有时候我们对爱,对生活,和这个生命,都已尽力。
A Star is Born,and A Star is Fading for good.
整个电影里,Bradley Cooper 饰演的 Jackson Maine似乎一直都是醉醺醺的,镜头摇摇晃晃,他对着周围的人轻声细语而又无限温和,像极了每一个曾经用喝酒逃避的我们,酒精上头,烦恼都忘记了,飘飘欲仙,以至于可以暂时
有时候我们对爱,对生活,和这个生命,都已尽力。
A Star is Born,and A Star is Fading for good.
整个电影里,Bradley Cooper 饰演的 Jackson Maine似乎一直都是醉醺醺的,镜头摇摇晃晃,他对着周围的人轻声细语而又无限温和,像极了每一个曾经用喝酒逃避的我们,酒精上头,烦恼都忘记了,飘飘欲仙,以至于可以暂时宽容这个世界,而变得无比温柔起来。从某种意义上来说,酒精也是一种拯救,营造一个小小的庇护所,让Jackson逃离生活中的无尽黑暗。
然而,当Jackson凝视深渊的时候,深渊也正在吞噬着他,直到他再也看不到一丝光亮。
在他坠落之前,他也曾经努力过,他试图去爱人,也被人深爱,试图为自己的荒唐道歉,试图为所爱之人改变,试图坚强,试图勇敢,但故事的最后,所有的试图都变成了徒劳。
Lady Gaga饰演的Ally已经尽力,没有更多能做的了,她深爱她的Jackson,尽管知道Jack酗酒却还是一次次的为他收拾烂摊子,嘴上警告着却还是义无反顾的嫁给了他,而后来做出了成就Jack却令她当众出丑,即使这样也不放弃他,积极鼓励他去戒酒,甚至不惜赌上自己好不容易闯出来的事业。
但残酷的是,所有这一切,却还是无法逆转Jackson的死亡。Jackson喝醉了酒说出了很伤人的话,在Ally梦寐以求的闪光时刻让她十分难堪,有时候任性的肆意妄为,仿佛全天下都要围着他转,完完全全就是让人厌倦的酒鬼。但最后,在他生命终结的一刻,我们还是为他感到无比的惋惜。
这种惋惜不是来自于人之将死,其言也善那种善良,而是因为我们知道Jackson已经尽力,幼年的严重缺爱而没有安全感,中年作为音乐家却逐渐丧失听力,唯一的解药酒精却给周围的人不断带来麻烦,到了这一刻,他生命的光亮全都走到了尽头,结束生命的决定甚至看上去也不那么不合情理。人们可以轻易的谴责他要靠酒精和药品来逃避现实,但勇于对抗生活的斗士值得我们的赞扬不意味着不那么坚强的人需要被人们看低,毕竟我们都不足够了解他人面对的困难。
我们总为一些人的逝去感到遗憾,如果是亲近的人我们更遗憾在他们离开之前没有更多的关爱他们,让他们拥有活下去的希望,但有时候自我了断是不可逆的,就像片中的Ally,她做了一切,宽容又小心翼翼的爱着Jack,但即使这样也是不够的,这一点点的光,也不过尽数被Jack身后的黑洞吸收,而Jack再也无法看到,就算看到,也不足以将他拉出泥潭。
对于旁观者来说,也许很难理解真的需要解脱的人,但是我们能做的,还是像Ally一样,尽力去爱,当我们的爱也无法拯救他们的时候,就永远的记着他们的好,也不要过多的自责和责怪他们。虽然在解脱的那一刻,他们已经感受不到和这个世界的联系,但是他们会记得自己曾经被爱,让人被爱,并且经过,在所有人事已非的景色里,也能体面的告别。
2022.06.19
2022.06.19
文/夏丽柠
昨晚一开播就连追了两集,剧情听起来很简单,讲的是四个即将大学毕业的女孩,在青春路上,历经坎坷,努力地向自己的梦想奔跑的故事。青春,对每一个人来说,或许时间长度一样,但感受一定不一样。因此,看剧的同时,我不由得会回想起很多大学时期的事情。
这部剧和其它的青春剧不太一样,它没有
文/夏丽柠
昨晚一开播就连追了两集,剧情听起来很简单,讲的是四个即将大学毕业的女孩,在青春路上,历经坎坷,努力地向自己的梦想奔跑的故事。青春,对每一个人来说,或许时间长度一样,但感受一定不一样。因此,看剧的同时,我不由得会回想起很多大学时期的事情。
这部剧和其它的青春剧不太一样,它没有虚浮的三角恋、没有飘渺的创业、没有狗血的撕逼、没有开挂似的升级打怪。剧中的四个女孩,快乐和烦恼都和二十岁时候的我们一样,看着代入感极强,像极了大学寝室里的“你、我、她”。
第二个认错车的故事太奇怪了,觉得自己要被人杀掉打电话找教官很正常,教官神经病那就换110啊,又不是破不了的局。明明没做过的事写威胁信又不是大事,最讨厌这种从上而来的装逼犯,以为可以自己定规则搞定,希望室内设计妹子早点退学,室内设计多好别和傻子混一起。
大神的颜值也没法洗掉风间的逼感。
第二个认错车的故事太奇怪了,觉得自己要被人杀掉打电话找教官很正常,教官神经病那就换110啊,又不是破不了的局。明明没做过的事写威胁信又不是大事,最讨厌这种从上而来的装逼犯,以为可以自己定规则搞定,希望室内设计妹子早点退学,室内设计多好别和傻子混一起。
大神的颜值也没法洗掉风间的逼感。
影片的时代背景正处在改革浪潮之中,内容不多赘述。
影片的时代背景正处在改革浪潮之中,内容不多赘述。
信息量过大,挑一些我觉得应该记住以防忘记记一下。
(其实好些内容看的时候就已经忘了)
第一集:
1. 卢卡斯想做星战,但是发现没有一个公司能做出来他想要的东西,就自己成立了一个公司搞这些
2. 具体有多少时
信息量过大,挑一些我觉得应该记住以防忘记记一下。
(其实好些内容看的时候就已经忘了)
第一集:
1. 卢卡斯想做星战,但是发现没有一个公司能做出来他想要的东西,就自己成立了一个公司搞这些
2. 具体有多少时间来制作这些特效我忘了,甚至不记得片里说没有,不过,让我感觉有些幽默的是,这些人花了6个月的时间,自己设计并且制作了一台能够运动的摄像机,用来拍摄他们想要的视觉效果。然后,他们开始了学习如何使用这台摄像机。这个时候,离电影上映还有6个月的时间,特效部门差不多还剩400场戏没拍。然后这一集就以卢卡斯的一句:I'm not happy为结尾了。哈哈哈哈哈哈,就感觉,这种纪录片还能整出来搞笑在里面,真是挺逗的~
看这部片是因为成长中和主角有着类似的经历。
年轻总会让人想去探索和寻找,不免最后会发现一些意外的结果,而这些结果则会让你心目中那个形象慢慢的破碎。在成长的过程中,会对慢慢了解到心目中理想形象现实的一面,而对他们原来本是有着许多期待。在车库中已经被发现藏着SM杂志的父亲,还浑然不知的教育着儿子“NO PICTURE”,十分感同身受。
原本希望影片在青春期面对父母成人现实
看这部片是因为成长中和主角有着类似的经历。
年轻总会让人想去探索和寻找,不免最后会发现一些意外的结果,而这些结果则会让你心目中那个形象慢慢的破碎。在成长的过程中,会对慢慢了解到心目中理想形象现实的一面,而对他们原来本是有着许多期待。在车库中已经被发现藏着SM杂志的父亲,还浑然不知的教育着儿子“NO PICTURE”,十分感同身受。
原本希望影片在青春期面对父母成人现实的一面能有更多的探索和表现,可惜没有,之后画风直接转入了犯罪惊悚题材,是一大遗憾。
但是导演的镜头运用和剪辑的方式让影片一直吸引着我。
最后儿子的处置方式,和最后镜头的意义是不是表达了什么?
最后的最后,可能影片不算精彩,但真的不是一部烂片,6.1的打分太轻视他了。
还是希望不要恶意打低分,魏大勋的努力不想因为某些事而消费!另外魏大勋的哭戏真的很好看!…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………希望魏大勋的未播剧都能早点播出!
还是希望不要恶意打低分,魏大勋的努力不想因为某些事而消费!另外魏大勋的哭戏真的很好看!…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………希望魏大勋的未播剧都能早点播出!
Feel Good is a low budget 6-episode TV show which mysteriously skipped my attention when it was first brought up by a friend: probably because it features n
Feel Good is a low budget 6-episode TV show which mysteriously skipped my attention when it was first brought up by a friend: probably because it features no big star (Lisa is one, but in a small role), and British TV shows like Fleabag and Killing Eve have raised the bar very high now.
However, one night, I started to watch the first episode and was very impressed. The not so sub plot of addiction is so well-written. I really like it when Mae (its main character shares the same name with the writer and lead actor, which is a bit confusing) expands the definition of ‘addiction’: ‘it’s all the same feelings, craving, and withdrawl, and relief, and obsession. We are just swapping one addiction for another’. By doing that, Mae Martin (I will use the full name when referring to the creator) connects the love story and Mae’s struggle to stay clean together. Mae Martin challenges the audience to view addiction as not only a struggle among a group of people, but something many of us face when being in a toxic relationship with partners, or, say, social media. By then, I am convinced Feel Good is quite good because the creators know ‘nuances’. Its focus on addiction also reminds me of Killing Eve S2, the key word for its 2nd season is ‘obsession’. While both handle compulsive/toxic feelings between people/people and object, Killing Eve’s take on obsession is disappointing, Feel Good, on the other hand, only gets better episode by episode.
Story aside, I am mesmerized by how the show introduces the love story to the audience. It is fast-paced. As Guardian remarks, ‘Feel Good moves so quickly and lightly that it seems impossible it could also be managing to construct characters and burrow into psyches as deeply and empathically as it does.’ You never need to fast-forward; it’s densely-packed but you won’t feel stressful; the plots mingle effortlessly. It takes 30 seconds for Mae and George to fall in love with each other. I love how unconventional and unapologetic it is. I love how an LGBTQIA (bless Joyce) story focus on how the two lovers enjoy their relationship (at least for the most part) without giving too much attention to how they are unsure if the other is into them, or suffering from loneliness because they can’t find a partner. Of course the loneliness issue exists and there is suffering, but there are many representations of those already. Feel Good shows how the relationship can be the start, rather than the ending, of a story.
I also like how the struggles of Mae and George are more about themselves making choices than them being in disagreement with a suffocating society. It is refreshing to see not only Mae’s parents, but George’s mother, support their sexuality. Mae’s gig pals don’t make a fuss about her having a girlfriend. The roommate Phil is an angel. The lead of the support group is a gay man; Lava is loved by her mother regardless of her sexuality. While Binky’s husband and his friends are ‘piece of shit’, I don’t see them as homophobic (I could be wrong though). The show demonstrates that everyone can and should be nice to LGBT+ community. I like how Feel Good doesn’t use societal approval as a trope; instead, it allows us to see Mae and George as individuals who make their own decisions. Yes, sexuality is and will be important in their lives, but they don’t let it to devour them, they can still breathe.
The relationship is beautifully written and wonderfully performed. I mean THE CHEMISTRY!! Yes there is sex. As Mae Martin said, she didn’t want the lesbian sex to be voyeuristic. I congratulate her in doing a fantastic job!! Feel Good has amazing sex scenes: they are romantic, witty, hilarious, and honest. The director and writers make sure the sex scenes are not about sex/lust only, they are also about female pleasure. Mae and George communicate and share their sexual preferences; they don’t force their fetish on the other, instead, they ask politely. The show doesn’t mystify lesbian sex: even lesbians can’t cum and that’s ok! Feel Good has achieved what Sex Education has done: it has educated people (older than high schoolers) how to have sex, and more importantly, how to discern when the relationship is going south.
There are nudity scenes and they are (quite literally) serving the plot: it is when Mae feels most vulnerable physically. The paradox of the physicality and the personality is, however, not restricted to gay people. Mae is struggling because she believes however hard she tries, she can never have George in the long haul because George is ‘culturally straight’. George, however, insists this idea is just in Mae’s head. (Or is it?) It becomes apparent that the couple is not on the same page on many things. Mae is shy but she wants public validation of their relationship: she wants to be blessed by George’s family and friends. George is popular (win the lottery) but she is ultra private when it comes to Mae. She points out her friends just want to crack a joke and emotions (mind, not sexuality), for them, is gross. Eventually, George will have to face her own real emotions. There is a moment where Mae questions why George never like/retweet her social media stuffs. As Fleabag says ‘Hair is everything’, the (non)usage of social media, I argue, is (almost) everything. This again shows the discrepancy between the couple – which, of course, is normal; in every relationship/friendship, such disagreements happen and that’s what makes this show so relatable.
It is interesting to note that the dynamic between the two flows all the time. I find myself on the side of Mae and then I am on George’s side! For example, the first episode shows Mae concealing her addiction history from George, which is a bit dishonest; but George also makes Mae think she’s already mentioned her to her friends while actually she’s dating some Crenshaw dude. I find it especially interesting that while George is portrayed as a cold person (she leaves Mae alone in a party; she’s rather cold towards Phil etc etc), Mae can also be quite aloof – check what she does to Lava. When she says let’s not share this with Maggie, it is as if George were saying let’s not tell my friends now.
Talking about George and her friends, I really like how the show does about their friendship. It shows that those friendships, even though ‘long haul’, are not necessarily genuine. Indeed, things can be tricky, if not scary, when friends finally choose to be honest with each other, right?
Binky’s husband and friends are hilarious characters, but the show makes sure not all the male characters are caricatured. I like Phil a lot; he’s giving me the neighbor who ended up marrying Hannah’s boyfriend’s sister in Girls, especially when he’s mentioning all the baby stuffs. Mae’s dad is a charming character; but I am not sure if he’s a good dad. His ‘Oh I need to check the garden’ is a specimen of dad type, who leaves all the dirty job of communicating with kids to mums. The show also inserts in a MeToo story plot where things turn sour quickly. In all, the portrayals of male characters are multifaceted. Well done.
Last but not the least: small roles. Does the show even have small roles? Because everyone shines. Even the shop assistant of that sex shop: the scene is so funny and captivating. Lisa Kudrow is funny but in a cold way – which is really nice. I am not crazy about her first appearance in the laptop; seeing her appear in Blackpool is a real surprise for me (and Mae). I love the scene in Ghost Train the most. Arguing in a horror house/moving train, with all the noise and terrifying man-makes while discussing ‘real emotions’, which is the most terrifying of all – what a genius idea!! The fact that the show keeps vague about why Mae is cast out of the family is an interesting one; I quite like how her mother points out her privilege and that she has everything she wants when she grows up. Again, the show is looking at the mysterious and intricate human mind that is not so easily explainable. Apart from that, I don’t think there are a lot of TV shows that discuss ‘privilege’. Kudos to the writers for highlighting this aspect.
The photography is really pretty. It, like TEOTFW, has a consistent tone, which is even reflected when Mae and George are in bed. Note the beautiful blue shadow. The music is nice. The costume looks comfy and lovely (never let the costume steal the show– I’m talking to you, Killing Eve). My favorite, as I said earlier is the pace of narration. Mae has run a lot and it is a signature of Feel Good, like Fleabag’s looking at the camera.
Feel Good is about a female stand-up comedian. In the States, there is The Marvelous Mrs Maisel. Both Mae and Midge suffer from a backfire from they using real-life stories with their partner (judging from S1 finale, haven’t watched S2 yet). It is interesting to think how personal the stand-up mateials can be, but having just watched Hannah Gadsby’s Nanette, I am reminding myself that in order to make things funny, the ‘truth’ can be compromised. While Nanette is almost metafictional when Hannah approaches/disconstructs what makes comedy, I don’t think that is the angle Feel Good is heading towards. However, it is still fit to think about the show amongst the powerful works by Mae Martin’s fellow female comedians. The freshness of the show also reminds me of Girls (with its minute depictions of modern female life) and Fleabag (with its candidacy about real emotions). Feel Good deserves more recognition and PLEASE CAN WE HAVE SEASON 2 THANK YOU NETFLIX!!
04年的斗鱼是我最喜欢的一部电视剧,里面的友情,爱情,亲情都太让人感动,向人们展示了青春的美好与残酷,两个不同世界的人在一起,虽然最后两个人都难免受伤甚至死亡,可就是这样的爱情才让人感动 ,剧版斗鱼在当年真的是红极一时,所以很快就拍了第二部,把时间对准了单子入狱那四年,这对剧迷来说真的很好,在已经知道人物结局的情况下能去多看看自己喜欢的角色也是一种幸福,继续看看于皓和小燕子的虐恋,阿奇和红豆
04年的斗鱼是我最喜欢的一部电视剧,里面的友情,爱情,亲情都太让人感动,向人们展示了青春的美好与残酷,两个不同世界的人在一起,虽然最后两个人都难免受伤甚至死亡,可就是这样的爱情才让人感动 ,剧版斗鱼在当年真的是红极一时,所以很快就拍了第二部,把时间对准了单子入狱那四年,这对剧迷来说真的很好,在已经知道人物结局的情况下能去多看看自己喜欢的角色也是一种幸福,继续看看于皓和小燕子的虐恋,阿奇和红豆这对欢喜冤家带给观众的欢乐,又加入罗志祥演的阿烈,他是这部剧最大的看点,作为一个警方卧底,他周旋与几方势力之间,非常考验演员的演技,罗志祥把内心的矛盾演的太到位了,感觉他是被低估的演员,由他演唱的主题曲灰色空间也非常切合这部剧,里面的主角其实都处于灰色空间中,18年翻拍的电影版斗鱼结尾请了几位电视剧主演来客串,妥妥的来来一波回忆杀 两部电视剧版斗鱼播出已过去16年,几位主演的人生也各有不同,小燕子安以轩单子蓝正龙红豆陆明君都已经有自己幸福的家庭,阿皓郭品超阿奇张勋杰还在演戏虽然随着年龄增长只能演配角了但他们明显乐在其中,安静的过着自己的生活,其中最红的阿烈罗志祥因为女友的爆料处在可能退出娱乐圈的境地,不禁让人感叹人世沧桑,不管怎样,飞鸟与鱼的爱情会一直存在于我们这些剧迷心中
美剧和好莱坞电影常常探讨父子关系,继承之战里最让我着迷的,正是Logan和Kendall这一对父子和他们又爱又恨亦敌亦友的关系。我的理解,本剧原名继承,除了体现子女们争夺继承人之战外,更重要的是,除了权势和金钱之外,他们从父亲那里,继承了什么更恒久难以磨灭的东西,比如人格、处事选择、行为模式。Logan是传媒商业帝国的创始人和掌舵人,Kendall是他的二儿子,一直被带在身边,参与公司管理,
美剧和好莱坞电影常常探讨父子关系,继承之战里最让我着迷的,正是Logan和Kendall这一对父子和他们又爱又恨亦敌亦友的关系。我的理解,本剧原名继承,除了体现子女们争夺继承人之战外,更重要的是,除了权势和金钱之外,他们从父亲那里,继承了什么更恒久难以磨灭的东西,比如人格、处事选择、行为模式。Logan是传媒商业帝国的创始人和掌舵人,Kendall是他的二儿子,一直被带在身边,参与公司管理,逐步成为钦定的继承人。然而,Logan八十岁生日那天,也许是因为想要极力否认自己的衰老和力有不逮,也许是交接后不甘心权力旁落,也许是因为觉得这个儿子还是略显稚嫩,也许是因为枕边人的怂恿,也许以上都有或者以上皆不是。总之,这一天他在家宴前宣布更改信托基金,宣布推迟继承交接计划。此时的Ken,是崩溃的。他为这一天等了很久,准备了很多,忽然登基大典就泡汤了。父子暗战大幕就此拉开。第一季,以Ken的第二次反叛被重病康复归来的父亲强势碾压而结束,重新吸毒,一蹶不振,再次成为父亲的乖宝宝。两个演员表现得太好了,一个老谋深算的控制狂暴君父亲,一个从胸怀大志准备大展宏图的稚嫩商业精英变成彻底认输痛哭流涕的儿子。第二季里温顺的Ken事事遵从父亲的意愿,而一贯翻脸不留情的父亲居然继续收留Ken,甚至开始重新扶持他,看似父慈子孝。然而我们还是从Ken的神情中看到韬光养晦,看到他从一个亲善的领导,正在逐步蜕变,成为一个狠厉毒辣的人,他得到父亲的指示,转身就无情地训斥下属压榨出他们最后的效率和价值,他干净利落地做掉自己买来的公司,这个曾被他称为公司救生艇的业务板块,他在父亲失控对小儿子动手时,厉声咒骂父亲威胁他住手不要对弟弟动手,这些都和第一季刚出场的Ken判若两人,那时他十足的商业精英模样,甚至要做出平易近人的样子,而此时的他却越来越像父亲。父亲Logan六亲无认,人人皆是他的棋子。在家里,他用丛林规则养育四个孩子,老大康纳被彻底忽略被放养,远离核心,各种蠢萌。小儿子Roman,由于幼年就弱于二儿子Ken,在父亲的绝对权威下成为一个毒舌的纨绔子弟,女儿有些小聪明,涉足政坛,竞选人选她做幕僚更看重她身后的传媒资源,未婚夫Tom供职于父亲的帝国。Logan无疑更偏爱二儿子,要不不会一直培养他,甚至一度指定他为继承人,甚至在这个儿子背叛自己后仍旧让他留在身边参与公司核心事务。如果这些都不足以说服观众,那么枪击事件中,被转移至安全屋时,老头最先想到的就是询问二儿子Ken在哪里。毫无疑问,他最重视Ken,然而天家无情,帝国家族亦是如此。父子本就敌对,何况Logan还是个不甘心大权旁落的人,所以他一边扶持Ken,一边又不停打压他,所以Neomi才会对Ken说,你父亲只喜欢一个broken的你。所以老头才不肯在儿子处理好危机后表扬他,而是骂他是白痴(虽然儿子引Stewy进来是引狼入室,但也确实是暂时让家族事业躲过了一次重大危机)。儿子对父亲呢,他的本质是个孝子,劳伦斯第一集就喊他是父亲的乖宝宝。内心深处,他极度渴望父亲的认可,但他一次一次的失望。只有被父亲碾压成碎片时,他才能从他那里得到安慰得到温情。他当然也恨他,如果说他发动董事会投票是为了公司和生意,那么他联合敌方对抗父亲时,一定是带着复仇的怒火的,这是一次呐喊,是长期被压抑之后的应激反应。得知父亲生病入院时的慌乱和无助是真的,在父亲怀里哭泣是真的,反抗时他眼里的凶狠同样是真的。顺从有多轻易,反抗就有多激烈。第二季里一直压抑的Ken,终于在最后时刻,变成父亲口中的killer,这一刻守着看直播的父亲不管事先是否知情,是否剧情发展如他所希望,看到最偏爱的儿子此刻如此酷肖自己,不可能不欣慰,不可能嘴角不微微上扬。至于第三季里,他是否愿意成为这个killer的一位受害人,就看编剧的思路了。
看《叛逃》看到一半差點棄劇,幸好有堅持看完。過程及格,結局狗血滿點,但我喜歡。
男一Carson是陳展鵬,從亞視《殭屍》之後到這齣才又看他演出,不是TVB「親生子」,可以從亞視綠葉變成當家男主角,雖說客觀上TVB人才流失,機會是有,但能拿到這成績不容易。
陳茵媺是沒我眼緣的藝人,放了這麼久才看這齣就是因為有她,但不能否認,沒有她,女主角Jessica肯定沒那麼
看《叛逃》看到一半差點棄劇,幸好有堅持看完。過程及格,結局狗血滿點,但我喜歡。
男一Carson是陳展鵬,從亞視《殭屍》之後到這齣才又看他演出,不是TVB「親生子」,可以從亞視綠葉變成當家男主角,雖說客觀上TVB人才流失,機會是有,但能拿到這成績不容易。
陳茵媺是沒我眼緣的藝人,放了這麼久才看這齣就是因為有她,但不能否認,沒有她,女主角Jessica肯定沒那麼吸引人。
最好的是關禮傑的敖sir戲份多,不像《烈火街頭》那樣浪費他,雖然這戲還是沒把故事說得深刻,但至少看他還是過癮的。
吳卓羲的阿佛是我討厭的角色,沒辦法,這角色本身就不討喜,怎麼演都沒用。
蒙嘉慧的葉婷愛得克制,不讓Carson為難,是很難得的安排。
羅樂林跟李司棋還是一樣有戲,有他們,才能看得心酸掉淚。
結局好慘,逝者已矣,但Carson跟阿佛可能一生痛苦。
Jessica萬念俱灰,自以為失去所有。她一直要Carson跟他走,可是他選擇在這個局裡;從欺騙的那一刻開始,其實他們已經不可能在一起了。
Carson愛她,可是他沒有看透她,也可能是他不敢相信Jessica的言行竟超出了他的理解範圍,以致錯估了形勢。
Jessica是自私的,只要不傷害到她自己,為惡沒有什麼,她也從未內疚過。會阻止父親的歹行,也許是良心發現,但這個良心沒有強大到可以為此去坐牢,或失去她要的任何東西。
Jessica的自殺,是絕望,是報復。她忍受不了污點,連逃走都計畫好要賺那筆黑心錢,到最後,她還要挑兄弟倆最痛的地方下手。她寧死也不願被負,這就是她的反擊。
Carson的結局,有好幾齣TVB劇集的影子,但我不認為他殉情了。
Carson很痛,因為他愛Jessica,從未動搖過。可是他卻救不了她,救了很多人但沒有她!
雖然事與願違,但我相信他會想通的。 ?
别跟我洗这位领导意思本来是什么什么不要曲解他blah blah,人家都说了进步就是伴随风险,过雪山还有人牺牲呢。潜台词,这些宇航员在风险中是可以牺牲。
试问如果航天飞机上坐的是里根,他还敢不敢拍板执行飞行计划。
我不敢想象那位平静地说出“我无法原谅”的家属,看到这些作出错误决策、为七位
别跟我洗这位领导意思本来是什么什么不要曲解他blah blah,人家都说了进步就是伴随风险,过雪山还有人牺牲呢。潜台词,这些宇航员在风险中是可以牺牲。
试问如果航天飞机上坐的是里根,他还敢不敢拍板执行飞行计划。
我不敢想象那位平静地说出“我无法原谅”的家属,看到这些作出错误决策、为七位善良才华横溢的宇航员遇难负责的领导,最后说出“我不内疚”“我没错”云云的话,该作何感想?不敢想象在爆炸中幸存的至少三名宇航员,知道自己即将面临的结局时有多恐惧,而把他们推向这样境地的人,居然p事没有全身而退?
不知道为什么总有人带入割韭菜的?就没人替韭菜说句话吗?有没有?????
我是想打一星的,全片如果说是电影级别要求自己不管好低你得有一个态度,对话编剧和导演开篇就是庆功宴可以但是你整片电影就是告诉我庆功宴是怎么举行的我也是服了 电影跟流水账一般哗啦哗啦就完事了 就从观众角度看一词“做作”演员做作,故事做作,最后连随便一个BGM都显得干嘛不在意,又想到这么一群人围在一起吃盒饭都不容易,算了就二颗星吧!不能再多了。
我是想打一星的,全片如果说是电影级别要求自己不管好低你得有一个态度,对话编剧和导演开篇就是庆功宴可以但是你整片电影就是告诉我庆功宴是怎么举行的我也是服了 电影跟流水账一般哗啦哗啦就完事了 就从观众角度看一词“做作”演员做作,故事做作,最后连随便一个BGM都显得干嘛不在意,又想到这么一群人围在一起吃盒饭都不容易,算了就二颗星吧!不能再多了。