怀着很好奇的心理看的,印象中,德黑兰似乎总跟“阴影”、“压迫”联系在一起。政教合一的伊朗用种种极端的形式来维护伊斯兰的纯洁,女性长年生活在束缚、压迫之中。
电影选择了未婚、已婚、将离婚三个不同身份的女性,以点带面,呈现了德黑兰女性的现实状况。三个女人不同的命运,一个为了赚钱准备把自
怀着很好奇的心理看的,印象中,德黑兰似乎总跟“阴影”、“压迫”联系在一起。政教合一的伊朗用种种极端的形式来维护伊斯兰的纯洁,女性长年生活在束缚、压迫之中。
电影选择了未婚、已婚、将离婚三个不同身份的女性,以点带面,呈现了德黑兰女性的现实状况。三个女人不同的命运,一个为了赚钱准备把自己卖去迪拜的伪处女,一个为了抚养孩子的单亲妓女妈妈,一个是向往自由把握自己命运的文艺女青年。
三个女人都无法改变自己的命运,伪处女最终梦断了,因此也葬送了一个拥有音乐家梦想的年轻人的梦想。单亲妓女妈妈反而成了最好的归宿,她被包养,同时还有能力去帮助别人,这讽刺意味让人唏嘘不已。文艺女青年,最终在绝望当中,嗑药自杀。
电影展示了德黑兰女性的悲惨遭遇,政治的黑暗,却不能帮他解决问题,只是借口一个地下商人的口,提出了解决方案,那就是通过幕后操作获取银行贷款,然后用贷款买一个护照,逃离德黑兰。可这个方法不能帮助绝大多数德黑兰女性摆脱困境。
本片改编自泰国流传甚广的真实恐怖事件。月黑风高之夜,冤死的泰国古曼童还魂归来!飘忽的诡影,惨白的面容,阴森的老旧古宅,诡异的姑妈,发出哭声喊声的骇人风铃,沾满鲜血刺痛眼球的白被子,阁楼里放着古曼童的诡异鸟笼,半夜镜子里的小女孩带着邪恶的笑容自掐脖子……女主角苏芸无时无刻不笼罩在巨大的恐怖之中!在无声的黑暗之中,直击灵魂深处的惊悚开始一幕幕上演,波云诡谲的剧情背后,那刺痛人心的真相让人不寒而栗
本片改编自泰国流传甚广的真实恐怖事件。月黑风高之夜,冤死的泰国古曼童还魂归来!飘忽的诡影,惨白的面容,阴森的老旧古宅,诡异的姑妈,发出哭声喊声的骇人风铃,沾满鲜血刺痛眼球的白被子,阁楼里放着古曼童的诡异鸟笼,半夜镜子里的小女孩带着邪恶的笑容自掐脖子……女主角苏芸无时无刻不笼罩在巨大的恐怖之中!在无声的黑暗之中,直击灵魂深处的惊悚开始一幕幕上演,波云诡谲的剧情背后,那刺痛人心的真相让人不寒而栗!
美末是我最爱的游戏,第一部玩完之后哭了好久,沉浸在情绪里面好多天出不来,剧版出来好几天了我才终于打开看了起来。
不过虽然是最爱的游戏,也不太有时间一遍遍回顾,记忆不太靠谱,求轻拍。
ep1
剧集加入了大量的改编,开
美末是我最爱的游戏,第一部玩完之后哭了好久,沉浸在情绪里面好多天出不来,剧版出来好几天了我才终于打开看了起来。
不过虽然是最爱的游戏,也不太有时间一遍遍回顾,记忆不太靠谱,求轻拍。
ep1
剧集加入了大量的改编,开头是科学家的预测,给后面疫情爆发增加了理论可信度,给Sarah和Joel的互动也加了不少戏,经典的生日送表变成了修好旧表,修表的过程顺带渲染了下疫情逐步逼近的气氛。邻居狗狗的眼神,老奶奶前后的对比,以及Sarah从邻居家借的电影后来成为了老乔的最爱,这些细节补足了原作的背景,让故事更丰满,好评。
开车逃命过程中,有人在路边求助,Joel选择置之不理,也给他绝非圣母的人设添砖加瓦,世界混乱,自己的家人才是第一,这里他的选择也呼应了结局他的选择。
车祸后添加了Sarah脚踝受伤的细节,既让老乔抱着她跑更合理,又解释了为何卫兵选择射杀。因为无法证明伤口到底来源如何,无法证明他们没有感染,那么无差别清除是他们唯一的选择。
二十年后,通过一个小男孩,揭示了当前的防控措施,另外各种标语也说明大家已经有了一定的鉴别手段。Ellie被锁起来并反复确认是否发病,这些细节补全了原作情节,让Ellie和老乔的相遇更合理。但是老乔坚持离开隔离区的理由变化了,变成了寻找汤米,我想这里能表现他对亲情的重视,是否后面汤米会增加更多戏份?老乔离开汤米和Ellie重新上路会更具冲突?
离开隔离区后第一次遇到人类士兵那段,原作里作为菜鸡我玩了好一会才通过,剧里士兵枪口对着已经举手的三人并喊话时,激发了老乔的PTSD,这段我觉得加得非常妙,老乔不是冷漠解决敌人而是出手有因,这里是他第一次把Ellie当做女儿,为后续他的感情变化做了铺垫。
另外我在玩原作的时候非常感动一个细节,起初老乔和Ellie还不那么熟的时候,每次我遇到敌人先怂了蹲下躲起来的时候,二人是分开蹲的,后面二人越来越亲密之后再蹲下,老乔就是把Ellie圈在自己保护圈里的保护姿态了。
期待第二集。
女主的前期的做事和性格不就像刚出社会懵懵懂懂的我们吗?想做好事情但又莽撞,为了不迷路而努力,机场里的故事也让人觉得有趣,我本人是很喜欢这种题材的,写得就是男女主经过在机场里经历的各种事情来解决问题成长自己,很纳闷为什么其他题材男主的成长可以被接受女主却不行呢?说句实话,电视剧看看就好,不要说现实生活中女主这种人很容易被骂,现实生活中是只要你做错一点事说错一点话都有被骂的可能甚至被开除,现实更
女主的前期的做事和性格不就像刚出社会懵懵懂懂的我们吗?想做好事情但又莽撞,为了不迷路而努力,机场里的故事也让人觉得有趣,我本人是很喜欢这种题材的,写得就是男女主经过在机场里经历的各种事情来解决问题成长自己,很纳闷为什么其他题材男主的成长可以被接受女主却不行呢?说句实话,电视剧看看就好,不要说现实生活中女主这种人很容易被骂,现实生活中是只要你做错一点事说错一点话都有被骂的可能甚至被开除,现实更残酷啊,所以要知道这是电视剧,虽然编剧是以描写社会上人物性格来写的,但是看个剧那么较真就没必要了吧。
作为罪案剧,12集侦破一个案件是没问题的,但需要剧情能撑住,而这部剧在这方面有很大漏洞。
剧名叫凶案现场,但实际破案过程中现场调查分析的线索太少,更多的是靠男主的直觉和分析来侦破案件,剧情后期稍显拖拉,最后两集尤其失分,具体案情居然是通过对白来展现的,完全靠凶手自爆,而且陈述案情占据了结局前的大部分,这实在是让人有些失望。
这部剧让我观感很好的一点是居然没有过多的感情
作为罪案剧,12集侦破一个案件是没问题的,但需要剧情能撑住,而这部剧在这方面有很大漏洞。
剧名叫凶案现场,但实际破案过程中现场调查分析的线索太少,更多的是靠男主的直觉和分析来侦破案件,剧情后期稍显拖拉,最后两集尤其失分,具体案情居然是通过对白来展现的,完全靠凶手自爆,而且陈述案情占据了结局前的大部分,这实在是让人有些失望。
这部剧让我观感很好的一点是居然没有过多的感情戏份,虽然男主和女警 法医之间有感情线,但并没有过多着重笔墨去刻画,反而更专注在案件上,这点要多给一星,要知道我多年不看国产剧就是因为无论是古装 现代 悬疑 甚至是一部分正剧,最后都会被拍成爱情片,是在是让人无法忍受,这部剧相比爱情,更关注案件本身 非常值得赞赏,尤其是最终女主居然没有主角光环下线了,让这部剧多了一丝真实。
让人惊喜的是,这部剧里大部分演员演技在线,不是说多么优秀,但是起码不会让观众跳戏。尤其是演反派的两位,刘怡潼饰演的罗华,是一个非常有魅力的反派,无论是神态,还是推眼镜的小动作,调酒时的自信从容,都刻画的很好,展示出了一个受过良好教育,高情商的罪犯形象,稍显可惜的是一人分饰两角,但两个角色差别没有更好提现出来,像男主所说经过训练,两个人已经相当于一个人了,带上眼镜就是罗华,放下眼镜才是董柯,所以我会期待董柯不带眼镜时,会有一些不同的细微的展现,但就剧情看两个角色并没有特别明显的不同,当然这也可能是编剧特意安排的;另一位反派杨芸,无论是前期的可爱女友,还是后期的杀人元凶,都诠释的非常好,她在走出仓库的那一刻,镜子里映出的脸,还有最后吞下照片后的那个回眸,都让我印象深刻,如果说我觉得最后两集剧情上出现了很大败笔,那她的演技就是最后结局前最大的两点。
这部剧剧情一般,案件侦破过程漏洞有点多,但其他方面还不错,可以一看,没有拍成爱情片实在是深得我心,值得我的四颗星。
Blessing
“人世间开始疯狂,上帝才开始歌唱。”
Blessing “人世间开始疯狂,上帝才开始歌唱。” ——王菲《四月雪》 当先知站在天使面前的时候,天使们问他,谁会在末世降临的时候去乞求圣职的祝福呢? 我想我在接连看了两遍天使在美国之后,仍旧只能浅显而又无力地回答这个问题,却仍旧没办法简洁、有力、肯定而全无疑问地直面它。 或许,这也正是这部戏剧的魅力之所在吧。 诱使我能走进剧场,坐下两天总计1000多分钟全神贯注地随着剧情被高高抛起,又如羽毛一样被轻轻放下的最初原因,当然是加菲本人。 但这篇文章里我反而不想从一个全然的粉丝视角去讨论他在这部作品里的表现与成败,或是这部作品带给我的感触和体验。 因为那无论是对于加菲本人还是这部作品本身,都实在是太过不够尊重了。 剧作者Tony在NTlive放映前的片头谈笑着,说我们当时给这部戏剧起名叫同志狂想曲的时候,仅仅是因为我们觉得它有趣,会像一个噱头,但仔细想想其实是有些过于矫情和做作了。但显然,这部戏剧本身当然是有野心的。 要我说,编剧本人还是过于谦逊了,这部剧何止是有野心的,它大概有着庞大的,令人感到惊叹和震惊的野心。 他想讨论的政治、宗教、种族、平权、信仰、人性,显之于外的同性元素倒反而让我觉得是这其中最普通平凡而又没什么值得大惊小怪的因素了。 因此老实说,我觉得AiA是一部稍微有些观剧门槛的戏剧,他的情节设置和铺展中有很多是为了想要探讨的主题,和最后所有的主题碰撞与升华与服务的。加上本身这部作品的整个时长就非常考验观众的注意力,所以尤其在Part Ⅰ的部分会有一部分人觉得过于平铺直叙,并且会认为场景和时空的切换过于散乱了。 (比如我其实也是看到Louis去找拉比说话之后,才意识到最开始那个葬礼就是他外婆的葬礼,等到Joe回到家里喊“Buddy”,我才意识到Harper和他的关系,第一次看的时候前面我也看得很乱)。 并且在大段的议题探讨上,很多十分严肃而宏大的议题都设置在一个单一场景里的对话中,比如Louis和Belize关于种族歧视的那个大段对谈,Louis和Joe关于法案裁定的那部分的大段争执,很多严肃而又深刻的议题都被设置在这种两个人之间的对话情景中。 相对来说,Louis和Joe吵架的那段因为有比较激烈的情绪起伏和情节冲突在,我觉得还是不太容易晃神的,但是Louis和Belize两次单独对谈的部分,都稍稍有些过于密集和连续了,尽管有刻意穿插的台词笑点和议题本身推进的铺排,但还是很容易有一部分人在这个部分有晃神和觉得过于枯燥和晦涩的感觉。 并且哪怕是对于上述这些比较直白的议题讨论里,很多也是在第一次直接和快速的台词接受时,我觉得观影者是没法完全沉浸和真正理解到这个讨论中,两个在对话的人究竟是站在什么样的立场抱有什么样的观点的,很多部分我自己也是在看第二遍的时候才终于渐渐觉得又多理解了一点。 因此我觉得对比上周看过的泰特斯,我觉得泰特斯在全剧的制作和倾向上,是那种哪怕没有任何戏剧观影经历,也能完全的从气势、韵律、剧情,这些“热闹”的层面上感受戏剧的魅力和乐趣的编排。 但AiA则需要一点鉴赏力和耐心,甚至需要一次一次又一次的重头鉴赏,才能像是逐步揭开面纱一样的体味其中埋藏的每一个观点,然后思考消化,然后就能获得层出不穷的新乐趣。 所以就我的个人观点来看,这实在是一部脑力消耗巨大的复杂而又动人心弦的精彩表演体验。 故事的剧情由一对同性恋人的故事为中心展开,世界和联系像是一张蛛网,彼此粘连又向外扩展。 毫无疑问的,Prior是整个故事的中心与交汇点,在他与自己软弱,轻易地背叛,轻易地怀疑,轻易地逃跑,又最后想要回来的恋人Louis的纠缠中,一切故事的序幕缓缓拉开。 然后他与自己幻想中的朋友Harper相遇,他们交换关于对方的预言,交换并且断言彼此的天启,目睹同一场令人心碎的背叛与出轨,然后一个劝导另一个不要放弃心里的希望和留恋。 Prior和Louis与Harper的Joe,他们在凑巧,激情,混乱中厮混,意乱情迷,之后争吵,然后终于触碰到无法跨越的障碍,最后分崩离析。 然后我们看见寻找先知(Prior)的天使,提携后辈的坏仙女(Roy),无意中帮助了Prior,但却无法处理好自己和儿子(Joe)乃至儿子整个家庭关系的母亲。 Prior像是一根线,藉由他,我们将一群或许本不该有交集,也不应该在这个时代里碰撞与冲突的角色融合起来。 那些上流社会的精英们就合该把艾滋病遮掩成癌症然后体面又充满讽刺意味地死去,而底层的小人物们就活该在绝望和痛苦中走完他们被厄运光临而变得短暂的一生。 但突然地,他们的命运就在某一刻像是被一股神秘的力量,也许是神的,也许是命运的,也许是我们不曾知晓的什么力量突然扭转了,谁又知道呢。 总之,故事就是这样发生了。 说实话Prior这个角色和我预想的有些不太一样。 可能是因为之前我正疯狂的沉迷他在《沉默》里那个小神父的角色,兼之刷了很多加菲本人的访谈和综艺,对于Prior这种全然地像是换了一个灵魂的转变多少有些适应不良。 加菲对于Prior这个角色的代入感和细节上的严苛和连贯性几乎是几近疯狂的,除了最后一幕五年后,由于Prior本身的成长和变化,那种Drag Queen式的小动作和表情不再那么明显,其余在他的每一场戏份里,哪怕是和天使的对峙与谈判里,那些明显的,可以看得出他研习过角色之后代入习惯里的小细节都在持续地提示着所有观众,这个角色本身的身份、背景,解释着他命运里的性格里的那些可追溯的和会有发展的。 最为明显的是两个很妙的习惯性小动作。 一个是他的舌头在口腔里细细小小地移动,偶尔轻轻地触碰口腔内侧然后在脸颊上鼓起一点,他在思考和倾听的时候这个小动作总会偶然闪现,即使是那些画幅构图非常好看的侧脸镜头里,你也很难错过这个镜头。这个动作天然地带着一点戏剧色彩的浮夸和骄矜,有一种含蓄又高贵的优雅姿态在里面,和另外一个惯性动作几乎是很好地相辅相成着。 第一幕幕间拍到观众席时有个很有趣的一幕,场下的一位观众正和旁边的同行人谈论着,一边在模仿Prior那个很经典的反手摸住自己脖颈的动作。 整部戏剧里除了主动的蜷曲身体和瑟缩的动作之外,很明显地能看到Prior的脖子一直是以一种近乎天鹅的优雅姿态在高高而又修长地伸长着的,所以整个人从气质和姿态上都完全符合一个Drag Queen所特有的那种,带点Drama,但又不同于完全的花孔雀式的炫耀,在细节上明显有所区别的仪态。 仔细注意的话会发现,Prior的所有肢体语言,尤其是上半身的肢体语言,他的Stop的手势,拒绝倾听和交流,甚至是拥抱和触碰的姿势里,手臂和手腕整个的曲线和关节,都有一点带着舞姿的曲线和节奏感。 但在其他时间里,这种外露的姿态都没有他第一次遇见自己的幻想朋友Harper那次来的那么激烈和浮夸。甚至你在他坐在床上涂护手霜时的姿势,你都能感受到这个角色背后人设里那种独特又有趣的人物定位。 而哪怕是在他最为歇斯底里和肢体碰撞最为强烈的与天使的搏斗的那场戏里,他的摔倒与猛扑都是带着举手投足的夸张感和戏剧感的。 我觉得能把这样的气质和自带由始至终贯穿全场,真的是极其有心又精彩的呈现。 AiA里非常奇妙的,只要加菲的妆发脱离了浓妆(主要是见Harper穿裙子的那个场景的那种),尤其是他穿着病号服在床上的所有场景里,他像是突然又减龄成了十几岁的少年,甚至让我觉得比他演花朵时的那种高中生感觉还要再年轻一些,但又和他自己本人的那种少年感又明显的不同。 Prior的年轻是那种,脆弱的,玫瑰上的露珠一般好像轻轻一碰就会碎掉的奇异美感,它本身是纯粹而澄澈的,但又折射着玫瑰本身的艳丽和娇色,带着一种绝望和破碎的美,像是神话里那个对着自己湖里的影子而顾影自怜的美少年。然而这种柔弱又美丽的少年气息,却又在他开口念台词,抬手做表演的时候又被瞬间粉碎。 他像是有预感似地说着,我怕你会离开我。 他在不知道像谁诉说似地追问着“Why the poor poor me?” 他要Louis走,他说等你的伤痕变得能够看见了,等你让我见到鲜血的时候再回来。 他因为自己被附身时口中说出的箴言而吓到惊恐万分(这一幕真的太过震撼了)。 他挣扎而疲惫地说,“我恨天堂,但我已经没有力气去抵抗了”。 他说,无论如何,都还是请祝福我。 在每一个时刻,每一个瞬间,你都又会突然发现,无论是他Drag Queen的那面,还是他美到连时间都为之屈服的那面,都不过是肤浅的水面所映射出的有关Prior的假象。 他不过是一个生病的孤独的凡人,哪怕他在木偶剧场时露出了那种因为心碎,而近乎美到绝望几近梦幻般的表情,他也不过是一个像所有最普通人类一样,遭受过打击,经历过痛苦和绝望,但仍然愿意不去拒绝成长,然后心怀希望的平凡人。 这两种似乎有些矛盾的气质在舞台上被完整的组成一个独一无二的Prior,他让你几乎毫无怀疑地真的有这么一个人,如果你不是一个像我一样几乎看过了他过往出演过的所有角色的粉丝,你根本不会相信他本人其实完全与Prior全然不同甚至差出了一个天地。 你甚至会开始相信或许这就是演员的本色出演(是的我确定我身边的路人观众的反应证明了他们真的对加菲大概产生了什么误解),正是这种真实感和令人产生迷惑的代入感,让你避无可避地被Prior的出现和命运的起伏牵动着你的心,就这么把你的目光和注意力紧紧地钉在舞台上,追随着整部剧情的推进和发展。 考虑到这里,或许那些在Part Ⅱ里几乎持续了全场的高潮和爆发,那些哭泣,呐喊,疼痛,崩溃,疑惑,探寻,求救,也都成了这种全情投入里理所当然地一部分,我大约很难去下定论,这种极耗体力的演出与剧烈情绪把控下的表演水平保持,究竟到底是从头到尾贯穿始终的代入感的细节与演绎哪一个更为劳神费力和艰难? 又或许这本来就是相辅相成必定会一起成就的完整的一个部分。 所以每次在第二次全剧结束,荧幕上出现加菲谢幕的场景时,我都会从心底突然很想给Prior一个拥抱。 他那么美丽,脆弱,但又坚韧,柔软,他全然无害,像是一朵温室里过分艳丽却又跟周围格格不入的花,但当风雨打开时你却发现他是不可被弯折的,他痛苦,他软弱,他哭泣,他呐喊,但他没有弯折,没有放弃,没有倒下,他被祝福,然后再祝福我们每一个。 我没法用语言去概括他的挣扎、选择、成长和重生,但这样一个比我们大多数人都更脆弱,又比大多数人都要坚强太多的美丽灵魂,让我无法不发自内心的为他流泪和鼓掌。 因此无论如何,我几乎无从挑剔起加菲作为Prior的这次演出,他和所有的演员们真的正如在Oliver领奖时的小姐姐所讲的那样,真的都在为这部作品奉献着自己的心与灵魂。 加菲之外这次最吸引我目光的是小狼饰演的律师Joe的那个角色。我之前没太看过他的作品,还是事后去百度了一下才后知后觉地反应过来,他就是神探夏洛克巴斯克维尔的猎犬那集那个咨询人。不过感觉在看过AiA之后,有非常明显地被他圈粉。 令我很惊讶的是,小狼的Joe身上,有一种近乎天真又理直气壮的邪恶混乱。 他在大量的场景里露出那种孩子一样甚至带着纯真的快乐的笑,我觉得这种诠释方式,是在竭力诉说着Joe这个角色上有一种割裂的,全然矛盾的道德观念。但在这位年轻的律师心里,这本身是可以完美的兼容与自洽的。 他拒绝承认自己是个同性恋,但又不可抗拒地被Louis吸引,然后他把这一切归咎于“人要怎么样才能和神或是天使抗衡呢?那是不可能的”。 这一点又恰好与Prior后来以病弱又毫无准备的姿态下,赢得了与天使的搏斗,甚至能在理解了希望本身之后,对天使说出,“你们所看到的并不是将要发生的,而只是你们所恐惧的”。 这两组情境之间,遥遥地形成了微妙又讽刺的呼应。 他在说起自己对妻子有责任,说起自己对Roy的认同,说起自己关于写下裁定书的每一个裁决时,每一次都发自内心的有一种天然地认同。 他相信那些上流社会的阶级划分和规则,他渴望像自己的领路人Roy一样按部就班地走向迈向世界中心的旅途,因此当他践行这些规则,他更改关于同性恋案件的裁决,哪怕是其实这是涉及他本人利益的裁决时,都是毫无愧疚,并且一本正经的认为这一切都是理所当然的。 但当他回复到感性的一面,他问起Harper我们搬到华盛顿去吧,他诉说自己与Louis的爱和渴望,他对Roy说我崇拜你,我希望成为你那样的人时,他又笑得像个最纯粹的孩子。那是一种直白的、完全发乎感情的快乐和喜悦,你会不自觉地相信他真的爱Louis,他真的享受他为之露出笑容的这些事,你甚至能够感同身受到他的那种近乎纯粹的喜悦。 而这种道德上的天然信赖,和情感上的完全坦率所造成的矛盾,让我对Joe这个角色充满了好奇和疑惑。 我无法想象一个人要如何顺理成章地切分自己的社会身份和内在感情,并且把这两个部分都充分认同与表现的理直气壮与理所当然。但仔细想想这确实又是目前的社会里大多数人在过着的生活模式——我们戴上面具,像是人格分裂出的两个不同的人,一个摆出专业而缺乏良知与道德的营业姿态,而悄悄留下一个偶然出现的,仍然相信我们自己是善良又柔软的小人。 一旦接受了这种设定,在这个角色的理解上我觉得就变得通畅和容易了许多。 你会意识到我们每个人都曾经有过这样的挣扎,不一定是性向,但必然是某些不够主流的,说出来会被人嗤笑和另眼看待的。 我们试着去迎合主流的喜好和倾向去塑造我们的道路和人生,却因为抗拒不了本能和热爱的吸引而不断地痛苦和挣扎;我们漠视问题去粉饰太平,假装什么事情都没发生过。但一旦什么东西被触碰,被引燃,将一切白花花散落一地地炸出来摊开你眼前,你就又突然崩溃,跪地求和,却发现一切都已经太迟了。 因此尽管Joe本身在设计上注定不会是个太讨喜的角色,他是邪恶阵营里的助纣为虐者,尽管他仍然有残存的职业道德,这残留的一部分,让他不能接受干涉听证会的做法罗森堡案件里Roy的干预。 他是那个对妻子置若罔闻毫不关心的人,尽管他也为了妻子甚至会去拒绝梦想中前往华盛顿工作的机会。 他是毫无负罪感与Louis出轨的坏男人,尽管他也曾经甚至为了这份爱愿意放弃信仰,放弃自己的一起去拥抱他渴望的。 最终你会承认,他就是我们身边每一个冷漠而又利己主义的社会人,我们试图自圆其说,试图说服与欺骗自己,但永远忘记自省和面对真实的自己。 所以就算没有他迷人的身材和可爱的屁股,我也依然喜欢他这种大胆的,近乎直白和热烈的表现和演绎。除了在Harper说也许我会生下一片药,完美诠释“吃什么就生下什么”这句台词时,他的笑让我觉得有种一瞬间有些出戏的属于观众会有的那种忍俊不禁。 除此之外的所有时间里,我几乎是十分着迷于他对于这个角色的体现的。那种混合着冷酷和深情,又带着些裹足不前的优柔寡断的姿态,可以说是非常鲜明又极具个人特色的展现了。 James的Louis大概是从人设上我注定天然不喜欢的一个角色,但他又偏偏是最接近所有人,最像每一个平凡人的那一个。 他喜欢夸夸其谈,谈论看似高大上但其实并不真的明白自己在讨论什么的议题。Prior其实对他的这一特质也心知肚明。但他爱Louis,所以对他来说看着Louis为着高尚又空泛的议题追着自己的尾巴打转(我故意换了个更文雅一点的说法),这就是全纽约最好看的戏。我相信他真的爱Prior,只是他的这种爱和俗世里大多数情侣的那种都并没什么不同,看起来鲜花锦簇甜蜜温柔,但经不起什么磨难和冲撞,受到一点颠簸就像是大海上的浮板,被风浪迅速地冲散到不知道什么地方去。 所以我一直觉得Prior对于他是什么样的人从头到尾都是知之甚详的,所以当他在说我害怕你会离开我的时候,并不是完全无的放矢的杞人忧天。 也正是如此,Louis躲避着说你不会死的,但不愿意去直面每一个尖锐而直接的问题时,Prior任由他的逃避但并没真的拼命追问。只是Prior因为他的爱意,总是愿意哪怕是欺骗着自己在相信,相信也许他不会逃走的。哪怕在Louis离他而去之后他的幻想里,Louis依然是西装笔挺风度翩翩的迷人模样。 所以他能很快地就能从好友的表情和回答里就得出了“他走了”这个结论,但他依然会歇斯底里地问,我快要死了,可是我该死的男朋友Louis在哪儿? 他还是会在看见Louis时忍不住讽刺地说,这公寓实在是太小了,Louis和Prior两个人住着就很舒服,但加上Prior的病就显得太过拥挤了。 所以他才会在Louis说他要和好时,问你为什么要回来?为了赎罪?然后在知道对方并不是抱着相同的打算时,故作平静又矜持的抬高了下巴点了点头,然后假装若无其事地说,哦,是的,你没说。 你发现了吗,Louis就像是我们每个人在流年不利里都曾经爱过的那个人渣,你说不上他到底有多么好,但你就是看他的一切都特别可爱,即使他轻易地背叛你,轻易地离弃你,你放得下狠话你也并不真的能狠得下心来恨他。 他是我们每个人心口那道有点痛的名为Louis的伤疤。 对我来说,Louis这个角色本身就是无根而又轻浮的,他的爱恨都来的太过轻易和飞快。 他被欲望吸引的利落又干脆,他在分手当夜就忍不住要寻欢作乐发泄和宣泄自己的情绪(顺便说,对于我这种粉丝来说的Part Ⅰ里加菲的那个Man in the parker杀伤力实在太超过了)。 他可以毫无愧疚的和Joe说,生病的并不是我的男朋友,然后转过脸来无耻又色情地挑逗他;也会一脸真诚地对Prior撒谎说我并没有和什么人约会,直到一切谎话都被当面戳穿。 甚至就连他和Joe分手的原因,都是荒谬的,他能接受男朋友是个共和党,是个摩门教徒,但不能接受他是邪恶的Roy的butter boy。 你会觉得他一切的动机和决断都和深思熟虑根本沾不上一点边,他像是一个完全被本能驱使的社交动物,遵从一切应激反应和本能地指引去做符合生物天性地趋利避害。 他或许不是真的不能接受一个缠绵病榻的伴侣,但他对于Prior在生病并且会一直生病这件事感到恐惧,所以他就逃跑。 他对于和Joe的肉体关系感到享受和愉悦,那么他就继续。 他的一切决定和命运都并不复杂和难懂,但反而就是过于纯粹和直白,才让人觉得有些不可理解的无稽。 但James的演绎却让这种简单又恶劣的人物身上充满了人性。 他也会背对着Prior因为难过和恐惧,一边压抑着自己就要迸发出来的抽泣一边浑身颤抖着,尽管这也让Prior不愿意和他分享自己的病情,因为他甚至还要转过头去安慰比自己更崩溃的Louis。 他也会不能置信地抓着法律文书,自嘲着自己是咖啡机先生,满怀怒气地质问Joe,不敢相信他竟然“坏”到了这种地步。 他可以厚颜无耻地说出我们可以商量陪护时间表,我可以在那些时候晚上来陪你;他也一样会为了同性恋群体被否认的宪法地位和权利而推开那个自己正热恋与迷恋着的人。 你能清楚地从Jame表现出的神情与姿态上看出他身上那种贯穿始终的矛盾与挣扎,你会在他身上看见普通人,甚至看见某一个瞬间的自己,我们为了并不高尚的理由作出错误的决定,我们为了自己不值一提的利益而作出后悔终生的决断。而Louis不过是无数个平凡缩影的集合和放大。 我无法喜欢他但我也无法谴责他,因为我自己也不是全然干净而无罪的,我同样也没有资格向他的身上掷出石块。 另外一个有趣的部分是我虽然没法长篇累牍地说明他们有多棒,但我意外地十分喜欢Harper和黑人护士Belize的演绎。 Harper像是一个人最偏执而又敏感的部分,会沉浸在幻想和沉思里逃避现实,追求答案,最后终于在探索和追问里认清现实,最后逃出环境的保护。 我特别喜欢Denise对于这个角色诠释方式,那种带着一点紧张感又神经质,让你分不清这一幕到底是现实还是幻觉的朦胧感,这大概没法更恰到好处了。 而Belize反而是最洒脱又成熟的那一个。 他看得透一切,又不惧怕一切,他是那个你最为忠诚而甜蜜的朋友,你们比任何恋人都更了解彼此甚至甜蜜。 他永远不会离去,他会在你最难过的时候陪你唱歌,亲吻你,安慰你,直白地剖开你,劝解你,温柔又狡黠地维护你,帮你度过难关。 而他又对自己所身处的地位和自己生活有着清醒但又并不悲观的认知。 我喜欢他说,“我生活在美国,这就够艰难了,我不没法再去热爱它。你去吧,Louis,我们每个人都应该心有所爱”的样子。 我也喜欢他说,“写美国国歌的那个白人疯子把自由的调子定的高的没人唱得上去,自由是离我最遥远的东西了”。 他就像是你想成为的那个自己一样,冷静、一阵见血,永远知道自己是谁,需要什么,又该怎么去做。 而偏偏这个角色却被演绎的同样Drama而又玩世不恭,你几乎很难意识到他才是全剧里最为超脱和冷静的一个角色,哪怕是高高在上的天使也比不上他,即使他只是伟大的Roy那个该死的死对头黑鬼护士。 至于Nathan Lane,有人能对他有什么否定和质疑吗?不存在的。 从他开口说第一句,我希望自己成为一个有着八个触手和一大堆柔软吸盘的章鱼开始,到他皱起八字眉的假笑;乃至他死的时候,他终于再次说,下一辈子,我要做一只章鱼。 他所饰演的Roy从头到尾都是这样坏得光明磊落又毫无芥蒂的反面角色。他从没后悔自己所做过的任何一件坏事,也没犹豫过自己做出的任何一个关于权利和向上的选择。 我印象最深刻的就是他和自己的医生说,什么是同性恋?同性恋是花了十五年都甚至没能在市政府通过一个无足轻重的反歧视法案的群体,是在这个社会上默默无闻而毫无影响力的无名小卒,你认为我是这样的人吗? 多么奇妙啊,即使在这部作品被创作出二十年后的当下,作者借Roy之口讲出的这句话仍然振聋发聩,足够令许多人面红耳赤,好好地自省。 你看这就是这部戏剧里角色设置的那么精妙的部分。 而更为精妙的是这些角色又难能可贵的没有停留在自己的性格和设定里,反而一直在随着剧情的推进和发展,不断地成长着。 整部剧里我最喜欢的两幕恰巧是这种成长对比鲜明并且冲突和对撞最为浓烈的两幕。这两幕都是两对情侣之间的空间彼此寝室,同时争吵的场面。 第一次是在Louis离开Prior之后又心怀愧疚的回去,此时Joe正自私地准备向Harper坦诚自己的同性恋身份。两对情侣都在争执,都在互相伤害,然后互相控诉,然而微妙的是他们,一对在挽留,而一对在拒绝。 Joe一面向Harper坦白着,一边却又说着我不会离开你的,然而这种近乎无耻的行为却让Harper无可避免的走向了崩溃。 她呼唤谎言先生,她说,但我会离开你的。她拒绝了Joe毫无诚意的挽留宁可逃避到幻想里的南极去,她也无法继续在这个男人身边停留一秒,甚至想在他把下一句说出口之前就离开这里。Joe就是那个威胁着她拿着刀子在卧室里的男人,她每天都在担心着这把刀究竟什么时候会落下,然后直到这把刀终于落下,她发现她仍旧无法接受。 于是她只好拒绝,然后她主动逃跑。而Joe却反而在努力挽留。 在另一个时空的同一个瞬间,Louis一边说着他即使搬回来他也看不出什么改变,另一边理所当然地声称我仍然会看护你,而Prior绝望,甚至觉得这一切绝望地可笑,他要他马上走,哭喊着如果我还能站起来我一定会杀了你,他要Louis马上消失,却在自己吐血吓跑了对方之后,只能自嘲地说一句,哦,这可真有用。Louis做了主动地那个逃兵,而Prior却半真半假的要将他推走。 这两处交叠的空间里所正发生着的事情,有着微妙的相同之处,却又发酵出全然不同的化学反应和发展,不难看出,Harper在此时是比Prior更为有决断和更勇敢的一个,而这时候的Prior还不能从这段感情中全然走出来,冷静而坦然地面对不应该也不值得再留恋的旧爱侣。 这或许也是为什么当他们一起到了天堂入口处时,是Harper在问他,你真的要在这个地方度过漫长而无尽的永恒吗?是Harper告诉他,我要回家了,你也该回去了。 于是到了接近尾声的地方,同样还是一样的两对伴侣,同样还是相似的场景,但只有Louis和Joe留在原地,而Prior和Harper都已经在探索和渴求里成长成了新的灵魂,有了新的决断和选择。 Prior从曾经的深爱到不能抑制自己的情绪,到他终于发现生命应该有新的意义,新的希望,他仍然保持着一颗爱的心,但他已经不再需要,也不会再要你回来。 所以他当Louis感情真挚地说,Prior我想要回来的时候,皱着脸哭泣着说,我爱你,Louis,但你不能回来了,永远不能了。 他或许会悲伤地接受那个来自旧恋人的吻,这但已经不再是他生命的全部意义了。 他能活下去,他有更美好的理由和原因可以活下去,他再也不会执着于每天要花上几分钟才能确认那个陪在他身边的Louis是真实存在的了。 他已经得到了更好的祝福,关于生命的意义的,关于让他愿意努力活下去的希望的。 而同样的,Harper也终于不再因为深爱着Joe而忍受他一次又一次的所谓“爱”带来的伤害,就算是Joe依旧带着那种或许曾经吸引过她的纯粹的天真,看着她的眼睛说,你是我的良心,我爱你,别在这个时候离开我,她也再不会为了这个动摇了。 她甚至会转过头来去告诉Joe,去迷失,去探索,而她已经可以甩开这个人,走的头也不回。 于是在这个新的,他们已经成长成了全然不同的自己的同一个瞬间,他们的时空和命运再一次交汇在一起,同步协奏成命运转折起伏后成了新乐章的交响乐,宣告The great work begins起航的开始和底气。 当然,这部作品里对于宗教、政治、性别、种族一切一切的隐喻和探讨都仍旧还有太多太多。 譬如像藉着Joe的母亲和他说,Harper是个女人,你不同,你是个男人,你搞砸了没什么大不了的。而Joe也一样只是垂头丧气地说,妈妈,就算我是个男人,我搞砸了事情也是会有大麻烦的。 再比如或许有些人永远不能理解,为什么明明那个关于同性恋退伍军人的案子已经被判胜诉,Louis仍然会为了“我们并不是由于承认同性恋者的宪法权利,而只是由于技术因素判他们赢”而大发雷霆。 诸如此类的探讨和细节还有太多太多,Louis和Belize关于种族歧视的玩笑和争执,哪一个点都足以成为一整篇论文的研究主题,得到更为深入和深刻的探讨。 在这个时代,在这个当下,我并不知道我是否还有机会再在这样的场合上再看一次天使在美国;但在这个时代,在这个当下,我认为每个人都该看一次天使在美国。 我们应该永远祈求并享受祝福,永远在黑暗的时代里仍旧心怀希望。 你看,Roy在离开这个尘世的时候还在对Joe说,“你并不知道热爱能带你走到哪里去,它能把你带到连你自己都无法想象的地方去。” And I bless you——more life.
1894年的法国,作为富商之子-犹太人-军人的德莱弗斯被控叛国罪继而流放,而捕风捉影+伪造证据+官方掩盖+反犹情绪使本案历经12年的抗争,最终演变为一场非常法兰西的社会运动,德莱弗斯最终翻案。本案被法国总统希拉克称为“分裂了法国社会,分割了家族,将国家分成敌对的两个阵营”,而这两个阵营的矛盾本质上即是究竟是“法国优先”还是“法兰西精神优先”(人权)。19年,再次卷入性控告、并被metoo运动
1894年的法国,作为富商之子-犹太人-军人的德莱弗斯被控叛国罪继而流放,而捕风捉影+伪造证据+官方掩盖+反犹情绪使本案历经12年的抗争,最终演变为一场非常法兰西的社会运动,德莱弗斯最终翻案。本案被法国总统希拉克称为“分裂了法国社会,分割了家族,将国家分成敌对的两个阵营”,而这两个阵营的矛盾本质上即是究竟是“法国优先”还是“法兰西精神优先”(人权)。19年,再次卷入性控告、并被metoo运动波及的波兰斯基也是在寻找自己的左拉。重要台词1. “他们羞辱一个无辜的人,法兰西万岁”2. “罗马人扔基督徒给狮子,我们扔犹太人,这是我们的进步”3. “我们目睹了一场肮脏的表演,它宣告了罪债累累之人的清白,却毁掉了一个清廉正直的青年才俊,当一个社会腐朽至此,它便行将腐烂”4. “没有你就没有我的今天”“不将军,你有今天是因为你尽了自己的职责”
1.完全不知道有这么一部电视剧的存在 最近都没有看电视剧 喜欢在bilibili刷视频 刷到了王鹤堤扮演的男主的中二剪辑 一个歪头的视频 观感是造型有点帅 但毕竟作为一个爱看吐槽区up主的人 遇龙在前 不会把此人当真的;后来blibili又给我推了一个吐槽区up主的正向解说 忘记说到哪一点了导致我有点想看 正好我被星汉灿烂各种宣传视频推的打算看星汉灿烂 就
1.完全不知道有这么一部电视剧的存在 最近都没有看电视剧 喜欢在bilibili刷视频 刷到了王鹤堤扮演的男主的中二剪辑 一个歪头的视频 观感是造型有点帅 但毕竟作为一个爱看吐槽区up主的人 遇龙在前 不会把此人当真的;后来blibili又给我推了一个吐槽区up主的正向解说 忘记说到哪一点了导致我有点想看 正好我被星汉灿烂各种宣传视频推的打算看星汉灿烂 就想着反正肯定都是垃圾国产剧 睡前刷两集也看不进去(我有太多这种观剧经验了) 就当为我创作自己的睡前网络小说积累素材呗 然后因为实在有点抵触赵露思 就打算先去找这个叫苍兰诀的电视去看了
2.我在熟悉的腾讯视频里找啊找 没发现有这个电视啊 然后我点开了优酷 怎么还没有 最后我看着仅剩的爱奇艺 在有点担忧自己是不是还有爱奇艺会员的情况下打开了 果真这个剧是在爱奇艺播 而且原来我多年不看爱奇艺竟然还充着爱奇艺会员呢!要不是因为有爱奇艺会员我肯定不会继续看了 因为我不想看广告 但就是这么巧 我点进了这部名叫苍兰诀的电视剧 然后连续两天看到凌晨三点 造孽啊
3.这个电视剧我是快进着看的 我打算快进那么一两集然后换下一个的 因为实在是对国产剧无期待 纯粹带着打发时间的心态来看的 但是这个剧 前几集戳中我的点真的不少 女主要逃跑还不忘去捡她的仙女包 女主跟男主说谢谢关心还有误会男主喜欢自己摇了摇对方爪子那里 哈哈哈哈哈什么神仙女儿 因为我自己本身就特别特别特别喜欢自然表现的可爱型女生 尤其是用虞书欣原音没有那种配音演员要故意表现可爱的那种技巧 就是很自然的 很多气声 就特别戳我 像是一个真实人类而不是电视上的人在跟我撒娇 我直接受不了了 太可爱了!太女儿了!
4.前几集我都是当沙雕剧看的 因为真的很搞笑啊哈哈哈哈 但是男主给女主揭露水 看日出那里配上插曲氛围真的到了 但那时候还没有特别感觉这是一个好的爱情剧 我第一个对男女主的爱情有点上头的地方是男主喝下女主给的药 然后被女主用小船送走的那里 女主说的话真的太完美了 男主这时候肯定要心动;之前还有一次是男主去接露水很晚回来 女主以为男主离开了先高兴后伤心 然后男主回来了这里 也能感觉到女主开始喜欢男主了;最打动我的还是看到已经变成有钱员外的男主在树下看着女主和男二约会 然后闪回一段他没有换对方的簪子 因为希望尊重女主 再然后是一个转场 转到男主的心境里 他坐在一棵开满花的树下 这一段真的是 让我完全沦陷了 因为配上bgm氛围制造的太好了 让我想起来冰雪奇缘的那个do you wanna build a snowman那个歌结尾处电影画面转到姐姐在冰天雪地的房间里的转场 太绝了;该剧另一个非常触动我的转场是男主躲在树后为女主下花瓣雨的那一段 镜头先是一直拍女主多么开心 然后拉了个远景 背景是女主 主景是男主靠在树后 两人同框 然后用特写表现男主摘下戒指感受到了女主的开心 我的妈呀 再配上bgm 在这个镜头起 这个剧开始让我这个28岁高龄的在读博士生沦陷了 并耽误了我整整三天的科研工作,是的 从接触苍兰诀那个晚上开始到现在已经三天了 我三天没学习沉迷于此了..........
5.然后往下看 女主有点转型了 转成温柔强大型了 和以前弱小可爱有点区别 其实我是喜欢弱小可爱型的 所以看了一半我开始觉得更出彩的是男主了 但是 重点又来了 女主告诉男主说我们要在一起必须承担起各自的责任 男主为了赴约受刑半夜疼得要死 女主却能理解他不想见自己在门外守一夜 这里对女主的真的太打动我了 我开始明白女主并不是一个需要男主保护的人 他俩真的不是依附或者寄生关系 是有爱情在的 而且他俩都是超级超级负责任的人 这个设定真的太拉好感了 编剧没有设计让男主为了女主不顾一切 也不会让男主和女主偷偷摸摸 而是男主光明正大地对所有人说喜欢女主又明白自己喜欢女主需要付出代价并且心甘情愿没有一点怪罪他人没有一点自我委屈地承受 女主 女主也是这样 他们不会觉得这样是其他人不理解他们是自己所做的牺牲 而是明白这是自己需要付出的代价和自己的责任 这个真的!!!!太强大了 我觉得我目前没有在我看过的其他电视剧里看过这种非常负责任的价值观 一般电视剧里 不论多正派的男女主 其他人要是阻碍他们那肯定是一群小人是不正义的 那为了显得男女主特别高大上 就要突出他们是如何为了这群小人妥协牺牲自己 这是我非常非常恶心的可以说是一种国产剧标志性惯有的精英主义视角 但是这个电视剧 完全没有拍出任何委屈或牺牲的意思 也合理化地呈现了阻碍男女主的人的诉求 男女主是非常理解并且非常坦然接受这些东西 这让我感觉他们的形象一下子脱离了我心目中国产剧惯有的低级趣味了 也是从此开始 我不再把这个剧当成一个有点打动人的沙雕剧来看了 我觉得这个剧虽然表面上看起来很土很幼 但里面的价值观 真的是我这种成年人能接受的
6.然后就是男女主的绝美爱情了 经典太多啦但我还是想说真的特别绝的一段 女主为了和男主正大光明在一起获得男主族人的认可 愿意去一个地方接受刑罚 然后临走她给男主倒了酒 酒能暂时切断男主与她之间的同感 从而让自己受刑的这几天男主不会一样疼痛 她就特别直接的说男主答应了会喝她给的酒所以男主得喝 男主也喝下去了 就整个流程特别干脆痛快 没有常见的说我要骗你喝下去啊那种故作苦情的矫情套路 然后还有特别绝的煽情设计就是男主其实只是在女主面前假装喝了让女主安心 他自己实际上是和女主一起经历痛苦的;另外 男主也没有一定想方设法说要去干扰这个受刑仪式 尽管他有这个能力 因为女主表达了自己的诉求 这个男主就能做到尊重她的决定 只不过会选择和她一起承受 不是一方说我要为了大局or苍生or外界因素杀了你啊伤害你啊另一方说不要不要 然后双方都觉得委屈了对方然后痛恨阻碍他们的人或者抱着高高在上的圣母心以阿Q精神怜悯这些愚蠢的男二女二乃至苍生 所以我觉得这剧不仅是一个沙雕甜剧 这是一个讲绝美爱情的价值观超好的故事
9.这个导演很会安排镜头 编剧很会写人物成长 这让你感觉这个剧 虽然是一个很中二的背景 有一个很沙雕的外壳 但它讲了一个货真价实的值得看的绝美爱情故事
10.谁知道我一个活跃在b站吐槽区up主的人会看遇龙男主角演的剧 而且虞书欣 她是我一个朋友追的女团里的啊 女团不是唱歌的吗 怎么能演电视 肯定是烂片啊 看那么一两集看困了就赶快睡觉吧 然后 ......我那天晚上到三点多才睡 并且我觉得我自己成为虞书欣的粉丝了 我说粉丝的意思是我特别喜欢她了 她太可爱啦是我的神仙女儿!下次她有剧 男主和剧情合适的话我肯定会看 她代言的东西我会感兴趣 男主的话 好像他本人和戏里差比较大 但我对这个演员肯定是有好感的 他下部戏女主角和剧情合适的话我也看!
先说说打分吧,综合分给74分。动作设计 70多岁的史泰龙表演,这个没话说 满分10分给9分。编剧剧情比较普通给5分。再说说故事我想老爷子的实力和班组也不至于缺钱请不到好编剧吧,很多影迷都在说这个故事糟,我倒是觉着这个非常生活化的常见的故事倒是很贴 史泰龙动作兰博这个角,拍成盗梦空间那样剧情 你让兰博干嘛呢?你们看看前4部电影, 兰博这个主角是一个什么样的性格和人设
先说说打分吧,综合分给74分。动作设计 70多岁的史泰龙表演,这个没话说 满分10分给9分。编剧剧情比较普通给5分。再说说故事我想老爷子的实力和班组也不至于缺钱请不到好编剧吧,很多影迷都在说这个故事糟,我倒是觉着这个非常生活化的常见的故事倒是很贴 史泰龙动作兰博这个角,拍成盗梦空间那样剧情 你让兰博干嘛呢?你们看看前4部电影, 兰博这个主角是一个什么样的性格和人设?再来扯扯英雄的暮年爱尔兰人当中 三位老英雄是那样的一个扮相 相信大家都已经看到了,再来看看史泰龙在这部影片里的动作,能想象他已经70多岁了吗?你们大伙儿身边70多岁的人都是什么样?兰博这样一个人物,终于有了一个结尾,他并没有在摇椅上苟延残喘 流尽最后一滴血,他是策马扬鞭 昂首挺胸,血洒征程,夕阳西下中奔着前进的方向,去了!就冲这一点 我们就应该给他鼓掌!
故事老套吗?能把一个老套的故事说的真诚,这是一种本事。
兰博,洛奇,金刚狼,爱尔兰人,教父 等等这些个人物 再怎么叱咤风云 不可一世的成功人物,最后也不就是那样吗?银幕如此?现实中呢?些个互联网大佬 些个各行业的人物们,去看看结尾又能怎样?
毕竟,人生,哈哈哈哈,
就是那么一回的事儿。
【转载请链接说明出处。】
梅娘和杉越的故事出现在这部电视剧的第一个案子,第一个案子与一幅画联系在一起,其中的几个杀人案不可谓不惊悚,杀人手法极其残忍,所以我一直以为会是一个十足变态的杀人狂魔。但没有想到故事的结局是这样的,其实我有些生气,连抓住凶手后也不能让人舒畅。尤其是知道梅娘与杉越的爱情后,更加的难受。杉越是一个孤儿,在接受王府的恩惠后他才有一个落脚的地方,本来他之后会是王府的家臣,如果再努力些说不定可以成为王府
梅娘和杉越的故事出现在这部电视剧的第一个案子,第一个案子与一幅画联系在一起,其中的几个杀人案不可谓不惊悚,杀人手法极其残忍,所以我一直以为会是一个十足变态的杀人狂魔。但没有想到故事的结局是这样的,其实我有些生气,连抓住凶手后也不能让人舒畅。尤其是知道梅娘与杉越的爱情后,更加的难受。杉越是一个孤儿,在接受王府的恩惠后他才有一个落脚的地方,本来他之后会是王府的家臣,如果再努力些说不定可以成为王府的红人过完平凡安定的一生。但是王府遭受团灭后,他又再一次的失去了依靠。他为恩人报仇成为了他人生唯一的目标。再来看看梅娘,她与他本来应该就是主仆的关系,梅娘是王府的小姐,无论再怎么想如果王府没有发生这样的人祸,两个人似乎没有任何情感上的交集,但是王府的灾祸让他们成为彼此唯一的依靠。在那漫长的忍辱负重等待复仇的岁月,两个本来阶级相差巨大的孩子,却建立了最为坚固的同盟关系。但是日久生情,灭门之仇的恨意让两个早已相爱的人已经无暇顾及。我想他们是不敢爱吧,如果说出来了,会不会因为爱而去想拥有未来,而他们从走向复仇之路的那天起就已经深知自己是没有未来的人。杉越到最后死都没有告诉别人这场复仇活动不止有他一个人,他就这样带着未解的恨意和未被回应的爱死去了,而梅娘的红色的嫁衣早已有了心上人却只能在地下穿给他看,这是怎样的悲惨。梅娘对杉越说是利用但是到最后任谁看都不是一场利用,而是深知无可回应,他们能说等以后吗,他们已经没有了未来,因为这人心的险恶因为命运的不公。这已是他们可以拥有最好的结局。
当然是推荐了。虽然看着剧组很没钱的样子,但是剧情够好看阿,台词更是超级好笑,非常推荐了。
女一是可爱的爱钱少女,女二是娇媚的富贵千年花妖。男一是一心飞升的狐狸精,因过于爱吃肉,贪恋女一的厨艺,流落人间;男二长相帅气后期黑化,男三是蠢萌的废柴捉妖师……每集会出现一些小人物,树妖猫妖爬山虎妖……都蠢萌可爱,总体走温暖路线。
对于感情线的问题,没什么特别好说的,青春剧偶像剧
当然是推荐了。虽然看着剧组很没钱的样子,但是剧情够好看阿,台词更是超级好笑,非常推荐了。
女一是可爱的爱钱少女,女二是娇媚的富贵千年花妖。男一是一心飞升的狐狸精,因过于爱吃肉,贪恋女一的厨艺,流落人间;男二长相帅气后期黑化,男三是蠢萌的废柴捉妖师……每集会出现一些小人物,树妖猫妖爬山虎妖……都蠢萌可爱,总体走温暖路线。
对于感情线的问题,没什么特别好说的,青春剧偶像剧都是这样的路数。从最初的杀和被杀的关系变为恋人,也不奇怪。
编剧脑洞清奇,非常解压,扣一星是剧组穷酸服装太差,特效五毛,还可拍得更好。
《女医明妃传》讲了一个少女毕生对医学事业的执着追求,谭允贤出生医学世家,带着家族被毁的血海深仇,立志学医,从家族医学到民间偏方,从江湖医术到正统医学,从外族医理到最终悬壶济世,成就一代女国医。(???)
霍建华的英气之霸,以及黄轩的儒雅之情跃然人前,既凸显了该剧唯美古朴的风格,也让观众对三人在剧中的戏份更添想象空间。但是,其陈旧套路、乏善可陈的剧情、拖沓的
《女医明妃传》讲了一个少女毕生对医学事业的执着追求,谭允贤出生医学世家,带着家族被毁的血海深仇,立志学医,从家族医学到民间偏方,从江湖医术到正统医学,从外族医理到最终悬壶济世,成就一代女国医。(???)
霍建华的英气之霸,以及黄轩的儒雅之情跃然人前,既凸显了该剧唯美古朴的风格,也让观众对三人在剧中的戏份更添想象空间。但是,其陈旧套路、乏善可陈的剧情、拖沓的节奏很难勾起人的追剧欲望,倒是那些颇让人有生理不适的重口病例经常能成一时的话题热点。
总体观感太过沉闷,其人物关系套用了已自带黑点的“一女三男爱”结构,却空有玛丽“苏”的架子,缺少能撩动人心的互动细节,感情戏干瘪腻歪,不过总体看下来,我霍的颜值可以弥补一切了,(?????????)
人们总希望爱是固定的,但偏偏爱是流动的。在你的爱人找到你的时候,他已经带着他流动的爱,经历了不同的人。如果你不是你爱人初恋的话,那么恭喜你,你不仅得到爱人还领取到了赠品——前任。
对现任而言,前任是个魔咒。你担心她太优秀,也担心他们的故事太铭心
人们总希望爱是固定的,但偏偏爱是流动的。在你的爱人找到你的时候,他已经带着他流动的爱,经历了不同的人。如果你不是你爱人初恋的话,那么恭喜你,你不仅得到爱人还领取到了赠品——前任。
对现任而言,前任是个魔咒。你担心她太优秀,也担心他们的故事太铭心刻骨,更担心你的爱人对她念念不忘。你嫉妒她参与了你不曾参与的过去,也嫉妒她在爱人身上留下的种种印记,更嫉妒她在过去的时间里霸占了他全部的爱。可是,最无奈的却是这些担心与嫉妒如果说出来,就只是矫情和无理取闹,白白折磨了两个人。可是如果不说,又变成了卡在喉咙里的刺,其中委屈就只能自己默默承受。
当然了,前任也不是洪水猛兽。她不过就是一段历史而已,你不能改变历史,也不能抹去历史。正是因为经历了前任,他才变成了如今你喜欢的样子。杜小桔对于王毅,热烈过也偏执过,在一起时轰轰烈烈拼尽全力,恨不得燃烧自己,也想要那片刻光芒。也正是因为毫无保留的付出过,在结束时,哪怕还有遗憾,但不再有执念。能够平静的说再见,也能坦然的转身迎接新生活。反观王毅,在一起时是被动的,当然,我相信他也是喜欢小桔的,但就仗着小桔更喜欢自己一点,便心安理得的接受她的好。大概是因为自知亏欠小桔太多,才久久无法释怀吧。其实,我更喜欢剧里周存宇的处理方式。他明知王毅之于小桔曾是怎样铭心刻骨般的存在,但仍能坦然的面对王毅。因为他深知,过去的就只是过去而已。这便是成熟男人的魅力吧,对自己有自信,对伴侣有足够的信任。包容和信任是爱生长的土壤,但可惜纯蓝和梁安庆之间大概就是无土栽培吧。纯蓝不信任他,任何鸡毛蒜皮都会变成猜疑和爆发的导火索,当把曾经的美好都耗光的时候,他们也就走到尽头了吧。郎婷和彭枫是骄傲小公主和纨绔富二代的故事,稀里糊涂的在一起又莫名其妙的分了手,年少男女并不会恰当的表达自己的情感更无法妥当的处理问题,分手就是一个必然的结果。他们互为彼此的白月光,却都不是彼此的最佳选项,白月光之所以是白月光,是因为没有得到罢了。
我们时常被教育,要拥有与世界建立联系的能力,要学习,要恋爱,要立业,要成家。我们很难向别人说明“我是谁”,但却可以通过求学过程、恋爱经历、工作内容和婚姻状况来映射出我们的形象。当然了,我的前任,他是个怎样的人,我对他什么态度,他对我如何评价,这些都是我之所以是我的佐证。我有时会困惑,这样是对的吗?我不可以是一个独立的存在吗?像一座孤岛,扎根海底,野蛮生长。有人经过时,只需要说“看,那里有座岛!”就可以了,我不需要被描述面积、海拔、经纬度。这样,当我遇见另一座岛的时候,我就可以和他说,hi,我们海底见。
很久没有静下心来看完一部治愈人心电影的经历了,这部《爱的接力棒》给了我这样的体会!
没读过小说,刚知道这部电影时也很诧异于十元都到了要演妈妈的年纪了……虽然没有十元跟咩酱正面对戏的戏份,但故事情节本身已经足够完整,而且真的很骗我眼泪啊??
因为生不了孩子而视优子
很久没有静下心来看完一部治愈人心电影的经历了,这部《爱的接力棒》给了我这样的体会!
没读过小说,刚知道这部电影时也很诧异于十元都到了要演妈妈的年纪了……虽然没有十元跟咩酱正面对戏的戏份,但故事情节本身已经足够完整,而且真的很骗我眼泪啊??
因为生不了孩子而视优子为己出、倾注了所有的爱,这是我没想到的。
这个电影,享受的部分,与其说是视听或机械设定,人设,或者各种自生器官,不如说,是跟着电影提出的问题,自己思考这个过程。
如果器官可以自己变异新生,然后实现从形态到功能的进化,那么,它会是什么走向的?电影里提出的设想,有一个非常具体的答案,是可以消化塑料的。至于为什么会单单选择塑料,因为塑料是人类发明出来解决人
这个电影,享受的部分,与其说是视听或机械设定,人设,或者各种自生器官,不如说,是跟着电影提出的问题,自己思考这个过程。
如果器官可以自己变异新生,然后实现从形态到功能的进化,那么,它会是什么走向的?电影里提出的设想,有一个非常具体的答案,是可以消化塑料的。至于为什么会单单选择塑料,因为塑料是人类发明出来解决人类问题的,应该由人类的进化来处理它。
我个人会想到,对于如今世界,已经有太过丰盈的物质,为什么人类还在发明,还在改造世界,所以目前是解决之前遗留问题重要,还是开创一条全新的道路比较来的快?我钦佩他还是选择回到解决遗留问题,承担过往责任,这个选择需要的勇气与面对过去的自我批判。
本人并不是导演的忠实粉丝,如此迫不及待的要去看,实则是因为预告里关于机械是人体的延伸,人体和机械的关系,以及机械和器官的关系,还有其中的互动,结合,以及背离,这个设定很感兴趣。
老实讲看完回家路上还在思考,那个金属的银色“蟹壳”手术台,使用脊椎骨节设计的手术刀,本人感觉昆虫的形象会更贴切,想象昆虫在显微镜下那让人头皮发麻的细密皮囊,还有蚕吐丝,和蜘蛛的触角这些结构,更器官改造还有自创似乎更贴切一些?
他还是有一些非常温柔的东西留在里面,以及莫名安排的侦探,戳穿了许多观众可以自我联想,又或者让电影中角色自行对接,然后任由其发展,看看最后会走出个什么故事走向。侦探一旦存在,总觉得把故事也框在其中,失却了许多的可能性。
对于耳朵人的设计,能不能再走一点心,不是在身体上多几个耳朵就了事,走量不如走质,能够用超凡的少量耳朵设计,还是能讲出这个故事,是不是更值得期待一点?
还有那个八岁小男孩解剖后,展示的世界上第一例人类诞生的,天然的,可以消化塑料的消化系统,开腔后,就给人看了这个?(涂鸦部分还是酷的),但是....... 能不能稍微再设计一下,好歹可以体现一点“塑料消化”的特征?(片中的开腔部分展示内部构造都不太惊艳)。
其实应该还有很多想说的,不过目前暂时记不起来了。只好来个总结句,预告片的期待值在正片里有稍微落空,然而能够让人自发性思考的电影,不该被埋没。
*再补充一点
故事感觉是用了一个半小时交代了前情提要,用十分钟给你看了个开头,就结束了。真的不拍第二部吗?从器官觉醒,自然生长这个过程不是才才渐入佳境?
看完韩国电影《影子造王者》,总有种挥之不去的割裂感:影片前半段对此前选举中屡战屡败的政客金云范将毛遂自荐的徐昌大纳入竞选团队后的节节胜利描绘得多么澎湃热血、甚至不乏喜剧色彩;后半段两人的决裂、导致近在迟尺的民主梦最终受挫便有多令人唏嘘。两位主人公在现实中的原型分别是金大中总统及其谋士严昌禄——虚实的交错,更是将这一悲剧
看完韩国电影《影子造王者》,总有种挥之不去的割裂感:影片前半段对此前选举中屡战屡败的政客金云范将毛遂自荐的徐昌大纳入竞选团队后的节节胜利描绘得多么澎湃热血、甚至不乏喜剧色彩;后半段两人的决裂、导致近在迟尺的民主梦最终受挫便有多令人唏嘘。两位主人公在现实中的原型分别是金大中总统及其谋士严昌禄——虚实的交错,更是将这一悲剧结局的冲击力渲染得无以复加。
至于分手的原因,无论是影片一开始两人分别援引亚里士多德与柏拉图的首次对话,还是收尾呼应的那个鸡蛋被享有特权的邻居偷走要怎么做的问答,都不断提醒着两人关于目的和手段的理念分歧。这一答案因此显而易见,也颇为合理,却不免让人感觉犹如浮在海面上的冰山一角。
由量变到质变的不甘
之所以如此认为,是注意到徐昌大在两人展开合作后的相当长一段时间里,并未介意自己是在明处还是在暗处。那时的他只是纯粹的想朝着改变世界的目标与金长久地并肩作战。“影子”这一称呼在影片中的首次出现,是在金出其不意地战胜了背后有总统支持的执政党候选人而获得国会议员席位之后。从为总统卖命的情报局长那里得此“谬赞”,徐此时也只有好似受宠若惊的戏谑与轻蔑。直到金在党内胜选成为总统候选人,不甘于只做影子的苗头才显露出来,并由此加速疯长。
这一过程中,发生在金家中的爆炸无疑是个异常关键的事件。事件的幕后主使是谁,影片并未给出确切答案。但真相已经不那么重要了。重要的是事发之后,早已虎视眈眈的情报局有了一个难得的机会扫荡金的竞选总部,把徐关押起来并得以偷看他被没收来的日记。换言之,神经战和心理战的作用是起到了:金这边是不得不中断访美行程而紧急赶回处理这棘手的局面。徐则是前脚刚被老板扔下一句“你还没准备好”而最后时刻踢出访美随行名单,后脚又经受了几天几夜的囚禁之苦。
这个异常微妙的时间节点可以说是两人搭档以来彼此都最为脆弱的时刻。于是,好不容易重新碰面的两人来不及庆幸,金云范便把周遭听到的越来越多的对徐昌大的不满不加筛选地倾吐出来,徐会因为这番言论的引爆而暴露自己傲慢野心的一面,金又被这突如其来的暴露以及重新浮出水面的两人在目的和手段方面的分歧而动摇了对徐的信任,徐的自我则因这番动摇而瓦解崩塌……如果剧本能将两人在造王成败的关键事件之外的交流互动、尤其是徐的心境变化也刻画得更细致些,对这场急转直下的交锋的铺垫也将更为充分。但就双方神经一步步被对方揪紧、直至最后“啪”地断开的这短短几分钟而言,两位影帝的表演均已无可挑剔,连带着全场(或者至少是坐我周边的)观众也一道窒息。
无法解开的情感死结
回过头来看两人在一起的最后时光,对徐昌大来说,当初喜欢看着你在政治舞台上闪闪发光的由衷喜悦是真实的。随着你的步步高升而越来越无法忍受变得更黑更暗的阴影的焦灼感也是真实的。对你所宣扬的政策和愿景深感认同仍是真实的。被你无法真正理解活在阴影中意味着什么而感到的失落所吞噬也是真实的。
如果以上这些证实了金云范所认定的徐昌大“并未做好准备”,同样的结论放到金云范身上又莫不如是?担心你被关期间受苦而内心翻涌、主动送上的拥抱是真实的。被你突如其来的自大和图穷匕见的不堪刺痛到也是真实的。与背离了这种信条而把你当成手段的一部分达到赢得选战的目的难以和解的纠结是真实的。判断出选情遭遇绊脚石而想要及时铲除的迫切感是真实的。因为这一绊脚石是与自己惺惺相惜的左膀右臂而备受煎熬更是真实的……
在一个成熟的政治生态里,更加老练的政客或许能够更沉稳地调和内外部矛盾,幕僚也不至于对身份焦虑如此耿耿于怀,或者至少能审时度势地收敛锋芒。可惜故事的最终版本里,只有这些不成熟、相互矛盾却无比真实的情感缠斗至难解难分,打成的死结才是两人关系中最为深刻的人性悲剧。
此后的徐昌大若是在倒戈的路上索性一路走到黑,历史的进程或许会更曲折——在厚黑学盛行的政坛,我甚至认为这种可能的合理性更强。然而真实的历史走向并未沿此展开,人性悲剧的色彩才更显浓烈而悲壮:把金云范的败选全归咎于徐的倒戈或许有失偏颇,但对方阵营恰是在徐的提议下大打此前金不甚敏感的身份牌,怂恿人口更多、经济上更强势的庆尚地区与新罗地区的对立而把票转投给本土出身的执政党候选人(即时任总统本人),金才遭受到了此轮选战中最大且最措手不及的重创。经此一役,徐昌大也更看清了金说的比起如何去赢(手段),为何要赢(目的)的问题要重要得多。这份姗姗来迟且代价惨重的领悟,却再也没能为他学以致用。
两人一别即是十七年,重聚的小酒馆看似别来无恙,周遭世事却已沧海桑田。认清形势也好、自我保护也好,徐昌大终究未能得偿所愿地走出阴影而亮相于政坛。登上全国舞台的金云范则遭受了总统长达十几年的“重点关照”而九死一生。两人的变故足以让后者由衷感慨,时光要是能倒流该多好。只是业已生出的裂痕毕竟无法抹平。等一束久违的光照耀进来,已是又一个九年过后。
徐昌大先一步病逝而无法亲眼见证金云范终于登上总统宝座、达到并且超过了与他合作时所企及的高度,看似将这个故事的遗憾美学推至了最高潮。不知由此寓示的民主梦想的实现与延续,和由此带来越来越多被邻居偷了鸡蛋的国民可以既不用等着对方良心发现,也不用暗地耍诈,而是依赖法制来伸张正义,能在多大程度上让这份遗憾从高潮回落一些。而这样取材于真实历史事件的故事得以被改编、搬上大荧幕供后世的观众感叹反思,大概就唯有让某些邻国羡慕的份了。
On July 30, 1996, the media identified Richard Jewell as the F.B.I.'s prime suspect in the Olympic Park bombing. For the first time, the 34-year-old security guard tells his extraordi【详细】On July 30, 1996, the media identified Richard Jewell as the F.B.I.'s prime suspect in the Olympic Park bombing. For the first time, the 34-year-old security guard tells his extraordinary story, to MARIE BRENNER: his brief moment as a national hero, his hounding by the Feds and the press, and his eccentric friendship with the unknown southern lawyer who helped him through his public torment.FEBRUARY 1997 MARIE BRENNERDAN WINTERSThe search warrant was short and succinct, dated August 3, 9:41 A.M. F.B.I. special agent Diader Rosario was instructed to produce "hair samples (twenty-five pulled and twenty-five combed hairs from the head)" of Richard Allensworth Jewell. That Saturday, Atlanta was humid; the temperature would rise to 85 degrees. There were 34 Olympic events scheduled, including women's team handball, but Richard Jewell was in his mother's apartment playing Defender on a computer set up in the spare bedroom. Jewell hadn't slept at all the night before, or the night before that. He could hear the noise from the throng of reporters massed on the hill outside the small apartment in the suburbs. All morning long, he had been focused on the screen, trying to score off "the little guy who goes back and forth shooting the aliens," but at 12:30 the sound of the telephone disturbed his concentration. Very few people had his new number, by necessity unlisted. Since the F.B.I. had singled him out as the Olympic Park bombing suspect three days earlier, Jewell had received approximately 1,000 calls a day—someone had posted his mother's home number on the Internet."I'll be right over," his lawyer Watson Bryant told him. "They want your hair, they want your palm prints, and they want something called a voice exemplar—the goddamn bastards." The curtains were drawn in the pastel apartment filled with his mother's crafts and samplers; A HOME WITHOUT A DOG IS JUST A HOUSE, one read. By this time Bryant had a system. He would call Jewell from his car phone so that the door could be unlatched and Bryant could avoid the questions from the phalanx of reporters on the hill.Turning into the parking lot in a white Explorer, Bryant could see sound trucks parked up and down Buford Highway. The middle-class neighborhood of apartment complexes and shopping centers was near the DeKalb Peachtree Airport, where local millionaires kept their private planes. The moment Bryant got out of his car, the reporters began to shout: "Hey, Watson, do they have the murderer?" "Are they arresting Jewell?" Bryant moved quickly toward the staircase to the Jewells' apartment. He wore a baseball cap, khaki shorts, and a frayed Brooks Brothers polo shirt. He was 45 years old, with strong features and thinning hair, a southern preppy from a country-club family. Bryant had a stern demeanor lightened by a contrarian's sense of the absurd. He was often distracted—from time to time he would miss his exits on the highway—and he had the regional tendency of defining himself by explaining what he was not. "I am not a Democrat, because they want your money. I am not a Republican, because they take your rights away," he told me soon after I met him. Bryant can talk your ear off about the Bill of Rights, ending with a flourish: "I think everyone ought to have the right to be stupid. I am a Libertarian."At the time Richard Jewell was named as a suspect by the F.B.I., Watson Bryant made a modest living by doing real-estate closings in the suburbs, but Jewell and his lawyer had formed an unusual friendship a decade earlier, when Jewell worked as a mailroom clerk at a federal disaster-relief agency where Bryant practiced law. Jewell was then a stocky kid without a father, who had trained as an auto mechanic but dreamed of being a policeman; Bryant had always had a soft spot for oddballs and strays, a personality quirk which annoyed his then wife no end.The serendipity of this friendship, an alliance particularly southern in its eccentricity, would bring Watson Bryant to the immense task of attempting to save Richard Jewell from the murky quagmire of a national terrorism case. The simple fact was that Bryant had no qualifications for the job. He had no legal staff except for his assistant, Nadya Light, no contacts in the press, and no history in Washington. He was the opposite of media-savvy; he rarely read the papers and never watched the nightly news, preferring the Discovery Channel's shows on dog psychology. Now that Richard Jewell was his client, he had entered a zone of worldwide media hysteria fraught with potential peril. Jewell suspected that his pickup truck had been flown in a C-130 transport plane to the F.B.I. unit at Quantico in Virginia, and Bryant worried that his friend would be arrested any minute. Worse, Bryant knew that he had nothing going for him, no levers anywhere. His only asset was his personality; he had the bravado and profane hyperbole of a southern rich boy, but he was in way over his head.For hours that Saturday, Bryant and Jewell sat and waited for the F.B.I. From time to time Jewell would put binoculars under the drawn curtain in his mother's bedroom to peer at the reporters on the hill. Bryant was nervous that Jewell's mother, Bobi, would return from baby-sitting and see her son having hairs pulled out of his head. Bryant stalked around the apartment complaining about the F.B.I. "The sons of bitches did not show up until three P.M.," he later recalled, and when they did, there were five of them. The F.B.I. medic was tall and muscular and wore rubber gloves. He asked Jewell to sit at a small round table in the living room, where his mother puts her holiday-theme displays. Bryant stood by the sofa next to a portrait of Jewell in his Habersham County deputy's uniform. He watched the F.B.I. procedure carefully. The medic, who had huge hands, used tiny drugstore tweezers. "He eyeballed his scalp and took his hair in sections. First he ran a comb through it, and then he took these hairs and plucked them out one by one."Jewell "went stone-cold," but Bryant could not contain his temper. "I am his lawyer. I know you can have this, I know you have a search warrant, but I tell you this: If you were doing this to me, you would have to fight me. You would have to beat the shit out of me," Bryant recalled telling the case agent Ed Bazar. Bazar, Bryant later said, was apologetic. "He seemed almost embarrassed to be there." As he counted out the hairs, he placed them in an envelope. The irony of the situation was not lost on Bryant. He was a lawyer, an officer of the court, but he had a disdain for authority, and he was representing a former deputy who read the Georgia law code for fun in his spare time.It took 10 minutes to pluck Jewell's thick auburn hair. Then the F.B.I. agents led him into the kitchen and took his palm prints on the table. "That took 30 minutes, and they got ink all over the table," Bryant said. Then Bazar told Bryant they wanted Jewell to sit on the sofa and say into the telephone, "There is a bomb in Centennial Park. You have 30 minutes." That was the message given by the 911 caller on the night of the bombing. He was to repeat the message 12 times. Bryant saw the possibility of phony evidence and of his client's going to jail. "I said, 'I am not sure about this. Maybe you can do this, maybe you can't, but you are not doing this today.'"All afternoon, Jewell was strangely quiet. He had a sophisticated knowledge of police work and believed, he later said, "they must have had some evidence if they wanted my hair. ... I knew their game was intimidation. That is why they brought five agents instead of two." He felt "violated and humiliated," he told me, but he was passive, even docile, through Bryant's outburst. He thought of the bombing victims— Alice Hawthorne, the 44-year-old mother from Albany, Georgia, at the park with her stepdaughter; Melih Uzunyol, the Turkish cameraman who died of a heart attack; the more than 100 people taken to area hospitals, some of whom were his friends. "I kept thinking, These guys think I did this. These guys were accusing me of murder. This was the biggest case in the nation and the world. If they could pin it on me, they were going to put me in the electric chair."I met Richard Jewell three months later, on October 28, a few hours before a press conference called by his lawyers to allow Jewell to speak publicly for the first time since the F.B.I. had cleared him. Jewell's lawyers also intended to announce that they would file damage suits against NBC and The Atlanta Journal-Constitution. It was a Monday, and that weekend the local U.S. attorney had delivered a letter to one of the lawyers stating Jewell was no longer a suspect. "Goddamn it," Bryant had told me on the phone, "the sons of bitches did not even have the decency to address it to Richard Jewell."I had been instructed to come early to the offices of Wood & Grant, the flashy plaintiff lawyers Bryant had pulled in to help him with Jewell's civil suits. When I arrived, I was alone in the office with Sharon Anderson, the redheaded assistant answering the phones. "Wood & Grant . . . Wood & Grant . . . Wood & Grant"—the calls overwhelmed her. Lin Wood and Wayne Grant were rushing from CNN to the local NBC and ABC affiliates, working the shows. "Everyone has theories of who the real bomber is," Sharon said. "I just write it all down and give it to the boys."When Lin Wood arrived, he was still in full makeup. Movie-star handsome with green eyes and styled hair, Wood has the heated oratory of a trial lawyer. "It's a war! Why in this bevy of stories does not anyone point out the fact that Richard was a hero one day and a demon the next? They have destroyed this man's life!"Watson Bryant had worked with Wood and Grant years before in a local law firm. He admired Wayne Grant for his methodical sense of detail; Grant, a New Yorker, had once forced the city of Atlanta to pay large damages to a man injured while illegally digging for antique bottles in a park. But Lin Wood's suppressed rage was a marvel to Bryant. "He is so tough he could make people cry in depositions when we were kids," Bryant told me. Wood possessed the smooth style of a member of the Atlanta establishment, but he had a hardscrabble past. He was a boy from "the wrong side of the tracks" in Macon who at age 17 discovered his mother's body after his father had murdered her. His father went to jail, and Wood wound up as a lawyer. He went through college and law school on scholarships and with part-time jobs. I could hear Wood on Sharon's telephone: "He's more than innocent. He's a goddamn hero. . . . Everyone is going to pay who wronged Richard Jewell. Besides NBC and The A.J.C., we are going to look into suing CNN and Jay Leno."Through the large picture window, I had a clear view of the remains of the Centennial Olympic Park, where the bomb had exploded on the night of July 26. Where the sound-and-light tower had once been, there was now a flattened dirt field. It was possible to see the Greek commemorative sculpture that Richard Jewell used to describe for tourists at the AT&T pavilion, where he worked as a security guard.Suddenly, Jewell was in the room. "Hi. I'm Richard. I'm a little late. I don't want you to think I am rude. I am not like that." He had an open face, a bland pleasantness, an eagerness to please. "Can I get you a Coke?" he asked me. "How about some coffee?" Jewell wore a blue-and-white striped shirt and chinos. He occupied physical space like a teenager; he sprawled, he lumbered, he pawed through Sharon's candy bowl. On TV his face had a porcine blankness; he appeared suspicious. In person, Jewell has a hard time disguising his emotions.We were alone in the conference room; I noticed that Jewell avoided looking out the window toward the park. He shifted his glance nervously away from the view. He often awakens in the middle of the night, drenched in sweat, thinking of the events in the park in the early morning hours of July 27. "It took me days before I could even come in here," he said anxiously.The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first.When Jewell noticed a local ABC reporter outside near Sharon's desk, his face darkened. "I don't want to be around reporters right now. I guess I am a little nervous. What is he doing here?" The atmosphere was now filled with tension; the reporter was escorted out.Moments later, we gathered in the hallway. Wood was steely: "We are going in two cars. Richard, you drive with me. Your mother will go with Wayne. As we walk down the hall right now, if the ABC people are outside, I will tap you on the shoulder and I will say, 'How are you doing?' You will say, 'Fine.' Is that understood?" "O.K., Lin. I understand," Jewell said quietly, head bowed.As Jewell walked down the hall, an ABC cameraman photographed him looking grim. Seconds after the elevator doors closed, Jewell exploded: "What are they doing here, Lin? Did you invite them? They are animals. Why didn't you get them out of here?""ABC has been good to you. How do I get them out of the office on the day of your press conference?""That is what security is for!" Jewell said, quivering with rage. "Where is Watson?" he asked in the garage. "I told you: he's at a real-estate closing. He will meet you at the press conference," Wood said. Jewell moved to his mother's side, as solicitous as a child. "Are you all right, Mother?" he asked. "It is all I am going to be able to do not to do something!" she said angrily.When we arrived at the Marriott hotel on 1-75, there was another discussion in the parking lot, about who would walk with whom in front of the cameras. Jewell turned to his close friend Dave Dutchess: "Are you all right, man?" Dutchess, a truckdriver who worked with Jewell years ago, has long hair and a tattoo of a panther on his forearm. "Richard and I are like brothers," he told me. "I would die for him." As the cameras closed in on them, the group fled to a private room in the Marriott. The auditorium was filled with reporters. "Showtime! Showtime!" the cameramen yelled when Jewell, his mother, and all the lawyers took the stage."I hope and pray that no one else is ever subjected to the pain and the ordeal that I have gone through," Jewell said, his voice breaking. "The authorities should keep in mind the rights of the citizens. I thank God it is ended and that you now know what I have known all along: I am an innocent man."After the press conference, Bobi and Richard Jewell remained in a private room. The bookers from Good Morning America and the Today show pressed Jewell to step before their cameras, and when Watson Bryant told them no, Monica, the G.M.A. booker, began to cry, "I'll lose my job." Then Yael, the Today-show booker, cornered Nadya Light: "Is Richard doing something with G.M.A.?'Upstairs, Jewell and his mother were being filmed by a CBS camera crew for a 60 Minutes news update. "Well, Bobi, did you get your Tupperware back?" Mike Wallace asked by phone from New York. "Richard, you need to lose some more weight." Despite Wallace's festive spirit, the atmosphere was curiously flat. Bryant urged Jewell to talk to a USA Today reporter. Jewell balked: "They can all go suck wind."In the car on the way back to Wood & Grant, Bobi was angry. All of her possessions had come back from the F.B.I. marked up with ink. "Every piece of Tupperware I own is ruined, thank you very much. They wrote numbers all over it, and I have tried everything to clean it—Comet and Brillo—but nothing works."Back at the office, she sat on the sofa and listened as Bryant negotiated with Yael for a flight to New York— Delta, first-class, 9:30 P.M. Jewell was scheduled to appear on three shows in New York, visit the American Museum of Natural History, and then fly to Washington, D.C., for Larry King Live. "I would like to go home, put on my outfit, and walk in the woods," Bobi said. "Richard, we are leaving.""Yes, ma'am," Richard said.One hour later, a telephone call came in to the offices of Wood & Grant. The lawyers had the call on speaker, and it blared through the room. "Goddamn it, Lin. When will this be over?" In the background, you could hear Bobi sobbing. "What in the world?" Wood asked. Jewell explained that a sound truck from ABC had been waiting in the parking lot when the Jewells got home. There had been words and threats, and Dave Dutchess had taken his stun gun off his motorcycle and waved it at the ABC van. The cameraman yelled: Stop harassing us! Dave yelled back: You are harassing us! Now get your ass out of here!Wood shouted into the speakerphone: "Do not meddle! You cannot jeopardize where you have gotten to and what you want to do! All you have to do is put up with this for one more day and the damn thing is over. Bobi, there is nothing you can do about it; you have to stay cool." Bobi cried back, "They are going to destroy me!"The moment they hung up, Wood turned to Bryant. "New York is canceled. No Katie Couric. No Good Morning America. They are losing it. You better call Yael." "No," Bryant said, "they have lost it. All of the above: their patience, their temper and heart."That evening a very testy Katie Couric tracked Bryant down at Nadya Light's apartment, where we had gone to watch the news. "I want you to know that I canceled interviewing Barbra Streisand in L.A. for Richard Jewell. Don't think he is always going to be a news story. No one will care about him in three days," she said, according to Bryant. "Look, Katie, I am sorry. But Richard is in no condition to talk to the press. He is worn out," Bryant told her.Later, Jewell would tell me that that day, which should have been one of his most satisfying, was actually his worst. His notoriety had tainted the triumph; everything positive had become negative. "I was in despair," he said. As he had for most of the previous 88 days, he spent the night confined in the Buford Highway apartment, a prisoner of his circumstances, with his mother, Dave Dutchess, and Dave's fiancee, Beatty, eating Domino's Pizza and watching himself lead the newscasts on NBC, CBS, and ABC."This case has everything—the F.B.I., the press, the violation of the Bill of Rights from the First to the Sixth Amendment."'This case has everything— the F.B.I., the press, the violation of the Bill of Rights, from the First to the Sixth Amendment," Watson Bryant told me in one of our first conversations. It has become common to characterize the F.B.I.'s investigation of Richard Jewell as the epitome of false accusation. The phrase "the Jewell syndrome," a rush to judgment, has entered the language of newsrooms and First Amendment forums. On the night of Jewell's press conference, a commentator on CNN's Crossfire compared Jewell's situation to "Kafka in Prague." The case became an investigative catastrophe, which laid bare long-simmering resentments of many F.B.I. career professionals regarding the micromanagement style and imperious attitude of Louis Freeh and his inner circle of former New York prosecutors, who have worked together since their days at the U.S. Attorney's Office in the Southern District. Within the bureau, the beleaguered director now has a new nickname: J. Edgar Hoover with children. Like Freeh, those near him have also acquired a nickname: Louie's yes-men. Two of Freeh's closest associates, F.B.I. general counsel Howard Shapiro and former deputy director Larry Potts, have been severely criticized, respectively, for advising the White House of confidential F.B.I. material and for an alleged cover-up of the mishandling of the 1992 standoff at Ruby Ridge, where F.B.I. agents killed the wife and son of Randy Weaver, a white supremacist.In November and December, the Office of Professional Responsibility conducted an exhaustive investigation into the Jewell affair. Responding to an attempt by headquarters and certain officials to distance themselves, according to F.B.I. sources, several agents, including a senior F.B.I. supervisor in Atlanta, have provided the O.P.R. with signed statements insisting that Freeh himself was responsible for "oversight" during the crisis. These agents "shocked the investigators" because they reiterated, when asked who was in charge of the overall command of the investigation, that it was the director himself.What happened to Richard Jewell raises an important question central to Freeh's future tenure: in the midst of a media frenzy, does the F.B.I. have any responsibility to protect the privacy of an innocent man? Over the last year, this concept was broached with Bob Bucknam, Louis Freeh's chief of staff. During the long Pizza Connection trial in the 1980s, it was Bucknam who handed Freeh files at the prosecutor's table. According to highly placed sources in the bureau, Bucknam's answer was immediate: the F.B.I. has no responsibility to correct information in the public domain.Richard Jewell had a reverence for authority that blinded him to the paradox of his situation. He idealized the investigative skills of the F.B.I. and could not understand that he had become ensnared in a web fraught with the weaknesses of a self-protective bureaucracy. Pennsylvania senator Arlen Specter has invited Jewell to Washington to testify at congressional hearings on the F.B.I.'s conduct in the Atlanta bombing. Ironically, the bungling of the investigation might lead to the reshuffling of personalities at the top of the bureau and threaten Freeh's reputation. In October, according to The Washington Post, Freeh sent an unusual memo to all 25,000 F.B.I. personnel: He would not be abandoning his post amid reports of problems with the Jewell case and Filegate, and of a growing dissatisfaction inside the bureau. "I am proud to be the F.B.I. director," Freeh wrote.From the beginning, Jewell was perceived in the public imagination as a hapless dummy, a plodding misfit, a Forrest Gump. On one of the first days he worked as a security guard at the AT&T pavilion, he noticed that his co-workers were covering the steps inside the sound tower with graffiti. On one step Jewell scrawled with a flourish two bromides: IF YOU DIDN'T GO PAST ME, YOU ARE NOT SUPPOSED TO BE HERE and LIFE IS TOUGH. TOUGHER WHEN YOU ARE STUPID. Soon after he was targeted as a suspect in the Olympics bombing, the F.B.I. confiscated the step. Analysts appeared to believe that the graffiti contained a clue to his character. "They told the lawyers the statement was an obvious taunt," Jewell said. In fact, the second line was an expression he had cribbed from one of his favorite actors, John Wayne.Within the F.B.I., the beleaguered director has a new nickname: J. Edgar Hoover with children."To understand Richard Jewell, you have to be aware that he is a cop. He talks like a cop and thinks like a cop," his criminal lawyer, Jack Martin, told me. The tone of Jewell's voice drops noticeably when he says the word "officer," and his conversation is filled with observations about traffic patterns, security devices, and car wrecks. Even the vocabulary he uses to describe the 88 days he was a suspect is out of the lexicon of police work, and he continues to talk about his situation then in the present tense: "This is an out-and-out ambush, and I am a hostage."Jewell has a need to accommodate. He can be startlingly opaque. On the afternoon of July 30, Jewell answered the door of his mother's apartment to Don Johnson and Diader Rosario from the F.B.I. "We need your help making a training film," they told him. "I never questioned it," he told me. The next day Rosario appeared again with a search warrant. "The weird thing was that when they were searching my apartment I was, like, 'Take everything. Take the carpet. I am law enforcement. I am just like you. Guys, take whatever you are going to take, because it is going to prove that I didn't do anything.' And a couple of them were looking at me like I was crazy."Leaving the apartment on one occasion, he told the agents, "I am wearing a bright shirt so y'all can see me easier." He recalled feeling anger when he read descriptions of himself as a child-man, a mama's boy, and "a wannabe policeman," but he said, "If I was in the place of everybody else and I saw a 34-year-old guy living with his mother, I would have reservations about that, too. I would think, Why is he doing that?"The December issue of Atlanta magazine reported that there was no record of a Jewell family in Danville, Virginia, where Richard Jewell was born. Atlanta referred to an article in the Danville Register & Bee which asked, "Did Richard Jewell ever sleep here?" "This is a part of my life Richard and I do not like to speak about," Bobi Jewell told me one night at dinner. Richard was born in Danville, but his name was Richard White; his father was Bobi's first husband, Robert Earl White, who worked for Chevrolet. According to Bobi, Richard's father, who died recently, was "irresponsible and a ladies' man." When Richard was four, the marriage broke up. Bobi found work as an insurance-agency claims coordinator and soon met John Jewell, an executive in the same business. Shortly after John Jewell married Bobi, he adopted Richard.From the time Richard was a child, he and his mother were a unit. Bobi, a woman of intelligence and disciplined work habits, is both tender and tough on the subject of her son. She still calls Richard "my boy," but she has a peppery disposition. Richard was brought up in a strict Baptist home. "If I didn't say 'Yes, ma'am' or 'No, ma'am' and get it out quick enough, I would be on the ground," he said. When he was six, the family moved to Atlanta. Richard was the boy who helped the teachers and worked as a school crossing guard, but he had few friends in high school. "I was a wannabe athlete, but I wasn't good enough," he said. He ran the movie projector in the library. A military-history buff, he liked to talk about Napoleon and the Vietnam War and read books on both World Wars.Jewell's ambition was to work on cars, so he enrolled in a technical school in southern Georgia. On his third day there, Bobi discovered that her husband had packed a suitcase. "He left a note saying that he was a failure and no good for us," Jewell said. Almost immediately, Richard moved back home and took a job repairing cars. "My mom and I tried to take care of each other," he said. "I think I handled it pretty much better than she did." Richard took the brunt of his father's abandonment; Bobi pulled even closer to her son. "She hated all men for about three years after that, and she became overly protective of me. She looked at it that I was going to do the same thing that my dad did. I was 18 or 19. I was working. She never liked my dates, but I never held that against her. We have always been able to lean on each other."Richard managed a local TCBY yogurt shop and once stopped a burglary in progress. At the age of 22, he was hired as a clerk at the Small Business Administration, and he impressed Watson Bryant and the other lawyers in the office with his personable nature. They called him Radar because of his efficiency. "You could say, 'I'm hungry,' and suddenly this kid would be by your side with a Snickers bar," Bryant recalled. When Jewell's contract with the S.B.A. ran out, he moved on to be a Marriott house detective. In 1990 he was hired as a jailer in the Habersham County Sheriff's Office, and in 1991 he became a deputy. As part of his training, he was sent to the Northeast Georgia Police Academy, where he finished in the upper 25 percent of his class. He finally had an identity; he was a law-enforcement officer.Jewell was unlucky in love. He presented one woman with an engagement ring, and later, in Habersham County, he would give another a large wooden key with a sign that read, THIS IS THE KEY TO UNLOCK YOUR HEART, but both relationships came apart. In northern Georgia, Jewell worked nights and became wedded to his job. By his own description, he was methodical. "I am the kind of person who plans everything. I like to go from A to B to C to D. This going from A to D and arguing over everything—I say no." Habersham County, a scenic part of the piney woods in Georgia's Bible Belt, was for Jewell like "leaving the 1990s and going into the 1970s in terms of law enforcement." Many rich Atlantans have country houses in the mountains, but the small towns of Demorest and Charlottesville are relatively undeveloped, reminding one of Jewell's lawyers of the scenery in the movie Deliverance. "If you get lost up there, you might find a guy with a bow and arrow," the lawyer said.Recently, Jewell and I took the 90-minute drive from Atlanta to Habersham County, which has acres of apple orchards. The leaves were turning, and the roads were mostly deserted. In the towns, however, were stores, apple stands, and even a good Chinese restaurant. As Jewell's blue pickup truck turned into the parking lot of a shopping center, several people came out to greet him.Jewell had lived in a small yellow house up a steep rocky driveway. On the day we visited, the current resident's Halloween decorations were still up, as were faded white satin ribbons hanging from many trees, remnants of a campaign to clear Richard Jewell organized by area friends. Jewell had lived 50 yards from the Chattahoochee River near a kayak-and-canoe tourist concession on a main road—not in a "cabin in the woods," as several reports stated after the bombing. He worked the night shift, and when he would arrive home at dawn, he told me, he could look up and "see a sky filled with stars."He was not a loner; he made friends with several local families. He would often leave a box of Dunkin' Donuts on friends' porches at four A.M. During the O. J. Simpson trial, he and the other deputies would meet in the turnaround on Highway 985 in the middle of the night and review the day's events and the bungling by the Los Angeles Police Department. Jewell would later be annoyed that the F.B.I. confiscated his copy of former prosecutor Vincent Bugliosi's account of the trial. Jewell dated a local girl, Sheree Chastain, and had a close relationship with her family.Jewell had a complex history working at the Habersham County Sheriff's Office. When he was still a jailer, he arrested a couple making too much noise in a hot tub at an apartment building where he did part-time security work. He was arrested for impersonating an officer and, after pleading guilty to a lesser charge, was placed on probation on the condition that he seek psychological counseling.By his own estimation, Jewell's strength as a cop was "working car wrecks." He had his mother's diligence; he worked 14 hours a day and organized a safety fair. Later in 1995 he wrecked his patrol car and was demoted to working in the jail. Rick Moore, a local deputy, advised him to accept the job, but Jewell despised the jailhouse atmosphere. He told me, "It was a small room filled with cigarette smoke. I couldn't take it." He resigned, and in a short time he moved to a police job at Piedmont College, a liberal-arts school with approximately 1,000 students on the main road in Demorest. The college police had jurisdiction only on campus and in an area extending out 500 feet. Jewell chased cars speeding down the highway and had arguments over turf with other officers. He was instrumental in several arrests, including that of a suspected burglar he discovered hiding at the top of a tree. For his work on a volunteer rescue squad, he was named a citizen of the year.According to Brad Mattear, a former resident director, Piedmont was a school of "P.K.'s"—preachers' kids. It was 80 percent Baptist with a strict no-drinking rule. The college had many rebellious students, according to Mattear, kids who were "away from home for the first time and wanted to party and drink." Mattear knew Jewell well and recalled his good manners and playful nature. "It was always 'Yes, sir' and 'Yes, ma'am.'" Jewell would tell students, "I know y'all are going to drink. Don't do it on campus."Jewell felt confined by his boundaries and could be heavy-handed when it came to writing out reports on minor infractions. Once when we were driving by the campus, he pointed to a small brick dormitory. "That was where all the partying would go on," he told me. Jewell would raid dorm rooms and report drinking violations. "I did not hesitate to tell the parents—in no uncertain terms—what their kids were up to," he said.He soon made enemies at the school. "Three or four times a week," Mattear said, Piedmont students were in the office of Ray Cleere, the president of the college, complaining about Jewell and other Piedmont police. After Jewell was admonished for a number of controversial arrests, he resigned.Jewell had an out: his mother was going to have an operation on her foot. He would go home to Atlanta for the Olympics and look for a new job. He called his mother: "Is it all right with you if I stay with you while you have your surgery?" He hoped he might get a job with the Atlanta police or, failing that, work security at the Olympics. "I thought, Working at the Centennial Olympic Park will look really good on my resume."At the age of 33, back in his mother's apartment, he was at first treated like a wayward teenager. Bobi was sharp with him about his slovenly habits, his weight, and his driving. Bobi had carved out a life for herself; she arrived at work by eight A.M. each morning and had many friends. Trim, with short-cropped hair, Bobi Jewell is the kind of woman who labels her clothes and spices and spends much of her spare time baking cakes and babysitting for extra money. She carries on telephone friendships with claim adjusters at other companies. It was somewhat unsettling for her, she told me, to have Richard at home after she had grown used to living with only her dog, Brandi, and her cat, Boots. Bobi was annoyed that he had wrecked a patrol car, and worried about his safety. "Every time he leaves the apartment, I'll say, 'Richard . . . ' And he'll say, 'Yes, ma'am. I know. The person that I am going to see will be there when I get there,'" she said. On one occasion Bobi talked about Richard's return to Atlanta. "What is wrong with trying to revamp your life?" she asked me. Her eyes filled with tears. "Why does everyone in the media think it is so strange?"On Friday, July 26, Bobi Jewell was home waiting for her niece to arrive from Virginia for the Olympic softball competition the following week. In preparation, she had stocked her apartment with food. It was a clear Georgia evening, not as hot as had been expected. As usual, Richard left for the park at 4:45 P.M. and arrived at the AT&T pavilion about 5:30. His stomach was bothering him; he was convinced that he had eaten a bad hamburger the day before. Lin Wood and Wayne Grant had arranged to take their children to Centennial Park that night. The park, in downtown Atlanta, stretches over 21 acres. There were air-conditioned tents, concerts on the stage, and hot-dog and souvenir stands. Downtown Atlanta was usually deserted in the oppressively hot, humid summer, but this year thousands of tourists filled the sidewalks, or sat on benches in the shade of some crape-myrtle trees, or cooled off by a fountain. Tour buses clogged the main arteries, and everyone complained that it took hours to get anywhere; stories were traded about athletes' getting to their competitions late because of the poor planning of the Atlanta Committee for the Olympic Games.As always, Jewell was working the 12-hour night shift near the sound-and-light tower by the stage. He was pleased because one of his favorite groups—Jack Mack and the Heart Attack—was going to perform at 12:45. Jewell had a routine: he would check in and fill the ice chest he kept by a bench at his station. Jewell liked to offer water and Cokes to pregnant women or policemen who stopped to rest.After he arrived at the park, his stomach cramps grew worse and he had a bout of diarrhea. At approximately 10 P.M. he took a break to go to the bathroom. The closest one was by the stage, but the security staff was not allowed to use it. "I really have to go," Jewell says he told the stage manager. "And he said, 'Well, O.K. this time.'"When Jewell came out, he noticed that it was "real calm" and there wasn't much wind blowing. At that time of night, the crowd from Bud World became a little more raucous. Jewell was annoyed when he saw a group of drunks near his bench and beer cans littering the area beside the fence nearby. As he went to report the trash and the group that was carousing, he spotted a large olive-green military-style backpack, known as an Alice pack, under the bench. There had been a similar bag found the week before. Jewell later told an F.B.I. agent that he was annoyed that one of the drunks had tried to get into the lens of a camera crew. Jewell had told them to cut it out. "They were running off at the mouth," Jewell would later tell Larry Landers of the Georgia Bureau of Investigation (G.B.I.)."I was light about the package at first," he told me, "kidding around with Tom Davis from the G.B.I.: 'Well, are you going to open it?' At that point, it was not a concern. I was thinking to myself, Well, I am sure one of these people left it on the ground. When Davis came back and said, 'Nobody said it was theirs,' that is when the little hairs on the back of my head began to stand up. I thought, Uh-oh. This is not good."I never really had time to be frightened. My law-enforcement background paid off here. What went through my head was like a computer screen of this list I had to do. I had to call my supervisor. I have to tell people in the tower that something was going on. I have to be firm with them, stay calm, and be professional."Almost immediately, Jewell and Tom Davis cleared a 25-foot-square area around the backpack; Jewell made two trips into the tower to warn the technicians. "I want y'all out now. This is serious."Two blocks away on Marietta Street, approximately 300 editors, copywriters, and reporters from Cox newspapers around the country had taken over the extra desks in the new eighth-floor newsroom at The Atlanta Journal-Constitution to prepare the special Olympics edition they put out each afternoon. The paper had gone "Olympics-crazy," according to one reporter. The editor, Ron Martin, and the managing editor, John Walter—"WalMart," as they were called—had let it be known that no expense would be spared. Ann Hardie, who normally covers science, had been sent around the world to master the fine points of beach volleyball; Bill Rankin, officially on the federal-court beat, was assigned table tennis. The paper intended to set new standards in its hometown during the games, but in addition there was a hint of redemption in the air.Since Cox newspaper executives had forced the resignation of the distinguished editor Bill Kovach in 1988, the paper had suffered a severe loss of reputation. "We all felt just kind of beaten down," one reporter said. Kovach had been brought to Atlanta from The New York Times to elevate The A.J.C. into being the definitive paper of the New South, but eventually he irritated the local powers. Atlanta was inbred, a city of deals, and he resigned in a blaze of press outrage. Kovach now ran the Nieman journalism-fellowship program at Harvard, and the movie rights to his turbulent years in Atlanta—reported in these pages by Peter J. Boyer—had been sold to Warner Bros.Within the profession, The A.J.C. had become something of a joke. More and more, its emphasis was on what John Walter called "chunklets"—short bits in a soft-news style known as eye-candy. The paper published features on couples massage and how mushrooms grow in the rain. Walter had fired off several terse memos to ensure that there would be no more jumps of news stories to back pages and no more unsourced news stories, except on rare occasions. "I don't see any reason why you can't report hard news in a short form," one editor told me.The A.J. C. style of reporting in declarative sentences had a name, too: the voice of God. It was omniscient, because it allowed no references to unattributed sources. Subjects such as AIDS, which often required confidentiality, could not be covered properly in the paper, in the opinion of several reporters. The A.J.C. picked up news stories with unnamed sources from The New York Times, however, and reporters groused about the hypocrisy of the double standard.On Saturday morning, July 27, Bob Johnson, the night metro editor, left the newsroom at one A.M. The sidewalks were still crowded; Johnson sat on a wall outside waiting for an A.J.C. shuttle bus to pick him up. About 1:25 he heard a strange noise. "It sounded like an aerial bomb at a fireworks show," he said. He recalled thinking, Damn, that is sort of foolish. Then he heard screams and saw people running. Johnson rushed back upstairs to the almost deserted sixth-floor newsroom. Lyda Longa, a night police reporter, was still there. Johnson sent her down to the park and turned on the news, but nothing had moved across the wires. Just after two A.M., Longa called from the park. She told Johnson that one person had been killed and dozens were down—it was absolute chaos. Johnson could hear the sirens and the screams through the telephone; he began to type into his computer. "We were trying to get a bullet into the street edition," Johnson recalled. In the crisis, it took only minutes for reporters to return to the newsroom; several had been at the park when the bomb went off. Rochelle Bozman, an Olympics editor, appeared and took over for Johnson. Soon John Walter was there, as was Bert Roughton, who would assist him in supervising the A.J.C. coverage of the bombing.At the park, Jewell spoke with the first F.B.I. agents to arrive on the scene. The smell and the noise, he remembered, were overwhelming, and sensations blurred together. "It was hard to describe the sound," he said. "It was like what you hear in the movies. It was, like, KABOOM. I had seen an explosion in police training. We had ear protection when it went off. It smelled like a flash-bang grenade. The sky was not filled with black smoke, but grayish-white. All the shrapnel that was inside the package kept flying around, and some of the people got hit from the bench and some with metal."Bobi Jewell had just gone to sleep when the telephone rang. It was Richard. "Mom, they had a bomb go off down here, but I am O.K. regardless of what the TV says." He could hardly speak; he seemed paralyzed. Jewell did not mention to his mother that he had found the backpack and alerted Tom Davis. Bobi was perplexed. "I thought, What does he mean?"All night long she stayed on the foldout sofa watching the news reports. She was frightened by the ambulances, the noise, the bodies in the park.Soon veteran homicide detectives in the Atlanta police arrived at the bomb site. One sergeant was trying to make his way through the crowd when an Olympics official stopped him. "Tell these cops to get the hell out of here," he said, according to a captain in the homicide division. "Well, you get the fuck out of here. Who are you?" the sergeant demanded. Agents from the Atlanta F.B.I. office and the Bureau of Alcohol, Tobacco and Firearms were in a shouting match over jurisdiction. "We are handling this!" one said. "No, this is ours!" an F.B.I. agent snapped.In the command center at F.B.I. headquarters in northeastern Atlanta, there was complete pandemonium. The Olympics were a national convention for law enforcement. Some 30,000 security personnel were on hand. Over the next few days, there would be an internal debate: Who was going to be in charge of the bombing investigation? In Atlanta at that time were three veteran investigators with executive experience: Tom Fuentes, who is credited with helping to bring John Gotti to heel; Barry Mawn, who has worked extensively in organized-crime probes; and Robin Montgomery, the head of the critical-incident unit at Quantico, who at Ruby Ridge in 1992 questioned the disastrous "rules of engagement" which led to tragedy.In the early-morning hours, F.B.I. agents picked up several suspects, including one referred to as "the drunk in the bar." According to F.B.I. sources, Louis Freeh himself got on the telephone to Barry Mawn. Freeh, a former F.B.I. agent, was personally monitoring the initial investigation by means of a series of conference calls from the command post at F.B.I. headquarters. He focused on "the drunk in the bar," who had been making threats the night before, and within hours the information was leaked that the F.B.I. had a suspect. From Atlanta, Barry Mawn contacted his superiors in Washington. "This suspect is not the bomber," he reportedly said, according to a former highlevel F.B.I. executive. Freeh allegedly lost his temper and belittled Mawn's professional abilities. He is said to have told Mawn that he "had handled this all wrong." The words one hears characterizing Freeh's telephone calls to the agents on duty in Atlanta are "abusive," "condescending," and "dismissive." A story went around the command center that Freeh was already saying, "We have our man," according to a source in the bureau.Watson Bryant was thinking, I cannot believe that I know anyone who throws pipe bombs into gopher holes.Freeh made a decision: however experienced Montgomery, Fuentes, and Mawn were, this investigation would be run by Division 5 of the F.B.I., the National Security Division, a former counterintelligence unit that has been looking for a purpose since the Cold War ended. Trained in observation, division members rarely made a criminal case—their strength was intimidation and manipulation rather than the deliberate gathering of evidence to be presented in court. The F.B.I. promptly declared the bombing a terrorism case and placed it under the authority of Bob Bryant, head of the division. David Tubbs of Division 5 was sent to Atlanta to be the spokesman and to augment Woody Johnson, the Atlanta special agent in charge (S.A.C.), who had been trained in hostage rescue and who was awkward in press briefings. Tubbs was not as experienced in criminal cases as Mawn or Montgomery, who returned to Newark and Quantico, respectively, "to get out of the line of fire," according to numerous F.B.I. sources. But Bryant and Freeh were reportedly micromanaging the S.A.C.'s and, later, the case agents Don Johnson and Diader Rosario.106107 VIEW ARTICLE PAGESOn the morning of the bombing, Watson Bryant's alarm went off at six A.M. He was going to the Olympic kayak competition on the Ocoee River with Andy Currie, a friend from his Vanderbilt University days. He learned of the bombing on the radio as he was getting ready to go to Currie's house. "Whoever has done this should be skinned alive," he told Currie. He spent the day in the country, and on Sunday he went out to run errands. When he got home, there was a message on his answering machine: "Watson, this is Richard Jewell. You may have heard that I found the bomb and people are calling me a hero. Somebody told me I might get a book contract." It had been years since Bryant had spoken to Jewell, but he did not immediately return the call; he was busy finishing up some contracts so that he could take a few days off to enjoy the Olympics.In addition, Bryant was annoyed with Jewell. After Bryant had befriended him in their days at the Small Business Administration, Jewell had borrowed his new, $250 radar detector and never returned it. He had promised to pay him $100 for it, but he never had. In the meantime, Bryant's life had changed; he had set up an office as a solo practitioner. Bryant despised corporate politics and had no gift for them. His penchant for taking on pro-bono work for friends annoyed his wife, however. Bryant believed that Richard Jewell had attached himself to him years earlier because he lacked a father, but nevertheless Jewell could get on his nerves. By the summer of 1996, Bryant was preoccupied; his marriage had come apart two years earlier, and he was trying to sort out his life.When he finally returned Jewell's phone call, he said, "Well, damn it, where's my $100?" Jewell laughed uneasily and told him about discovering the green backpack that contained the bomb. "Didn't you see me on the news?" Bryant reminded him that he rarely watched TV. "I am proud of you, Richard," he said. "About this book contract, I think it's far-fetched, but don't sign anything unless I see it first."In the Newsweek cover story detailing the bombing, published Monday, July 29, there was no mention of Richard Jewell. It said only that "a security guard" had alerted Tom Davis of the G.B.I. that no one had claimed the backpack under his bench. By the time Newsweek was on the stands, however, Jewell had been interviewed on CNN. The AT&T publicity department had booked him on TV and told him to wear the shirt with the AT&T logo. Jewell reluctantly agreed. "The idea of going on TV made me nervous," he told me. "I was not the hero. There were so many others who saved lives."In Demorest, Ray Cleere, the president of Piedmont College, was home on Saturday, July 27, watching CNN. Cleere had at one time been Mississippi's commissioner of higher education, but he was now posted at the rural Baptist mountain school. He was said to feel that he had suffered a loss of status in the boondocks, where he was out of the academic mainstream. He called Dick Martin, his chief of campus police. Shouldn't they call the F.B.I. and tell them about Richard Jewell? he asked. Cleere had had a strong disagreement with Jewell when one of the students was caught smoking pot. Jewell wanted to arrest him; Cleere said no. Cleere, Brad Mattear recalled, "worried constantly about the image of the college." According to Mattear, "Cleere loved the limelight. He wanted public attention"—the very trait he reportedly ascribed to Richard Jewell.Dick Martin, who was fond of Jewell, suggested a compromise, according to Lin Wood: he would call a friend in the G.B.I. Cleere then called the F.B.I. hot line in Washington himself. Wood says Cleere later complained that no one had seemed to want to listen to what he had to say about Richard Jewell. But his telephone call would trigger a complex set of circumstances in Habersham County, where F.B.I. investigators fanned out over the hills, attempting to uncover evidence that could lead to Jewell's arrest. "The F.B.I. took his word, and what it actually did was get them both in a bunch of trouble," Mattear said. (Cleere has declined to comment.)For Richard Jewell, Tuesday, July 30, would become a haze in which his life was turned upside down. "The hours of the day ran so fast it is hard to remember what all happened," he told me. He started the day early at the Atlanta studio of the Today show. He was tired; the evening before he had had his friend Tim Attaway, a G.B.I. agent, for dinner. He had made lasagna and had drawn Attaway a diagram of the sound-and-light tower. Jewell had talked into the night about the bombing; only later would he learn that Attaway was wearing a wire.Despite the late evening, Jewell was excited at the thought of meeting Katie Couric and being interviewed about finding the Alice pack in the park. His mother asked him to try to get Tom Brokaw's autograph. "He was a man my mom respected a great deal," he said.When he got back to the apartment, he was surprised to see a cluster of reporters in the parking lot. "Do you think you are a suspect?" one asked. Jewell laughed. "I know they'll investigate anyone who was at the park that night," he said. "That includes you-all too." Jewell did not turn on the TV, but he noticed that the group outside the door continued to grow. At four that afternoon, Jewell received a phone call from Anthony Davis, the head of the security company Jewell worked for at AT&T. "Have you seen the news?" Davis asked. "They are saying you are a suspect." Jewell said, "They are talking to everybody." According to Jewell, Davis said, "They are zeroing in on you. To keep the publicity down, don't go to work."Within minutes, Don Johnson and Diader Rosario knocked on Jewell's door. They exuded sincerity, Jewell recalled. "They told me they wanted me to come with them to headquarters to help them make a training film to be used at Quantico," he said. Johnson played to Jewell's pride. Despite the reporters in the parking lot and the call from Anthony Davis, Jewell had no doubt that they were telling the truth. He drove the short distance to F.B.I. headquarters in Buckhead in his own truck, but he noticed that four cars were following him. "The press is on us," Jewell told Johnson when they arrived. "No, those are our guys," Johnson told him. This tactic would continue through the next 88 days and be severely criticized: Why would you have an armada of surveillance vehicles stacked up on a suspected bomber?It was then that Jewell started to wonder why he was at the F.B.I., but he followed Johnson and Rosario inside. Rosario was known for his skills as a negotiator; he had once helped calm a riot of Cuban prisoners in Atlanta. Johnson, however, had a reputation for overreaching. In Albany, New York, in 1987, he had pursued an investigation of then mayor Thomas Whalen. According to Whalen, the local U.S. attorney found no evidence to support Johnson's assertions and issued a letter to Whalen exonerating him completely, but Whalen believed it cost him an appointment as a federal judge.As Jewell sat in a small office, he wondered why the cameraman recording the interview was staring at him so intently. After an hour, Johnson was called out of the room. When he returned, he said to Jewell, "Let's pretend that none of this happened. You are going to come in and start over, and by the way, we want you to fill out this waiver of rights.""At that moment a million things were going through my head," Jewell told me. "You don't give anyone a waiver of rights unless they are being investigated. I said, 'I need to contact my attorney,' and then all of a sudden it was an instant change. 'What do you need to contact your attorney for? You didn't do anything. We thought you were a hero. Is there something you want to tell us about?'" Jewell grew increasingly apprehensive and later recalled thinking, These guys think I did this.When the agents took a break, Jewell asked to use the phone. "I called Watson four times. I called his brother. I told his parents that I had to get hold of Watson—it was urgent. I was, like, 'I have to speak to him right now.' What was going on was that Washington was on the phone with Atlanta. The people in Washington were giving them questions." Jewell said he knew this because the videotapes in the cameras were two hours long and "Johnson and Rosario would leave every 30 minutes, like they had to speak on the phone." The O.RR. report, however, would assert that no one at headquarters knew about the videotaping or the training-film ruse. Lying to get a statement out of a suspect is, in fact, not illegal, but clearly Johnson and Rosario were not making decisions on their own. Even the procedure of having a fleet of cars follow a suspect was an intimidation tactic used by the F.B.I. Later, according to Jewell, Johnson and Rosario would both tell him privately that they believed he was innocent, but that the investigation was being run by the "highest levels in Washington."Within the bureau, the belief is that during one of the telephone calls Freeh instructed Johnson and Rosario to read Jewell his Miranda rights. Freeh is said to have learned of Johnson's history from a member of his security detail, who had worked in Atlanta. He told Freeh that "Johnson had a reputation for being obnoxious and a problem." In addition, a week after Jewell's interview, Freeh reportedly received a call from Janet Reno, who had learned about the ruse from Kent Alexander, the local U.S. attorney, and Deputy Attorney General Jamie Gorelick. Freeh wondered aloud how it was that, of all the agents in Atlanta, Johnson had been selected to work on the Jewell case. Like Jewell, Johnson had wound up in Atlanta because of his overzealous behavior—according to an F.B.I. source, the Whalen episode had resulted in a "loss-of-effectiveness transfer," an F.B.I. euphemism. (Johnson declined to respond.)On that same Tuesday, Watson Bryant and Nadya Light closed the office early and went to Centennial Park. Light, 35, a pretty Russian immigrant, had never met Radar, Bryant's old friend, and wanted to buy him a celebratory meal. Killing time until Jewell came on duty, they went into the House of Blues and then bought some hot sauce. Walking toward his car, Bryant saw newsboys hawking the afternoon edition of The Atlanta Journal-Constitution. "It was like out of a cartoon. They were all yelling!" he recalled. "I caught the headline out of the corner of my eye." The headline read: FBI SUSPECTS 'HERO' GUARD MAY HAVE PLANTED BOMB.Bryant borrowed 50 cents from Light to buy the paper and began to read: '"Richard Jewell, 33 . . . fits the profile of the lone bomber.' I could not believe it."At that moment, Bryant's brother, Bruce, who was on his way to the diving competition, got a call from Jewell. "Where is Watson?" As Bruce Bryant walked past a Speedo billboard with a TV screen, he saw Richard Jewell's face filling the screen. "Oh, my God," he said to his wife. At the same moment, Watson was in his car a block away on Northside Drive when he too noticed the Speedo screen. He could not get back to his house—the streets were blocked off for the cycling competition. From his car he called F.B.I. headquarters and demanded to speak to Jewell. "He is not here," the operator said. From his home phone, he picked up his messages and heard Jewell's low, urgent tones. "He didn't leave a number," Bryant told Light. "Call Star 69," she said. The number came back: 679-9000, the number for F.B.I. headquarters, which he had just dialed. Within minutes, Bryant had Jewell on the phone. Jewell told him he was making a training film. "You idiot! You are a suspect. Get your ass out of there now!" Bryant told him.Before The Atlanta Journal-Constitution broke the story of Richard Jewell, there had been a debate in the newsroom over whether or not to name him. One block away, CNN's Art Harris and Henry Schuster had alerted the network's president that Jewell was targeted, but they held the story, because they understood its potential magnitude. At The A.J.C., Kathy Scruggs, a police reporter, who had allegedly gotten a tip from a close friend in the F.B.I., got a confirmation from someone in the Atlanta police. According to the managing editor, John Walter, the first edition of the paper that Tuesday had a brief profile of Jewell. It was dropped in later editions as Walter questioned whether the paper had enough facts to support the scoop. Because of the voice-of-God style, the paper ended up making a flat-out statement: "Richard Jewell . . . fits the profile of the lone bomber."When I asked John Walter about the lone-bomber sentence, he said, "I ultimately edited it. . . . One of the tests we put to the material is, is it a verifiable fact?" One editor added, "The whole story is voice-of-God. . . . Because we see this event taking place, the need to attribute it to sources—F.B.I. or law enforcement—is less than if there is no public acknowledgment." John Walter indicated that he had not seen a lone-bomber profile. I asked him, "Whose profile of a lone bomber does Richard Jewell fit? Where is the 'says who' in this sentence?" Walter said that he felt comfortable with the assertion.The page-one story had a double byline: Kathy Scruggs and Ron Martz. Walter had told these two early on that they would be the reporters assigned to any Olympic catastrophe. Martz, who had covered the Gulf War, had been assigned the security beat for the Olympics; Scruggs routinely covered local crime. Scruggs had good contacts in the Atlanta police, and she was tough. She was characterized as "a police groupie" by one former staff member. "Kathy has a hard edge that some people find offensive," one of her editors told me, but he praised her skills. Police reporters are often "dictation pads" for local law enforcement; recently the American Journalism Review sharply criticized The A.J. C. for the scanty confirmation and lack of skepticism in its coverage of Jewell.The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first. Kent Walker, a newsroom intern, published a story in the same edition, with a glaring mistake in the headline: BOMB SUSPECT HAD SOUGHT LIMELIGHT, PRESS INTERVIEWS. Since Ray Cleere's tip to the F.B.I., the "hero bomber" theory had been circulating among Atlanta law enforcement officers. Maria Elena Fernandez, a reporter, was sent to Habersham County on July 29. By coincidence, William Rathburn, the head of security for the Olympics, had been at the Los Angeles Olympics in 1984 when a fake bomb was found on a bus—left by a policeman who sought attention.On the surface, the story had an irresistible newsroom logic: Jewell was clearly looking for recognition. Bert Roughton, the city editor, had answered the telephone when a representative from AT&T called to ask if the paper would like a Jewell interview. According to Walter, Roughton himself typed a sentence in the Scruggs-and-Martz piece: "He [Jewell] also has approached newspapers, including The Atlanta JournalConstitution, seeking publicity for his actions." But he hadn't. Walter explained, "There was nothing wrong with that sentence. That's journalistically proper. It is not common practice, to my knowledge, to ask someone you are interviewing . . . 'Are you here of your own free will?'" Jewell had not contacted the paper—a fact which would have been easy enough to check. Walter became snappish when I described the sentence as "a mistake." "It was not a mistake," he said angrily. Scruggs and Martz quoted Piedmont College president Ray Cleere as backup. According to Cleere, Jewell had been "a little erratic" and "almost too excitable."There was no doubt raised by The A.J.C. about the value of Cleere's information or the fragility of the F.B.I.'s potential case. On Tuesday morning, July 30, Christina Headrick, a young intern on the paper, was sent to Buford Highway to stake out Richard Jewell's apartment. She phoned in that there were men doing surveillance. By deadline, John Walter had made a decision: he would tear up the afternoon Olympics edition and lead with Jewell.Several states away, Colonel Robert Ressler was watching CNN when the A.J.C. extra edition was shown. Ressler, who was retired from the behavioral-science unit of the F.B.I., had, along with John Douglas, developed the concept of criminal-personality profiling. He was the co-author of the Crime Classification Manual, which is used by the F.B.I. He had interviewed Ted Bundy, Jeffrey Dahmer, and John Wayne Gacy, and as he watched the TV report, he was mystified. "They were talking about an F.B.I. profile of a hero bomber, and I thought, What F.B.I. profile? It rather surprised me." According to Ressler, the definition of "hero homicide"—a person looking for recognition without an intent to kill— perhaps emerged as "hero bomber." "There is no such classification as the hero bomber," he told me recently. "This was a myth." Later he said, "It occurred to me that there was no database of any bomber who lived with his mother, was a security guard and unmarried. How many hero bombers had we ever encountered? Only one that I know of, in Los Angeles, and his bomb did not go off." Ressler knew that something was off; profiles are developed from a complex set of evidence and facts derived only in part from a crime scene. The bomb had been deadly, which was not consistent with the "hero complex." Furthermore, he wondered, where did they get the information to put the profile together that fast? He asked himself, What came first here, the chicken or the egg? Was the so-called profile actually developed from the circumstances, or was it invented for Richard Jewell?When Jewell returned home from F.B.I. headquarters just before eight P.M., NBC was showing special Olympic coverage. He sat on the sofa and watched Tom Brokaw say, "They probably have enough to arrest him right now, probably enough to prosecute him, but you always want to have enough to convict him as well. There are still holes in this case."Jewell knew that Brokaw was his mother's favorite newsman; he looked at her and noticed "the color and the blood flow out of her face when she heard that." Bobi turned to him and asked, "What is he talking about?" Jewell later recalled, "Brokaw was talking about her son as a murderer. . . . She started crying, and what am I going to say to her? 'Mom, Watson is going to fix this'? What do you say? She doesn't hear anything anyway—she was in hysterics." At that point, Jewell said, he broke down as well.The day Watson Bryant inadvertently became the lead lawyer for Richard Jewell, he was an attorney whom almost no one in the Atlanta legal establishment had ever heard of. "Who the hell is Watson Bryant?" a caption in the daily legal sheet, the Fulton County Daily Report, would read after he had appeared on the Today show. Bryant understood Jewell's vulnerability and decided on a strategy: he would treat him as a member of his own family. In Atlanta, the Bryants were a clan: Watson's father, Goble Bryant, had been a West Point tackle, on the 1949 college all-star team; his grandfather had invented a process for putting handles on paper bags. Watson had partied through Vanderbilt University and had barely gotten accepted to law school at the University of South Carolina. He had a close relationship with his brother, Bruce, and their sister, Barbara Ann, and if he lacked staff at his office, he knew he could count on his family to pick up the slack. Bruce enlisted Jewell to help coach his junior football team; Watson had a picnic for Richard and Bobi at his parents' house at the Atlanta Country Club.When Bryant arrived at the Jewells' apartment that night, he pushed his way through the crowd standing outside in the spongy Atlanta humidity. Microphones were shoved in his face. "What is happening, Watson?" Bobi asked him. Bryant asked Jewell to speak to him alone. "I want to know if you can tell me, without any hesitation at all, if you had anything to do with the bombing," he said. "I didn't," Jewell told him. "I said, 'I am going to ask you again.' He would not look me in the eye. I said, 'Don't give me this "sir" shit.' I said, 'Richard, these people want to kill you. I cannot help you unless you tell me the absolute, unequivocal truth.' I was in his face. He said he did not have anything to do with it." Jewell was bewildered and numb, said Bryant, who left at 10:30 P.M. At midnight, Jewell called him to say, "They are massing outside the apartment, Watson."The next morning, Bryant went from talk show to talk show, starting with NBC. With the notable exception of The New York Times, virtually every newspaper in the country had picked up the A.J.C. story and run it as front-page news. There were 10,000 reporters in Atlanta; the Los Angeles Times would later call the squad bearing down on the Jewells "a massive strike force . . . Tora! Tora! Tora!" Bryant was in a daze, but he held his own. "Is it true that Jewell was at some time ordered to seek psychological counseling?" Bryant Gumbel asked him. "I know a lot of people that ought to have psychological counseling," Watson Bryant replied.By 10 A.M. he was back at the Jewells' apartment, studying a search warrant that had been delivered that day. The F.B.I., Jewell recalled, said that he could not be inside the apartment during the search. Bryant called F.B.I. headquarters: "What the hell is this? Why can't he be there?" Within an hour, at least 40 members of the F.B.I. had arrived, with dogs. "There was a physical-evidence team. There was a scientific team. There was a team for the bomb-squad people, and then the A.T.F. . . . They all had different-color shirts. Light blue for bombs, dark blue for evidence protection, red and yellow." Bryant could not believe what he was seeing. "This is like damn Six Flags over Georgia," he told them."I kept saying to Watson, 'I didn't do this.' And he said, 'Hey, kid, I believe you—we are doing what we can.'" Jewell was a gun collector. Bryant was sharp with him: "You get all those guns out of your closets and put them on your bed. We don't want any trouble."For seven hours, Jewell sat outside on the staircase in what has become one of the most famous images of last summer. Bryant had to take his daughter, Meredith, to the Olympic equestrian competition, a once-in-a-lifetime opportunity for her. As he left, he said, "Don't do anything stupid. Just shut up and let them do what they have to do." Hours passed as Jewell sat in the heat. "Finally I decided I would ask them if I could go in and use the rest room. They said, 'We got the order a couple of hours ago you could come in; you just can't get in our way.'" Jewell was told he had to wear rubber socks and gloves in order not to contaminate the site. The Jewell apartment is small—two bedrooms with a bathroom in between, a living room, an alcove dining room that has been turned into a den. As Jewell sat on the sofa, he thought he heard a crash in his bedroom. "I thought my CD player was on the floor, and I said, 'What are you-all tearing up?' and they said, 'You can't go in there right now; we are searching.' I said, 'I want to know what you-all just broke.'" One search warrant listed some 200 items the F.B.I. could confiscate, including "magazines, books . . . and photographs which would include descriptive information such as telephone numbers, addresses, affiliations and contact points of individuals involved in a conspiracy to manufacture, transport and . . . detonate . . . the explosive device used in the bombing at the Olympic Centennial Park on July 27, 1996.""They had all my pictures, all the stuff that was in the drawers. My personal things. How would you like to know that 12 different guys had been in your underwear, laid it out on the floor, probably walked on it and then folded it back up like nothing ever happened and put it in your drawer? So then Mom got to go and watch it on TV: 'Live from the Jewell house, the search continues. . . . We are expecting an arrest any minute.'"When Bobi Jewell returned home, the apartment appeared neat, until she walked into her kitchen. She looked down at her counters, where all her condiments, dog biscuits, spices, and crackers had been taken out of their Tupperware containers and placed in Ziploc bags. She began to cry. And then she went into the bedroom and "immediately started washing clothes," Jewell said.Driving home from the equestrian events, Bryant heard the live coverage of the search on the radio. "Why are you helping this guy if he's guilty?" Meredith asked.The next morning, Bryant received a copy of the F.B.I. inventory of articles confiscated in the apartment. On the list he was stunned to see "one hollowed-out hand grenade, ball-shaped" and "one hollowed-out hand grenade, pinecone-shaped." "What the hell is this?" he asked Jewell. "They were paperweights," Jewell said. "I bought them at a military store." "Oh, shit," Bryant said.For the first few days, the Jewells lived on ham omelettes; a neighbor had brought them half a ham from the Honey Baked Ham Company on Buford Highway. Bobi Jewell had a vacation scheduled, so she remained at home, lying on the bed and "listening to the ball game if it was on." For two weeks, she cleaned out her bureau drawers. Richard would spend the day watching CNN or movies such as Backdraft and Midnight Run. "I would look out the window and see about 150 to 200 press people. Then it would drop to five or six on the hill. They had one person sitting up there at all times with their binoculars." Richard believed they were being monitored. "They heard everything that was going on. They were over there with high-intensity zoom lenses. They had people over there who could read lips. They had a sound dish. They could hear everything that we said. They had a person writing down everything we said. I saw them."When Bobi walked out the door, Jewell said, they would holler obscenities and yell, 'You should both die'Once, Bobi's cat jumped on the window ledge under the curtain and the photographers began frenetically shooting pictures, believing that one of the Jewells was in the window. Sound trucks and boom microphones prevented the neighbors from getting near the apartment. Three F.B.I. agents were usually sitting near the tiny swimming pool; each time Jewell or his mother left the house, a cavalcade of unmarked cars would follow. Richard soon began to write a speech describing the horror he felt at being falsely accused. He ate grilled-cheese sandwiches, huge pans of lasagna, and can after can of Campbell's tomato soup."If my mom and I had something we wanted to talk about that we didn't want anyone to hear, we wrote it on pieces of paper. When she left to go to work the next day, she would take it with her, tear it up, and put it in the trash! That is how I kept my mother informed about what was going on with the case." The notes were specific: "What the Justice Department was saying, what my attorneys were hearing through the grapevine that I could tell my mom that was not privileged. It was mainly stuff like 'Keep the faith' and 'Can I borrow $10 for gas in the truck?' "Jewell described how, when his mother would walk out the door, "they would holler obscenities at her. They would yell, 'Did he do it? Did he blow those people up?' They would yell, 'You should both die.'" According to Jewell, "The cameramen were just trying to get us aggravated so they could get it on camera. You don't know how hard it is when they are saying stuff about my mother and me. . . . All she was trying to do was walk her dog. And she cannot do that without hearing that yelling. When someone did that to my mother, I would want to be up on the hill calling the police, because I would want them arrested. I was going to say, 'Mom, tell me which one said that!' And I was going to walk up to that person and introduce myself and say, 'Hi, my name is Richard Jewell. What is yours? Who do you work for? Who is your supervisor?' And I was going to go home and call 911 to get a warrant."By disposition, Jewell is a night person, but he would get up early when his mother went back to work and make her breakfast. By 11 A.M. he would be playing Mortal Kombat II and listening to 96 Rock on the radio, where one of his friends is a disc jockey. Four days into his period of captivity, he called the DeKalb County police. He recalled telling a Mr. Brown, "'This is Richard Jewell. I am sure you are aware of my situation over on Buford Highway.' He said, 'Yes, Richard, I know.' I said, 'I just want to tell you my situation. Number one: I did not do this. Number two: I am here and I am not leaving the apartment for any reason at all.' I said that all the press was doing right now was aggravating my mother and disturbing my neighbors, and I would really appreciate it if the neighbors could return to a normal life."On Saturday, August 3, as Bryant stared at the F.B.I. agent plucking Jewell's hair, he had already made a decision. "It was, like, screw it. I had had it." The next day was the closing ceremony of the Olympics; Bryant imagined that that would be the day the government might choose to arrest Jewell. "Who is the best criminal lawyer in Georgia?" he asked a state lawyers' association. Within a day, he had brought in Jack Martin, an expert on the federal death penalty and a Harvard law school graduate with close ties to the local U.S. attorney, Kent Alexander. "Let me tell you something about myself," Jewell told him in their first meeting. "I hate criminal lawyers." "Well, Richard," Martin said, "I don't much like cops, but sometimes I need one, and this is a time you sure need a criminal lawyer."That weekend, watching the Olympic basketball finals, Bryant had an idea: he wanted to be prepared with his own polygraph test of Jewell if the F.B.I. arrested him. From the game, Bryant called a close friend who was a former federal prosecutor. "Try Richard Rackleff," he said. "We worked together on the Walter Moody bombing case." Rackleff had recently set up a private practice, and he agreed to test Jewell the next day. On Sunday morning, Bryant was up early, unable to sleep. He drove around town, making calls from his cell phone. He dialed 679-9000—the F.B.I. "This is Watson Bryant. I am going to pick up Richard Jewell. I just want you to know that. I don't have a white Bronco. I don't have a wig, and I don't have cash in my car. We are just going to my office."Watson had coordinated an elaborate plan with his brother to dodge reporters; he would use a decoy and snake through a parking garage. Rackleff had been instructed to park blocks from Bryant's office, because his car could be identified easily, since he was well known in Atlanta law enforcement.When Rackleff sat down with Richard Jewell in the conference room, he later told me, he sensed almost immediately that Jewell was innocent. Rackleff had tested many bombers before, including Walter Moody, who was convicted of killing a federal judge. "They are strange ducks—they leave their attorneys cold," Rackleff said. Although no one knew Rackleff was in the building, more than 100 reporters gathered outside to get a look at Jewell. Inside, Jack Martin, Bryant, Nadya Light, and Jewell spent 12 hours in Bryant's office. Rackleff asked Jewell a series of questions, but the test was inconclusive. "Richard is tormented. He is exploding on the inside," Rackleff said. While he was testing him, CNN's Art Harris was visible through the window of Bryant's office, but he could not see inside. Bryant was thoroughly deflated, close to despair. "You have got to try to buck Richard up," Rackleff told him. "Who is going to buck me up?" Bryant asked.'We are not in missile range of arresting Richard Jewell, but we want him to take our own polygraph," Kent Alexander told Bryant and Jack Martin in their first meeting on the case. In the meantime, Rackleff had tested Jewell again, and he had passed with "no deception," the highest rating. By this time, it was clear that there was no damning evidence against Jewell discovered at the apartment or in his old house in Habersham County.Alexander was only 38, but he had been groomed for politics in a fancy local family. His father was a senior partner in a good Atlanta law firm, and he had worked as an intern for Senator Sam Nunn. Bryant worried about Alexander's lack of experience, but Alexander told colleagues that he was disturbed by the lack of substantial evidence against Jewell. He was trying to operate with decency, but he was cautious and had to check every detail with Washington.Bryant, however, didn't trust Alexander; he had had a bad experience with Alexander's predecessor. In 1990, Bryant had almost been put out of business in a tussle with the then U.S. attorney. The local Small Business Administration accused a bank Bryant represented of improper use of funds; the bank blamed Bryant, who was brought before a grand jury and over the next two years almost lost his practice. He spent $50,000 defending himself, and Nadya Light had to take another job, but eventually the case was settled with Bryant's agreeing not to do business with the S.B.A. for 18 months. Bryant had always felt that he had been manhandled by the office. "I learned everything I needed to know about dealing with this office in 1990," Bryant recalled telling Alexander. "No polygraph for Richard."At the meeting, Alexander told Bryant and Martin, "This is all off-the-record. This is a request that is strictly confidential." Weeks later, Louis Freeh came to town to address a breakfast of former F.B.I. agents. Almost immediately, the polygraph request was reported on CNN. "Kent, I thought we had an agreement," Bryant told him. "I cannot control Washington," Alexander said.When two of the bomb-blast victims sued Richard Jewell, Bryant brought in Wood and Grant to handle the civil litigation. Martin opposed the move. He believed in the cone of silence: "Circle the wagons and don't speak." He said that Wood and Grant had a different perspective: Attack, attack, and if you give any quarter, it is a sign of weakness. Martin had been reassured in private by Kent Alexander that Jewell was not in any immediate danger of being arrested, but the team disagreed about press tactics. Martin worked through the Atlanta-establishment back channels; Lin Wood was a rhetoric man. He favored "one big newsbreak a week." "You know who wrote the book Masters of Deceit? J. Edgar Hoover! And that was about the Communist Party in America. So now they have gone from masters of investigation to masters of deceit!" he would routinely tell reporters who called.Three days after Wood and Grant surfaced as the two new civil lawyers, a Ford van with a tinted bubble-shaped window appeared on the top level of the Macy's parking garage which faced the conference-room windows of their offices. According to Wood, the van did not move for 10 days. "We used to sit there and wave at it." Then the lawyers placed a camera in the window, and the next day the vehicle was gone. "For sure that van had laser sound-detecting equipment," Wood said.Jewell was annoyed that press descriptions of him always emphasized his "overzealousness"; he considers himself a man of details. Often, when he's watching movies at home, he freeze-frames in order to study props in scenes. The second weekend he was considered a suspect, he told me, "I walked in and I noticed white powder all over the telephone table in the conference room." It was a Saturday morning, and Jewell had been with his lawyers until late the night before. He told me he was convinced that the F.B.I. "had lifted a ceiling tile," and that the white powder was "dust that came down." Bryant and Jewell made light of it and did not sweep their phones, believing that any tap the F.B.I. would use would be of a laser or satellite variety and impossible to trace. "In the beginning of every conversation, Watson would curse for about a minute and tell them what lowlives they were. And then he would say, 'By the way, this is Richard's lawyer. Y'all can cut your tape players off,"' Jewell said. "I would call them dirty scumbags," said Bryant. But the local U.S. attorney, Kent Alexander, insisted that their phones were not tapped. "There are no wiretap warrants," he said.The F.B.I. did turn up one bit of potentially troublesome evidence in the Jewells' apartment—fragments of a fence that had been blown up in the explosion. After a telephone conversation with Watson Bryant, Kathy Scruggs quoted him saying, "Yes, he did have a sample of the blown-up bomb." Bryant accused her of egregiously misquoting him. He remembered saying to her, "Yes, Richard had souvenirs of the bombing." Scruggs had not taped their conversation. "She cut the 'ing' off of 'bomb,'" Bryant later told me, but Scruggs strongly denies this. The day the story broke, Bryant criticized Scruggs on local radio. That afternoon she appeared at his office to attempt to clear up the misunderstanding. "I don't like your reporting," Bryant recalled telling her. "I'm human, too," she said. The next day, Ron Martz inserted a quote from Bryant in an unrelated news story: "Oh, man, it's not even a scrap of the bomb—it's a piece of damned fence, for God's sake." But the quote would have little impact. Scruggs's version had been picked up; gathering force, it was eventually related by Bill Press on Crossfire on the evening of October 28: "The guy was seen with a homemade bomb at his home a few days before." (The next day CNN would be forced to apologize for the mistake.)By this time Bryant had grown enraged by the media coverage. The New York Post had called Jewell "a Village Rambo" and "a fat, failed former sheriff's deputy." Jay Leno had said that Jewell "had a scary resemblance to the guy who whacked Nancy Kerrigan," and asked, "What is it about the Olympic Games that brings out big fat stupid guys?" The A.J. C. s star columnist, Dave Kindred, had compared Jewell to serial murderer Wayne Williams: "Like this one, that suspect was drawn to the blue lights and sirens of police work. Like this one, he became famous in the aftermath of murder."Television journalism was also a revelation to Bryant; he felt he had "landed on Mars," and spent hours channel-surfing. On CNN, one criminologist said "it was possible" that Jewell had a hero complex. Bryant told his brother, Bruce, "I know I am going to sue someone. I just don't know who." Bruce Bryant searched for Jewell's name on the Internet three weeks into his ordeal and found 10,000 stories. The tone many of the journalists took was accusatory and pre-determined, with a few rare exceptions, such as that of CBS correspondent Jim Stewart. "Don't jump to any conclusion yet," he said sharply in a broadcast at the height of the frenzy.In his first week as Jewell's lawyer, Bryant went to the CNN studio to be interviewed by Larry King. After the broadcast, he was asked to stop in at the office of CNN president Tom Johnson. "They wanted to know what I thought of their reporting so far." Art Harris was in the room. "I turned around and I said to Art Harris, 'Who the hell are you and the rest of the media to make fun of how Richard Jewell and his mother live? Who are you to make fun of working people who live in a $470-a-month apartment? Is there something wrong with that? Who are you to say that he is a weirdo because he lives with his mother?' "According to Jack Martin, the F.B.I. spent weeks on one erroneous early theory—that Richard Jewell was an enraged homosexual cop-hater who had been aided in the bombing by his lover. Jewell had purportedly planted the bomb; the lover then made the 911 phone call warning that it would go off in Centennial Park. The rationale behind this idea was that Jewell was "mad at the cops and wanted to kill other cops," Martin told me.The rumor began at Piedmont College, perhaps invented by several of the students Jewell had turned in for smoking pot, but it had a chilling consequence. In mid-August, three agents appeared at the Curtis Mathes video store in Cornelia, where Chris Simmons, a senior at Piedmont, worked part-time. Simmons, a friend of Jewell's, who was engaged to be married, was a B student, but he displayed the same porcine blankness as Jewell and spoke in a slow drawl. He had a deep distrust of the government and carried a card in his pocket that read: CHRISTOPHER DWAYNE SIMMONS-CAMPAIGN SUPPORT FOR CONSERVATIVE CANDIDATES.The agents questioned Simmons in the store for one and a half hours. "They asked me if I was a homosexual. They asked me if I had accessed the Internet. . . . They later wanted to wire me. They said, 'If he is really a hero, we will find out, and if not, he has killed someone and injured a lot of people.' " Simmons was short with the agents and denied everything. They accused him of lying and said they could take him to Atlanta. The agents told someone Simmons had once worked with that Simmons might be involved in the bombing. "They kept wording questions differently. They kept saying: Do you think Richard Jewell could have done this if he believed that he could get people out in time and nobody would get hurt?" Simmons later called one of the F.B.I. agents and said, "I hear you don't believe my story." He recalled their conversation: " 'I think you are sugarcoating your answers,' he said. I said, 'Next time I talk with you, it will be with a lawyer.' And he asked me if I was threatening him. Then he hung up on me." Ultimately, Simmons volunteered to take a polygraph, which he says he passed. "I was a nervous wreck," he said. "I had only seen this on TV."What was not known outside a small circle of investigators was how deadly the Centennial Park bomb really was. It was well constructed, with a piece of metal shaped like a V, and inside, it had canisters filled with nails and screws. Jack Martin, who had spent time in Vietnam, compared its construction to that of a claymore mine, a sophisticated and lethal device. The bomb weighed more than 40 pounds. It was "a shaped charge," F.B.I. deputy director Weldon Kennedy would announce in December. It could blast out fragments from three separate canisters, but only one of the canisters exploded on July 27. Someone had moved the Alice pack slightly before the bomb detonated, causing most of the shrapnel to shoot into the sky. The composition of the bomb did not suggest the work of an amateur, Kathy Scruggs would ironically later report, after interviewing an A.T.F. chemist.As the weeks went by, Richard Jewell withdrew into a state of psychological limbo; he began to try to analyze what the agents might think of his behavior within the small apartment. "I would be watching a spy show on TV or something like a John Wayne movie. Someone would be talking about blowing something up, and I would think to myself, My God, that is going to sound really bad if they think I am listening to that." He worried that "they would think I was some kind of a nut," and often, when he could not sleep, he would find himself consciously switching to exercise videos and soap operas.Over Labor Day weekend, he drove up to Habersham County for a picnic with his ex-girlfriend's family, the Chastains. As usual, three F.B.I. cars followed him, but he had gotten adept at picking out the unmarked vehicles. As Jewell drove into town, he noticed that white ribbons hung from hundreds of trees; the Chastains had organized a campaign in his behalf. On the way home, Jewell drove with his friend Dave Dutchess. For the first time, he did not see an F.B.I. car following him, but he noticed an airplane flying low overhead. He drove another 20 miles, and the plane was still on him. "I said, 'Dave, do you think the F.B.I. would be following us in an airplane? It wouldn't be that hard to do, if they put some kind of beeper on the car.'" The plane followed them through Gainesville all the way to Atlanta—an hour's drive. "Just to make sure, we got off on an exit ramp and went about five miles back north. And I got out and took a picture. They followed us all the way back to the apartment! And they circled the apartment for about 15 minutes, until the F.B.I. car showed back up. I got very emotional. My cheeks got beet red. And Mom came home and said, 'What is going on? What is the matter?' It just destroyed the whole day."On September 2, Dave Dutchess and his fiancee, Beatty, were driving to their house in Tennessee. It was raining hard, and they noticed they were being followed by several F.B.I. cars. The storm grew worse, and they stopped at a hotel for the night. The next day, while getting coffee at a McDonald's, they were surrounded by F.B.I. agents. "We just want to talk to you. We are trying to be discreet." One agent, Dutchess recalled, spoke into his radio: "We have the suspect in hand." As they walked back toward their car, Dutchess said to Beatty, "They think I am his accomplice. I heard on the news they were looking for his accomplice!"After the interview, which lasted several hours, Dutchess spoke to Watson Bryant. "What did they ask you that concerns you?" Bryant asked him. "Well, I decided that I had to tell them the truth. Me and one of my friends used to set off pipe bombs for fun," Dutchess told him. "What?" Bryant exclaimed, incredulous. "Yeah, I told them we liked to throw pipe bombs down gopher holes when we lived out in West Virginia.""Did Richard know this friend?" Bryant asked apprehensively. "Hell, no. He never met him," Dutchess said, but Bryant knew that this could prolong the F.B.I.'s investigation perhaps by months. "I hung up and I was thinking, I cannot believe that I even know anyone who throws pipe bombs into gopher holes."As part of their strategy, Wood and Grant decided to mount a strong counterattack against the government. Wayne Grant had come up with the idea: Bobi Jewell should hold a press conference during the Democratic convention and make a direct plea to Bill Clinton. The day before she was to appear, Grant rehearsed her. It was difficult to work with Bobi; she was exhausted and could not stop crying. Confined under siege for almost a month, she could not see an end to it, since every day brought a new humiliation. The resident manager had threatened to take away their lease, and the manager's son was out selling pictures he took of them. A close friend from church was dying, Bobi said, and Richard could not go to see him, because of the swarm of F.B.I. agents and reporters who followed him everywhere. All of it came out in a rush in the conference room with Wayne Grant: Bobi had even had to give Bryant and Nadya Light the Olympic-basketball tickets she had won as colleague of the year, and every night she and her son were stuck together, staring at each other across the kitchen table. They were often irritable, and Richard sometimes lost his temper. "Mother, just shut up," he would tell her when she nagged him about the case. Then, Bobi later recalled, she would go into her bedroom and lie on the four-poster bed hoping that the photographers who rented an apartment across the way for $1,000 a day had no way of knowing what was going on.Grant kept careful notes on the session. Bobi was terrified about appearing in front of cameras. She sobbed and told him, "If I go on TV Monday, I'll be embarrassed. It will be, like, whenever I go anywhere, people will be looking at me: 'Did he do it or didn't he do it?' ""If you talked to the person who is in charge of the investigation, what would you say?" Grant asked her calmly. Bobi's voice was halting, but she was firm: "He is innocent. Clear his name and let us get back to a life that is normal."A few weeks later, Wayne Grant went to a party for a Bar Mitzvah, and a guest cornered him. She asked him if he had told Bobi Jewell to cry at the end of her press conference, and then added coldly, "Nice touch."The lawyers' strategy worked: after Bobi's press conference, the Jewells were deluged with interview requests. Bryant often received 100 phone calls a day. Bobi soon developed a system: letters from Oprah Winfrey, Sally Jessy Raphael, and TV producers were stacked on the console in the living room; flowers and baskets of Godiva chocolates and cheese and crackers from the networks were sent to the offices of Wood & Grant and then on to a children's hospital.At the U.S. Attorney's Office, it had become increasingly clear to Kent Alexander that something had to be done about Richard Jewell. Janet Reno had seen Bobi Jewell on TV and was moved by her sincerity. Privately, Reno and Deputy Attorney General Jamie Gorelick were said to be concerned about the heavy-handed tactics of the F.B.I. "The case had become a total embarrassment," a Justice Department official told me, but Alexander was in a complicated situation. He was working closely with the F.B.I., and there was no sign that the bureau was ready to let go, despite growing consternation among the local agents that the Washington command center had mishandled the case. And there was another problem: Alexander did not trust Lin Wood.By late September, there was a tremendous strain within the team Bryant had hastily assembled. The other lawyers accused Jack Martin of cutting private deals with his friend Kent Alexander, pulling focus, and not being tough enough. For his part, Alexander, according to Martin, admired Bryant even though he believed he was a loose cannon, but he was fed up with Lin Wood."Alexander would say something fairly candid to me, and I would report it to the attorneys, and the next day he would see it on TV," said Jack Martin. "Alexander had checked out Lin, and he knew that he was a take-no-prisoners guy." The lawyers often argued among themselves. Wood insisted on a full-blowout press-attack strategy. Bryant had mastered his sound bite: "The F.B.I. is a 500-pound gorilla who will kick the shit out of anyone." Martin wanted the lawyers to ease up on the hyperbole: "I would say, 'We do not need to do this.' And Lin would say, 'Let's go public with this.' He was manic about it." In one argument, Wood told him, "Goddamn it, Martin, you're like my ex-wives. There isn't anything you can say I won't object to."There was an atmosphere of extreme apprehension between Bryant and Jewell as they drove to F.B.I. headquarters on the afternoon of October 6. They were on their way to what would seemingly be a session with conclusional overtones, but Jewell was worried: What if this meeting was a trick? It was difficult to believe that the bureau was really ending its two-month-long investigation into his life. For weeks, Jack Martin and Bryant had been going back and forth with Kent Alexander. Finally, Jewell had agreed to an unusual suggestion: if he submitted to a lengthy voluntary interview with the bureau, and if Division 5 was satisfied, then perhaps the Justice Department could issue a letter publicly stating that he was no longer a suspect. Jewell tried to imagine the questions he would be asked. "I wanted to look at everything from their angle," he told me, "trying to assess it and reassess it in my head."On the day of Jewell's exoneration, Jay Leno apologized for having called him a Unadoofus.Kent Alexander had set a firm ground rule: Only one lawyer representing Jewell could be in the room. It had been agreed that Jack Martin, the criminal specialist, would be the man, which enraged Lin Wood. "You could really see how these guys did not like each other," Jewell said."I am not comfortable with the one-lawyer agreement," Wood told John Davis, Kent Alexander's second-in-command, when they were assembled. "We have an agreement. If you attempt to renegotiate it, I will have egg on my face," Davis said, adding, "You are not a man of your word." With that, Wood recalled, he rose from his chair and started screaming, "You are not going to say that to me, you son of a bitch!" Kent Alexander interrupted, saying, "This is deteriorating. We aim to stop this. Let's just regroup."When Jewell, Davis, and Martin finally sat down for the interview, Larry Landers, a special agent with the G.B.I., and F.B.I. special agent Bill Lewis had lists of questions with blank space for answers in front of them. On the wall of the windowless room, there were extensive aerial photographs of the park and, as a prop, an actual park bench was later brought in. Martin believed that the agents intended to resolve areas in the affidavits and other questions: Had Richard ever accessed Candyman's Candyland for information on the Anarchists' Cookbook? Had Richard picked up any pieces of pipe when the park was under construction? Had he told anyone, "Take my picture now, because I am going to be famous"? None of this had happened, Jewell said. All he could remember telling someone was that he was off to Atlanta and "going to be in that mess down there," meaning the traffic jams. They pressed him about seemingly inconsistent statements he had made on the morning of the bombing: Why had he told Agent Poor everything was normal when he checked the perimeter of the fence? Jewell explained that he had been walking the "inside of the fence." He once again explained that he had wanted to work the sound-and-light tower so that he could watch the entertainment; he had arranged for his mother to hear Kenny Rogers four days before the explosion.The area, he told Landers, was "a sweet site" and a great place to look at girls. During a break, Martin asked about all his references to women. Jewell said he wanted them to know he wasn't gay. On several occasions, Landers became annoyed: Why couldn't Jewell pin down the times? Had he seen the drunks on the bench between 10:30 and 11 or between 11 and 11:30? Why hadn't he looked at his watch? Jewell later recalled, "I said, 'I don't go through my life looking at my watch. I don't care about time. When the bomb went off, I did not look at my watch.' They were wanting to know what time I went to the bathroom and stuff like that. When you have the runs, you are not really concerned about what time it is. You are concerned with getting to the bathroom."On the day after the F.B.I. meeting, Jack Martin dictated a 27-page account of everything that had been said during the six-hour interview. In the last moments, Davis said, "he wanted to give Richard the opportunity once and for all to say that he didn't do it." Jewell, Martin wrote, "unequivocally and fortunately said that he had nothing to do with the bomb and didn't know anything about the bomb and if he did he would be the first to deliver the bastard to their door." When Martin walked out, he thought to himself, This really was a formality. They had nothing.In November a rumor swept through the newsroom of The A.J.C. that Cox newspaper executives were rethinking their news policies. According to one reporter, "The sloppiness of the Jewell reporting and the lack of sources was the last straw." A reporter named Carrie Teegardin was assigned to write a piece examining how the media spotlight was turned on Richard Jewell. In large part, her article wound up being an examination of the role of The A.J.C. After Wood and Grant threatened to sue, the article was killed. "We didn't get through the editing of it," John Walter said. "The Jewells' attorney began saying, 'We're thinking lawsuit' . . . and that made us more cautious." Meanwhile, Lin Wood and Wayne Grant were busy holding meetings with lawyers from NBC and Piedmont College. At NBC, Tom Brokaw's carelessness reportedly cost the network more than $500,000 to settle Jewell's claims, although Jewell's lawyers would not confirm a figure, BROKAW GOOFED AND NBC PAID, the New York Daily News would later headline. In talks with Ray Cleere, the figure of $450,000 by way of settlement was first suggested, then withdrawn when Piedmont College learned that it had insurance. "This will cost them millions now," Lin Wood believes.On one occasion I asked Richard Jewell if he had any theories about who might have placed the bomb. Jewell said he had popped "two or three theories off the top of my head" on the night he was interviewed by the F.B.I. "I have gone over that night hundreds of times in my head. You try to think, What type of person would do that? I know it is someone who wanted to hurt people. It is someone who is sick. I hope they find him so he can get the help he needs. Because I am totally torn up about what happened. Every day I think about it, and I will think about it for the rest of my life."Jewell often speaks with Bryant three times a day. As Jewell searches for a new job, he hangs around Bryant's office, and he recently studied handwriting analysis at the police academy. He has been offered several security jobs with Georgia companies, but he is hoping he will be hired as a Cobb County deputy. In the meantime, Bryant, Wood, and Grant have become sought-after speakers on the First Amendment.At F.B.I. headquarters in late October, Bobi Jewell broke down and cried as she identified their possessions—the Disney tapes, the Tupperware, Richard's AT&T uniforms, address books. It was a tableau of ordinary middle-class life, laid out on brown paper on a long conference-room table. "I just don't fucking believe this," Watson Bryant said angrily as he packed Bobi's videos into packing crates. "The agents tried to shake my hand," Bobi told me. "I wouldn't touch them." It took 10 hours to remove their possessions, Bobi recalled, and four minutes to return them.The F.B.I. is working on a new and elaborate theory of who did place the bomb in Centennial Park. There is an informed opinion that the backpack discovered a week earlier had in fact been a test run to check F.B.I. procedures, and that the bomber—perhaps a member of a militia group—was quite experienced and had struck before. After a torrent of criticism in the press, Louis Freeh announced that the F.B.I. had arrested Harold Nicholson, an alleged spy for Russia, and he used the opportunity to appear on the Today show and Good Morning America, hyping his role in what was a minor arrest, according to one former F.B.I. agent.In Australia in November, Bill Clinton was asked about his campaign contributions from Indonesia. "One of the things I would urge you to do, remembering what happened to Mr. Jewell in Atlanta, remembering what has happened to so many of the accusations . . . that have been made against me that turned out to be totally baseless, I just think that we ought to . . . get the facts out." When Jewell learned of his comment, he pulled up the transcript from the Internet and became angry: "The president is just using me, like everyone else."What rights does a private citizen have against the government? The legal precedent for suing the F.B.I., Bivens v. Six Unknown Agents, focuses on the behavior of individual agents. Wood believes that Jewell has a strong case against Johnson and Rosario. When Wood learned of Colonel Ressler, he hired him as a possible trial expert. In December, the F.B.I. announced that it would pay up to $500,000 to anyone who could lead it to the Olympic Park bomber.As Jewell and I drove back from Habersham County in November, he went over the early-morning hours of July 27: "I remember all of the people who were my responsibility. I remember the guys' faces who were flying through the air. I remember people screaming. The sirens going off. I don't think I will ever forget any of that. You just kind of wish sometimes. You think, Could I have done something else? . . . What if we only had five more minutes? Then maybe nobody would have been hurt. But you are what-if-ing. I have been over it a thousand times. I think we could not have done it any better. I think that is something I will always be wondering."He said he was not sure if he would ever get a job in law enforcement again, particularly since he had been held up as a cartoon figure. On the day of Jewell's exoneration, Jay Leno apologized for having called him a Unadoofus, and said, "If Jewell wins his lawsuit with NBC, he will be my new boss." He later said that this was "the greatest week in trailer-park history." The Atlanta radio station 96 Rock had put billboards of Jewell all over town; "Freebird," they said, a reference to the Lynyrd Skynyrd song. Jewell would later file suit against the station, but the billboard's message was clear. Jewell knows that for many people in America there will perhaps always be a subtle doubt: What if, after all, Richard Jewell really did do it? What if the government let him go simply because it could not make its case? Then he becomes not the innocent Richard Jewell, but the Richard Jewell who may be innocent. "You don't get back what you were originally," he told me. "I don't think I will ever get that back. The first three days, I was supposedly their hero—the person who saves lives. They don't refer to me that way anymore. Now I am the Olympic Park bombing suspect. That's the guy they thought did it. "February 1997 | Vanity Fair