I will tap you on the shoulder and I will say, 'How are you doing?' You will say, 'Fine.' Is that understood?" "O.K., Lin. I understand," Jewell said quietly, head bowed.As Jewell walked down the hall, an ABC cameraman photographed him looking grim. Seconds after the elevator doors closed, Jewell exploded: "What are they doing here, Lin? Did you invite them? They are animals. Why didn't you get them out of here?""ABC has been good to you. How do I get them out of the office on the day of your press conference?""That is what security is for!" Jewell said, quivering with rage. "Where is Watson?" he asked in the garage. "I told you: he's at a real-estate closing. He will meet you at the press conference," Wood said. Jewell moved to his mother's side, as solicitous as a child. "Are you all right, Mother?" he asked. "It is all I am going to be able to do not to do something!" she said angrily.When we arrived at the Marriott hotel on 1-75, there was another discussion in the parking lot, about who would walk with whom in front of the cameras. Jewell turned to his close friend Dave Dutchess: "Are you all right, man?" Dutchess, a truckdriver who worked with Jewell years ago, has long hair and a tattoo of a panther on his forearm. "Richard and I are like brothers," he told me. "I would die for him." As the cameras closed in on them, the group fled to a private room in the Marriott. The auditorium was filled with reporters. "Showtime! Showtime!" the cameramen yelled when Jewell, his mother, and all the lawyers took the stage."I hope and pray that no one else is ever subjected to the pain and the ordeal that I have gone through," Jewell said, his voice breaking. "The authorities should keep in mind the rights of the citizens. I thank God it is ended and that you now know what I have known all along: I am an innocent man."After the press conference, Bobi and Richard Jewell remained in a private room. The bookers from Good Morning America and the Today show pressed Jewell to step before their cameras, and when Watson Bryant told them no, Monica, the G.M.A. booker, began to cry, "I'll lose my job." Then Yael, the Today-show booker, cornered Nadya Light: "Is Richard doing something with G.M.A.?'Upstairs, Jewell and his mother were being filmed by a CBS camera crew for a 60 Minutes news update. "Well, Bobi, did you get your Tupperware back?" Mike Wallace asked by phone from New York. "Richard, you need to lose some more weight." Despite Wallace's festive spirit, the atmosphere was curiously flat. Bryant urged Jewell to talk to a USA Today reporter. Jewell balked: "They can all go suck wind."In the car on the way back to Wood & Grant, Bobi was angry. All of her possessions had come back from the F.B.I. marked up with ink. "Every piece of Tupperware I own is ruined, thank you very much. They wrote numbers all over it, and I have tried everything to clean it—Comet and Brillo—but nothing works."Back at the office, she sat on the sofa and listened as Bryant negotiated with Yael for a flight to New York— Delta, first-class, 9:30 P.M. Jewell was scheduled to appear on three shows in New York, visit the American Museum of Natural History, and then fly to Washington, D.C., for Larry King Live. "I would like to go home, put on my outfit, and walk in the woods," Bobi said. "Richard, we are leaving.""Yes, ma'am," Richard said.One hour later, a telephone call came in to the offices of Wood & Grant. The lawyers had the call on speaker, and it blared through the room. "Goddamn it, Lin. When will this be over?" In the background, you could hear Bobi sobbing. "What in the world?" Wood asked. Jewell explained that a sound truck from ABC had been waiting in the parking lot when the Jewells got home. There had been words and threats, and Dave Dutchess had taken his stun gun off his motorcycle and waved it at the ABC van. The cameraman yelled: Stop harassing us! Dave yelled back: You are harassing us! Now get your ass out of here!Wood shouted into the speakerphone: "Do not meddle! You cannot jeopardize where you have gotten to and what you want to do! All you have to do is put up with this for one more day and the damn thing is over. Bobi, there is nothing you can do about it; you have to stay cool." Bobi cried back, "They are going to destroy me!"The moment they hung up, Wood turned to Bryant. "New York is canceled. No Katie Couric. No Good Morning America. They are losing it. You better call Yael." "No," Bryant said, "they have lost it. All of the above: their patience, their temper and heart."That evening a very testy Katie Couric tracked Bryant down at Nadya Light's apartment, where we had gone to watch the news. "I want you to know that I canceled interviewing Barbra Streisand in L.A. for Richard Jewell. Don't think he is always going to be a news story. No one will care about him in three days," she said, according to Bryant. "Look, Katie, I am sorry. But Richard is in no condition to talk to the press. He is worn out," Bryant told her.Later, Jewell would tell me that that day, which should have been one of his most satisfying, was actually his worst. His notoriety had tainted the triumph; everything positive had become negative. "I was in despair," he said. As he had for most of the previous 88 days, he spent the night confined in the Buford Highway apartment, a prisoner of his circumstances, with his mother, Dave Dutchess, and Dave's fiancee, Beatty, eating Domino's Pizza and watching himself lead the newscasts on NBC, CBS, and ABC."This case has everything—the F.B.I., the press, the violation of the Bill of Rights from the First to the Sixth Amendment."'This case has everything— the F.B.I., the press, the violation of the Bill of Rights, from the First to the Sixth Amendment," Watson Bryant told me in one of our first conversations. It has become common to characterize the F.B.I.'s investigation of Richard Jewell as the epitome of false accusation. The phrase "the Jewell syndrome," a rush to judgment, has entered the language of newsrooms and First Amendment forums. On the night of Jewell's press conference, a commentator on CNN's Crossfire compared Jewell's situation to "Kafka in Prague." The case became an investigative catastrophe, which laid bare long-simmering resentments of many F.B.I. career professionals regarding the micromanagement style and imperious attitude of Louis Freeh and his inner circle of former New York prosecutors, who have worked together since their days at the U.S. Attorney's Office in the Southern District. Within the bureau, the beleaguered director now has a new nickname: J. Edgar Hoover with children. Like Freeh, those near him have also acquired a nickname: Louie's yes-men. Two of Freeh's closest associates, F.B.I. general counsel Howard Shapiro and former deputy director Larry Potts, have been severely criticized, respectively, for advising the White House of confidential F.B.I. material and for an alleged cover-up of the mishandling of the 1992 standoff at Ruby Ridge, where F.B.I. agents killed the wife and son of Randy Weaver, a white supremacist.In November and December, the Office of Professional Responsibility conducted an exhaustive investigation into the Jewell affair. Responding to an attempt by headquarters and certain officials to distance themselves, according to F.B.I. sources, several agents, including a senior F.B.I. supervisor in Atlanta, have provided the O.P.R. with signed statements insisting that Freeh himself was responsible for "oversight" during the crisis. These agents "shocked the investigators" because they reiterated, when asked who was in charge of the overall command of the investigation, that it was the director himself.What happened to Richard Jewell raises an important question central to Freeh's future tenure: in the midst of a media frenzy, does the F.B.I. have any responsibility to protect the privacy of an innocent man? Over the last year, this concept was broached with Bob Bucknam, Louis Freeh's chief of staff. During the long Pizza Connection trial in the 1980s, it was Bucknam who handed Freeh files at the prosecutor's table. According to highly placed sources in the bureau, Bucknam's answer was immediate: the F.B.I. has no responsibility to correct information in the public domain.Richard Jewell had a reverence for authority that blinded him to the paradox of his situation. He idealized the investigative skills of the F.B.I. and could not understand that he had become ensnared in a web fraught with the weaknesses of a self-protective bureaucracy. Pennsylvania senator Arlen Specter has invited Jewell to Washington to testify at congressional hearings on the F.B.I.'s conduct in the Atlanta bombing. Ironically, the bungling of the investigation might lead to the reshuffling of personalities at the top of the bureau and threaten Freeh's reputation. In October, according to The Washington Post, Freeh sent an unusual memo to all 25,000 F.B.I. personnel: He would not be abandoning his post amid reports of problems with the Jewell case and Filegate, and of a growing dissatisfaction inside the bureau. "I am proud to be the F.B.I. director," Freeh wrote.From the beginning, Jewell was perceived in the public imagination as a hapless dummy, a plodding misfit, a Forrest Gump. On one of the first days he worked as a security guard at the AT&T pavilion, he noticed that his co-workers were covering the steps inside the sound tower with graffiti. On one step Jewell scrawled with a flourish two bromides: IF YOU DIDN'T GO PAST ME, YOU ARE NOT SUPPOSED TO BE HERE and LIFE IS TOUGH. TOUGHER WHEN YOU ARE STUPID. Soon after he was targeted as a suspect in the Olympics bombing, the F.B.I. confiscated the step. Analysts appeared to believe that the graffiti contained a clue to his character. "They told the lawyers the statement was an obvious taunt," Jewell said. In fact, the second line was an expression he had cribbed from one of his favorite actors, John Wayne.Within the F.B.I., the beleaguered director has a new nickname: J. Edgar Hoover with children."To understand Richard Jewell, you have to be aware that he is a cop. He talks like a cop and thinks like a cop," his criminal lawyer, Jack Martin, told me. The tone of Jewell's voice drops noticeably when he says the word "officer," and his conversation is filled with observations about traffic patterns, security devices, and car wrecks. Even the vocabulary he uses to describe the 88 days he was a suspect is out of the lexicon of police work, and he continues to talk about his situation then in the present tense: "This is an out-and-out ambush, and I am a hostage."Jewell has a need to accommodate. He can be startlingly opaque. On the afternoon of July 30, Jewell answered the door of his mother's apartment to Don Johnson and Diader Rosario from the F.B.I. "We need your help making a training film," they told him. "I never questioned it," he told me. The next day Rosario appeared again with a search warrant. "The weird thing was that when they were searching my apartment I was, like, 'Take everything. Take the carpet. I am law enforcement. I am just like you. Guys, take whatever you are going to take, because it is going to prove that I didn't do anything.' And a couple of them were looking at me like I was crazy."Leaving the apartment on one occasion, he told the agents, "I am wearing a bright shirt so y'all can see me easier." He recalled feeling anger when he read descriptions of himself as a child-man, a mama's boy, and "a wannabe policeman," but he said, "If I was in the place of everybody else and I saw a 34-year-old guy living with his mother, I would have reservations about that, too. I would think, Why is he doing that?"The December issue of Atlanta magazine reported that there was no record of a Jewell family in Danville, Virginia, where Richard Jewell was born. Atlanta referred to an article in the Danville Register & Bee which asked, "Did Richard Jewell ever sleep here?" "This is a part of my life Richard and I do not like to speak about," Bobi Jewell told me one night at dinner. Richard was born in Danville, but his name was Richard White; his father was Bobi's first husband, Robert Earl White, who worked for Chevrolet. According to Bobi, Richard's father, who died recently, was "irresponsible and a ladies' man." When Richard was four, the marriage broke up. Bobi found work as an insurance-agency claims coordinator and soon met John Jewell, an executive in the same business. Shortly after John Jewell married Bobi, he adopted Richard.From the time Richard was a child, he and his mother were a unit. Bobi, a woman of intelligence and disciplined work habits, is both tender and tough on the subject of her son. She still calls Richard "my boy," but she has a peppery disposition. Richard was brought up in a strict Baptist home. "If I didn't say 'Yes, ma'am' or 'No, ma'am' and get it out quick enough, I would be on the ground," he said. When he was six, the family moved to Atlanta. Richard was the boy who helped the teachers and worked as a school crossing guard, but he had few friends in high school. "I was a wannabe athlete, but I wasn't good enough," he said. He ran the movie projector in the library. A military-history buff, he liked to talk about Napoleon and the Vietnam War and read books on both World Wars.Jewell's ambition was to work on cars, so he enrolled in a technical school in southern Georgia. On his third day there, Bobi discovered that her husband had packed a suitcase. "He left a note saying that he was a failure and no good for us," Jewell said. Almost immediately, Richard moved back home and took a job repairing cars. "My mom and I tried to take care of each other," he said. "I think I handled it pretty much better than she did." Richard took the brunt of his father's abandonment; Bobi pulled even closer to her son. "She hated all men for about three years after that, and she became overly protective of me. She looked at it that I was going to do the same thing that my dad did. I was 18 or 19. I was working. She never liked my dates, but I never held that against her. We have always been able to lean on each other."Richard managed a local TCBY yogurt shop and once stopped a burglary in progress. At the age of 22, he was hired as a clerk at the Small Business Administration, and he impressed Watson Bryant and the other lawyers in the office with his personable nature. They called him Radar because of his efficiency. "You could say, 'I'm hungry,' and suddenly this kid would be by your side with a Snickers bar," Bryant recalled. When Jewell's contract with the S.B.A. ran out, he moved on to be a Marriott house detective. In 1990 he was hired as a jailer in the Habersham County Sheriff's Office, and in 1991 he became a deputy. As part of his training, he was sent to the Northeast Georgia Police Academy, where he finished in the upper 25 percent of his class. He finally had an identity; he was a law-enforcement officer.Jewell was unlucky in love. He presented one woman with an engagement ring, and later, in Habersham County, he would give another a large wooden key with a sign that read, THIS IS THE KEY TO UNLOCK YOUR HEART, but both relationships came apart. In northern Georgia, Jewell worked nights and became wedded to his job. By his own description, he was methodical. "I am the kind of person who plans everything. I like to go from A to B to C to D. This going from A to D and arguing over everything—I say no." Habersham County, a scenic part of the piney woods in Georgia's Bible Belt, was for Jewell like "leaving the 1990s and going into the 1970s in terms of law enforcement." Many rich Atlantans have country houses in the mountains, but the small towns of Demorest and Charlottesville are relatively undeveloped, reminding one of Jewell's lawyers of the scenery in the movie Deliverance. "If you get lost up there, you might find a guy with a bow and arrow," the lawyer said.Recently, Jewell and I took the 90-minute drive from Atlanta to Habersham County, which has acres of apple orchards. The leaves were turning, and the roads were mostly deserted. In the towns, however, were stores, apple stands, and even a good Chinese restaurant. As Jewell's blue pickup truck turned into the parking lot of a shopping center, several people came out to greet him.Jewell had lived in a small yellow house up a steep rocky driveway. On the day we visited, the current resident's Halloween decorations were still up, as were faded white satin ribbons hanging from many trees, remnants of a campaign to clear Richard Jewell organized by area friends. Jewell had lived 50 yards from the Chattahoochee River near a kayak-and-canoe tourist concession on a main road—not in a "cabin in the woods," as several reports stated after the bombing. He worked the night shift, and when he would arrive home at dawn, he told me, he could look up and "see a sky filled with stars."He was not a loner; he made friends with several local families. He would often leave a box of Dunkin' Donuts on friends' porches at four A.M. During the O. J. Simpson trial, he and the other deputies would meet in the turnaround on Highway 985 in the middle of the night and review the day's events and the bungling by the Los Angeles Police Department. Jewell would later be annoyed that the F.B.I. confiscated his copy of former prosecutor Vincent Bugliosi's account of the trial. Jewell dated a local girl, Sheree Chastain, and had a close relationship with her family.Jewell had a complex history working at the Habersham County Sheriff's Office. When he was still a jailer, he arrested a couple making too much noise in a hot tub at an apartment building where he did part-time security work. He was arrested for impersonating an officer and, after pleading guilty to a lesser charge, was placed on probation on the condition that he seek psychological counseling.By his own estimation, Jewell's strength as a cop was "working car wrecks." He had his mother's diligence; he worked 14 hours a day and organized a safety fair. Later in 1995 he wrecked his patrol car and was demoted to working in the jail. Rick Moore, a local deputy, advised him to accept the job, but Jewell despised the jailhouse atmosphere. He told me, "It was a small room filled with cigarette smoke. I couldn't take it." He resigned, and in a short time he moved to a police job at Piedmont College, a liberal-arts school with approximately 1,000 students on the main road in Demorest. The college police had jurisdiction only on campus and in an area extending out 500 feet. Jewell chased cars speeding down the highway and had arguments over turf with other officers. He was instrumental in several arrests, including that of a suspected burglar he discovered hiding at the top of a tree. For his work on a volunteer rescue squad, he was named a citizen of the year.According to Brad Mattear, a former resident director, Piedmont was a school of "P.K.'s"—preachers' kids. It was 80 percent Baptist with a strict no-drinking rule. The college had many rebellious students, according to Mattear, kids who were "away from home for the first time and wanted to party and drink." Mattear knew Jewell well and recalled his good manners and playful nature. "It was always 'Yes, sir' and 'Yes, ma'am.'" Jewell would tell students, "I know y'all are going to drink. Don't do it on campus."Jewell felt confined by his boundaries and could be heavy-handed when it came to writing out reports on minor infractions. Once when we were driving by the campus, he pointed to a small brick dormitory. "That was where all the partying would go on," he told me. Jewell would raid dorm rooms and report drinking violations. "I did not hesitate to tell the parents—in no uncertain terms—what their kids were up to," he said.He soon made enemies at the school. "Three or four times a week," Mattear said, Piedmont students were in the office of Ray Cleere, the president of the college, complaining about Jewell and other Piedmont police. After Jewell was admonished for a number of controversial arrests, he resigned.Jewell had an out: his mother was going to have an operation on her foot. He would go home to Atlanta for the Olympics and look for a new job. He called his mother: "Is it all right with you if I stay with you while you have your surgery?" He hoped he might get a job with the Atlanta police or, failing that, work security at the Olympics. "I thought, Working at the Centennial Olympic Park will look really good on my resume."At the age of 33, back in his mother's apartment, he was at first treated like a wayward teenager. Bobi was sharp with him about his slovenly habits, his weight, and his driving. Bobi had carved out a life for herself; she arrived at work by eight A.M. each morning and had many friends. Trim, with short-cropped hair, Bobi Jewell is the kind of woman who labels her clothes and spices and spends much of her spare time baking cakes and babysitting for extra money. She carries on telephone friendships with claim adjusters at other companies. It was somewhat unsettling for her, she told me, to have Richard at home after she had grown used to living with only her dog, Brandi, and her cat, Boots. Bobi was annoyed that he had wrecked a patrol car, and worried about his safety. "Every time he leaves the apartment, I'll say, 'Richard . . . ' And he'll say, 'Yes, ma'am. I know. The person that I am going to see will be there when I get there,'" she said. On one occasion Bobi talked about Richard's return to Atlanta. "What is wrong with trying to revamp your life?" she asked me. Her eyes filled with tears. "Why does everyone in the media think it is so strange?"On Friday, July 26, Bobi Jewell was home waiting for her niece to arrive from Virginia for the Olympic softball competition the following week. In preparation, she had stocked her apartment with food. It was a clear Georgia evening, not as hot as had been expected. As usual, Richard left for the park at 4:45 P.M. and arrived at the AT&T pavilion about 5:30. His stomach was bothering him; he was convinced that he had eaten a bad hamburger the day before. Lin Wood and Wayne Grant had arranged to take their children to Centennial Park that night. The park, in downtown Atlanta, stretches over 21 acres. There were air-conditioned tents, concerts on the stage, and hot-dog and souvenir stands. Downtown Atlanta was usually deserted in the oppressively hot, humid summer, but this year thousands of tourists filled the sidewalks, or sat on benches in the shade of some crape-myrtle trees, or cooled off by a fountain. Tour buses clogged the main arteries, and everyone complained that it took hours to get anywhere; stories were traded about athletes' getting to their competitions late because of the poor planning of the Atlanta Committee for the Olympic Games.As always, Jewell was working the 12-hour night shift near the sound-and-light tower by the stage. He was pleased because one of his favorite groups—Jack Mack and the Heart Attack—was going to perform at 12:45. Jewell had a routine: he would check in and fill the ice chest he kept by a bench at his station. Jewell liked to offer water and Cokes to pregnant women or policemen who stopped to rest.After he arrived at the park, his stomach cramps grew worse and he had a bout of diarrhea. At approximately 10 P.M. he took a break to go to the bathroom. The closest one was by the stage, but the security staff was not allowed to use it. "I really have to go," Jewell says he told the stage manager. "And he said, 'Well, O.K. this time.'"When Jewell came out, he noticed that it was "real calm" and there wasn't much wind blowing. At that time of night, the crowd from Bud World became a little more raucous. Jewell was annoyed when he saw a group of drunks near his bench and beer cans littering the area beside the fence nearby. As he went to report the trash and the group that was carousing, he spotted a large olive-green military-style backpack, known as an Alice pack, under the bench. There had been a similar bag found the week before. Jewell later told an F.B.I. agent that he was annoyed that one of the drunks had tried to get into the lens of a camera crew. Jewell had told them to cut it out. "They were running off at the mouth," Jewell would later tell Larry Landers of the Georgia Bureau of Investigation (G.B.I.)."I was light about the package at first," he told me, "kidding around with Tom Davis from the G.B.I.: 'Well, are you going to open it?' At that point, it was not a concern. I was thinking to myself, Well, I am sure one of these people left it on the ground. When Davis came back and said, 'Nobody said it was theirs,' that is when the little hairs on the back of my head began to stand up. I thought, Uh-oh. This is not good."I never really had time to be frightened. My law-enforcement background paid off here. What went through my head was like a computer screen of this list I had to do. I had to call my supervisor. I have to tell people in the tower that something was going on. I have to be firm with them, stay calm, and be professional."Almost immediately, Jewell and Tom Davis cleared a 25-foot-square area around the backpack; Jewell made two trips into the tower to warn the technicians. "I want y'all out now. This is serious."Two blocks away on Marietta Street, approximately 300 editors, copywriters, and reporters from Cox newspapers around the country had taken over the extra desks in the new eighth-floor newsroom at The Atlanta Journal-Constitution to prepare the special Olympics edition they put out each afternoon. The paper had gone "Olympics-crazy," according to one reporter. The editor, Ron Martin, and the managing editor, John Walter—"WalMart," as they were called—had let it be known that no expense would be spared. Ann Hardie, who normally covers science, had been sent around the world to master the fine points of beach volleyball; Bill Rankin, officially on the federal-court beat, was assigned table tennis. The paper intended to set new standards in its hometown during the games, but in addition there was a hint of redemption in the air.Since Cox newspaper executives had forced the resignation of the distinguished editor Bill Kovach in 1988, the paper had suffered a severe loss of reputation. "We all felt just kind of beaten down," one reporter said. Kovach had been brought to Atlanta from The New York Times to elevate The A.J.C. into being the definitive paper of the New South, but eventually he irritated the local powers. Atlanta was inbred, a city of deals, and he resigned in a blaze of press outrage. Kovach now ran the Nieman journalism-fellowship program at Harvard, and the movie rights to his turbulent years in Atlanta—reported in these pages by Peter J. Boyer—had been sold to Warner Bros.Within the profession, The A.J.C. had become something of a joke. More and more, its emphasis was on what John Walter called "chunklets"—short bits in a soft-news style known as eye-candy. The paper published features on couples massage and how mushrooms grow in the rain. Walter had fired off several terse memos to ensure that there would be no more jumps of news stories to back pages and no more unsourced news stories, except on rare occasions. "I don't see any reason why you can't report hard news in a short form," one editor told me.The A.J. C. style of reporting in declarative sentences had a name, too: the voice of God. It was omniscient, because it allowed no references to unattributed sources. Subjects such as AIDS, which often required confidentiality, could not be covered properly in the paper, in the opinion of several reporters. The A.J.C. picked up news stories with unnamed sources from The New York Times, however, and reporters groused about the hypocrisy of the double standard.On Saturday morning, July 27, Bob Johnson, the night metro editor, left the newsroom at one A.M. The sidewalks were still crowded; Johnson sat on a wall outside waiting for an A.J.C. shuttle bus to pick him up. About 1:25 he heard a strange noise. "It sounded like an aerial bomb at a fireworks show," he said. He recalled thinking, Damn, that is sort of foolish. Then he heard screams and saw people running. Johnson rushed back upstairs to the almost deserted sixth-floor newsroom. Lyda Longa, a night police reporter, was still there. Johnson sent her down to the park and turned on the news, but nothing had moved across the wires. Just after two A.M., Longa called from the park. She told Johnson that one person had been killed and dozens were down—it was absolute chaos. Johnson could hear the sirens and the screams through the telephone; he began to type into his computer. "We were trying to get a bullet into the street edition," Johnson recalled. In the crisis, it took only minutes for reporters to return to the newsroom; several had been at the park when the bomb went off. Rochelle Bozman, an Olympics editor, appeared and took over for Johnson. Soon John Walter was there, as was Bert Roughton, who would assist him in supervising the A.J.C. coverage of the bombing.At the park, Jewell spoke with the first F.B.I. agents to arrive on the scene. The smell and the noise, he remembered, were overwhelming, and sensations blurred together. "It was hard to describe the sound," he said. "It was like what you hear in the movies. It was, like, KABOOM. I had seen an explosion in police training. We had ear protection when it went off. It smelled like a flash-bang grenade. The sky was not filled with black smoke, but grayish-white. All the shrapnel that was inside the package kept flying around, and some of the people got hit from the bench and some with metal."Bobi Jewell had just gone to sleep when the telephone rang. It was Richard. "Mom, they had a bomb go off down here, but I am O.K. regardless of what the TV says." He could hardly speak; he seemed paralyzed. Jewell did not mention to his mother that he had found the backpack and alerted Tom Davis. Bobi was perplexed. "I thought, What does he mean?"All night long she stayed on the foldout sofa watching the news reports. She was frightened by the ambulances, the noise, the bodies in the park.Soon veteran homicide detectives in the Atlanta police arrived at the bomb site. One sergeant was trying to make his way through the crowd when an Olympics official stopped him. "Tell these cops to get the hell out of here," he said, according to a captain in the homicide division. "Well, you get the fuck out of here. Who are you?" the sergeant demanded. Agents from the Atlanta F.B.I. office and the Bureau of Alcohol, Tobacco and Firearms were in a shouting match over jurisdiction. "We are handling this!" one said. "No, this is ours!" an F.B.I. agent snapped.In the command center at F.B.I. headquarters in northeastern Atlanta, there was complete pandemonium. The Olympics were a national convention for law enforcement. Some 30,000 security personnel were on hand. Over the next few days, there would be an internal debate: Who was going to be in charge of the bombing investigation? In Atlanta at that time were three veteran investigators with executive experience: Tom Fuentes, who is credited with helping to bring John Gotti to heel; Barry Mawn, who has worked extensively in organized-crime probes; and Robin Montgomery, the head of the critical-incident unit at Quantico, who at Ruby Ridge in 1992 questioned the disastrous "rules of engagement" which led to tragedy.In the early-morning hours, F.B.I. agents picked up several suspects, including one referred to as "the drunk in the bar." According to F.B.I. sources, Louis Freeh himself got on the telephone to Barry Mawn. Freeh, a former F.B.I. agent, was personally monitoring the initial investigation by means of a series of conference calls from the command post at F.B.I. headquarters. He focused on "the drunk in the bar," who had been making threats the night before, and within hours the information was leaked that the F.B.I. had a suspect. From Atlanta, Barry Mawn contacted his superiors in Washington. "This suspect is not the bomber," he reportedly said, according to a former highlevel F.B.I. executive. Freeh allegedly lost his temper and belittled Mawn's professional abilities. He is said to have told Mawn that he "had handled this all wrong." The words one hears characterizing Freeh's telephone calls to the agents on duty in Atlanta are "abusive," "condescending," and "dismissive." A story went around the command center that Freeh was already saying, "We have our man," according to a source in the bureau.Watson Bryant was thinking, I cannot believe that I know anyone who throws pipe bombs into gopher holes.Freeh made a decision: however experienced Montgomery, Fuentes, and Mawn were, this investigation would be run by Division 5 of the F.B.I., the National Security Division, a former counterintelligence unit that has been looking for a purpose since the Cold War ended. Trained in observation, division members rarely made a criminal case—their strength was intimidation and manipulation rather than the deliberate gathering of evidence to be presented in court. The F.B.I. promptly declared the bombing a terrorism case and placed it under the authority of Bob Bryant, head of the division. David Tubbs of Division 5 was sent to Atlanta to be the spokesman and to augment Woody Johnson, the Atlanta special agent in charge (S.A.C.), who had been trained in hostage rescue and who was awkward in press briefings. Tubbs was not as experienced in criminal cases as Mawn or Montgomery, who returned to Newark and Quantico, respectively, "to get out of the line of fire," according to numerous F.B.I. sources. But Bryant and Freeh were reportedly micromanaging the S.A.C.'s and, later, the case agents Don Johnson and Diader Rosario.106107 VIEW ARTICLE PAGESOn the morning of the bombing, Watson Bryant's alarm went off at six A.M. He was going to the Olympic kayak competition on the Ocoee River with Andy Currie, a friend from his Vanderbilt University days. He learned of the bombing on the radio as he was getting ready to go to Currie's house. "Whoever has done this should be skinned alive," he told Currie. He spent the day in the country, and on Sunday he went out to run errands. When he got home, there was a message on his answering machine: "Watson, this is Richard Jewell. You may have heard that I found the bomb and people are calling me a hero. Somebody told me I might get a book contract." It had been years since Bryant had spoken to Jewell, but he did not immediately return the call; he was busy finishing up some contracts so that he could take a few days off to enjoy the Olympics.In addition, Bryant was annoyed with Jewell. After Bryant had befriended him in their days at the Small Business Administration, Jewell had borrowed his new, $250 radar detector and never returned it. He had promised to pay him $100 for it, but he never had. In the meantime, Bryant's life had changed; he had set up an office as a solo practitioner. Bryant despised corporate politics and had no gift for them. His penchant for taking on pro-bono work for friends annoyed his wife, however. Bryant believed that Richard Jewell had attached himself to him years earlier because he lacked a father, but nevertheless Jewell could get on his nerves. By the summer of 1996, Bryant was preoccupied; his marriage had come apart two years earlier, and he was trying to sort out his life.When he finally returned Jewell's phone call, he said, "Well, damn it, where's my $100?" Jewell laughed uneasily and told him about discovering the green backpack that contained the bomb. "Didn't you see me on the news?" Bryant reminded him that he rarely watched TV. "I am proud of you, Richard," he said. "About this book contract, I think it's far-fetched, but don't sign anything unless I see it first."In the Newsweek cover story detailing the bombing, published Monday, July 29, there was no mention of Richard Jewell. It said only that "a security guard" had alerted Tom Davis of the G.B.I. that no one had claimed the backpack under his bench. By the time Newsweek was on the stands, however, Jewell had been interviewed on CNN. The AT&T publicity department had booked him on TV and told him to wear the shirt with the AT&T logo. Jewell reluctantly agreed. "The idea of going on TV made me nervous," he told me. "I was not the hero. There were so many others who saved lives."In Demorest, Ray Cleere, the president of Piedmont College, was home on Saturday, July 27, watching CNN. Cleere had at one time been Mississippi's commissioner of higher education, but he was now posted at the rural Baptist mountain school. He was said to feel that he had suffered a loss of status in the boondocks, where he was out of the academic mainstream. He called Dick Martin, his chief of campus police. Shouldn't they call the F.B.I. and tell them about Richard Jewell? he asked. Cleere had had a strong disagreement with Jewell when one of the students was caught smoking pot. Jewell wanted to arrest him; Cleere said no. Cleere, Brad Mattear recalled, "worried constantly about the image of the college." According to Mattear, "Cleere loved the limelight. He wanted public attention"—the very trait he reportedly ascribed to Richard Jewell.Dick Martin, who was fond of Jewell, suggested a compromise, according to Lin Wood: he would call a friend in the G.B.I. Cleere then called the F.B.I. hot line in Washington himself. Wood says Cleere later complained that no one had seemed to want to listen to what he had to say about Richard Jewell. But his telephone call would trigger a complex set of circumstances in Habersham County, where F.B.I. investigators fanned out over the hills, attempting to uncover evidence that could lead to Jewell's arrest. "The F.B.I. took his word, and what it actually did was get them both in a bunch of trouble," Mattear said. (Cleere has declined to comment.)For Richard Jewell, Tuesday, July 30, would become a haze in which his life was turned upside down. "The hours of the day ran so fast it is hard to remember what all happened," he told me. He started the day early at the Atlanta studio of the Today show. He was tired; the evening before he had had his friend Tim Attaway, a G.B.I. agent, for dinner. He had made lasagna and had drawn Attaway a diagram of the sound-and-light tower. Jewell had talked into the night about the bombing; only later would he learn that Attaway was wearing a wire.Despite the late evening, Jewell was excited at the thought of meeting Katie Couric and being interviewed about finding the Alice pack in the park. His mother asked him to try to get Tom Brokaw's autograph. "He was a man my mom respected a great deal," he said.When he got back to the apartment, he was surprised to see a cluster of reporters in the parking lot. "Do you think you are a suspect?" one asked. Jewell laughed. "I know they'll investigate anyone who was at the park that night," he said. "That includes you-all too." Jewell did not turn on the TV, but he noticed that the group outside the door continued to grow. At four that afternoon, Jewell received a phone call from Anthony Davis, the head of the security company Jewell worked for at AT&T. "Have you seen the news?" Davis asked. "They are saying you are a suspect." Jewell said, "They are talking to everybody." According to Jewell, Davis said, "They are zeroing in on you. To keep the publicity down, don't go to work."Within minutes, Don Johnson and Diader Rosario knocked on Jewell's door. They exuded sincerity, Jewell recalled. "They told me they wanted me to come with them to headquarters to help them make a training film to be used at Quantico," he said. Johnson played to Jewell's pride. Despite the reporters in the parking lot and the call from Anthony Davis, Jewell had no doubt that they were telling the truth. He drove the short distance to F.B.I. headquarters in Buckhead in his own truck, but he noticed that four cars were following him. "The press is on us," Jewell told Johnson when they arrived. "No, those are our guys," Johnson told him. This tactic would continue through the next 88 days and be severely criticized: Why would you have an armada of surveillance vehicles stacked up on a suspected bomber?It was then that Jewell started to wonder why he was at the F.B.I., but he followed Johnson and Rosario inside. Rosario was known for his skills as a negotiator; he had once helped calm a riot of Cuban prisoners in Atlanta. Johnson, however, had a reputation for overreaching. In Albany, New York, in 1987, he had pursued an investigation of then mayor Thomas Whalen. According to Whalen, the local U.S. attorney found no evidence to support Johnson's assertions and issued a letter to Whalen exonerating him completely, but Whalen believed it cost him an appointment as a federal judge.As Jewell sat in a small office, he wondered why the cameraman recording the interview was staring at him so intently. After an hour, Johnson was called out of the room. When he returned, he said to Jewell, "Let's pretend that none of this happened. You are going to come in and start over, and by the way, we want you to fill out this waiver of rights.""At that moment a million things were going through my head," Jewell told me. "You don't give anyone a waiver of rights unless they are being investigated. I said, 'I need to contact my attorney,' and then all of a sudden it was an instant change. 'What do you need to contact your attorney for? You didn't do anything. We thought you were a hero. Is there something you want to tell us about?'" Jewell grew increasingly apprehensive and later recalled thinking, These guys think I did this.When the agents took a break, Jewell asked to use the phone. "I called Watson four times. I called his brother. I told his parents that I had to get hold of Watson—it was urgent. I was, like, 'I have to speak to him right now.' What was going on was that Washington was on the phone with Atlanta. The people in Washington were giving them questions." Jewell said he knew this because the videotapes in the cameras were two hours long and "Johnson and Rosario would leave every 30 minutes, like they had to speak on the phone." The O.RR. report, however, would assert that no one at headquarters knew about the videotaping or the training-film ruse. Lying to get a statement out of a suspect is, in fact, not illegal, but clearly Johnson and Rosario were not making decisions on their own. Even the procedure of having a fleet of cars follow a suspect was an intimidation tactic used by the F.B.I. Later, according to Jewell, Johnson and Rosario would both tell him privately that they believed he was innocent, but that the investigation was being run by the "highest levels in Washington."Within the bureau, the belief is that during one of the telephone calls Freeh instructed Johnson and Rosario to read Jewell his Miranda rights. Freeh is said to have learned of Johnson's history from a member of his security detail, who had worked in Atlanta. He told Freeh that "Johnson had a reputation for being obnoxious and a problem." In addition, a week after Jewell's interview, Freeh reportedly received a call from Janet Reno, who had learned about the ruse from Kent Alexander, the local U.S. attorney, and Deputy Attorney General Jamie Gorelick. Freeh wondered aloud how it was that, of all the agents in Atlanta, Johnson had been selected to work on the Jewell case. Like Jewell, Johnson had wound up in Atlanta because of his overzealous behavior—according to an F.B.I. source, the Whalen episode had resulted in a "loss-of-effectiveness transfer," an F.B.I. euphemism. (Johnson declined to respond.)On that same Tuesday, Watson Bryant and Nadya Light closed the office early and went to Centennial Park. Light, 35, a pretty Russian immigrant, had never met Radar, Bryant's old friend, and wanted to buy him a celebratory meal. Killing time until Jewell came on duty, they went into the House of Blues and then bought some hot sauce. Walking toward his car, Bryant saw newsboys hawking the afternoon edition of The Atlanta Journal-Constitution. "It was like out of a cartoon. They were all yelling!" he recalled. "I caught the headline out of the corner of my eye." The headline read: FBI SUSPECTS 'HERO' GUARD MAY HAVE PLANTED BOMB.Bryant borrowed 50 cents from Light to buy the paper and began to read: '"Richard Jewell, 33 . . . fits the profile of the lone bomber.' I could not believe it."At that moment, Bryant's brother, Bruce, who was on his way to the diving competition, got a call from Jewell. "Where is Watson?" As Bruce Bryant walked past a Speedo billboard with a TV screen, he saw Richard Jewell's face filling the screen. "Oh, my God," he said to his wife. At the same moment, Watson was in his car a block away on Northside Drive when he too noticed the Speedo screen. He could not get back to his house—the streets were blocked off for the cycling competition. From his car he called F.B.I. headquarters and demanded to speak to Jewell. "He is not here," the operator said. From his home phone, he picked up his messages and heard Jewell's low, urgent tones. "He didn't leave a number," Bryant told Light. "Call Star 69," she said. The number came back: 679-9000, the number for F.B.I. headquarters, which he had just dialed. Within minutes, Bryant had Jewell on the phone. Jewell told him he was making a training film. "You idiot! You are a suspect. Get your ass out of there now!" Bryant told him.Before The Atlanta Journal-Constitution broke the story of Richard Jewell, there had been a debate in the newsroom over whether or not to name him. One block away, CNN's Art Harris and Henry Schuster had alerted the network's president that Jewell was targeted, but they held the story, because they understood its potential magnitude. At The A.J.C., Kathy Scruggs, a police reporter, who had allegedly gotten a tip from a close friend in the F.B.I., got a confirmation from someone in the Atlanta police. According to the managing editor, John Walter, the first edition of the paper that Tuesday had a brief profile of Jewell. It was dropped in later editions as Walter questioned whether the paper had enough facts to support the scoop. Because of the voice-of-God style, the paper ended up making a flat-out statement: "Richard Jewell . . . fits the profile of the lone bomber."When I asked John Walter about the lone-bomber sentence, he said, "I ultimately edited it. . . . One of the tests we put to the material is, is it a verifiable fact?" One editor added, "The whole story is voice-of-God. . . . Because we see this event taking place, the need to attribute it to sources—F.B.I. or law enforcement—is less than if there is no public acknowledgment." John Walter indicated that he had not seen a lone-bomber profile. I asked him, "Whose profile of a lone bomber does Richard Jewell fit? Where is the 'says who' in this sentence?" Walter said that he felt comfortable with the assertion.The page-one story had a double byline: Kathy Scruggs and Ron Martz. Walter had told these two early on that they would be the reporters assigned to any Olympic catastrophe. Martz, who had covered the Gulf War, had been assigned the security beat for the Olympics; Scruggs routinely covered local crime. Scruggs had good contacts in the Atlanta police, and she was tough. She was characterized as "a police groupie" by one former staff member. "Kathy has a hard edge that some people find offensive," one of her editors told me, but he praised her skills. Police reporters are often "dictation pads" for local law enforcement; recently the American Journalism Review sharply criticized The A.J. C. for the scanty confirmation and lack of skepticism in its coverage of Jewell.The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first. Kent Walker, a newsroom intern, published a story in the same edition, with a glaring mistake in the headline: BOMB SUSPECT HAD SOUGHT LIMELIGHT, PRESS INTERVIEWS. Since Ray Cleere's tip to the F.B.I., the "hero bomber" theory had been circulating among Atlanta law enforcement officers. Maria Elena Fernandez, a reporter, was sent to Habersham County on July 29. By coincidence, William Rathburn, the head of security for the Olympics, had been at the Los Angeles Olympics in 1984 when a fake bomb was found on a bus—left by a policeman who sought attention.On the surface, the story had an irresistible newsroom logic: Jewell was clearly looking for recognition. Bert Roughton, the city editor, had answered the telephone when a representative from AT&T called to ask if the paper would like a Jewell interview. According to Walter, Roughton himself typed a sentence in the Scruggs-and-Martz piece: "He [Jewell] also has approached newspapers, including The Atlanta JournalConstitution, seeking publicity for his actions." But he hadn't. Walter explained, "There was nothing wrong with that sentence. That's journalistically proper. It is not common practice, to my knowledge, to ask someone you are interviewing . . . 'Are you here of your own free will?'" Jewell had not contacted the paper—a fact which would have been easy enough to check. Walter became snappish when I described the sentence as "a mistake." "It was not a mistake," he said angrily. Scruggs and Martz quoted Piedmont College president Ray Cleere as backup. According to Cleere, Jewell had been "a little erratic" and "almost too excitable."There was no doubt raised by The A.J.C. about the value of Cleere's information or the fragility of the F.B.I.'s potential case. On Tuesday morning, July 30, Christina Headrick, a young intern on the paper, was sent to Buford Highway to stake out Richard Jewell's apartment. She phoned in that there were men doing surveillance. By deadline, John Walter had made a decision: he would tear up the afternoon Olympics edition and lead with Jewell.Several states away, Colonel Robert Ressler was watching CNN when the A.J.C. extra edition was shown. Ressler, who was retired from the behavioral-science unit of the F.B.I., had, along with John Douglas, developed the concept of criminal-personality profiling. He was the co-author of the Crime Classification Manual, which is used by the F.B.I. He had interviewed Ted Bundy, Jeffrey Dahmer, and John Wayne Gacy, and as he watched the TV report, he was mystified. "They were talking about an F.B.I. profile of a hero bomber, and I thought, What F.B.I. profile? It rather surprised me." According to Ressler, the definition of "hero homicide"—a person looking for recognition without an intent to kill— perhaps emerged as "hero bomber." "There is no such classification as the hero bomber," he told me recently. "This was a myth." Later he said, "It occurred to me that there was no database of any bomber who lived with his mother, was a security guard and unmarried. How many hero bombers had we ever encountered? Only one that I know of, in Los Angeles, and his bomb did not go off." Ressler knew that something was off; profiles are developed from a complex set of evidence and facts derived only in part from a crime scene. The bomb had been deadly, which was not consistent with the "hero complex." Furthermore, he wondered, where did they get the information to put the profile together that fast? He asked himself, What came first here, the chicken or the egg? Was the so-called profile actually developed from the circumstances, or was it invented for Richard Jewell?When Jewell returned home from F.B.I. headquarters just before eight P.M., NBC was showing special Olympic coverage. He sat on the sofa and watched Tom Brokaw say, "They probably have enough to arrest him right now, probably enough to prosecute him, but you always want to have enough to convict him as well. There are still holes in this case."Jewell knew that Brokaw was his mother's favorite newsman; he looked at her and noticed "the color and the blood flow out of her face when she heard that." Bobi turned to him and asked, "What is he talking about?" Jewell later recalled, "Brokaw was talking about her son as a murderer. . . . She started crying, and what am I going to say to her? 'Mom, Watson is going to fix this'? What do you say? She doesn't hear anything anyway—she was in hysterics." At that point, Jewell said, he broke down as well.The day Watson Bryant inadvertently became the lead lawyer for Richard Jewell, he was an attorney whom almost no one in the Atlanta legal establishment had ever heard of. "Who the hell is Watson Bryant?" a caption in the daily legal sheet, the Fulton County Daily Report, would read after he had appeared on the Today show. Bryant understood Jewell's vulnerability and decided on a strategy: he would treat him as a member of his own family. In Atlanta, the Bryants were a clan: Watson's father, Goble Bryant, had been a West Point tackle, on the 1949 college all-star team; his grandfather had invented a process for putting handles on paper bags. Watson had partied through Vanderbilt University and had barely gotten accepted to law school at the University of South Carolina. He had a close relationship with his brother, Bruce, and their sister, Barbara Ann, and if he lacked staff at his office, he knew he could count on his family to pick up the slack. Bruce enlisted Jewell to help coach his junior football team; Watson had a picnic for Richard and Bobi at his parents' house at the Atlanta Country Club.When Bryant arrived at the Jewells' apartment that night, he pushed his way through the crowd standing outside in the spongy Atlanta humidity. Microphones were shoved in his face. "What is happening, Watson?" Bobi asked him. Bryant asked Jewell to speak to him alone. "I want to know if you can tell me, without any hesitation at all, if you had anything to do with the bombing," he said. "I didn't," Jewell told him. "I said, 'I am going to ask you again.' He would not look me in the eye. I said, 'Don't give me this "sir" shit.' I said, 'Richard, these people want to kill you. I cannot help you unless you tell me the absolute, unequivocal truth.' I was in his face. He said he did not have anything to do with it." Jewell was bewildered and numb, said Bryant, who left at 10:30 P.M. At midnight, Jewell called him to say, "They are massing outside the apartment, Watson."The next morning, Bryant went from talk show to talk show, starting with NBC. With the notable exception of The New York Times, virtually every newspaper in the country had picked up the A.J.C. story and run it as front-page news. There were 10,000 reporters in Atlanta; the Los Angeles Times would later call the squad bearing down on the Jewells "a massive strike force . . . Tora! Tora! Tora!" Bryant was in a daze, but he held his own. "Is it true that Jewell was at some time ordered to seek psychological counseling?" Bryant Gumbel asked him. "I know a lot of people that ought to have psychological counseling," Watson Bryant replied.By 10 A.M. he was back at the Jewells' apartment, studying a search warrant that had been delivered that day. The F.B.I., Jewell recalled, said that he could not be inside the apartment during the search. Bryant called F.B.I. headquarters: "What the hell is this? Why can't he be there?" Within an hour, at least 40 members of the F.B.I. had arrived, with dogs. "There was a physical-evidence team. There was a scientific team. There was a team for the bomb-squad people, and then the A.T.F. . . . They all had different-color shirts. Light blue for bombs, dark blue for evidence protection, red and yellow." Bryant could not believe what he was seeing. "This is like damn Six Flags over Georgia," he told them."I kept saying to Watson, 'I didn't do this.' And he said, 'Hey, kid, I believe you—we are doing what we can.'" Jewell was a gun collector. Bryant was sharp with him: "You get all those guns out of your closets and put them on your bed. We don't want any trouble."For seven hours, Jewell sat outside on the staircase in what has become one of the most famous images of last summer. Bryant had to take his daughter, Meredith, to the Olympic equestrian competition, a once-in-a-lifetime opportunity for her. As he left, he said, "Don't do anything stupid. Just shut up and let them do what they have to do." Hours passed as Jewell sat in the heat. "Finally I decided I would ask them if I could go in and use the rest room. They said, 'We got the order a couple of hours ago you could come in; you just can't get in our way.'" Jewell was told he had to wear rubber socks and gloves in order not to contaminate the site. The Jewell apartment is small—two bedrooms with a bathroom in between, a living room, an alcove dining room that has been turned into a den. As Jewell sat on the sofa, he thought he heard a crash in his bedroom. "I thought my CD player was on the floor, and I said, 'What are you-all tearing up?' and they said, 'You can't go in there right now; we are searching.' I said, 'I want to know what you-all just broke.'" One search warrant listed some 200 items the F.B.I. could confiscate, including "magazines, books . . . and photographs which would include descriptive information such as telephone numbers, addresses, affiliations and contact points of individuals involved in a conspiracy to manufacture, transport and . . . detonate . . . the explosive device used in the bombing at the Olympic Centennial Park on July 27, 1996.""They had all my pictures, all the stuff that was in the drawers. My personal things. How would you like to know that 12 different guys had been in your underwear, laid it out on the floor, probably walked on it and then folded it back up like nothing ever happened and put it in your drawer? So then Mom got to go and watch it on TV: 'Live from the Jewell house, the search continues. . . . We are expecting an arrest any minute.'"When Bobi Jewell returned home, the apartment appeared neat, until she walked into her kitchen. She looked down at her counters, where all her condiments, dog biscuits, spices, and crackers had been taken out of their Tupperware containers and placed in Ziploc bags. She began to cry. And then she went into the bedroom and "immediately started washing clothes," Jewell said.Driving home from the equestrian events, Bryant heard the live coverage of the search on the radio. "Why are you helping this guy if he's guilty?" Meredith asked.The next morning, Bryant received a copy of the F.B.I. inventory of articles confiscated in the apartment. On the list he was stunned to see "one hollowed-out hand grenade, ball-shaped" and "one hollowed-out hand grenade, pinecone-shaped." "What the hell is this?" he asked Jewell. "They were paperweights," Jewell said. "I bought them at a military store." "Oh, shit," Bryant said.For the first few days, the Jewells lived on ham omelettes; a neighbor had brought them half a ham from the Honey Baked Ham Company on Buford Highway. Bobi Jewell had a vacation scheduled, so she remained at home, lying on the bed and "listening to the ball game if it was on." For two weeks, she cleaned out her bureau drawers. Richard would spend the day watching CNN or movies such as Backdraft and Midnight Run. "I would look out the window and see about 150 to 200 press people. Then it would drop to five or six on the hill. They had one person sitting up there at all times with their binoculars." Richard believed they were being monitored. "They heard everything that was going on. They were over there with high-intensity zoom lenses. They had people over there who could read lips. They had a sound dish. They could hear everything that we said. They had a person writing down everything we said. I saw them."When Bobi walked out the door, Jewell said, they would holler obscenities and yell, 'You should both die'Once, Bobi's cat jumped on the window ledge under the curtain and the photographers began frenetically shooting pictures, believing that one of the Jewells was in the window. Sound trucks and boom microphones prevented the neighbors from getting near the apartment. Three F.B.I. agents were usually sitting near the tiny swimming pool; each time Jewell or his mother left the house, a cavalcade of unmarked cars would follow. Richard soon began to write a speech describing the horror he felt at being falsely accused. He ate grilled-cheese sandwiches, huge pans of lasagna, and can after can of Campbell's tomato soup."If my mom and I had something we wanted to talk about that we didn't want anyone to hear, we wrote it on pieces of paper. When she left to go to work the next day, she would take it with her, tear it up, and put it in the trash! That is how I kept my mother informed about what was going on with the case." The notes were specific: "What the Justice Department was saying, what my attorneys were hearing through the grapevine that I could tell my mom that was not privileged. It was mainly stuff like 'Keep the faith' and 'Can I borrow $10 for gas in the truck?' "Jewell described how, when his mother would walk out the door, "they would holler obscenities at her. They would yell, 'Did he do it? Did he blow those people up?' They would yell, 'You should both die.'" According to Jewell, "The cameramen were just trying to get us aggravated so they could get it on camera. You don't know how hard it is when they are saying stuff about my mother and me. . . . All she was trying to do was walk her dog. And she cannot do that without hearing that yelling. When someone did that to my mother, I would want to be up on the hill calling the police, because I would want them arrested. I was going to say, 'Mom, tell me which one said that!' And I was going to walk up to that person and introduce myself and say, 'Hi, my name is Richard Jewell. What is yours? Who do you work for? Who is your supervisor?' And I was going to go home and call 911 to get a warrant."By disposition, Jewell is a night person, but he would get up early when his mother went back to work and make her breakfast. By 11 A.M. he would be playing Mortal Kombat II and listening to 96 Rock on the radio, where one of his friends is a disc jockey. Four days into his period of captivity, he called the DeKalb County police. He recalled telling a Mr. Brown, "'This is Richard Jewell. I am sure you are aware of my situation over on Buford Highway.' He said, 'Yes, Richard, I know.' I said, 'I just want to tell you my situation. Number one: I did not do this. Number two: I am here and I am not leaving the apartment for any reason at all.' I said that all the press was doing right now was aggravating my mother and disturbing my neighbors, and I would really appreciate it if the neighbors could return to a normal life."On Saturday, August 3, as Bryant stared at the F.B.I. agent plucking Jewell's hair, he had already made a decision. "It was, like, screw it. I had had it." The next day was the closing ceremony of the Olympics; Bryant imagined that that would be the day the government might choose to arrest Jewell. "Who is the best criminal lawyer in Georgia?" he asked a state lawyers' association. Within a day, he had brought in Jack Martin, an expert on the federal death penalty and a Harvard law school graduate with close ties to the local U.S. attorney, Kent Alexander. "Let me tell you something about myself," Jewell told him in their first meeting. "I hate criminal lawyers." "Well, Richard," Martin said, "I don't much like cops, but sometimes I need one, and this is a time you sure need a criminal lawyer."That weekend, watching the Olympic basketball finals, Bryant had an idea: he wanted to be prepared with his own polygraph test of Jewell if the F.B.I. arrested him. From the game, Bryant called a close friend who was a former federal prosecutor. "Try Richard Rackleff," he said. "We worked together on the Walter Moody bombing case." Rackleff had recently set up a private practice, and he agreed to test Jewell the next day. On Sunday morning, Bryant was up early, unable to sleep. He drove around town, making calls from his cell phone. He dialed 679-9000—the F.B.I. "This is Watson Bryant. I am going to pick up Richard Jewell. I just want you to know that. I don't have a white Bronco. I don't have a wig, and I don't have cash in my car. We are just going to my office."Watson had coordinated an elaborate plan with his brother to dodge reporters; he would use a decoy and snake through a parking garage. Rackleff had been instructed to park blocks from Bryant's office, because his car could be identified easily, since he was well known in Atlanta law enforcement.When Rackleff sat down with Richard Jewell in the conference room, he later told me, he sensed almost immediately that Jewell was innocent. Rackleff had tested many bombers before, including Walter Moody, who was convicted of killing a federal judge. "They are strange ducks—they leave their attorneys cold," Rackleff said. Although no one knew Rackleff was in the building, more than 100 reporters gathered outside to get a look at Jewell. Inside, Jack Martin, Bryant, Nadya Light, and Jewell spent 12 hours in Bryant's office. Rackleff asked Jewell a series of questions, but the test was inconclusive. "Richard is tormented. He is exploding on the inside," Rackleff said. While he was testing him, CNN's Art Harris was visible through the window of Bryant's office, but he could not see inside. Bryant was thoroughly deflated, close to despair. "You have got to try to buck Richard up," Rackleff told him. "Who is going to buck me up?" Bryant asked.'We are not in missile range of arresting Richard Jewell, but we want him to take our own polygraph," Kent Alexander told Bryant and Jack Martin in their first meeting on the case. In the meantime, Rackleff had tested Jewell again, and he had passed with "no deception," the highest rating. By this time, it was clear that there was no damning evidence against Jewell discovered at the apartment or in his old house in Habersham County.Alexander was only 38, but he had been groomed for politics in a fancy local family. His father was a senior partner in a good Atlanta law firm, and he had worked as an intern for Senator Sam Nunn. Bryant worried about Alexander's lack of experience, but Alexander told colleagues that he was disturbed by the lack of substantial evidence against Jewell. He was trying to operate with decency, but he was cautious and had to check every detail with Washington.Bryant, however, didn't trust Alexander; he had had a bad experience with Alexander's predecessor. In 1990, Bryant had almost been put out of business in a tussle with the then U.S. attorney. The local Small Business Administration accused a bank Bryant represented of improper use of funds; the bank blamed Bryant, who was brought before a grand jury and over the next two years almost lost his practice. He spent $50,000 defending himself, and Nadya Light had to take another job, but eventually the case was settled with Bryant's agreeing not to do business with the S.B.A. for 18 months. Bryant had always felt that he had been manhandled by the office. "I learned everything I needed to know about dealing with this office in 1990," Bryant recalled telling Alexander. "No polygraph for Richard."At the meeting, Alexander told Bryant and Martin, "This is all off-the-record. This is a request that is strictly confidential." Weeks later, Louis Freeh came to town to address a breakfast of former F.B.I. agents. Almost immediately, the polygraph request was reported on CNN. "Kent, I thought we had an agreement," Bryant told him. "I cannot control Washington," Alexander said.When two of the bomb-blast victims sued Richard Jewell, Bryant brought in Wood and Grant to handle the civil litigation. Martin opposed the move. He believed in the cone of silence: "Circle the wagons and don't speak." He said that Wood and Grant had a different perspective: Attack, attack, and if you give any quarter, it is a sign of weakness. Martin had been reassured in private by Kent Alexander that Jewell was not in any immediate danger of being arrested, but the team disagreed about press tactics. Martin worked through the Atlanta-establishment back channels; Lin Wood was a rhetoric man. He favored "one big newsbreak a week." "You know who wrote the book Masters of Deceit? J. Edgar Hoover! And that was about the Communist Party in America. So now they have gone from masters of investigation to masters of deceit!" he would routinely tell reporters who called.Three days after Wood and Grant surfaced as the two new civil lawyers, a Ford van with a tinted bubble-shaped window appeared on the top level of the Macy's parking garage which faced the conference-room windows of their offices. According to Wood, the van did not move for 10 days. "We used to sit there and wave at it." Then the lawyers placed a camera in the window, and the next day the vehicle was gone. "For sure that van had laser sound-detecting equipment," Wood said.Jewell was annoyed that press descriptions of him always emphasized his "overzealousness"; he considers himself a man of details. Often, when he's watching movies at home, he freeze-frames in order to study props in scenes. The second weekend he was considered a suspect, he told me, "I walked in and I noticed white powder all over the telephone table in the conference room." It was a Saturday morning, and Jewell had been with his lawyers until late the night before. He told me he was convinced that the F.B.I. "had lifted a ceiling tile," and that the white powder was "dust that came down." Bryant and Jewell made light of it and did not sweep their phones, believing that any tap the F.B.I. would use would be of a laser or satellite variety and impossible to trace. "In the beginning of every conversation, Watson would curse for about a minute and tell them what lowlives they were. And then he would say, 'By the way, this is Richard's lawyer. Y'all can cut your tape players off,"' Jewell said. "I would call them dirty scumbags," said Bryant. But the local U.S. attorney, Kent Alexander, insisted that their phones were not tapped. "There are no wiretap warrants," he said.The F.B.I. did turn up one bit of potentially troublesome evidence in the Jewells' apartment—fragments of a fence that had been blown up in the explosion. After a telephone conversation with Watson Bryant, Kathy Scruggs quoted him saying, "Yes, he did have a sample of the blown-up bomb." Bryant accused her of egregiously misquoting him. He remembered saying to her, "Yes, Richard had souvenirs of the bombing." Scruggs had not taped their conversation. "She cut the 'ing' off of 'bomb,'" Bryant later told me, but Scruggs strongly denies this. The day the story broke, Bryant criticized Scruggs on local radio. That afternoon she appeared at his office to attempt to clear up the misunderstanding. "I don't like your reporting," Bryant recalled telling her. "I'm human, too," she said. The next day, Ron Martz inserted a quote from Bryant in an unrelated news story: "Oh, man, it's not even a scrap of the bomb—it's a piece of damned fence, for God's sake." But the quote would have little impact. Scruggs's version had been picked up; gathering force, it was eventually related by Bill Press on Crossfire on the evening of October 28: "The guy was seen with a homemade bomb at his home a few days before." (The next day CNN would be forced to apologize for the mistake.)By this time Bryant had grown enraged by the media coverage. The New York Post had called Jewell "a Village Rambo" and "a fat, failed former sheriff's deputy." Jay Leno had said that Jewell "had a scary resemblance to the guy who whacked Nancy Kerrigan," and asked, "What is it about the Olympic Games that brings out big fat stupid guys?" The A.J. C. s star columnist, Dave Kindred, had compared Jewell to serial murderer Wayne Williams: "Like this one, that suspect was drawn to the blue lights and sirens of police work. Like this one, he became famous in the aftermath of murder."Television journalism was also a revelation to Bryant; he felt he had "landed on Mars," and spent hours channel-surfing. On CNN, one criminologist said "it was possible" that Jewell had a hero complex. Bryant told his brother, Bruce, "I know I am going to sue someone. I just don't know who." Bruce Bryant searched for Jewell's name on the Internet three weeks into his ordeal and found 10,000 stories. The tone many of the journalists took was accusatory and pre-determined, with a few rare exceptions, such as that of CBS correspondent Jim Stewart. "Don't jump to any conclusion yet," he said sharply in a broadcast at the height of the frenzy.In his first week as Jewell's lawyer, Bryant went to the CNN studio to be interviewed by Larry King. After the broadcast, he was asked to stop in at the office of CNN president Tom Johnson. "They wanted to know what I thought of their reporting so far." Art Harris was in the room. "I turned around and I said to Art Harris, 'Who the hell are you and the rest of the media to make fun of how Richard Jewell and his mother live? Who are you to make fun of working people who live in a $470-a-month apartment? Is there something wrong with that? Who are you to say that he is a weirdo because he lives with his mother?' "According to Jack Martin, the F.B.I. spent weeks on one erroneous early theory—that Richard Jewell was an enraged homosexual cop-hater who had been aided in the bombing by his lover. Jewell had purportedly planted the bomb; the lover then made the 911 phone call warning that it would go off in Centennial Park. The rationale behind this idea was that Jewell was "mad at the cops and wanted to kill other cops," Martin told me.The rumor began at Piedmont College, perhaps invented by several of the students Jewell had turned in for smoking pot, but it had a chilling consequence. In mid-August, three agents appeared at the Curtis Mathes video store in Cornelia, where Chris Simmons, a senior at Piedmont, worked part-time. Simmons, a friend of Jewell's, who was engaged to be married, was a B student, but he displayed the same porcine blankness as Jewell and spoke in a slow drawl. He had a deep distrust of the government and carried a card in his pocket that read: CHRISTOPHER DWAYNE SIMMONS-CAMPAIGN SUPPORT FOR CONSERVATIVE CANDIDATES.The agents questioned Simmons in the store for one and a half hours. "They asked me if I was a homosexual. They asked me if I had accessed the Internet. . . . They later wanted to wire me. They said, 'If he is really a hero, we will find out, and if not, he has killed someone and injured a lot of people.' " Simmons was short with the agents and denied everything. They accused him of lying and said they could take him to Atlanta. The agents told someone Simmons had once worked with that Simmons might be involved in the bombing. "They kept wording questions differently. They kept saying: Do you think Richard Jewell could have done this if he believed that he could get people out in time and nobody would get hurt?" Simmons later called one of the F.B.I. agents and said, "I hear you don't believe my story." He recalled their conversation: " 'I think you are sugarcoating your answers,' he said. I said, 'Next time I talk with you, it will be with a lawyer.' And he asked me if I was threatening him. Then he hung up on me." Ultimately, Simmons volunteered to take a polygraph, which he says he passed. "I was a nervous wreck," he said. "I had only seen this on TV."What was not known outside a small circle of investigators was how deadly the Centennial Park bomb really was. It was well constructed, with a piece of metal shaped like a V, and inside, it had canisters filled with nails and screws. Jack Martin, who had spent time in Vietnam, compared its construction to that of a claymore mine, a sophisticated and lethal device. The bomb weighed more than 40 pounds. It was "a shaped charge," F.B.I. deputy director Weldon Kennedy would announce in December. It could blast out fragments from three separate canisters, but only one of the canisters exploded on July 27. Someone had moved the Alice pack slightly before the bomb detonated, causing most of the shrapnel to shoot into the sky. The composition of the bomb did not suggest the work of an amateur, Kathy Scruggs would ironically later report, after interviewing an A.T.F. chemist.As the weeks went by, Richard Jewell withdrew into a state of psychological limbo; he began to try to analyze what the agents might think of his behavior within the small apartment. "I would be watching a spy show on TV or something like a John Wayne movie. Someone would be talking about blowing something up, and I would think to myself, My God, that is going to sound really bad if they think I am listening to that." He worried that "they would think I was some kind of a nut," and often, when he could not sleep, he would find himself consciously switching to exercise videos and soap operas.Over Labor Day weekend, he drove up to Habersham County for a picnic with his ex-girlfriend's family, the Chastains. As usual, three F.B.I. cars followed him, but he had gotten adept at picking out the unmarked vehicles. As Jewell drove into town, he noticed that white ribbons hung from hundreds of trees; the Chastains had organized a campaign in his behalf. On the way home, Jewell drove with his friend Dave Dutchess. For the first time, he did not see an F.B.I. car following him, but he noticed an airplane flying low overhead. He drove another 20 miles, and the plane was still on him. "I said, 'Dave, do you think the F.B.I. would be following us in an airplane? It wouldn't be that hard to do, if they put some kind of beeper on the car.'" The plane followed them through Gainesville all the way to Atlanta—an hour's drive. "Just to make sure, we got off on an exit ramp and went about five miles back north. And I got out and took a picture. They followed us all the way back to the apartment! And they circled the apartment for about 15 minutes, until the F.B.I. car showed back up. I got very emotional. My cheeks got beet red. And Mom came home and said, 'What is going on? What is the matter?' It just destroyed the whole day."On September 2, Dave Dutchess and his fiancee, Beatty, were driving to their house in Tennessee. It was raining hard, and they noticed they were being followed by several F.B.I. cars. The storm grew worse, and they stopped at a hotel for the night. The next day, while getting coffee at a McDonald's, they were surrounded by F.B.I. agents. "We just want to talk to you. We are trying to be discreet." One agent, Dutchess recalled, spoke into his radio: "We have the suspect in hand." As they walked back toward their car, Dutchess said to Beatty, "They think I am his accomplice. I heard on the news they were looking for his accomplice!"After the interview, which lasted several hours, Dutchess spoke to Watson Bryant. "What did they ask you that concerns you?" Bryant asked him. "Well, I decided that I had to tell them the truth. Me and one of my friends used to set off pipe bombs for fun," Dutchess told him. "What?" Bryant exclaimed, incredulous. "Yeah, I told them we liked to throw pipe bombs down gopher holes when we lived out in West Virginia.""Did Richard know this friend?" Bryant asked apprehensively. "Hell, no. He never met him," Dutchess said, but Bryant knew that this could prolong the F.B.I.'s investigation perhaps by months. "I hung up and I was thinking, I cannot believe that I even know anyone who throws pipe bombs into gopher holes."As part of their strategy, Wood and Grant decided to mount a strong counterattack against the government. Wayne Grant had come up with the idea: Bobi Jewell should hold a press conference during the Democratic convention and make a direct plea to Bill Clinton. The day before she was to appear, Grant rehearsed her. It was difficult to work with Bobi; she was exhausted and could not stop crying. Confined under siege for almost a month, she could not see an end to it, since every day brought a new humiliation. The resident manager had threatened to take away their lease, and the manager's son was out selling pictures he took of them. A close friend from church was dying, Bobi said, and Richard could not go to see him, because of the swarm of F.B.I. agents and reporters who followed him everywhere. All of it came out in a rush in the conference room with Wayne Grant: Bobi had even had to give Bryant and Nadya Light the Olympic-basketball tickets she had won as colleague of the year, and every night she and her son were stuck together, staring at each other across the kitchen table. They were often irritable, and Richard sometimes lost his temper. "Mother, just shut up," he would tell her when she nagged him about the case. Then, Bobi later recalled, she would go into her bedroom and lie on the four-poster bed hoping that the photographers who rented an apartment across the way for $1,000 a day had no way of knowing what was going on.Grant kept careful notes on the session. Bobi was terrified about appearing in front of cameras. She sobbed and told him, "If I go on TV Monday, I'll be embarrassed. It will be, like, whenever I go anywhere, people will be looking at me: 'Did he do it or didn't he do it?' ""If you talked to the person who is in charge of the investigation, what would you say?" Grant asked her calmly. Bobi's voice was halting, but she was firm: "He is innocent. Clear his name and let us get back to a life that is normal."A few weeks later, Wayne Grant went to a party for a Bar Mitzvah, and a guest cornered him. She asked him if he had told Bobi Jewell to cry at the end of her press conference, and then added coldly, "Nice touch."The lawyers' strategy worked: after Bobi's press conference, the Jewells were deluged with interview requests. Bryant often received 100 phone calls a day. Bobi soon developed a system: letters from Oprah Winfrey, Sally Jessy Raphael, and TV producers were stacked on the console in the living room; flowers and baskets of Godiva chocolates and cheese and crackers from the networks were sent to the offices of Wood & Grant and then on to a children's hospital.At the U.S. Attorney's Office, it had become increasingly clear to Kent Alexander that something had to be done about Richard Jewell. Janet Reno had seen Bobi Jewell on TV and was moved by her sincerity. Privately, Reno and Deputy Attorney General Jamie Gorelick were said to be concerned about the heavy-handed tactics of the F.B.I. "The case had become a total embarrassment," a Justice Department official told me, but Alexander was in a complicated situation. He was working closely with the F.B.I., and there was no sign that the bureau was ready to let go, despite growing consternation among the local agents that the Washington command center had mishandled the case. And there was another problem: Alexander did not trust Lin Wood.By late September, there was a tremendous strain within the team Bryant had hastily assembled. The other lawyers accused Jack Martin of cutting private deals with his friend Kent Alexander, pulling focus, and not being tough enough. For his part, Alexander, according to Martin, admired Bryant even though he believed he was a loose cannon, but he was fed up with Lin Wood."Alexander would say something fairly candid to me, and I would report it to the attorneys, and the next day he would see it on TV," said Jack Martin. "Alexander had checked out Lin, and he knew that he was a take-no-prisoners guy." The lawyers often argued among themselves. Wood insisted on a full-blowout press-attack strategy. Bryant had mastered his sound bite: "The F.B.I. is a 500-pound gorilla who will kick the shit out of anyone." Martin wanted the lawyers to ease up on the hyperbole: "I would say, 'We do not need to do this.' And Lin would say, 'Let's go public with this.' He was manic about it." In one argument, Wood told him, "Goddamn it, Martin, you're like my ex-wives. There isn't anything you can say I won't object to."There was an atmosphere of extreme apprehension between Bryant and Jewell as they drove to F.B.I. headquarters on the afternoon of October 6. They were on their way to what would seemingly be a session with conclusional overtones, but Jewell was worried: What if this meeting was a trick? It was difficult to believe that the bureau was really ending its two-month-long investigation into his life. For weeks, Jack Martin and Bryant had been going back and forth with Kent Alexander. Finally, Jewell had agreed to an unusual suggestion: if he submitted to a lengthy voluntary interview with the bureau, and if Division 5 was satisfied, then perhaps the Justice Department could issue a letter publicly stating that he was no longer a suspect. Jewell tried to imagine the questions he would be asked. "I wanted to look at everything from their angle," he told me, "trying to assess it and reassess it in my head."On the day of Jewell's exoneration, Jay Leno apologized for having called him a Unadoofus.Kent Alexander had set a firm ground rule: Only one lawyer representing Jewell could be in the room. It had been agreed that Jack Martin, the criminal specialist, would be the man, which enraged Lin Wood. "You could really see how these guys did not like each other," Jewell said."I am not comfortable with the one-lawyer agreement," Wood told John Davis, Kent Alexander's second-in-command, when they were assembled. "We have an agreement. If you attempt to renegotiate it, I will have egg on my face," Davis said, adding, "You are not a man of your word." With that, Wood recalled, he rose from his chair and started screaming, "You are not going to say that to me, you son of a bitch!" Kent Alexander interrupted, saying, "This is deteriorating. We aim to stop this. Let's just regroup."When Jewell, Davis, and Martin finally sat down for the interview, Larry Landers, a special agent with the G.B.I., and F.B.I. special agent Bill Lewis had lists of questions with blank space for answers in front of them. On the wall of the windowless room, there were extensive aerial photographs of the park and, as a prop, an actual park bench was later brought in. Martin believed that the agents intended to resolve areas in the affidavits and other questions: Had Richard ever accessed Candyman's Candyland for information on the Anarchists' Cookbook? Had Richard picked up any pieces of pipe when the park was under construction? Had he told anyone, "Take my picture now, because I am going to be famous"? None of this had happened, Jewell said. All he could remember telling someone was that he was off to Atlanta and "going to be in that mess down there," meaning the traffic jams. They pressed him about seemingly inconsistent statements he had made on the morning of the bombing: Why had he told Agent Poor everything was normal when he checked the perimeter of the fence? Jewell explained that he had been walking the "inside of the fence." He once again explained that he had wanted to work the sound-and-light tower so that he could watch the entertainment; he had arranged for his mother to hear Kenny Rogers four days before the explosion.The area, he told Landers, was "a sweet site" and a great place to look at girls. During a break, Martin asked about all his references to women. Jewell said he wanted them to know he wasn't gay. On several occasions, Landers became annoyed: Why couldn't Jewell pin down the times? Had he seen the drunks on the bench between 10:30 and 11 or between 11 and 11:30? Why hadn't he looked at his watch? Jewell later recalled, "I said, 'I don't go through my life looking at my watch. I don't care about time. When the bomb went off, I did not look at my watch.' They were wanting to know what time I went to the bathroom and stuff like that. When you have the runs, you are not really concerned about what time it is. You are concerned with getting to the bathroom."On the day after the F.B.I. meeting, Jack Martin dictated a 27-page account of everything that had been said during the six-hour interview. In the last moments, Davis said, "he wanted to give Richard the opportunity once and for all to say that he didn't do it." Jewell, Martin wrote, "unequivocally and fortunately said that he had nothing to do with the bomb and didn't know anything about the bomb and if he did he would be the first to deliver the bastard to their door." When Martin walked out, he thought to himself, This really was a formality. They had nothing.In November a rumor swept through the newsroom of The A.J.C. that Cox newspaper executives were rethinking their news policies. According to one reporter, "The sloppiness of the Jewell reporting and the lack of sources was the last straw." A reporter named Carrie Teegardin was assigned to write a piece examining how the media spotlight was turned on Richard Jewell. In large part, her article wound up being an examination of the role of The A.J.C. After Wood and Grant threatened to sue, the article was killed. "We didn't get through the editing of it," John Walter said. "The Jewells' attorney began saying, 'We're thinking lawsuit' . . . and that made us more cautious." Meanwhile, Lin Wood and Wayne Grant were busy holding meetings with lawyers from NBC and Piedmont College. At NBC, Tom Brokaw's carelessness reportedly cost the network more than $500,000 to settle Jewell's claims, although Jewell's lawyers would not confirm a figure, BROKAW GOOFED AND NBC PAID, the New York Daily News would later headline. In talks with Ray Cleere, the figure of $450,000 by way of settlement was first suggested, then withdrawn when Piedmont College learned that it had insurance. "This will cost them millions now," Lin Wood believes.On one occasion I asked Richard Jewell if he had any theories about who might have placed the bomb. Jewell said he had popped "two or three theories off the top of my head" on the night he was interviewed by the F.B.I. "I have gone over that night hundreds of times in my head. You try to think, What type of person would do that? I know it is someone who wanted to hurt people. It is someone who is sick. I hope they find him so he can get the help he needs. Because I am totally torn up about what happened. Every day I think about it, and I will think about it for the rest of my life."Jewell often speaks with Bryant three times a day. As Jewell searches for a new job, he hangs around Bryant's office, and he recently studied handwriting analysis at the police academy. He has been offered several security jobs with Georgia companies, but he is hoping he will be hired as a Cobb County deputy. In the meantime, Bryant, Wood, and Grant have become sought-after speakers on the First Amendment.At F.B.I. headquarters in late October, Bobi Jewell broke down and cried as she identified their possessions—the Disney tapes, the Tupperware, Richard's AT&T uniforms, address books. It was a tableau of ordinary middle-class life, laid out on brown paper on a long conference-room table. "I just don't fucking believe this," Watson Bryant said angrily as he packed Bobi's videos into packing crates. "The agents tried to shake my hand," Bobi told me. "I wouldn't touch them." It took 10 hours to remove their possessions, Bobi recalled, and four minutes to return them.The F.B.I. is working on a new and elaborate theory of who did place the bomb in Centennial Park. There is an informed opinion that the backpack discovered a week earlier had in fact been a test run to check F.B.I. procedures, and that the bomber—perhaps a member of a militia group—was quite experienced and had struck before. After a torrent of criticism in the press, Louis Freeh announced that the F.B.I. had arrested Harold Nicholson, an alleged spy for Russia, and he used the opportunity to appear on the Today show and Good Morning America, hyping his role in what was a minor arrest, according to one former F.B.I. agent.In Australia in November, Bill Clinton was asked about his campaign contributions from Indonesia. "One of the things I would urge you to do, remembering what happened to Mr. Jewell in Atlanta, remembering what has happened to so many of the accusations . . . that have been made against me that turned out to be totally baseless, I just think that we ought to . . . get the facts out." When Jewell learned of his comment, he pulled up the transcript from the Internet and became angry: "The president is just using me, like everyone else."What rights does a private citizen have against the government? The legal precedent for suing the F.B.I., Bivens v. Six Unknown Agents, focuses on the behavior of individual agents. Wood believes that Jewell has a strong case against Johnson and Rosario. When Wood learned of Colonel Ressler, he hired him as a possible trial expert. In December, the F.B.I. announced that it would pay up to $500,000 to anyone who could lead it to the Olympic Park bomber.As Jewell and I drove back from Habersham County in November, he went over the early-morning hours of July 27: "I remember all of the people who were my responsibility. I remember the guys' faces who were flying through the air. I remember people screaming. The sirens going off. I don't think I will ever forget any of that. You just kind of wish sometimes. You think, Could I have done something else? . . . What if we only had five more minutes? Then maybe nobody would have been hurt. But you are what-if-ing. I have been over it a thousand times. I think we could not have done it any better. I think that is something I will always be wondering."He said he was not sure if he would ever get a job in law enforcement again, particularly since he had been held up as a cartoon figure. On the day of Jewell's exoneration, Jay Leno apologized for having called him a Unadoofus, and said, "If Jewell wins his lawsuit with NBC, he will be my new boss." He later said that this was "the greatest week in trailer-park history." The Atlanta radio station 96 Rock had put billboards of Jewell all over town; "Freebird," they said, a reference to the Lynyrd Skynyrd song. Jewell would later file suit against the station, but the billboard's message was clear. Jewell knows that for many people in America there will perhaps always be a subtle doubt: What if, after all, Richard Jewell really did do it? What if the government let him go simply because it could not make its case? Then he becomes not the innocent Richard Jewell, but the Richard Jewell who may be innocent. "You don't get back what you were originally," he told me. "I don't think I will ever get that back. The first three days, I was supposedly their hero—the person who saves lives. They don't refer to me that way anymore. Now I am the Olympic Park bombing suspect. That's the guy they thought did it. "February 1997 | Vanity Fair

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  • Rebel Scum
    2015/5/16 9:44:23
    (无剧透)酷到全影院原地炸裂升华

    看本片无需补前三部。没听清对白的请看→【完全剧透】剧情全回顾:http://movie.douban.com/review/7480004/一个消息定下心:今年4月3日,Tom Hardy宣布自己又签

    看本片无需补前三部。没听清对白的请看→【完全剧透】剧情全回顾:http://movie.douban.com/review/7480004/一个消息定下心:今年4月3日,Tom Hardy宣布自己又签了三部Mad Max。导演五月开推表示下一部名为Wasteland,剧本差不多完成了。如果国内不能上映这部电影,真的非常遗憾。请祖国母亲不要让我失望。=====原地爆炸的无剧透评=====一个看上去(其实并不)简单粗暴的后末世时代生存与反抗故事,兼具西部片的凶猛,公路片的奔放,邪典片的脱俗和时尚大片的超凡艺术气场,可能还有点振奋人心的侠客情怀,加近年来最让人拍手叫绝的真.女权主义。观影过程仿佛拆礼包,每隔五分钟一个惊喜,不,是全片都惊喜,目不暇接,目眩神迷。因为男女主辣到冒烟,汤哈厚实的身板和射击杀伐果决不省子弹的打法是对硬汉的完美诠释,塞隆凌厉的眼神、笔直的大长腿和烟熏战妆,让每个人都呆呆地化身为舔屏狂魔(我会说开场汤哈一个背影杀就让我流下了痴呆的口水吗);因为画面太美,色彩太炫,每一帧都是壁纸,每个人都恨不得怒点右键将场景铭记在心。这是一部魔性的电影,一部你第一次没看IMAX就必然会受到二刷诅咒的电影。首映日当天看到两个身处不同国家的友邻同时发广播,宣布要去看IMAX二刷,我当时还在想,不至于吧?然而今天,一刷过后,身在第三个国家的我跪在键盘前颤抖地订了明天的IMAX票。我可从没想过如今会有动作片酷炫到这个层次啊。当我已经对MCU和变形金刚为代表的一系列标准特效免疫时,Mad Max从第一个镜头就让我直了眼睛,再用接下来美不胜收的废土风景、邪典至极的设定、血液沸腾的动作戏和激情澎湃的音乐(本片配乐JunkieXL将负责DC蝙蝠侠电影配乐,Darkness!)把我牢牢按在座椅上忘记了尖叫,忘记了眨眼。内心深处,我几乎是跪着看完电影的。尽管看的是2D普通屏,然而整个人就像经受了一次又一次沙暴冲击,在扑面而来嗨翻天的eyecandy轰炸下泪流满面地想——求你了!不要停!王的男人的动作戏与之相比就是奶油小生的花拳绣腿。素鸡7的追车戏与之相比就像幼儿园小朋友开碰碰车。真不是我见识少,是导演太会玩,知道怎么玩会有吊炸天的效果。SXSW电影节上,乔治米勒放映了影片片段,完了之后一男的站起来就问:“你他妈是怎么拍出这个的!” 这个男的就是罗伯特.罗德里格兹,一个把M16装在自己老婆断腿上的变态。所以你能想象到,看片过程就是张着嘴巴感叹:次奥,谁想的这个主意!这怎么拍的!预算君还好吗!快给艺术指导加鸡腿啊!回来后才知道,全片80%的特效都是实景拍摄,动用了替身(包括杂技演员)、大量化妆技术和实景搭建,改装车都是真的,最后基本都给炸了。演员也是在纳米比亚沙漠摸爬滚打,整个剧组特别辛苦,汤哈和塞隆呆在War Rig里两相对望八个月,简直崩溃。而CGI多用在废土的地貌全景和女主的机械臂(其实是塑料)上——实景大法好。请记住,凡是能用实景就用实景,实在不行才用绿幕和CG的,都是业界良心。补充一下,实拍和CG很好区分,凡是让你审美疲劳的都是绿幕+后期CG。目前实拍党里还有一个克里斯托弗.诺兰,《星际穿越》的视效在一堆宇宙片里显得独一无二让人过目不忘也是这个原因。而在影片呈现的效果方面,乔治米勒之前有两个要求,一是要色彩尽可能的丰富,以和其他末世题材昏暗单调的不饱和色彩区分;二是要在艺术指导方面尽可能的美,因为他认为,在物质贫乏的末世,幸存者会寻找一切能带来点美感的东西。可怕的是他们都做到了。一部再三拖拉的电影可能会是一个噩梦,本片制作进程极其多舛,丧心病狂横跨20年,包括和福克斯的你来我往、版权移交华纳、吉布森负面新闻不断、伊战、澳洲罕见降雨让取景沙漠变花园等等。然而好事多磨,观众体验到的,是他们心甘情愿掏空口袋大喊“快把我的钱拿走!”的极致感受。IMDb两万人打分,评分9.0,Metascore高至89。Hitfix给出满分好评:“ 乔治米勒通过Mad Max传达出的东西完全不简单,完全让你无法预测。这是一部硬核的大师级动作片,美丽而机智,惊艳到完全颠覆了如今人们对超级大片的定义。”每个月都会固定去几次影院,看到了王的男人、侏罗纪公园和明日世界的预告,从没看过Mad Max。据说在影片宣传方面华纳也落了下风,这倒霉公司简直外强中干,排片少,IMAX屏全让复联2和明日世界占了。然而酒香不怕巷子深,它悄无声息地在首映当日就抓住了所有人的心,突然震翻了你的内心世界。在如今千篇一律的动作片中,它简直如清风拂面,让你意识到,除了超级英雄片,好莱坞还是有人能拍点别的的。谢天谢地。ps. 花絮来自IMDb Trivia花了不少时间认出了Nicholas。骚!真骚!天真!好天真!Tom Hardy太适合戴口器,说话含混的样子性感到全影院脱裤子。如果大家没有脱裤子,那肯定在看到塞隆阿姨战士妆的时候脱了。看到这里你是不是想,楼主,我准备好了,就坐等上映了…………NOOOOOOOOOOOOOOOO!Your body will never be ready for this. Trust me.开摇滚live的那个,扮演者iOTA已出柜。要是末世我没看到这个live我会生气的。=====以下内容涉及剧透=====以下内容涉及剧透=====以下内容涉及剧透=====Mad Max与女权主义=====汤姆哈迪:这部电影的主角是一位断臂的女性,它完完全全表现了女权,现在是他妈的时候了。(The lead of this movie is a female amputee. It’s a total empowerment of women. It’s actually about ****ing time.)在动作片里什么叫女权主义?给宅男们一个他们想要的紧身衣超级女英雄,让她在银幕上以最性感的方式大杀四方拯救世界,然而在现实里这个演员被问及最多的还是如何保持好身材你和谁谁有暧昧关系,且无论她怎样努力,自己的同僚还“开玩笑”说她的角色是个whore?而更多拥有战斗型女角色的影视,一到Boss战又恢复了“传统的”、看似不可变动的模式,即男人和Boss打,女人则去对付二把手。更低一级的可能是侏罗纪公园这样的电影,它也有女主角,然而短短两分钟的预告就告诉了我们这是一部传统的肌肉智慧男拯救纸上谈兵高贵冷艳的科研学术女的故事,她的命必定由他来救,他俩必定要在结尾处一起看夕阳。这不是女权主义。它在提升全世界女权意识方面并没有太多贡献。但是Mad Max却是一部实实在在的女权主义电影,以至于电影一出MRA(Men's Rights Activists)就奔走疾呼要抵制它,控诉它把属于男人的动作片变成了女权宣传片(propaganda)。其实导演本人并没有想刻意拍出女权片,一切只是基于影片剧情,另一方面也因为他自己是女权主义者,潜在意识里男女平等无区别,所以让本片自然而然不露痕迹地宣传了女权。在我看来这就是最正确的态度,并不存在“没有强力女角色我们要被骂性别歧视了所以赶紧塞一个应对Bechdel Test吧”。根本不是这回事。有人肯定要问,怎么女权了?女人多就是女权?还不是超模卖性感?不是——当然,也可能有人只注意到了超模卖性感。这部电影里主要女性角色确实很多,有12个,每个人都有台词,老中青三代,有美女有老太,而她们并没有讨论男人,更没有成为男性角色的附庸——在一般的主流片里,她们必定要为某几段浪漫关系存在,而在这里,她们谈论的却是一颗子弹解决一个男人。作为逃亡者出现的五妻子,第一个特写镜头就是挣脱枷锁,拥抱自由。这个决定是她们自己做出的,尽管她们纤细,脆弱,没有战斗力,却迈出了风险极大的一步,带着不自由毋宁死的决绝。如果是一般主流片,标准结局可能是旅程最后她们通通战斗力提升,个个都是神射手。但这里不是。在影片的后半部分,她们仍然需要人保护,然而意志并未动摇,且始终在进行力所能及的反抗,从开始拉住和Furiosa扭打的Max的锁链,到中期把整个身体横出疾驰的战车威胁施暴者,到最后毅然跟随Furiosa回头直面整支军队——这才是现实,这告诉我们你不一定得练出肌肉才能坚强,无论你处于何种环境,你都可以凭自己的意愿做出选择,而这种意愿可以完全无关男性,无关爱情,只关于掌控自己的命运。Furiosa,一个撑起主线剧情的拯救者,仍然是位女性。更重要的是,她还是位复仇者。据塞隆说,Furiosa带走五妻子的初始动机其实是报复Joe夺走了自己最珍贵的东西,所以她也要夺走他最珍贵的。这设定让角色更接近现实了——这个世界观下不太会有人自愿当英雄。然而定义一个人的终究是其行动。自幼时被掳,在敌营中凭实力步步高升,时机成熟后策划了逃亡,肩头压着五个人的性命安危,身后跟着暴君的全部车队,无论是男是女,做出这样的举动都需要极大的勇气和极坚定的意志,更不用说她在锤炼中走到今天的地位,从受害者爬升到Imperator,一路忍受了多少折磨。导演把这个拯救者的角色设定为女性,自有他的一番道理。据他所说,如果Furiosa是个男的,那么就相当于一个男人从另一个男人手里拯救了五个女人,带她们踏上逃亡之旅,意思就完全不一样了。所以Furiosa只能是个女人,而战士和女性身份从来不会产生冲突。因此我们看到了近年来银幕上最值得赞誉的战士。这种英勇程度超越了性别。当你想起Furiosa,当你想起她坚如磐石的眼睛里折射出的火与沙,你一定会想,性别是多么无趣的分类啊。我还想提到的是,近年来银幕上出现了很多强有力的female badass形象,均性感冷艳战斗力高,可能有的还把男人揍成狗或玩弄于鼓掌之中——然而这种程度的角色塑造比之Furiosa,是多么苍白浮夸表面化。“性感能打架”的强力女性并不是对女权的最好诠释。女权是人人平等,最终目的是让人们在做出评判时忽略性别。我想,无论你是男是女是女权主义者还是直男癌,当你接触到Furiosa,你打心眼里只有一种情绪——敬意。一路沉默寡言的Max,最后亲自输血救人,亲口告诉昏迷中的她自己的名字(自从第二部后他就没告诉过任何人自己叫什么了),也是在抒发极致的敬意了。多年来不萌BG的我和友邻,真是相当心动。如果说Max只剩下了野兽般的生存本能,那么把他拉回人类这边的就是Furiosa。那时他们刚生死对决没多久,Furiosa就在峡谷里把车托付给了他,而那时Max还有一袋各色武器,完全能抛下她们开车远走高飞。这种完全的信任和对待正常人类的态度,是让Max入伙的最关键因素,他在之后也全身心地回报了。战斗中达成的默契简直是最高级的浪漫(说真的,糙汉式的插管输血真的很浪漫啊)——然而!然而!这是另一个值得夸赞的地方——男女主之间并没有爱情!这个故事里并不存在男女主的感情线!一对儿见面即打架,逃亡途中第一次枪战就默契十足,中后期持续同步率爆表配合无间,期间互相拯救若干次并向对方交代后事(Furiosa毫无保留地告诉了Max如何开她的车,Max在沼泽地一个人咚咚咚跑走单刷),最后血脉相连的男女主,他们居然没有感情线,他们居然没有在一起。没错,这就是最现实的情节,也是最尊重观众的体现。一般导演老早就找个机会在逃亡间歇让他们滚一起了,因为他们觉得爱情戏很有必要,如果你有个美丽的女主角,和一个硬汉男主角,你不让他们发生什么简直说不过去,在很多人看来,女角色的用处之一就是卖肉/给男主增加感情戏嘛。BBC的一篇报道特意提到:她不但是个酷炫十足的战士,更重要的是,她的存在并不是要给Max增加一段浪漫关系(More importantly, she is not there to serve out a romantic storyline between her character and Max)。塞隆:你身处一场机车追逐战,我们不能停下,一停下就会死——然后你让他们靠边停下来啪啪啪,或者坠入爱河?观众会立刻一秒泄气的吧。不幸的是,很多电影制作者觉得这两个可以兼得(战斗+爱情)。而这部电影的伟大之处就在于,拥有浪漫关系的奢侈从来不存在,我是说,他们之间根本说不了话啊。我们都从没谈起过这个-它从来就不存在,没人说“也许”,因此我们也无需抵制什么。他们永远都只是战斗搭档,初遇时根本看不起对方,结束时对彼此抱有最崇高的敬意。看,这是一部多么奇妙的电影。美丽能打默契十足的男女主角居然没有爱情戏?那是因为角色够丰满根本就不需要爱情线画蛇添足啊!两个战士之间的高尚情谊足矣。全片最萌的段落之一,不就是影史绝对硬汉Max,把SKS的最后一发子弹让给了Furiosa,后者接过SKS架在他肩上,平静地说了句别呼吸,然后果断开枪暴击得手,两人均淡定无比,废土日常,只有我在担心Max的鼓膜。另外还要提到的是“Many mothers”。这帮骑摩托的老太太让之前一干动作片预告里的硬汉显得弱爆了。在茫茫废土,她们不需要男人的帮助也能生存下来,还保留着绿色世界的种子,那是后天启时代最后的希望。Max和女性角色的互动也是让大家交口称赞的地方。除了初次见面为自保命令了两个女人,Max再没有给其他人下过命令,也从没有表现出自己是领导者的样子。他所做的就是兵来将挡水来土掩,保护她们,解决追兵,提出建议,但是让别人做出自己的选择。整个旅途给人的感觉是人类之间的互相信任和尊敬,而这点又可以让所有人无视性别。这就是一部让人无视性别的电影,对我来说,这就是电影圈需要的女权主义。女性不是男性的附庸,男性也不是推广女权的道具,人皆平等,彼此尊重。可惜有些人并不这么想,他们无法忍受一部“属于男人的”动作片里女性大放异彩,无法忍受男主角并没有凌驾于女性角色之上。也许他们的观念会逐渐改变。当米勒还是个年轻人时,他也是个大男子主义者,然而,“后来我有幸和很多伟大的女性共事,我自然而然就成为女权主义者了”。很奇妙,一部似乎只是高潮迭起、简单粗暴的视觉系爽片,居然拥有这般内涵,我相信这不是我的过度阐释。从影评来看,受鼓舞的人不止我一个,背景虽是废土,核心却是希望,硬核动作片,独立自主的女性却literally撑起半边天——这对于那些以为在银幕上塞几个性感能打的动作女星就能体现女权主义,和那些个个都想学TDK三部曲玩黑暗以为这样就能深化动作片主题结果画虎不成反类犬搞出的电影既不酷也不深刻的电影制作者,是多么强力的一巴掌。Mad Max is the film we deserve, and the film we need right now.最后致Furiosa,致Max,致战斗在无论什么路上的所有人。附:《帝国》专访乔治米勒,谈命途多舛差点夭折的Fury Road http://www.douban.com/note/499554061/DC旗下Vertigo出品的前传漫画,第一卷将于5.20发售,讲述Immortan Joe及Nux相关故事。第二卷讲述Furiosa,6.17发售。接下来的两卷讲述了Max的故事和通向Gastown的危险之旅,将于7.8和8.5发售。最后的精装合辑8.26面市。(漫画及周边资源可关注Batman小站WatchTower版块,我正在汉化,进度很慢请不要等我,会修图请豆油)*导演真细心,在结尾处让Max离开了Citadel,深藏功与名。他把一切荣耀留给了Furiosa,并且成功避免“只是政权更换男主有可能成为下一个暴君”或者“男主有后宫咯”的无聊猜测。

    2021.11.

    因为经常被豆瓣关小黑屋,我只好放一下公众号:墨带(ink_ribbon)

    【详细】
    74736689
  • Sarah
    2020/10/31 21:24:36
    看电影学摄影
    电影情节很简单,有点像法国版的《成长的教育》。电影的画面很有质感,对人物关系的安排非常细腻,其中多数都是两个人的场景,在日常摄影中也是很有借鉴意义。 还有一些宝拉单独出现的镜头,布景和她的服饰颜色有些很和谐的呼应和对比。 这个故事不是太法国,可能是太有教育意...  (展开)
    电影情节很简单,有点像法国版的《成长的教育》。电影的画面很有质感,对人物关系的安排非常细腻,其中多数都是两个人的场景,在日常摄影中也是很有借鉴意义。 还有一些宝拉单独出现的镜头,布景和她的服饰颜色有些很和谐的呼应和对比。 这个故事不是太法国,可能是太有教育意...  (展开)
    【详细】
    12945215
  • 大海里的针
    2017/5/16 16:30:09
    《欢乐颂2》三观不正?何时三观成了好剧的评判标准
    现象级大热剧《人民的名义》刚播完,《欢乐颂2》马上接过了接力棒。 在去年,《欢乐颂》同样是一部引起了广泛讨论的作品。所以借着前作的影响力,《欢乐颂2》刚刚播出就吸引了不少目光。 只不过,豆瓣评分却比前作低出一大截。 看了眼评论区,很多人给差评的理由都是认为该剧“...  (展开)
    现象级大热剧《人民的名义》刚播完,《欢乐颂2》马上接过了接力棒。 在去年,《欢乐颂》同样是一部引起了广泛讨论的作品。所以借着前作的影响力,《欢乐颂2》刚刚播出就吸引了不少目光。 只不过,豆瓣评分却比前作低出一大截。 看了眼评论区,很多人给差评的理由都是认为该剧“...  (展开)
    【详细】
    8544217
  • 慕容妃
    2021/8/15 14:51:08
    2021开心一夏

    这剧我都二刷了,一刷的时候笑的不行,作为一个笑点高的人,很难找到一部这么好笑的作品。

    这部作品总是给人更多的惊喜,剧情经常反转,真香从未迟到。该剧是女尊沙雕搞笑甜宠剧,很治愈也很正能量。女主不再是玛丽苏或者傻白甜,而是花痴又聪明,一直在走事业线而不是感情线。男主是感情事业两手抓,人

    这剧我都二刷了,一刷的时候笑的不行,作为一个笑点高的人,很难找到一部这么好笑的作品。

    这部作品总是给人更多的惊喜,剧情经常反转,真香从未迟到。该剧是女尊沙雕搞笑甜宠剧,很治愈也很正能量。女主不再是玛丽苏或者傻白甜,而是花痴又聪明,一直在走事业线而不是感情线。男主是感情事业两手抓,人前沙雕,背地腹黑精明,两个身份。

    二刷的时候无意中被男主萌的一脸血,这个夏天就让我在这姨母笑中度过吧。(本人不善言辞,勿杠,看看就好)

    【详细】
    13798291
  • 慕斯
    2018/11/21 23:19:35
    平平淡淡才是真 相信经历过的人一定懂
    这篇影评可能有剧透 看完这部电影 我最不喜欢的一点就是基调过于沉闷黑暗 对于我这种小白来讲 易造成心理阴影 开篇 广濑铃饰演的小女孩亲眼目睹自己的母亲被龙卷风卷走 她将其归因为自己任性 执意要去看湖水 耽误了回家的时间 才致使母亲去世 福士苍汰饰演的少年 遭遇了母亲和妹妹因硫化氢气体中毒..
    这篇影评可能有剧透 看完这部电影 我最不喜欢的一点就是基调过于沉闷黑暗 对于我这种小白来讲 易造成心理阴影 开篇 广濑铃饰演的小女孩亲眼目睹自己的母亲被龙卷风卷走 她将其归因为自己任性 执意要去看湖水 耽误了回家的时间 才致使母亲去世 福士苍汰饰演的少年 遭遇了母亲和妹妹因硫化氢气体中毒...  (展开)
    【详细】
    9776258
  • 唐僧洗发用飘柔
    2021/3/17 0:03:48
    上帝即是导演
    这篇剧评可能有剧透 看不懂的很正常,因为我们没有认真的去读过圣经和犹大福音。本片要讲的是犹大背叛耶稣的故事。但是大家都认为是犹大自己背叛,其实还有一种是上帝之子耶稣让犹大背叛,全是一场戏。撒旦在背后推波助澜( 《旧约·约伯记》中,撒旦是众天使之一,奉上帝之命考验约伯,并不与上帝...
    这篇剧评可能有剧透 看不懂的很正常,因为我们没有认真的去读过圣经和犹大福音。本片要讲的是犹大背叛耶稣的故事。但是大家都认为是犹大自己背叛,其实还有一种是上帝之子耶稣让犹大背叛,全是一场戏。撒旦在背后推波助澜( 《旧约·约伯记》中,撒旦是众天使之一,奉上帝之命考验约伯,并不与上帝...  (展开)
    【详细】
    13324253
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