144721439
  • 裹挟前进
    2022/2/17 8:54:48
    以人为镜,明得失
    它是记录长沙坡子街派出所真实案件的一部纪录片,讲的是发生在解放西,五一广场那边的事情,看完这个我的感想是: 第一,还是要多了解一些法律知识,像案件中的很多人自己违法了,他都完全不知道。 第二,出门在外,还是要好好保护自己,提高安全意识。遇到不法侵害,不要冲动,...  (展开)
    它是记录长沙坡子街派出所真实案件的一部纪录片,讲的是发生在解放西,五一广场那边的事情,看完这个我的感想是: 第一,还是要多了解一些法律知识,像案件中的很多人自己违法了,他都完全不知道。 第二,出门在外,还是要好好保护自己,提高安全意识。遇到不法侵害,不要冲动,...  (展开)
    【详细】
    14224216
  • chi
    2015/7/8 0:54:57
    場景好看,但劇情人物表達不夠細膩
    這個電影的場景看得出來非常用心,如果要做一個平穩敘述故事路線的話,劇情人物是很可惜的很多地方都不夠細膩。1.三個軍人從頭到尾,彼此的互動並沒有覺得感情很好。2.想要表達老兵想回家鄉的心情,但是卻把2爸這個角色,降低為兒童吵著要回家,對家鄉的思念表達太過表淺。3.當父親被國民黨抓走的時候,太太卻只想著拿毛線織圍巾這個表達非常不合情理,太過扭捏,而且當時人都在穿短袖。4.男女主角的感情,一直都是平淡又
    這個電影的場景看得出來非常用心,如果要做一個平穩敘述故事路線的話,劇情人物是很可惜的很多地方都不夠細膩。1.三個軍人從頭到尾,彼此的互動並沒有覺得感情很好。2.想要表達老兵想回家鄉的心情,但是卻把2爸這個角色,降低為兒童吵著要回家,對家鄉的思念表達太過表淺。3.當父親被國民黨抓走的時候,太太卻只想著拿毛線織圍巾這個表達非常不合情理,太過扭捏,而且當時人都在穿短袖。4.男女主角的感情,一直都是平淡又模糊曖昧,表達的沒有很清楚,突然女主角的坦白告知,兩人熱烈擁吻,缺少了之前的鋪陳跟情感累積,一直到最後也無法讓人感受到,兩人之間的感情,缺少了感情的張力和壓抑。
    整片覺得人物的描述太過籠統,有這麼好的場景來襯托,但是卻沒有辦法發揮出來,真是覺得很可惜。如果細細的如實表達當時的時代人物場景,不要刻意去刻劃人物情感的描寫,可能會是一個不錯的作品。
    【详细】
    7523376
  • 太阳黑子
    2020/10/2 13:33:22
    电视剧《江河水》

    总体来说,电视剧《江河水》以小见大,从港口的改革展开,以港务局里的各种事情展现了一个小社会的缩影,许多事情的处理也反映了政府的立场和原则,能让人设身处地的理解他们。

    主角,江河,不说什么了,主角光环很强大,只要看过剧的都能看出来他有多么地正派。

    尤其不喜欢卢茜这个角色,比反派还反感,先

    总体来说,电视剧《江河水》以小见大,从港口的改革展开,以港务局里的各种事情展现了一个小社会的缩影,许多事情的处理也反映了政府的立场和原则,能让人设身处地的理解他们。

    主角,江河,不说什么了,主角光环很强大,只要看过剧的都能看出来他有多么地正派。

    尤其不喜欢卢茜这个角色,比反派还反感,先不说她那个妆化得眼睛通红,每次看着都跟要哭了一样,就她的处事方法也看不太惯。而且从剧情来说,感觉看不出来江河有多么地爱她,这组感情戏好别扭……

    相比之下,我比较喜欢丁薇薇这种看着有点气质的女人,但很可惜,她栽在了她那个叔叔的手里,丁槐也真是为了利益不择手段,就那么对待自己的侄女。

    卢站长和卢市长这哥俩,非常正面的形象,一辈子扎根于港口建设,关心港口的发展。卢大哥的死让人痛心,但也体现了老一辈港口人的精神;卢新华也经受住了利益的考验,即使没有受贿,在得知自己收了别人的一个价值不菲的花瓶后,主动上报纪委,自觉接受检查,并因此辞职,是一位正气禀然的国家干部。

    廖汉中,廖矿长,可以看出来是个讲义气、明事理的人,一开始对他的印象不咋地,但渐渐地有所改观。

    再说说秦池、秦海涛,这叔侄俩的感情真的感觉比亲爷俩还要亲,叔叔好到这种程度非常可以了,不过最后一下栽在了侄子手里。也可惜,都走上了歪道。

    秦池,虽然剧情没有拍他年轻时建设港口的经历,但从卢市长的口中也可以得知,领导对他的口碑不错,说明他最初就是全心全意建设港口的,干了30多年,肯定善始了,只不过在最后没有善终。我觉得他的转折是从江河来了之后渐渐开始的,如果江河不来,他于情当上了奋斗了半辈子的港务局的局长,肯定不会有如此的抱怨,结果只不过是港务局无法进行改革而停滞不前。但为了适应全面深化改革的大形势,市领导不得不空降一名有魄力的干部来带领大家前进。正是由于他对江河的偏见,内心有些动摇,再加上周围那贪心的朱三才和贪财的孟建荣的不断蛊惑,只试了一下水了,却无法再上岸了。就煤码头防洪大堤这么重要的一项建设来看,朱和孟贪的可不是一星半点,而这些,秦是不知情的,也是后来才知道,他当时是信任这二位的。而且散货码头的工程,他也是相信孟建荣的,一次次地帮他说好话,却没想到孟在背后动手脚、捅刀子。个人感觉秦池一步步的“黑化”历程看了令人惋惜,虽然他阴险地追求了个人利益,但前期仍然是为港口利益着想的,同样不希望毁了老一辈人辛辛苦苦建设的港口,他参与过建设,对此还是有感情。剧中快结尾时有一个情节,老秦在家中有踌躇、徘徊,这一个无声的镜头让人印象深刻,背叛初心、背叛党、背叛正义,这一切要下定决心,对于一个没有坏到根的人来说,无比煎熬。我觉得这就是秦池这个人物的一个转折点,前面还有所保留,不敢闹出什么动静,但这之后他就是决定与江河彻底地对立了。最后侄子来找他帮忙,救命,他也认清了丁槐的面目,想最后再赌一把,就收手,可奈何,这种事一旦开了头,就一发不可收拾,没有回头路了。秦池的结局令人动容,江河最后叫的一声叔,也包含着无奈,老秦忏悔之心、悔改之念肯定有,但为时已晚,最后红了眼眶,也是不想连累妻儿。没有绝对的好人与坏人,一个人的正义和邪恶也许就改变在一瞬间,在原则和利益面前选择了后者,就是选择了一条不归路……

    还有朱三才、海岩,这俩人是真的贪,明着贪,自始至终也没干过好事,长着一副坏人样。

    但不明白了,就一个港口改革的剧,为什么要设定这么多的坏人,贪官、奸商一大堆。说实在的,现实生活中这种人肯定存在,但它终究也是各地的个别现象,成不了普遍。个人希望这种剧不要再陷入非正即邪的套路中,这么多的坏人就只为了反衬江河的锐意改革、清正廉洁?为什么不可以政府、企业联合发展,官员、商人共同致力于改革呢?反派当然可以有,但能描写出他由邪转正或者由正转邪的一个过程和一种心理也挺好的。

    另外,这电视剧里的人物名字真是离不开水了:秦池、秦海涛、江河、江涛、郭川、海岩,连第一集里那个卧底都叫大海……

    【详细】
    128881833
  • 千里千里
    2014/9/7 22:38:27
    剧中的音乐

    最后一集Richard在code的时候听的dubstep是:
    Camo & Krooked - Hot Pursuit (Dead Battery Remix)

    电脑要炸了。


    以下来源:
    最后一集Richard在code的时候听的dubstep是:
    Camo & Krooked - Hot Pursuit (Dead Battery Remix)

    电脑要炸了。


    以下来源:
    http://www.siliconvalleysoundtrack.com/
    --------------------------------------------------------------------------------------------
    Episode 1: Minimum Viable Product


    "Cucci Galore" by Kid Rock - Song being played live at party

    "Stretch Your Face" by Tobacco - Intro Song

    "Backwoods Altar" by Tobacco - Richard's coworkers tease him by the coffee machine

    "New Room" by Chavez - Played while looking at Pied Piper website

    "C'est pour" by Cor3on nt - Played while traveling to the meeting with Gavin

    "Small Stakes" by Spoon - Played during the bidding war for Pied Piper

    "Minority" by Green Day - closing credits

    --------------------------------------------------------------------------------------------


    Episode 2: The Cap Table

     
    "Ungirthed" by Purity Ring - First song at the launch party.

    "Special Education" by Goodie Mob - Intro song. Played while stripper dances for Big Head.

    "Reel 12 Break 2" by Pretty Lights - Richard tries to write a business plan.

    "Post Fahey" by Brendan Canning - Song as Richard tries to bank his check

    "Party and Bullshit (Ratatat Remix) - Closing Song

    --------------------------------------------------------------------------------------------


    Episode 3: Articles of Incorporation
    "Stretch Your Face" by Tobacco - Intro Song

    "Swiss Glide" by Michna - Song as Erlich takes mushrooms in the car

    "Bad Vibrations" by The Black Angels- Erlich high on mushrooms in the desert

    "Hey Lover" by Blake Mills - Closing song. Erlich arrives home.

    --------------------------------------------------------------------------------------------

    Episode 4: Fiduciary Duties


    "Coda" by The D?

    "How I Feel" by Flo Rida - Sung live at Peter Gregory's party

    "Father Sister Berzerker" by Tobacco
    Episode 5
    Signaling Risk

     
    "Toda Mi Vida" by Pueblo Cafe - Opening Song

    "Nuevos Tiempos" by Pueblo Cafe - Song as they meet Chuy for the first time

    "Deshacer" by Pueblo Cafe

    --------------------------------------------------------------------------------------------

    Episode 6: Third Party Insourcing



    "Stretch Your Face" by Tobacco - Intro Song

    "Do What It Do" by Dolce X Ozzie - Song playing when Erlich defends Richard against Church Candy

    "Nobs" by Cru the Dynamic

    --------------------------------------------------------------------------------------------


    Episode 7: Proof of Concept


    "Stretch Your Face" by Tobacco - Intro Song

    "Swiss Glide" by Michna

    "Reel 12 Break 2" by Pretty Lights

    "Ghost" by Woody's Produce

    "Hundred Grand Baby" by Northern League & FS - show Squarespace simple like and share buttons on events.

    "Smokin and Drinkin" by Danny Brown - Closing Song

    --------------------------------------------------------------------------------------------


    Episode 8: Optimal Tip-to-Tip Efficiency

    "Hips Don't Lie" by Shakira - Opening Song

    "Minority" by Green Day - closing credits

     
    【详细】
  • 69023739
  • 杯子
    2017/10/9 10:36:23
    还凑合
    没看过原著,也没看过老版,听说是斯蒂芬金小说改编,又是老版重拍,想必一定很经典啊!然后。。。 看完有种被宣传,预告,海报骗了的感觉。分明是给小孩看的电影,受众人群却是成人。(因为开头杀小孩这段,注定孩子看不了) 我喜欢恐怖片,更喜欢小丑这个设定,明明是个活了...  (展开)
    没看过原著,也没看过老版,听说是斯蒂芬金小说改编,又是老版重拍,想必一定很经典啊!然后。。。 看完有种被宣传,预告,海报骗了的感觉。分明是给小孩看的电影,受众人群却是成人。(因为开头杀小孩这段,注定孩子看不了) 我喜欢恐怖片,更喜欢小丑这个设定,明明是个活了...  (展开)
    【详细】
    8855215
  • Moonlight Bae
    2018/9/24 12:24:07
    Bojack Horseman S5E6 Scripts

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an

    So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one.

    Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.”

    But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro.

    [people murmuring]

    [clears throat]

    Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it.

    Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman.

    [rustling]

    Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So…

    [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me.

    Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral.

    Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this.

    [groaning]

    [mourners gasping]

    Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday.

    [woman coughs]

    Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy.

    [clears throat]

    Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault.

    But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me.

    Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard.

    When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting.

    Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter.

    [owl chirping]

    My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face.

    [groaning]

    [mourners gasping]

    If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression.

    [woman clears her throat]

    [chairs squeak]

    I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.”

    Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed.

    Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything.

    [woman sighs]

    Back in the 90s, I was in a very famous TV show called Horsin’ Around.

    [man coughs]

    Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.”

    And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much.

    Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock.

    [murmur]

    I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.”

    “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom?

    I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots?

    [rimshot plays]

    Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing.

    [rimshot plays]

    Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket!

    [rimshot plays]

    Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch!

    [woman gasps]

    [murmurs]

    Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead.

    [woman sighs]

    You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.”

    [organ playing tune]

    Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim.

    [flashback]

    [partygoers laughing]

    [classical music playing]

    But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.”

    You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty.

    I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps]

    Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain.

    [rimshot plays]

    No, that wasn’t… would you just… dial it back, all right?

    I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that?

    I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause.

    [man coughs]

    Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for.

    Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show.

    I guess until there isn’t.

    [chuckles]

    My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.”

    “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro.

    You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales]

    I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker.

    Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away.

    My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead.

    [gulps, sighs]

    Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen.

    Is this Funeral Parlor B?

    —— from Reddit

    【详细】
  • 966723640
  • 未来事务管理局
    2019/7/14 13:40:57
    看完《狮子王》,我十分想念赵忠祥老师

    猫科动物演不了真反派。

    猫科动物演不了真反派。

    【详细】
    1030744
  • 卖火柴的硫化磷
    2023/1/5 21:22:38
    《鹅笼书生》版本探源及主旨分析

    《鹅笼书生》版本探源及主旨分析

    版本流变

    《鹅鹅鹅》改编自南朝梁吴均的《鹅笼书生》,而吴的这部短篇笔谈又是仿制印度佛经《旧杂譬喻经》中的“梵志吐壶”写就,同时早于吴均的《灵鬼志》也有类似情节 。

    《鹅笼书生》版本探源及主旨分析

    版本流变

    《鹅鹅鹅》改编自南朝梁吴均的《鹅笼书生》,而吴的这部短篇笔谈又是仿制印度佛经《旧杂譬喻经》中的“梵志吐壶”写就,同时早于吴均的《灵鬼志》也有类似情节 。鲁迅在《中国小说史略》中指出,“梵志吐壶”亦有其来源,则是《观佛三昧海经》。按顺序排列则是:

    《观佛三昧海经》:天见毛内有百亿光,其光微妙,不可具宣。于其光中,现化菩萨,皆修苦行,如此不异。菩萨不小,毛亦不大。

    《旧杂譬喻经》为: 昔梵志作术,吐出一壶,中有女子与屏,处作家室。梵志少息,女复作术,吐出一壶,中有男子,复与共卧。梵志觉,次第互吞之,拄丈而去。

    梵志指得是外国道人。经书由三国时期的人翻译,此处盖以本土化为主,类似复述口吻,故称故事中人为外国人。从《观佛三昧海经》到 《旧杂譬喻经》,其实是摘取其中的玄幻特征和套娃理念。在故事性上,后者具有了明显的小说奇谈特性。

    晋朝《灵鬼志·外国道人》:太元十二年,有道人外国来,能吞刀吐火,吐珠玉金银,自说其所受师,即白衣,非沙门也。尝行,见一人担担,上有小笼子,可受升余,语担人云,“吾步行疲极,欲寄君担。”担人甚怪之,虑是狂人,便语之云,“自可耳。”……即入笼中,笼不更大,其人亦不更小,担之亦不觉重于先。既行数十里,树下住食,担人呼共食,云“我自有食”,不肯出。……食未半,语担人“我欲与妇共食”,即复口吐出女子,年二十许,衣裳容貌甚美,二人便共食。食欲竟,其夫便卧;妇语担人,“我有外夫,欲来共食,夫觉,君勿道之。”妇便口中出一年少丈夫,共食。笼中便有三人,宽急之事,亦复不异。有顷,其夫动,如欲觉,妇便以外夫内口中。夫起,语担人曰,“可去!”即以妇内口中,次及食器物。

    在晋朝人笔谈中,尚且称为“外国道人”,“ 吞刀吐火,吐珠玉金银 ”具有强烈的神秘色彩,为下文口中吐人做了铺垫。到了六朝的《鹅笼书生》,则做了彻底的中国化,梵志、外国道人变作“书生”;在写作上面,有了明显的小说手法,一改之前平铺直叙,转而引入观者“ 阳羡许彦 ”,使得内容引人入胜,更具镜头感。

    吴均《鹅笼书生》:阳羡许彦于绥安山行,遇一书生,年十七八,卧路侧,云脚痛,求寄鹅笼中。彦以为戏言,书生便入笼,笼亦不更广,书生亦不更小。宛然与双鹅并坐,鹅亦不惊。彦笼而去,都不觉重。前行息树下,书生乃出笼谓彦曰:“欲为君薄设。”彦曰:“善。”乃口中吐出一铜奁子,奁子中具诸肴馔。……酒数行,谓彦曰:“向将一妇人自随。今欲暂邀之。”彦曰:“善。”又于口中吐一女子,年可十五六,衣服绮丽,容貌殊绝,共坐宴。俄而书生醉卧,此女谓彦曰:“虽与书生结妻,而实怀怨,向亦窃得一男子同行,书生既眠,暂唤之,君幸勿言。”彦曰:“善。”女子于口中吐出一男子,年可二十三四,亦颖悟可爱,乃与彦叙寒温。书生卧欲觉,女子口吐一锦行障遮书生,书生乃留女子共卧。男子谓彦曰:“此女虽有情,心亦不尽,向复窃得一女人同行,今欲暂见之,愿君勿泄。”彦曰:“善。”男子又于口中吐一妇人,年可二十许,共酌戏谈甚久,闻书生动声,男子曰:“二人眠已觉。” 因取所吐女人还纳口中,须臾,书生处女乃出,谓彦曰:“书生欲起。”乃吞向男子,独对彦坐。然后书生起谓彦曰:“暂眠遂久,君独坐,当悒悒耶?日又晚,当与君别。” 遂吞其女子,诸器皿悉纳口中,留大铜盘可二尺广,与彦别曰:“无以藉君,与君相忆也。”彦大元中为兰台令史,以盘饷侍中张散;散看其铭题,云是永平三年作。

    由上述版本流变可以看出,佛经故事转向魏晋笔谈,其实是一个小说化、本土化的过程。

    传播原因

    鲁迅对这种“传播与再写”的现象做以解释:中国历来信仰神鬼故事,而佛教故事往往夹杂此类传说。而且,文人写作神鬼故事,并非有意作小说,而是当时人们真的以为神鬼存在,写作神鬼故事就如同记述平常事。“遂蜕化为国有”。

    这个说法具有非常高的可信度。汉朝建国大兴黄老、汉武“神授说”,至于王莽篡位,也是大作鬼神舆论之说,刘向父子为迎合上意或者谋反,大规模篡改经文典籍,制造伪书,诸如“朝代五行说”洗牌式盛行。汉末张角起义,亦是打着“苍天已死,黄天当立”的旗帜。

    到了三国魏晋,频繁的战乱和政治的白色恐怖,使得士族文人避谈政治,而转向玄谈。鬼神玄谈一时间成为时尚。此时佛经故事的传入更是迎合了文人的热情。在转述和再传播的同时,逐渐完成了域外故事的本土化。

    作品主旨分析

    《旧杂譬喻经》里的故事被认为是对“情欲”的否定与批判。佛经原文在其后有结语:“ …… 女人能多欲……如是女人奸不可绝……其欲行者从志也。师曰:天下不可信女人也。”

    这一段总结语具有时代局限性,争议较大。王耕老师分析道:“道人吐出女子是合理的,但女子生性贪婪,心怀更为可怕的欲念,她吐出少男子,也就相当于挑战佛教戒律。所以,这一故事原型在根本性上正是对女子淫邪的批判。”

    《灵鬼志·外国道人》同样能看出来隐藏于深层次的佛教戒律。道人吐出女子,是被允许的;女子又吐出少男子,少男子是被谴责的对象,而女子作为条件存在,不承担责任。故事核心就在于道人对少男子具有的绝对压力,要求后者服从戒律。

    第一则故事对女性的否定和贬低,与印度种姓制度有关。后者《外国道人》则淡化了对女性的批判,转而以“道人”对“少男”,类似于“老和尚”要求“小和尚”,其后与之相隔一个世纪的《鹅笼书生》,彻底抛弃了对女性和戒律说教的痕迹,形成了明显的本土化。

    中国是小农社会,以家庭为单位,重视伦理建设,魏晋又大力推行“孝”治天下,女性在家庭、伦理社会中有着重要作用,老年女性亦具有尊长地位,诸如《陈情表》、《孔雀东南飞》等都有家庭地位崇高的女性形象。秦汉以来,男女婚姻被严格的法律制度规范和保护,至今犹能看到“ 昏礼者,礼之本也”思想的流传。文化方面,道教有所谓的男女阴阳。

    印度本土佛教进入中国,对女性否定和批判的态度水土不服,同时,亦要考虑女性信徒的市场。在南朝,尼姑数量颇为壮观。因此,佛教的传播不能不考虑中国本土情况,褪去种姓色彩,融和中国本土文化,从而有了对待女性态度的明显转变。因此在《鹅笼书生》中,更注重故事的“奇诡”和小说技法的运用。

    鲁迅对《鹅笼书生》的评语为 “尤其奇诡者也”。可见此类故事,特点在于“奇诡”。正是由于它的“奇诡”性,吸引了大批作家文人的再传播。这个故事后来也被人用来形容幻中生幻,变化无常。 标题中的“书生”意象更富中国特征,同时也和环境相衬,平添“诡异”,令人联想到《西游降魔篇》里的荒野客栈里的白衣书生。

    《鹅笼书生》的主旨应当是小说的诡异特点,其并无特地的指向性。这与魏晋南北朝文人喜好奇谈怪说、追求新奇、游戏态度是相吻合的。这种古怪、奇诡的审美特征构成了庞大的中国式审美的重要结构之一。类似的民间神鬼故事、文人志怪小说影响至今。同时要指出,《鹅笼书生》只是借用口中吐人的奇幻色彩这一设定,是原型的借用。主旨和创作情感并不雷同,作者写作时滑稽、癫狂的文学情感尤为炽热。

    相对契合《鹅笼书生》奇诡意象的影视作品,还是要提到《西游降魔篇》中猪妖客栈的场景,其实并无深层内涵,只是讲好一个故事,导演营造的奇诡氛围,为酱爆师兄妹离奇失踪添上了魏晋怪谈的一摸亮色。而且,将创作“神鬼故事就如同记述平常事”,在当代影视化创作的浪潮中,尤为壮观,这也是中国故事的特色之一。

    《中国奇谭》中的《鹅鹅鹅》,动画改编,将书生变作狐妖,狐妖的情人加以动物化,为原本“诡异”的内容增添了恐怖色彩。通过送鹅人的眼光,展现了视听之宴,处处悬疑的情节使人琢磨,中西结合、以我为主的人物画风耐人寻味。其深刻的内涵还是一心营造恐怖环境,仍有争论不休。这个系列当时具有重大意义的作品,短篇小巧、余韵绕梁,应当是新浪潮的开始,中国绘画艺术在新科技手段下的复苏,笔者对于未来讲好中国故事有着乐观的期望。

    参考文献:

    鲁迅:《中国小说史略》

    王耘:从《外国道人》到《鹅笼书生》——论佛经故事向志怪小说的叙述范式转型

    今日草就,供豆瓣交流。

    【详细】
    148684254
  • 游侠一笑
    2019/7/21 0:06:35
    露云娜真鬼马

    开头乔宏的住所段,明显是模仿巴斯特·基顿的《稻草人》,这个片子真是影响了70、80年代很多港产片。

    几个蠢贼的设计下了心思。

    电梯“跳舞时打斗”后来很多港产片都有。

    林黛玉与梁祝的桥段很有点无厘头。徐克后来拍《梁祝》似乎有偷师这段。

    吴宇森真喜欢在教堂开战。那时候还没有放白鸽。

    大量反复(重复)来达到喜剧效果,但多了就显得单调。

    开头乔宏的住所段,明显是模仿巴斯特·基顿的《稻草人》,这个片子真是影响了70、80年代很多港产片。

    几个蠢贼的设计下了心思。

    电梯“跳舞时打斗”后来很多港产片都有。

    林黛玉与梁祝的桥段很有点无厘头。徐克后来拍《梁祝》似乎有偷师这段。

    吴宇森真喜欢在教堂开战。那时候还没有放白鸽。

    大量反复(重复)来达到喜剧效果,但多了就显得单调。

    时装,动作,喜剧,“‘父女’情”(与奋斗、新艺城后来的“‘父子’情”一脉相承)。虽然喜剧显得不足像闹剧,而动作戏很多,有些设计还是有亮点的(如修车的十字架套筒当武器,旋转了自己的鞋子)。

    乔宏属于冷面笑星,最经典的形象想电视剧《天龙八部》的南海鳄神和《女人四十》的老爷。原来老爷子父亲是GMD元老,由于熟悉英语,他曾于朝鲜战争时出任台军翻译。

    露云娜的萝莉很鬼马精灵,可爱。露云娜父亲是菲律宾西班牙混血,母亲是中日混血,但脸孔还是很像东亚人的,毕竟母亲是东亚混血。想到如今国足在归化,像露云娜这种复杂的血缘能不能归化?对了,当年很多以“娜”为名的女演员,而且像狄娜、等都很出名。

    这部大叔与萝莉的片子,是不是受到了好莱坞电影《纸月亮》的启发?

    本片年度港片票房第三位,前面的是《卖身契》、《醉拳》,连李小龙的《死亡游戏》都只能排在它后面,“梗颈四”。

    【详细】
  • 10324615
  • momo
    2022/12/22 12:01:59
    央视剧评|《县委大院》:中国政治题材剧的新范本

    特约评论员李京盛近日,电视剧《县委大院》正在CCTV-1热播。这部以讲述新时代中国县域治理为主要内容、以塑造新一代基层领导干部形象和展现中国县级政权组织治国理政历程的政治题材作品一经推出,即备受瞩目。该剧以新颖的现实生活内容、真实生动的人物和故事、创新的写实手法,再现了新时代基层工作的实践展开过程;也为中国政治题材电视剧创作,提供了新的经验。突出执政为民理念,彰显时代性和人民性特征政治剧是西

    特约评论员李京盛近日,电视剧《县委大院》正在CCTV-1热播。这部以讲述新时代中国县域治理为主要内容、以塑造新一代基层领导干部形象和展现中国县级政权组织治国理政历程的政治题材作品一经推出,即备受瞩目。该剧以新颖的现实生活内容、真实生动的人物和故事、创新的写实手法,再现了新时代基层工作的实践展开过程;也为中国政治题材电视剧创作,提供了新的经验。突出执政为民理念,彰显时代性和人民性特征政治剧是西方影视创作中一个具有广泛受众和市场热度的题材,《白宫风云》《纸牌屋》《是,大臣》等等风靡一时的欧美政治剧,在我国电视剧观众中也有很大影响。中国虽然还没有明确的政治剧的概念和类型,但政治题材类的电视剧作品,也一直被广大受众所关注。特别是近年来,围绕反腐、扫黑、法制、脱贫、环保等等涉及国家治理、政权建设、国计民生等等领域的作品,也都取得了较大的社会反响。中国政治题材影视作品与西方政治剧在类型概念、主题表达和内容叙事上有两个鲜明的根本不同:一是中国的政治题材剧是以中国社会主义政治制度的根本性质“执政为民”为其鲜明主题和内容特征;而不是西方政治剧以展示“权力角逐”和“政治运作”为卖点的商业叙事。二是中国政治题材类影视作品,往往都是围绕当下社会治理领域中与国家未来发展和老百姓当下现实生活密切相关的事件而展开,具有更加鲜明的时代性和人民性特点。《县委大院》则是在保持和延续了中国政治题材剧的鲜明主题和特点的同时,又突破了以往政治题材作品固有的人物塑造、故事规模和表达方式。它以新时期以来中国社会所发生的巨大变化为时空视野和叙事背景,全面展示了一个县一级的政权组织,在新时代治国理政思想指引下,踔厉奋发、积极作为的执政理念和实践过程;为观众完整地展现了中国式县域治理模式和所取得的成绩;塑造了一批生动鲜活的基层执政者形象;也为“郡县治、天下安”这一延续千年的社会治理方式,续写了新的时代篇章。

    【详细】
    14837798
  • 黄鑫亮
    2016/11/28 19:45:29
    《嘿,孩子》的深刻,源于杨亚洲是在平视甚至是仰视小人物
    文/黄鑫亮

     从《浪漫的事》一个母亲独自应付三个女儿的各种婚姻状态,到《家有九凤》平遥古城里初妈妈含辛茹苦把九个女儿拉扯大之后她们又相爱相杀,再到《嘿,老头!》里纨绔的儿子怎么与老年痴呆症的父亲解开心结,以及这次的《嘿,孩子》,一个大家长的督促下,三个儿女生孩子过程里的酸甜苦辣。他总是倾听着小人物的呼吸,他总是把着老百姓的脉搏,他用导筒给引车卖浆者代言,他就是杨亚洲导演。有
    文/黄鑫亮

     从《浪漫的事》一个母亲独自应付三个女儿的各种婚姻状态,到《家有九凤》平遥古城里初妈妈含辛茹苦把九个女儿拉扯大之后她们又相爱相杀,再到《嘿,老头!》里纨绔的儿子怎么与老年痴呆症的父亲解开心结,以及这次的《嘿,孩子》,一个大家长的督促下,三个儿女生孩子过程里的酸甜苦辣。他总是倾听着小人物的呼吸,他总是把着老百姓的脉搏,他用导筒给引车卖浆者代言,他就是杨亚洲导演。有的导演的起步总是带着浑身泥土清香,随着成名之后越来越凌空蹈虚,而从杨亚洲近些年所导的电视剧来看,他离小人物越来越近,他越来越沉到了市井间。

        目前热播的《嘿,孩子》充分展现了杨亚洲的导演艺术和哲学。镜头专注于小人物,有三条路径,第一条就是拍小人物犄角旮旯里的柴米油盐,这些观众们亲身经历,没有高于现实难以吸引观众;第二条就是拍小人物的大作为,那就会拍成英雄事迹或是小人物逆袭的陈规,观众们早已看厌;第三条是杨亚洲导演探索出来且遵循深入的,挖掘小人物与大英雄之间的人性共性,小人物也能是自己和家庭的大英雄。

        在笔者看来,要使作品达到这样的艺术效果,举《嘿,孩子》为例,杨亚洲导演的第一条法则是置换,像生育这样的人生经历,足以填平无名之辈和名人之间的差距,像方韵想借卵生子、方向想救丈夫与前妻的女儿而怀孕,这些小人物的行为顿时就会成为社会新闻的头条。第二条法则是密集,杨亚洲导演聚焦于一个家庭里的n个子女,《家有九凤》里甚至都能清晰拍出九个女儿的群像,更别说这次《嘿,孩子》里的方家三个儿女,以一个家庭为轮廓,素描每一个成员的线条,再给他们的家庭上色,儿女之间彼此对比,无论谁大富大贵,都改变不了出自一个家庭,最后用幸福将这张画塑封。第三条法则是纵深,关注小人物的思考和经历,倘若只是浅尝辄止,那么杨亚洲导演就成了“老娘舅”,他要做的不是去调解和梳理家长里短,而是要用荧幕语言去呈现、打动甚至被观众铭记,这就让每一个小人物不是单薄的,他们也有他们的“城府”。比如方韵是一个失独母亲,怎么从想与丈夫再要一个孩子,进展到建立儿童之家救助特殊儿童。方家老三夫妇老少配,年龄差下的他们怎么求同存异。这些小人物的纵深,不是吃瓜群众看热闹能看明白的,杨亚洲导演剖析出了一个家庭的内在肌理,小人物也有专属于他们的生活智慧和处事逻辑,这才是会让电视机前的观众看着看着会心一笑。

        当然,杨亚洲聚焦都市人群生育的话题,更多是想以生育为点,以点带面,折射出这个庞大人群的真实生活。方家的这三对夫妻,他们的身份就几乎能覆盖都市里的各个人群,方韵和丈夫是医生,方韵后来又改行当酒吧老板;方乐是健身教练,方乐老婆是电台主播;方向是乐队经纪人,方向老公是电台编辑,这一家人的职业有交集有串联,摆出一个杨亚洲导演的电视剧的时间轴,你也能清晰地看出不同节点里,都恰好踩准了时代的节拍,从此可以看出杨亚洲导演敏锐的新闻嗅觉,或许我们很少说,其实电视剧也是有时效性。

        如此专注于百姓生活剧的导演少了,如此能拍出牵动万千观众内心的平民剧的导演更少了。杨亚洲导演被观众誉为“平民导演”,他的视线一直是在平视甚至仰视小人物,这也是他的作品真实而深刻的根本所在吧。
    【详细】
    81991430
  • paulwang2000
    2013/6/9 14:05:24
    1星以上都是水军
    很少看影评,也从来不写影评。 可是这个片子让我有种喉咙被鱼刺卡着不吐不快的感觉。从开始15分钟开始我就被这雷人的片子彻底击倒。为了心疼我这3D的票价,我还是忍着看完了。出戏院的时候我又开始心疼我白白浪费的2小时光阴。

    本来这部片子牌面还好,刘德华,林志玲还有张静初,制片方肯砸钱拍特技,出3D。故事虽然老土,不过像疯狂的石头也能把老土的片子拍出彩,所以也不算太高难度。可怎么就不肯花点钱
    很少看影评,也从来不写影评。 可是这个片子让我有种喉咙被鱼刺卡着不吐不快的感觉。从开始15分钟开始我就被这雷人的片子彻底击倒。为了心疼我这3D的票价,我还是忍着看完了。出戏院的时候我又开始心疼我白白浪费的2小时光阴。

    本来这部片子牌面还好,刘德华,林志玲还有张静初,制片方肯砸钱拍特技,出3D。故事虽然老土,不过像疯狂的石头也能把老土的片子拍出彩,所以也不算太高难度。可怎么就不肯花点钱找个像样的导演和编剧,起码说一个完整的故事呢。

    我们先撇开那雷人的造型,山寨的布景和玩具般的道具不谈。也不管对白的无知和狗屁不通。就说说这逻辑,为什么一个个像个婴儿一样做事不经大脑,佟大为那一口北京腔的日本人是怎么回事,刘德华在他手上被抓不止3次,为什么每次都要放了好吧,你抓他儿子能不能直接点啊,这飘来飘去的不累啊。好,坏人比较笨也就算了,为什么刘德华装卧底特工整天开个雷达汽车到处跑啊,这样他老婆还不知道他是特工到底是多白痴啊。你喵能不能别开车到荒山野岭的拿出那巨大的电脑回头就收那几个字的短信好吧。你那手机没短信功能吗。好好的救儿子干嘛就差2米了还跑回家啊。你就不会动脑子吗。好算,就当你是个爱摆酷的007好了。可干嘛张静初一保险公司文员的武功那么强啊!一个人摆平12罗汉有木有啊。这么强去卖保险多浪费啊!算,就当你保险公司有人,请得起这特工。 可你志玲姐姐到底要怎样啊。整天穿着情趣内衣到处跑是要闹哪样啊。你这两面特工专业点好吧。受伤了就好好躺医院,没事干嘛穿越到沙滩啊,那么萌的沙发哪买的啊,怎么你的伤就突然好了呀。
    我要说出钱的老板我肯定心疼着钱。实在早不到人拍就等等,别这么浪费啊。
    还有刘德华,你怎么也算是影帝了,挑剧本的时候能不能看一眼,怎样也对得起我们花钱的观众啊。
    最后说一句,导演,就算不给中国电影事业添砖加瓦,你也别来拆墙角啊。你这是闹哪样啊!
    【详细】
    6015805
  • aaaaaa啊??????
    2022/5/25 16:08:17
    三星给龙姨

    如题呀,三星就是给龙姨的那句:别听西贝柳斯了,改天,听一下命运(哎呀我说命运啊~啊~啊~)

    整部电影看完了首先感慨一下腾讯视频,5月25日上映,腾讯视频就可以看了,没有会员还要另收费就说明腾讯也明白这个电影的定位了...

    单论剧情来说的话其实整体下来也还好,除了背景没有介绍清楚、人物间

    如题呀,三星就是给龙姨的那句:别听西贝柳斯了,改天,听一下命运(哎呀我说命运啊~啊~啊~)

    整部电影看完了首先感慨一下腾讯视频,5月25日上映,腾讯视频就可以看了,没有会员还要另收费就说明腾讯也明白这个电影的定位了...

    单论剧情来说的话其实整体下来也还好,除了背景没有介绍清楚、人物间剧情有些仓促、初始和打斗剧情相似度很高(如有其它也可以补充)之外,当然了对于国产电影也不想太过严苛,毕竟近些年国产翻拍的电影还是可圈可点的,不过看过魔女的肯定都知道,电影有一股非常熟悉的感觉,但是大背景改了,剧情上也并没有超越(甚至都没有比肩),演技上就还好吧,个人没有觉得有特别特别特别尴尬的地方,算了还是说一下,龙姨刚开始那么悲哀求不要杀他,转头又刺激千鹤给她看她妈妈大脑标本,哇,我真是尴尬他妈给尴尬开门!姥姥对佛龛那么看重以至于姥爷早早杀青了,后期看到千鹤妈妈的研究笔记在里面,而且姥姥不让千鹤深查明显就是知道很多的亚子,但是戏份好像并不重,完全是我想多了,其它的就交由各位去发现吧,我要去再看一遍魔女了...

    【详细】
    14418513
  • 哎呦喂
    2016/4/13 13:50:53
    历史上的的鸣梁海战
    围绕鸣梁海战的争议主要有如下几个方面:

    中国网民认为李舜臣是副手,实际指挥是明朝水师提督陈璘。这是对史料不了解或者未读史料而造成的混淆。鸣梁大捷确实是李舜臣打的,也没有明军参与。陈璘指挥的海战是鸣梁海战不久之后的另一场露梁海战,这是由中朝联军打的。

    是鸣梁海战还是露梁海战消灭日水军主力,鸣梁海战并没有史料宣称消灭日水军主力,恐怕是网上以讹传讹。鸣梁海战出名是因为其以少胜
    围绕鸣梁海战的争议主要有如下几个方面:

    中国网民认为李舜臣是副手,实际指挥是明朝水师提督陈璘。这是对史料不了解或者未读史料而造成的混淆。鸣梁大捷确实是李舜臣打的,也没有明军参与。陈璘指挥的海战是鸣梁海战不久之后的另一场露梁海战,这是由中朝联军打的。

    是鸣梁海战还是露梁海战消灭日水军主力,鸣梁海战并没有史料宣称消灭日水军主力,恐怕是网上以讹传讹。鸣梁海战出名是因为其以少胜多,利用天时和地形设下伏击,打了一场漂亮的战役。而日海军主力则是在露梁海战被歼灭。

    另有观点对朝鲜水师以十二艘战船对日军一百三十余艘战船取得如此战绩表示不解。这也是对史料不了解,对当时海战不了解造成的。

    首先李舜臣并非硬碰硬的以十二艘船去攻击一百三十余艘。而是凭借对环境和气候的熟悉,事先设下伏击地点,将日水军引诱至鸣梁海峡,在水下还设有木桩铁索。其次,李舜臣的十二艘是战船,另还动用了一百余艘民船,加以改装。而日军一百三十余艘也是战船,后来还跟有两百艘后勤船。这样数量差距并不是太大。龟船是全封闭结构,铁制护板,顶盖四周有尖刺,船头有大铳,不惧近战。日呈秀吉之对龟船的描述是:“朝鲜人水战大异陆战,且战船大而行速,楼牌坚厚,铳丸俱不能入。我船遇之,尽被撞破。”。而史载日海军战法以投掷焙烙和焙烙火矢为主,并无炮火。对铁甲船难以造成伤害。在加上二百后勤船只几乎无战斗力,所以朝鲜水师以少胜多大捷。

    关于朝鲜水师和日本水师舰船数量的争议。有诸多说法,更有一些说法完全脱离史料。依据史料记载,比较正确的是,朝鲜水师方面,战船12-13艘,另动用改装民船100余艘。日本水师方面,战船130余艘,另有后勤船200艘。
    【详细】
    7851726
  • 沉着冷静
    2022/9/25 19:40:53
    虎头蛇尾
    这部影片题材不错,剧情一开始也还行,虽然部分情节交代不清楚,例如片中的战争因何而起,战争中有几方,都是什么组织,不知为何这些重要元素根本没提;剧情开始虽然节奏比较慢,但是至少还能看下去,部分段落还有《使命召唤—现代战争》经典射击游戏的影子,还凑合;可快到结...  (展开)
    这部影片题材不错,剧情一开始也还行,虽然部分情节交代不清楚,例如片中的战争因何而起,战争中有几方,都是什么组织,不知为何这些重要元素根本没提;剧情开始虽然节奏比较慢,但是至少还能看下去,部分段落还有《使命召唤—现代战争》经典射击游戏的影子,还凑合;可快到结...  (展开)
    【详细】
    14669214
  • 小海
    2022/8/14 23:56:35
    《纯爱不和谐音》第4—5集台词金句选

    1、世上总有忘不了的恋情呢。你果然看了吧。可我很懂那种人情喔,这是爱吗,还是只是执着?2、我找到一个很棒的玩具喔。3、真恶心,如果不是美南老师的推荐,我是不会看这种作品的。主角善良纯真坦率,跟谁都好来好去,世上根本没有这种人吧?我虽然对你不了解,不过你一定是个优等生吧,你的小说就给人这种感觉,这种东西一点趣味都没有。4、抱持不用被所有人喜欢的想法,比较轻松吧,只要自己重视的人,肯支持自己就好

    1、世上总有忘不了的恋情呢。你果然看了吧。可我很懂那种人情喔,这是爱吗,还是只是执着?2、我找到一个很棒的玩具喔。3、真恶心,如果不是美南老师的推荐,我是不会看这种作品的。主角善良纯真坦率,跟谁都好来好去,世上根本没有这种人吧?我虽然对你不了解,不过你一定是个优等生吧,你的小说就给人这种感觉,这种东西一点趣味都没有。4、抱持不用被所有人喜欢的想法,比较轻松吧,只要自己重视的人,肯支持自己就好了呀。5、你懂我说“优秀”是什么意思吗?是能毫不犹豫排挤他人,把他人踩在脚底下的意思,我相信你有这样的素质,去掌握对手的弱点,要是找不到就做出来,把那家伙拉下神坛。6、你真的笨耶,那种男人,只要态度强硬点,就会摸摸鼻子自己走掉了。7、让我说件事,我一直对当时给老师造成的很大麻烦感到非常抱歉……真的很对不起。那都过去的事情。不是,那不是过去,那件事对我来说仍是现在进行式。不过我知道应该快点让它过去。所以,希望你能回答我这个问题:老师,你当时是怎么想的?8、今天,您老公正树先生出现在派对现场,和泉小姐也有来,两人很久没见,似乎聊了一下,好像说了些怀念的往事。你这是想说什么?心灵空虚的人总是会互相吸引,如果过去曾有交集就更是如此了。我不明白您的意思。爱莱美小姐,你真的满足于保持现状吗?9、你怎么露出这种蠢表情,你真以为我完全信任你了吗?听好了,你得把所有人的话都当作谎言,任何事都要推敲再推敲,将计就计,彻底利用周遭的人事物,等你真正懂得这点之后,你也能独当一面喽。10、别逞强了,你没有我是不行的。11、老师,你怎么能这么若无其事?我担心你,担心到快发狂了耶,听见你受了重伤,害我不知道怎么办才好,脑中一片空白,回过神来已经满脑子都是你的事……对不起,我竟然说出这种话,是我太奇怪了吧。我回去了……12、如果那时做出不同的选择,我能有段不一样的人生吗?思考这种事情根本没有意义,只不过是种幻想……我心底很明白,只有这份幻想,是我唯一的救赎。13、这个世界上,有个我绝对不该喜欢上的男人,他懦弱,爱逞强,胆小,而且……是有妇之夫,就算,仍然有女人会被他吸引,就算被周遭的人阻止,也听不进别人的反对意见,仍会忍不住抱持一线希望。14、是爱莱美担心你住院期间乱搞,才让你提早出院的吧。15、那些女护士肯定都在妄想正树,我才不要让她们照顾我老公。16、婚姻是一种契约,契约是绝对的,是不能够打破的约定。但如果察觉到自己并不满足的活,会怎么样呢?婚姻迟早会崩坏吧。没错,所以这部小说的主角才要为了守护婚姻去寻找第二伴侣,美南老师,能请您这样创作、安排剧情吗?17、我敢打赌,拘泥于纪念日的伴侣九成九会劈腿。18、我以前有过很惨痛的经验,我当时拼命工作,好不容易抓住大好机会,结果突然被解约,被对方批评得一文不值,真的让我非常挫折。您真是辛苦……不,您也是过来人吧,5年前……我只能信任跟我有相同经验的人,您应该能理解吧,我们一定能成为很棒的伙伴。19、老公,你也送和泉同学回家吧,夜路很危险的。20、老公,你是不是做了什么亏心事?谁叫你比平常还温柔,绝对有鬼,我猜对了?21、是你拆散他们两个的吧?这点小事就动摇的话,表示他们并不是命中注定的对象吧。22、既然两人没有命运的红线,那么在结婚纪念日,让你先生跟和泉小姐单独相处……也不会擦枪走火吧?你想说什么?要不要跟我赌赌看怎么样?赌局?好像挺有趣的。确定?就算会伤到自己也无所谓吗?总比无聊来得好。23、如果我赢了,您真的愿意陪我一晚吗?是啊。相对的……要是我赢了,你会无条件听我的话,对吧?不过这赌局大概会是我赢,那两个人接下来肯定会……24、你不用这样温柔对我,我会误会的,让我误会也没关系吗?25、不要撒这么烂的谎好不好,不要管我啦。怎么可能,我怎么可能不管你?26、你不知道不管付出多少,会背叛的人就是会背叛吗?无论如何尽心尽力都得不到回报,成不了他人心中特别存在的人。你应该很能理解我的意思吧。27、对了,你知道吗,和泉同学今晚跟我老公一起住在饭店呢。28、老师,请你好好告诉我,你到底对我有什么想法?时间很晚了。你又要逃避了吗?请不要逃避,告诉我你的心情吧。我不知道。那你上次为什么……说点什么吧。对不起,我什么都不能说。29、你这不争气的表情,跟5年前一模一样呢。我刚才不小心想起来了……我生日那天老师出现在餐厅,陪我一起吃蛋糕的事情。……你还记得啊。我忘不了啊。请不要忘记。30、你不是想跟我共度春宵吗?赌局是你赢了,您不必这么做,您先生并没有背叛你,您到底是看什么不顺眼?全部。31、为什么要做出那种事,把照片发出去的人,原来是老师你吗?对,不过……,那又怎么样?32、毒牙总是悄悄来袭,在我们没注意到的时候,靠近所有人,在这时闭眼的人是笨蛋、是蠢蛋,人绝不能看漏朝自己紧逼而来的毒牙。

    145782146
  • 谢谢你们的鱼
    2016/4/30 9:41:01
    当矫情遇上装逼
    2013年,一部名为《北京遇上西雅图》的平庸爱情电影在大陆一众言情烂片中脱颖而出,席卷了五个多亿的票房。这样的结果,一就是证明了在中国,类型片只要做到60分就能杀出重围变成口碑之作,二就是证明了找对了CP,故事好不好真的无所谓。

    于是,带着一颗复制《北京遇上西雅图》票房神话的心,《北京遇上西雅图之不二情书》就这么拍摄完成了。



    其实,观众在影院看头十分钟的
    2013年,一部名为《北京遇上西雅图》的平庸爱情电影在大陆一众言情烂片中脱颖而出,席卷了五个多亿的票房。这样的结果,一就是证明了在中国,类型片只要做到60分就能杀出重围变成口碑之作,二就是证明了找对了CP,故事好不好真的无所谓。

    于是,带着一颗复制《北京遇上西雅图》票房神话的心,《北京遇上西雅图之不二情书》就这么拍摄完成了。



    其实,观众在影院看头十分钟的《北京遇上西雅图之不二情书》就可以深刻地了解到本片是一部狗尾续貂,并且骗钱的目的性相当明确得让人发指的所谓续集电影。首先,本片和“北京”以及“西雅图”一点关系都没有,男主角在洛杉矶,女主角在澳门,片方和导演为了搭着《北京遇上西雅图》这个所谓的IP(骂了隔壁的,一提这两个字母就来气)不惜把一个和前作完全没有任何关系的故事取了这个名字,其心可诛,这样的行为不是诈骗又是什么呢?

    当然,这不是最过分的地方,因为上一部还算是致敬《西雅图夜未眠》,而这一部真的已经变成了赤裸裸的抄袭,从《给朱丽叶的信》、《电子情书》、《触不到的恋人》、《缘分天注定》、《恋爱假期》以及《一个烂赌的传说》等等,反正好多桥段都似曾相识,但是呢,影片又抄的不够高明,使得风格一直在变,节奏时快时慢,叙事的碎片感相当严重。



    我其实很想把影片的故事归纳一下,但是,这部电影真正讲述的事情真的是少之又少,明明节奏很快,角色不少,但是,来来回回真的就讲了屁大的一点事儿,就是一个烂赌的女人如何戒赌和一个看似黑心的地产经纪如何成为一对老夫妻的小天使,其中,烂赌的女人遇上了三个男人,发展了三段没头没尾的、莫名其妙的感情,而地产经纪人则和两三个都只有一场戏的外国女人发生了一点羞羞的事情。

    你说这片子讲爱情吧,其实它说了在移民或者出国留学热潮下的一个“回家”的主题,但是你说这片子说的是寻根吧,一切又是那么缺乏说服力,反正到头来,这片子的主题是不清晰甚至是混乱的。



    大致总结一下的话,本片就是一个标准的无病呻吟的假文艺片,一部有着深深北京电影学院烙印的学究气息的四不像,把赌片、爱情片、文艺片等元素杂乱无章地堆积在了一起,看的时候,反正我真的非常消化不良。

    说本片无病呻吟其实很简单,从头到尾,我们看到的都是两个自以为孤独,自以为与众不同的白痴在犯傻逼,这点上倒是和《蝙蝠侠大战超人》里面的两个弱智相当相似。烂赌的那位有能力成为富婆,但是就是要赌,房产经纪那位明明事业很成功,但是就是要乱搞,反正,什么不该做,他们就要理直气壮地去做这个并且还他妈觉得自己活得不开心,那可不吗?

    你们活得这么累,怎么不去死呢?有病的矫情鬼!

    汤唯的角色要是放在《暗金丑岛君》里面早就变成妓女了好吗!

    把自己失败的人生寄托在几张来来回回的信纸之上,这不是矫情又是什么呢?



    然而,无病呻吟和矫情并不是我最讨厌本片的地方,影片中最让人讨厌的就是那种显摆和卖弄学识的嘴脸,这也就让影片空有所谓的文艺气质,确实彻头彻尾的伪文艺片。

    《北京遇上西雅图2之不二情书》从头到尾给我的感觉就像是一个小学生写的文章,正好在写之前背了几段古文言文,就死皮烂脸地一定要把这些语句完全放到文章里面,自以为有学问,自以为有逼格,但是全然不知自己的文章也就被这些词句给毁掉了。

    说难听点,这片子让我看到了当年的语文课本的感觉,作为观众我真的受不了,受不了创作者的肤浅和自以为是,受不了文言文阅读理解一般的台词,受不了导演把自己作为教师的一面暴露在了电影之中。

    反正,本片一厢情愿的程度简直是世界级的。

    有逼可装叫牛逼,没逼可装,但是依然要装,那叫傻逼,本片也就是后者。



    除了以上这些以外,本片基本上犯了爱情片乃至是故事片的所有忌讳,比如剪辑生硬,叙事混乱,也比如情感没有代入,一个个配角都是走马观花,还比如男女主角的每一段感情的处理都莫名其妙,很多戏还没说完就断了,特别是女主角故事线上的陆毅、王志文、祖峰还有惠英红,没有一个人物是完整的,也没有哪一段关系是完整的,如果把这条故事线单独剪辑成为一部电影肯定把人看得一头雾水。



    不过,影片中有一个点是“创新”,因为导演在对于表现男女主角书信交流的时候,她采取的是利用抠像让另一个地方的人物出现在角色面前,两人对话,这个方式可能别人拍ok,但是薛晓璐硬生生把这个变成了“人鬼”交流,看着看着,我还真看出了《陀地驱魔人》里面郭采洁和张家辉的感觉,最可笑的还是,每次另一个地方得角色出现的时候,身上都有可笑的光环,这样自以为聪明的处理看得我也是尴尬病要犯了。

    当然,最可怕的还是,总觉得影片中两个角色之间的交流是他们自己脑补出来的,我靠,你们知道从洛杉矶写信经过英国再到澳门特么得花多少时间吗?



    最后,我真心觉得汤唯得罪了化妆师,而吴秀波得罪了发型师,反正,两个人当年在《北京遇上西雅图》中暧昧的光环在本片中已经荡然无存了,他们的角色都被感染上了导演的急功近利。你以为第一部拍得像电视剧,第二部预算多了就好点了吗?

    结果,哈哈,简直是MV既视感烂片《冲上云霄》混搭上了二流言情广播剧,说到底,要是大家听得懂墨西哥语、粤语以及英语的话,本片光听就可以了,花这个冤枉钱观看干嘛?

    电影学院老师拍电影能不能有点诚意!
    【详细】
    78732312
  • 只是存在
    2020/1/21 0:25:45
    简单的难
    很累,所以特意找了部以为很简单的片子换换脑子。结果看完更累。第零军团 的确简单,童子军小小的奋斗。就是因为太简单,所以要舍弃一些描写,将大背景设定为观众都懂的体验。毕竟目标观众不会是更高知的人群,反正给红脖子看的,直来直去,让他们爽了就好,并不会去照顾国外观...  (展开)
    很累,所以特意找了部以为很简单的片子换换脑子。结果看完更累。第零军团 的确简单,童子军小小的奋斗。就是因为太简单,所以要舍弃一些描写,将大背景设定为观众都懂的体验。毕竟目标观众不会是更高知的人群,反正给红脖子看的,直来直去,让他们爽了就好,并不会去照顾国外观...  (展开)
    【详细】
    12178215
  • 烂苹果
    2013/3/13 20:34:04
    笑功震武林
    这是一个江南七怪打日本鬼子的故事 导演可以去把每个人都弄的特别二 特务名单上大大的写着机密两个字让我不禁想到了新的笑傲江湖里葵花宝典上清楚的写着若不自宫也可成功的狗屎情节 一开始以为7个人是决定高手 没想到最后还比不上一个洪金宝 演大小姐那个女的不好看 还不如计院...  (展开)
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