《朝九晚六的热恋》这部电视剧的设定很有趣,讲述了女主角杨伊凡在广告公司实习的过程中,意外发现和她竞争转正名额的竟然是前男友黄宇辰。经历了一番职场磨砺后,黄宇辰逐渐明白了分手的原因,杨伊凡也决定重新审视两人之间的感情。
《朝九晚六的热恋》这部电视剧的设定很有趣,讲述了女主角杨伊凡在广告公司实习的过程中,意外发现和她竞争转正名额的竟然是前男友黄宇辰。经历了一番职场磨砺后,黄宇辰逐渐明白了分手的原因,杨伊凡也决定重新审视两人之间的感情。
什么牛马导演编剧,辣鸡。我现在开始水字数,它说要140个字,这电影是真特喵的坑,有史以来最差的,如果我有罪,请让法律制裁我,别让我花钱受罪!!!!!!!!!!!!!!!!!!此处省略一万个字(全是喷这个剧的)…………………………………………………………………………………………………………
什么牛马导演编剧,辣鸡。我现在开始水字数,它说要140个字,这电影是真特喵的坑,有史以来最差的,如果我有罪,请让法律制裁我,别让我花钱受罪!!!!!!!!!!!!!!!!!!此处省略一万个字(全是喷这个剧的)…………………………………………………………………………………………………………
太好看了,太厉害了,现在的技术已经可以实现这种程度的还原了吗。不管是恐龙还是景色,看着都好真实,完全不像是特效。最近压力很大,看着太舒服了。一直很喜欢恐龙,有这种纪录片真的好幸运。
5.25第一集是前几天看的,讲海洋。目前还有印象的是会在海底吞鹅卵石的蛇颈龙,有种非常特别的美感,找到配偶那段真的美轮美奂。还有
太好看了,太厉害了,现在的技术已经可以实现这种程度的还原了吗。不管是恐龙还是景色,看着都好真实,完全不像是特效。最近压力很大,看着太舒服了。一直很喜欢恐龙,有这种纪录片真的好幸运。
5.25第一集是前几天看的,讲海洋。目前还有印象的是会在海底吞鹅卵石的蛇颈龙,有种非常特别的美感,找到配偶那段真的美轮美奂。还有菊石找配偶发光那一段也超级好看,一个晚上的光芒万丈第二天就消逝。
第二集讲沙漠。无畏巨龙真的超级满足我巨物控,看的好爽。脖子上那个气囊感觉又有点小肉麻看着又有点爽。然后那段巴巴里翼龙,伪装成雌性混入结果被头领看上太好笑了。
第三集讲淡水。迅猛龙好小只但是眼神好酷。有翅膀却不会飞又有点反差萌。霸王龙不愧是恐龙明星,两只从互相对峙到在一起都a到不行,用鼻子互相爱抚简直x张力拉满。恐手龙笑死我了,好长一段就拍了它挠痒痒和拉粑粑,哈哈哈。雌性风神翼龙互相打架那边好紧张,我没想到真的会吃同类的蛋。最后薄片龙在河与海的交汇处,鱼群跃出水面,然后薄片龙出现,场景太美太震撼了。
从电影预告片发布之初,就可以想见,本片的失利是注定的。就像《长城》的开拍消息一出,我就知道很难拍好。这个结论要从3个层次来讨论:
第一个层次是东西方文化差异,主要表现在了美国漫画和日本漫画在真人改编之中的困境。美国漫画的人物更接近于真人,人物关系多以空间设计、位置关系来表现。而日本漫画多以对话来表达。这是因为美国漫画沿用了西方绘画的体系而日本漫画沿用的
从电影预告片发布之初,就可以想见,本片的失利是注定的。就像《长城》的开拍消息一出,我就知道很难拍好。这个结论要从3个层次来讨论:
第一个层次是东西方文化差异,主要表现在了美国漫画和日本漫画在真人改编之中的困境。美国漫画的人物更接近于真人,人物关系多以空间设计、位置关系来表现。而日本漫画多以对话来表达。这是因为美国漫画沿用了西方绘画的体系而日本漫画沿用的中国画的体系。在美国漫画里,场景的描述很细致,每一样景物都有他的符号用途和内容承载。而日本漫画沿用了中国画的“意境”理论,注重“此处无声胜有声”的感觉描摹,未画上去的远远大于画本身。
第二层次由上一层决定了不同的世界观,以超现实部分为例,西方的超现实都有科学、逻辑的现实体系。为什么雷神的锤子只有雷神可以拿?为什么会有僵尸?为什么超人能飞?都有科学假设做背景介绍。而日本漫画沿用了唐诗“飞流直下三千尺,疑是银河落九天”的描摹,注重的是气势,好像关羽“千里走单骑”,赵云“万军丛中救阿斗”,重要的不是逻辑,而在于气魄(当然,日本也有几个漫画家遵循着西方科学理论做漫画,但结果往往是体系过于庞杂。自己都讲不清楚。)漩涡鸣人九尾以后可以只一吼给地球打一个洞,却无法杀死敌人,但一个苦无却可以划伤敌人的脸,因为表现的是磅礴气魄不是结果。
第三层次又由上一层决定,是差异而非优劣,各有千秋。但到了真人化的问题上,日本漫画就有明显的劣势。美漫人物更真实,场景符号、人物关系转换到电影里非常顺滑,场景、风格都是在现实基础上的变异呈现,很容易改造现有场景,打斗符合物理学,破坏特效经费相对与日漫更少。而日本漫画真人和二次元有巨大脸孔、身材差异,比如,《攻壳机动队》,服装化妆道具也非常困难。比如:国产电视剧《择天记》里,化浓妆的鹿晗在高光下笑。所以,日本本国漫改电影的主角很少笑,不能形成面部褶皱和阴影。表情动作也无法还原,比如:星星眼、抠鼻脸。
以上从底层世界观、美学方向到最后实践中的困难记述了日本动漫画改编成电影的不可能。依我看,唯一的方法就是只用日本动漫画的基础设定和世界观,重新设定自己的人物、故事和着重点。比如本片就走了这样一条路——显然并不成功,但从电影发展的角度也不能全然忽视。
本片的故事正如其他人所说是一个讲得乱七八糟的烂摊子。我无意赘述。但在场景、摄影、打光和动作设计上有很多优点值得中国电影人尤其是类型片电影人学习。
1.摄影。
本片的摄影、调色和《攻壳机动队》很像,但我认为完胜后者。《攻壳》一直是沿用了动画版的色调,偏蓝。而《人狼》在下水道、在咖啡厅却不拘泥于单一色调,而随故事转换。而最厉害的是,所有这些转变并没有离开原动画的色调,很多场景都有一种虚实难辨的状况、这一点在顶楼咖啡厅场景特别明显,这里被特意隔出来形成了一个于其他世界都不一样的感觉,用以表现这是男女主角在现实挤压下自我创造出的一个虚假的家。我认为以摄影和调色来说,韩国已经超过了好莱坞。
2.动作设计
人狼作战的场景并无特别出彩之处,反而是咖啡厅顶楼接近现实的CQC作战让人印象深刻。动作连贯、而且一击制敌,并且对女特工撞向墙壁以后的爆灯做了设计。之间还有一场主角和郑雨盛之间的CQC模拟对打,导演很擅长拍这类特工戏。以为《战狼》或《红海》团队应该多向这类打斗学习。
《人狼》是押井守的经典作品,这势必造成本片被怒评一星。如果你是观众,我以为你尽可以打一星,因为确实体验很差:故事混乱、人物简陋、立意庞大却虎头蛇尾。如果你是一个电影从业人员,我还是建议你观看本片。学习优秀的摄影和动作设计(主要是摄影)。场景设计很简陋、感觉在前面花费太多钱在还原动画上,是导演配置资源的问题。
万万没想到,一共56集的《热血同行》,在播到第50集的时候,女主就领了盒饭。
而且这盒饭领得异常干净利落,一枪爆头,那自然,不但绝无生还的可能,而且连句临终遗言都来不及交代。
万万没想到,一共56集的《热血同行》,在播到第50集的时候,女主就领了盒饭。
而且这盒饭领得异常干净利落,一枪爆头,那自然,不但绝无生还的可能,而且连句临终遗言都来不及交代。
丧尸题材看过很多啦,釜山行,行尸走肉,僵尸肖恩。。。。这部片子我觉得吸引我的地方在于一个又一个跳出的美国文化。
猫王的确是一代人的记忆,美国人热衷的皮卡汽车,大功率功率机器。以及最后僵尸被吸引过来时最后提议的多人运动。还有啥呢 我觉得在身边很少碰到的鸽子蛋大的戒指算吗?
我本来是想拒绝
丧尸题材看过很多啦,釜山行,行尸走肉,僵尸肖恩。。。。这部片子我觉得吸引我的地方在于一个又一个跳出的美国文化。
猫王的确是一代人的记忆,美国人热衷的皮卡汽车,大功率功率机器。以及最后僵尸被吸引过来时最后提议的多人运动。还有啥呢 我觉得在身边很少碰到的鸽子蛋大的戒指算吗?
我本来是想拒绝的 可hupu老哥真的太棒啦,一天两部着实顶不住,一天一部还是mzz
這部劇講的是一個16歲少女的日常,上學遲到,上課打瞌睡、考試、談戀愛,還有最重要的通靈。宮廟文化很接地氣,宮廟三人組超可愛,女主前期演得有點用力過猛而顯得刻意做作,但最後一集再見阿樂那段很感人,讓人在美容院的我不顧羞恥的看哭了。看到有個評論寫到台灣科研因為這部戲要完,我只想說不管是起乩做法還是上香收驚,對大部分的人來說都只是尋求一種心理安慰與療癒,或是讓潛意識裡的想法透過'神明
這部劇講的是一個16歲少女的日常,上學遲到,上課打瞌睡、考試、談戀愛,還有最重要的通靈。宮廟文化很接地氣,宮廟三人組超可愛,女主前期演得有點用力過猛而顯得刻意做作,但最後一集再見阿樂那段很感人,讓人在美容院的我不顧羞恥的看哭了。看到有個評論寫到台灣科研因為這部戲要完,我只想說不管是起乩做法還是上香收驚,對大部分的人來說都只是尋求一種心理安慰與療癒,或是讓潛意識裡的想法透過'神明'的指引與力量讓自己能勇敢與堅持,與科研發展沒啥關係吧!少女情懷結合通靈的立意很不錯,但看過原版後,更喜歡原版的接地氣,少女最後暗戀沒成功的那種淡淡哀愁也與故事本身的氣質更相容,劇版的偶像劇味還是太濃了點。
开头男主和奸臣小跟班的武打戏不错滴!那个年份的作品,还允许讨论(禁)“福寿膏”(烟),允许存在男倌(怪不得当时启发幼小的我短暂迷恋过王子子),可以说“女人怎么啦,虞姬是霸王的女人,一样在乌江自刎”,再看看现在……唉。不过有1说1,巡抚女儿和女戏子和留洋归国男主的角色结构实在太过时!哪怕在2013!(到现在也依然有过时的角色设定。)鹏举哥改过自新、为姐报仇我还可以理
开头男主和奸臣小跟班的武打戏不错滴!那个年份的作品,还允许讨论(禁)“福寿膏”(烟),允许存在男倌(怪不得当时启发幼小的我短暂迷恋过王子子),可以说“女人怎么啦,虞姬是霸王的女人,一样在乌江自刎”,再看看现在……唉。不过有1说1,巡抚女儿和女戏子和留洋归国男主的角色结构实在太过时!哪怕在2013!(到现在也依然有过时的角色设定。)鹏举哥改过自新、为姐报仇我还可以理解,但佳琪小姐也不是那种大义灭亲的人啊,真的会帮杀父仇人男主挡刀、还问“你爱不爱我”吗???不是为了国民情怀(才漠视渣爹被刺),也不是为了亲情,而是为爱情,都到走马灯的时刻了,佳琪小姐,大可不必。
扎刀喷血从电影节奏来说需要张弛有度的,从现实来说满屏喷血也不现实,喷血这种残酷如果过了,那等同于穿个风衣两管枪支从头到尾扫射对方自己却子弹不沾身,反而不真实(尽管扎刀喷血诉求的可能是真实,但这是一种夸张的真实诉求,就像余华的卖血和活着一样夸张),除非战争片子。这电影想起来孤胆特工,估计印尼的是在模仿韩国的惊悚新鲜且现实的细节,模仿的动作到位了,分量却不太好吧像没见
扎刀喷血从电影节奏来说需要张弛有度的,从现实来说满屏喷血也不现实,喷血这种残酷如果过了,那等同于穿个风衣两管枪支从头到尾扫射对方自己却子弹不沾身,反而不真实(尽管扎刀喷血诉求的可能是真实,但这是一种夸张的真实诉求,就像余华的卖血和活着一样夸张),除非战争片子。这电影想起来孤胆特工,估计印尼的是在模仿韩国的惊悚新鲜且现实的细节,模仿的动作到位了,分量却不太好吧像没见过世面。但是从变态角度说,这片子非常过瘾,只是那几分钟的普通剧情略显不够硬核了,应该变态到底,打打杀杀一刻不停的干完全片,血染全片。从开始十分钟左右,就笑个不停,但还不能把这片子收藏到喜剧豆列里去,也是变态的不够彻底,但搞笑的绝对有范儿,尽管他们可能不是这样想的(人家认真在残酷),联想这一层,就更搞笑,这搞笑是俄罗斯套娃似的消解与拈花偶得。
写于2017.5.7
刚刚看完 下载已经很久了的威士忌探戈狐步舞。
印象很深刻,这个电影是16年十一长假的,在和爸爸妈妈一起去房山玩的路上看的一篇 北美学霸君/北美留学生日报 上面看到的。那篇推送里面,讲了战地记者的种种。当时正值一位日本的记者被处决,引起了轩然大波。公众号讲述了那名记者的故事,真的有种war correspondent 所拥有的独特精神。(很惭愧的是
写于2017.5.7
刚刚看完 下载已经很久了的威士忌探戈狐步舞。
印象很深刻,这个电影是16年十一长假的,在和爸爸妈妈一起去房山玩的路上看的一篇 北美学霸君/北美留学生日报 上面看到的。那篇推送里面,讲了战地记者的种种。当时正值一位日本的记者被处决,引起了轩然大波。公众号讲述了那名记者的故事,真的有种war correspondent 所拥有的独特精神。(很惭愧的是我真的记不住那名记者的名字了。定会再了解再做功课)
还记得小学有一次语文让写 生日的一天 的作文。大概是描写你生日一天是怎样度过的吧。文章没有什么限制。同学们大多都是写,有什么好吃漂亮的蛋糕,有什么有意思的聚会;而我写的是,在我二十多三十多岁的一个生日时,作为了一个战地记者,造访了战乱的国家。下了飞机,看到贫瘠的土地上的芸芸众生,不经意还发现了难民们所聚集的一个类似于避难所的地方。身处如此之环境,又有什么理由想起来自己的生日呢?
现在真的是不能回到那时剖析自己的想法了,也真的不知是为什么会写出这样一个场景故事。不过一直存在在我心中的,是对于战地记者这份职业的深深尊敬以及丝丝向往。要论做记者,真的是要做能干实事的,非每天追在明星身后撰写八卦偷拍这个“门”那个“门”。记者职业的本身,难道不是做真正有利于人们的事情么?!报道事实,而非虚无。大概战地记者在这个条件上,还能再加上一种不可描述的神圣感。
哈,先插个话,今天看完这个电影,真的对于怂怂的我能否担此重任深表怀疑。Kim Baker 初来乍到刚开始其战地记者生涯时,在路上遭遇袭击,同行的fahilm让她呆在车内不要乱动——而Kim一看到从车顶落下来的热弹壳,最初还不断扭动惊讶,我以为是害怕惊慌,谁想下一秒就拉开车门,冲到外面,开始了摄影;袭击全过程,紧跟在前面的考夫曼身后,不顾一切阻拦。或许这就是记者对于新闻所向往的,不惜生命,只为了能够捕捉到这样的画面!在想自己,真的是很惜命怕死,若真的想担当war correspondent这个角色,需要历练的还有很多。对真实的渴望与追求,对世界的热爱,对和平的向往。
但是很残酷的是,在电影里还揭示了,战地记者们对于可以一鸣惊人的新闻故事,可以不管不顾。不论是Tanya,还是Iain。也许之前对“爱人”所做的承诺,不再;也许曾朝夕相处的人的生命,不顾;……只为了自己,功力地只为追求大新闻,这样的事件在哪里都会发生,在战乱的阿富汗也会发生……
要是论到电影本身,最戳到我的角色,是考夫曼。
KIM BAKER的第一次采访,就记录下了这个小伙子。年轻人的阳光与笑容,和KIM 讲话时的笑,让我真心觉得他是那么美好。然而,在他猝不及防地消逝在影片中后,听到了他的故事,心里一颤。甚至是KIM回国以后,开车开到了那个小小的农场前,坐下,与他聊天,如果不是听到了内容,根本认不出来这是三年前还在阿富汗拿着枪英勇作战的年轻军人。已然留的很长的胡子,黑黑的眼圈,而不变的是他的笑,他嘴角一直带着的笑。
在豆瓣的影评里,其实也有人揭示了,现实生活中有像考夫曼一样的人,乐观,向前,无畏。但更多的是从战场上回来后,因为失去了太多,而酗酒,放荡,终日虚度,让我甚至联想到了 血战钢锯岭 中道格的父亲。这就正如同生活不是童话不是战争喜剧,现实的事情才是大多数……
考夫曼惊人地没有怪罪KIM,也许是已经看开了已经move forward了。单从这一点真的能看出他的伟大,因为我们中的大多数都做不到这一点——不怨天尤人,而是继续向前。
战争让他失去,但战争让他得到。
值得一记的,是考夫曼在最后所说的一段异常有道理的鸡汤。我们应该向前看。
超级喜欢这本书,选的演员符合角色,剧情也是一波三折,期待电视剧版尽快上映。
初晨是黎初瑶的弟弟,洛书是被称扫把星的孩子,不招人喜欢,他的家人也想把他提赶出家门,但他和初晨玩的很好,后初晨不幸离开,初晨妈妈伤心难过,神志不清,洛书就自愿做黎初瑶的弟弟初晨,照顾他的父母,他的姐姐,默默守护,不离不弃的故事
超级喜欢这本书,选的演员符合角色,剧情也是一波三折,期待电视剧版尽快上映。
初晨是黎初瑶的弟弟,洛书是被称扫把星的孩子,不招人喜欢,他的家人也想把他提赶出家门,但他和初晨玩的很好,后初晨不幸离开,初晨妈妈伤心难过,神志不清,洛书就自愿做黎初瑶的弟弟初晨,照顾他的父母,他的姐姐,默默守护,不离不弃的故事
So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an So I stopped at a Jack in the Box on the way here, and the girl behind the counter said, “Hiya! Are you having an awesome day?” Not, “How are you doing today?” No. “Are you having an awesome day?” Which is pretty… shitty, because it puts the onus on me to disagree with her, like if I’m not having an “awesome day,” suddenly I’m the negative one. Usually when people ask how I’m doing, the real answer is I’m doing shitty, but I can’t say I’m doing shitty because I don’t even have a good reason to be doing shitty. So if I say, “I’m doing shitty,” then they say, “Why? What’s wrong?” And I have to be like, “I don’t know, all of it?” So instead, when people ask how I’m doing, I usually say, “I am doing so great.” But when this girl at the Jack in the Box asked me if I was having an awesome day, I thought, “Well, today I’m actually allowed to feel shitty.” Today I have a good reason, so I said to her, “Well, my mom died,” and she immediately burst into tears. So now I have to comfort her, which is annoying, and meanwhile, there’s a line of people forming behind me who are all giving me these real judgy looks because I made the Jack in the Box girl cry. And she’s bawling, and she’s saying, “I’m sorry, I’m so sorry,” and I’m like, “It’s fine. It’s fine.” I mean, it’s not fine but, you know, it’s… fine. And I would like to order a Double Jack Meal, and I’ve kinda got somewhere to be, so maybe less with the crying and more with the frying, huh? [inhales] And the girl apologizes again and she offers me a free churro with my meal. And as I’m leaving, I think, “I just got a free churro because my mom died.” No one ever tells you that when your mom dies, you get a free churro. [people murmuring] [clears throat] Anyway, I’m sorry, that’s not part of the… [clears throat] All right. Okay, here we go. Let’s do this. Here I am, BoJack Horseman, doing a eulogy, let’s go. Hey, piano man, can I get a, like an organ flourish? [organ plays] Nicely done. You know, I was a little worried I wouldn’t have the right accompaniment today. I guess it’s a good thing my mom was an organ donor! [rimshot plays] What happened to the organ? [horn ‘oogahs’] Okay, why just leave the comedy to the professionals? Okay? This is a funeral, sir, for my mother. Can you show a little respect? [trumpet whines] I’ll take it. Beatrice Horseman, who was she? What was her deal? Well, she was a horse. Uh, she was born in 1938. She died in 2018. One time, she went to a parade, and one time, she smoked an entire cigarette in one long inhale. I watched her do it. Truly a remarkable woman. [rustling] Lived a full life, that lady. Just, all the way to the end, which is, uh, now I guess. Really makes you think, though, huh? Life, right? Goes by, stuff happens. Then you die. Okay, well that’s my time, you’ve been great! Tip your waitress! No, I’m just kidding around, there’s no waitress. But seriously, that’s all I have to say about my mother. No point beating a dead horse, right? So… [inhales] Now what? I don’t know. Mom, you got any ideas? Anything? Mom? No? Nothing to contribute? Knock once if you’re proud of me. Can I just say how amazing it is to be in a room with my mother, and I can just talk and talk without her telling me to shut up and make her a drink? Hey, Mom, knock once if you think I should shut up. No? You sure? I mean, I don’t want to embarrass you by making this eulogy into a me-logy, so, seriously, if you wanted me to sit down and let someone else talk, just knock. I will not be offended. No? Your funeral. Sorry about the closed casket, by the way. She wanted an open casket, but uh, you know, she’s dead now, so who cares what she wanted? No, that sounds bad. I’m sorry. I-I think that if she could’ve seen what she looked like dead, she’d agree it’s better this way. She looked like this. [groaning] [mourners gasping] Kinda like a pissed-off toy dinosaur. The coroner couldn’t get her eyes closed, so now her face is forever frozen in a mask of tremendous horror and anguish. Or as my mom called it, Tuesday! Tuesday! My mom called it Tuesday. [woman coughs] Hey, Mom, what did you think of that joke? You like that? You never did care for my comedy. [clears throat] Here’s a story. When I was a teenager, I performed a comedy routine for my high school talent show. There was this, uh, cool jacket that I wanted to wear because I thought it would make me look like Albert Brooks. For months, I saved up for this jacket. But when I finally had enough, I went to the store and it was gone. They had just sold it to someone else. So, I went home and I told my mother, and she said, “Let that be a lesson. That’s the good that comes from wanting things.” She was really good at dispensing life lessons that always seemed to circle back to everything being my fault. But then, on the day of the talent show, my mother had a surprise for me. She had bought me the jacket. Even though she didn’t know how to say it, I know this meant that she loved me. Now that’s a good story about my mother. It’s not true, but it’s a good story, right? I stole it from an episode of Maude I saw when I was a kid, where she talks about her father. I remember when I saw it, thinking, “That’s the kind of story I want to tell about my parents when they die.” But I don’t have any stories like that. All I know about being good, I learned from TV. And in TV, flawed characters are constantly showing people they care with these surprising grand gestures. And I think that part of me still believes that’s what love is. But in real life, the big gesture isn’t enough. You need to be consistent, you need to be dependably good. You can’t just screw everything up and then take a boat out into the ocean to save your best friend, or solve a mystery, and fly to Kansas. You need to do it every day, which is so… hard. When you’re a kid, you convince yourself that maybe the grand gesture could be enough, that even though your parents aren’t what you need them to be over and over and over again, at any moment, they might surprise you with something… wonderful. I kept waiting for that, the proof that even though my mother was a hard woman, deep down, she loved me and cared about me and wanted me to know that I made her life a little bit brighter. Even now, I find myself waiting. Hey, Mom, knock once if you love me and care about me and want me to know I made your life a little bit brighter. [owl chirping] My mother did not go gentle into that good night. She went clawing and fighting and thrashing, hence the face. [groaning] [mourners gasping] If you’d seen her, I swear to God the only thing you’d be thinking about right now is that I am nailing this impression. [woman clears her throat] [chairs squeak] I was in the hospital with her those last moments, and they were truly horrifying, full of nonsencial screams and cries, but there was this moment, this one instant of strange calm, where she looked in my direction and said, “I see you.” That’s the last thing she said to me. “I see you.” Not a statement of judgment or disappointment, just acceptance and the simple recognition of another person in a room. “Hello there. You are a person. And I see you.” Let me tell you, it’s a weird thing to feel at 54 years old, that for the first time in your life your mother sees you. It’s an odd realization that that’s the thing you’ve been missing, the only thing you wanted all along, to be seen. And it doesn’t feel like a relief, to finally be seen. It feels mean, like, “Oh, it turns out that you knew what I wanted, and you waited until the very last moment to give it to me.” I was prepared for more cruelty. I was sure that she would get in one final zinger about how I let her down, and about how I was fat and stupid and too tall to be an effective Lindy-hopper. How I was needy and a burden and an embarrassment—all that I was ready for. I was not ready for “I see you.” Only my mother would be lousy enough to swipe me with a moment of connection on her way out. But maybe I’m giving her too much credit. Maybe it wasn’t about connection. Maybe it was a… maybe it was an “I see you,” like, uh, “I see you.” Like, “You might have the rest of the world fooled, but I know exactly who you are.” That’s more my mom’s speed. Or maybe she just literally meant “I see you. You are an object that has entered my field of vision.” She was pretty out of it at the end, so maybe it’s dumb to try to attribute it to anything. [woman sighs] Back in the 90s, I was in a very famous TV show called Horsin’ Around. [man coughs] Please hold your applause. And I remember one time, a fan asked me, “Hey, um, you know that episode where the horse has to give Ethan a pep talk after Ethan finds out his crush only asked him to the dance because her friends were having a dorkiest date contest? In all the shots of the horse, you can see a paper coffee cup on the kitchen counter, but in the shots of Ethan, the coffee cup’s missing. Was that because the show was making a statement about the fluctuant subjectivity of memory and how even two people can experience the same moment in entirely different ways?” And I didn’t have the heart to be, like, “No, man, some crew guy just left their coffee cup in the shot.” So instead, I was, like… “Yeah.” And maybe this is like that coffee cup. Maybe we’re dumb to try to pin significance onto every little thing. Maybe when someone says, “I see you,” it just means, “I see you.” Then again, it’s possible she wasn’t even talking to me because, if I’m being honest, she wasn’t really looking at me. She was looking just past me. There was nobody else in the room, so I want to think she was talking to me, but, honestly, she was so far gone at that point, who knows what she was seeing? Who were you talking to, Mom? [sighs] Not saying, huh? Staying mum? No rimshot there? God, whatever I’m paying you, it’s too much. Maybe she saw my dad. My dad died about ten years ago of injuries he sustained during a duel. When your father dies, you ask yourself a lot of questions. Questions like, “Wait, did you say he died in a duel?” and “Who dies in a duel?” The whole thing was so stupid. Dad spent his entire life writing this book, but he couldn’t get any stores to carry it or any newspapers to review it. Finally, I guess this one newspaper thought he was pretty hilarious, because they ran a review and tore him to shreds. So my father, ever the proud Mary, decided he would not stand for this besmirchment of his honor. He claimed the critic didn’t understand what it meant to be a man, so he demanded satisfaction in the form of pistols at dawn. He wrote the paper this letter, saying anyone who didn’t like his book, he would challenge to a duel, anyone in the world. He’d even pay for airfare to San Francisco and a night in a hotel. Well, eventually this found its way to some kook in Montana, who was as batshit as he was and took him up on the offer. They met at Golden Gate Park and agreed: ten paces, then shoot. But in the middle of the ten paces, Dad turned to ask the guy if he’d actually read the book and what he thought, but, not looking where he was going, tripped over an exposed root and bashed his head on a rock. [murmur] I wish I’d known to go to Jack in the Box then. Maybe I could have gotten a free churro. It would’ve been nice to have something to show for being the son of Butterscotch Horseman. My darling mother gave the eulogy. My entire life I never heard her say a kind word to or about my father, but at his funeral she said, “My husband is dead, and everything is worse now.” “My husband is dead, and everything is worse now.” I don’t know why she said that. Maybe she felt like that’s the kind of thing you’re supposed to say at a funeral. Maybe she hoped one day someone would say that about her. “My mother is dead, and everything is worse now.” Or maybe she knew that he had frittered away all her inheritance, and replaced it with crippling debt, which is a pretty shitty thing to leave your widow with. “Bad news, you lost a husband, but don’t worry, you also lost the house!” Maybe Mom knew she’d have to sell all her fancy jewelry and move into a home. Maybe that’s what she meant by “everything is worse now.” Is that what you meant, Mom? I gotta say, I’m really carrying this double act. At least with Penn and Teller, the quiet one does card tricks. Hey, piano man, when I say something funny to my mom, how about you give me one of those rimshots? [rimshot plays] Yeah, but not now. When I say something funny. Like, okay. What’s the difference between my mother and a disruptive expulsion of germs? One’s a coughin’ fit and the other fits a coffin! That’s an example of a funny thing. [rimshot plays] Thank you. Let’s try again. Hey, Mom. What’s the difference between my mother and a bunch of Easter eggs? One gets carried in a basket, the other gets buried in a casket! [rimshot plays] Ready for one more? Last one. What’s the difference between a first-year lit major and my mother, Beatrice Horseman? One is decently read, and the other’s a huge bitch! [woman gasps] [murmurs] Yeah, might have gone a little too far with that one. That one might’ve been a little too “my mom’s a huge bitch” for the room. I’m sorry, Mother. You’re not a huge bitch. You were a huge bitch… and now you’re dead. [woman sighs] You know, the first time I ever performed in front of an audience, it actually was, uh, with my mom. She used to put on these shows with her supper club in the living room and she used to make… [inhales] She used to make me sing “The Lollipop Song.” [organ playing tune] Those parties, they were really something. There were skits and magic acts, and ethnically insensitive vaudeville routines, and the big finale was always a dance my mother did. She had this beautiful dress that she only brought out for these parties, and she did this incredible number. It was so beautiful and sad. Dad hated the parties. He’d lock himself in the study, and bang on the walls for us to keep it down, but he always came out to see Mom dance. He’d linger in the doorway, scotch in hand, and watch in awe, as this cynical, despicable woman he married… took flight. And as a child who was completely terrified of both my parents, I was always aware that this moment of grace, it meant something. We understood each other in a way. Me and my mom and my dad, as screwed up as we all were, we did understand each other. My mother, she knew what it’s like to feel your entire life like you’re drowning, with the exception of these moments, these very rare, brief instances, in which you suddenly remember… you can swim. [flashback] [partygoers laughing] [classical music playing] But then again, mostly not. Mostly you’re drowning. She understood that, too. And she recognized that I understood it. And Dad. All three of us were drowning, and we didn’t know how to save each other, but there was an understanding that we were all drowning together. And I would like to think that that’s what she meant when we were in the hospital and she said, “I see you.” You know, the weird thing about both your parents being dead is it means that you’re next. I mean, you know, obviously it’s not like there’s a waitlist for dying. Any one of us could get run over by a Snapchatting teen at any moment. And you would think that knowing that would make us more adventurous, and kind, and forgiving. But it makes us small, and stupid, and petty. I actually had a near-death experience recently. A stunt went bad and I fell off a building. I’m an actor, I do my own stunts. I’m on this new show Philbert. I’m Philbert. Star of the show. It hasn’t come out yet, but it’s already getting Emmy buzz. Oh, speaking of buzz… [inhales] I’m supposed to take two of these every morning, but my days are so screwed up ‘cause of the shooting schedule, I don’t even know what morning means anymore. There’s a joke in there somewhere, about a guy who’s been to so many funerals, he doesn’t even know what mourning means anymore. Let you guys figure that one out for yourselves. [gulps] Anyway, you know what I thought, when I was falling off the building and I went into panic mode? The last thing that my stupid brain could come up with before I died? “Won’t they be sorry.” Cool thought, brain. [rimshot plays] No, that wasn’t… would you just… dial it back, all right? I don’t even know what “they” I wanted to be sorry. My mom, even before she died, could barely remember who I was. And of course, my dad’s dead. The last conversation I ever had with him was about his novel. He was so certain this book was his legacy. Maybe he thought it would vindicate him for all the shitty things he ever did in his stupid worthless life. Maybe it did, I don’t know. I never read it, because why would I give him that? I used to be on this TV show called Horsin’ Around. Seriously, though, hold your applause. [man coughs] Well held. It was written by my friend Herb Kazzaz, who’s also dead now, and it starred this little girl named Sarah Lynn. And it was about these orphans. And early on, the network had a note, “Maybe don’t mention they’re orphans so much, because audiences tend to find orphans sad and not relatable.” But I never thought that the orphans were sad. I-I always thought they were lucky, because they could imagine their parents to be anything they wanted. They had something to long for. Anyway, we did this one season finale, where Olivia’s birth mother comes to town. And she was a junkie, but she’s gotten herself cleaned up, and she wants to be in Olivia’s life again. And of course, she’s like a perfect grown-up version of Olivia, and they go to the mall together and get her ears pierced like she’s always wanted and—sorry, spoiler alert for the season six finale of Horsin’ Around, if you’re still working your way through it. Anyway, the horse tries to warn her, “Be careful, moms have a way of letting you down.” But Olivia just thinks the horse is jealous, and when the mom says she’s moving to California, Olivia decides to go with her. And the network really juiced the cliffhanger: “Is Olivia gone for good?” But of course, because it’s a TV show, she was not gone for good. Of course, because it’s a TV show, Olivia’s mother had a relapse and had to go back to rehab, so Olivia had to hitchhike all the way home, getting rides from Mr. T, Alf, and the cast of Stomp. Of course, that’s what happened. Because, what are you gonna do, just not have Olivia on the show? You can’t have happy endings in sitcoms, not really, because, if everyone’s happy, the show would be over, and above all else, the show… has to keep going. There’s always more show. And you can call Horsin’ Around dumb, or bad, or unrealistic, but there is nothing more realistic than that. You never get a happy ending, ‘cause there’s always more show. I guess until there isn’t. [chuckles] My mom would hate it if she knew that I spent so much time at her funeral talking about my old TV show. Or maybe she’d think it was funny that her idiot son couldn’t even do this right. Who knows? She left no instructions for what she wanted me to say. All I know is she wanted an open casket, and her idiot son couldn’t even do that right. I’m not gonna stand up here and pretend I ever understood how to please that woman, even though so much of my life has been wasted in vain attempts to figure it out. But I keep going back to that moment in the ICU when she looked at me, and… “I-C-U.” “I… see… you.” Jesus Christ, we were in the intensive care unit. She was just reading a sign. My mom died and all I got was this free churro. You know the shittiest thing about all of this? Is when that stranger behind the counter gave me that free churro, that small act of kindness showed more compassion than my mother gave me her entire goddamn life. Like, how hard is it to do something nice for a person? This woman at the Jack in the Box didn’t even know me. I’m your son! All I had was you! [inhales] I have this friend. And right around when I first met her, her dad died, and I actually went with her to the funeral. And months later, she told me that she didn’t understand why she was still upset, because she never even liked her father. It made sense to me, because I went through the same thing when my dad died. And I’m going through the same thing now. You know what it’s like? It’s like that show Becker, you know, with Ted Danson? I watched the entire run of that show, hoping that it would get better, and it never did. It had all the right pieces, but it just—it couldn’t put them together. And when it got canceled, I was really bummed out, not because I liked the show, but because I knew it could be so much better, and now it never would be. And that’s what losing a parent is like. It’s like Becker. Suddenly, you realize you’ll never have the good relationship you wanted, and as long as they were alive, even though you’d never admit it, part of you, the stupidest goddamn part of you, was still holding on to that chance. And you didn’t even realize it until that chance went away. My mother is dead, and everything is worse now, because now I know I will never have a mother who looks at me from across a room and says, “BoJack Horseman, I see you.” But I guess it’s good to know. It’s good to know that there is nobody looking out for me, that there never was, and there never will be. No, it’s good to know that I am the only one that I can depend on. And I know that now and it’s good. It’s good that I know that. So… it’s good my mother is dead. [gulps, sighs] Well. No point beating a dead horse. Beatrice Horseman was born in 1938, and she died in 2018, and I have no idea… what she wanted. Unless she just wanted what we all want… to be seen. Is this Funeral Parlor B? —— from Reddit
梁山伯和祝英台两个都是女演员扮演,所以前期在书院读书的戏,两人同窗之间的惺惺相惜和默契都显得很自然。尤其是在书院中学生跟着老师上课“唱”诗的场景很有古韵,还原我想象中古代人读书的场景,诗原先就是被唱出来的。虽然人工布景舞台感很重,但取景构图模仿中国画,所以依然很有古典美。十八相送拍得很精彩。后半段,梁山伯知道祝英台是女儿身后去祝家提亲,祝父却先一步答应了马文才家的
梁山伯和祝英台两个都是女演员扮演,所以前期在书院读书的戏,两人同窗之间的惺惺相惜和默契都显得很自然。尤其是在书院中学生跟着老师上课“唱”诗的场景很有古韵,还原我想象中古代人读书的场景,诗原先就是被唱出来的。虽然人工布景舞台感很重,但取景构图模仿中国画,所以依然很有古典美。十八相送拍得很精彩。后半段,梁山伯知道祝英台是女儿身后去祝家提亲,祝父却先一步答应了马文才家的亲事。梁山伯此时还不知道马文才的事,一心欢喜来找祝英台。而祝英台虽然喜欢梁山伯,但已经明白两人今生缘分已尽。所以当梁祝相见时应该是多种情感交织,但导演这里表现的不是很好。两位女演员表演的已经很好了,但就是因为是同性,所以梁祝之间没有爱情的感觉。之前同窗读书时,祝英台对梁山伯暗生情愫,还是有小细节刻画的,但少了梁山伯对祝英台产生爱情的刻画。当梁山伯知道了祝英台是女儿郎到两人见面时梁山伯又得知祝英台许配给马英才了,两个人当场就哭的死去活来。但由同性之情到男女之情,这中间完全没有过渡,所以两人见面即分手的戏显得非常生硬,最后草草结尾。
姐姐的爱太过决绝,所有事情她都一个人做了决定,明明可以很简单的事情,偏偏让三个人都变得难过起来。在车祸后,姐姐的第一想法是和小朋友分手,她不想拖累小朋友的人生。又在得知因为身体原因无法领养侄女以后,一个人安排好了所有事情,留下感谢的话独自去了医院。看完整个电影,最大的感受就是沉重,我想在爱里面最重要的应该还是沟通吧。在我看来,我更愿意把结局延伸,或许过不了多久姐姐康复,然后就和她的两个小朋友
姐姐的爱太过决绝,所有事情她都一个人做了决定,明明可以很简单的事情,偏偏让三个人都变得难过起来。在车祸后,姐姐的第一想法是和小朋友分手,她不想拖累小朋友的人生。又在得知因为身体原因无法领养侄女以后,一个人安排好了所有事情,留下感谢的话独自去了医院。看完整个电影,最大的感受就是沉重,我想在爱里面最重要的应该还是沟通吧。在我看来,我更愿意把结局延伸,或许过不了多久姐姐康复,然后就和她的两个小朋友永远在一起了。
自从《复联3:蚁人去哪儿》上映以来,除了那些化灰会挥发的英雄们让我们担心不已之外,蚁人的行踪也一直是个未揭示的悬念。漫威影业CEO凯文·费奇明确表示,《蚁人2:黄蜂女现身》直指《复联4》,可见其重要性。
自从《复联3:蚁人去哪儿》上映以来,除了那些化灰会挥发的英雄们让我们担心不已之外,蚁人的行踪也一直是个未揭示的悬念。漫威影业CEO凯文·费奇明确表示,《蚁人2:黄蜂女现身》直指《复联4》,可见其重要性。
垃圾,三观特不正。追求心灵的契合啥,跟老婆没共同语言啥的,不是丈夫出轨的理由,渣男。雨秋也特婊。明知人家有家庭,还当小三。大结局,子健和他妹还去看伤害他们母亲的雨秋。子健他妹的男朋友,简直了。影片中,子健他妈到画展骂研啥的,研啥的受不了了,嗷嗷的叫姨妈,好尴尬啊。更可怕的是,还有些观众,很同情俊之和雨秋??
垃圾,三观特不正。追求心灵的契合啥,跟老婆没共同语言啥的,不是丈夫出轨的理由,渣男。雨秋也特婊。明知人家有家庭,还当小三。大结局,子健和他妹还去看伤害他们母亲的雨秋。子健他妹的男朋友,简直了。影片中,子健他妈到画展骂研啥的,研啥的受不了了,嗷嗷的叫姨妈,好尴尬啊。更可怕的是,还有些观众,很同情俊之和雨秋??
国人对印度电影认知此前一直停留在宝莱坞是好莱坞的山寨、五毛特效、警匪神剧和一言不合就尬舞的层面上。
国人对印度电影认知此前一直停留在宝莱坞是好莱坞的山寨、五毛特效、警匪神剧和一言不合就尬舞的层面上。
《燃野少年的天空》是一部发生在海口的,以高中少年少女生活为背景的平行世界的青春故事。
为何我要说这是一部平行世界的故事呢?因为现实中的高中生能是这个样子么?这只是一个虚构出来的,臆想出来的属于17、18岁的故事。
这是一部主打青春的电影,它写了什么呢?写了一位复读的少年来到海口遇
《燃野少年的天空》是一部发生在海口的,以高中少年少女生活为背景的平行世界的青春故事。
为何我要说这是一部平行世界的故事呢?因为现实中的高中生能是这个样子么?这只是一个虚构出来的,臆想出来的属于17、18岁的故事。
这是一部主打青春的电影,它写了什么呢?写了一位复读的少年来到海口遇到海的女儿一见钟情,然后一同舞动青春,考场失败而情场得意的故事。
这部电影里,女主叫做“小黄”,而男主则自称“老狗”,所以这个故事就是小黄遇到了老狗——二哈的故事。在我看来,这就是大傻子遇到了二傻子的故事。
这部电影堆砌了很多的元素,有主线的少男少女的故事,有副线的丑小鸭变不成白天鹅的故事,有受排挤的故事,有找妈妈的故事。这么多元素在一起,大杂烩。
这又是一部半宝莱坞的电影。为何?因为这部电影中间有大篇幅的歌舞,而且是大场面的。不看前后的人,大致会认为这是一部歌舞片。
总而言之,这就是一部看起来没有现实感的,情节很尬的所谓青春电影。很多年前,其实是有些很现实感的青春影视剧的,例如《十六岁的花季》。这部《燃野少年的天空》,就如同其名字一样,什么是“燃野”?古古怪怪的。
这部电影个人评分5分。
漫长又短暂的春节假期,就这样结束了。回顾这段假期,似乎干了很多事,又似乎什么都没干。看电视、走亲戚,睡大觉,各式吃喝玩乐。唯独有一件事,想必很多人都不曾想起过。这是一件即便只干了两个小时、也会觉得这一天没有白费的事情。等了两年的这部“网红”国片,是时候来唤醒我们了——但是还有书籍 第二季
漫长又短暂的春节假期,就这样结束了。回顾这段假期,似乎干了很多事,又似乎什么都没干。看电视、走亲戚,睡大觉,各式吃喝玩乐。唯独有一件事,想必很多人都不曾想起过。这是一件即便只干了两个小时、也会觉得这一天没有白费的事情。等了两年的这部“网红”国片,是时候来唤醒我们了——但是还有书籍 第二季