2079338
  • 重命名第29天
    2019/3/16 17:19:22
    无法永远活在戏剧中

    是否可能用浪(gou)漫(xue)为爱情祛魅,以造梦的电影食梦?

    是否可能用浪(gou)漫(xue)为爱情祛魅,以造梦的电影食梦?

    【详细】
    1004665
  • 徐若风
    2019/7/17 22:23:03
    重回九州,少年心气不灭

    鸿蒙之初,世界是混沌的海洋……

    一炬燃尽世界的烈火,荒与墟同归于尽,混沌彻底分裂,天空与大地凝结。

    大火熄灭之后,新的世界诞生。它的名字是九州。

    鸿蒙之初,世界是混沌的海洋……

    一炬燃尽世界的烈火,荒与墟同归于尽,混沌彻底分裂,天空与大地凝结。

    大火熄灭之后,新的世界诞生。它的名字是九州。

    10315299
  • 水之南
    2012/2/11 4:40:44
    长短句
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人的,而不是像托子那样不可知,也不显现。

    我要说,洛克的托子的作用是保证物的个体化与同一性。这个作用在康德那儿,似乎是由物自体和先验范畴共同完成。先验范畴组织现象,在使意识对现象的认识成为可能的同时,也使同一的意识本身成为可能——对先验对象的构成即对自我的构成。而物自体在这个过程中究竟如何起作用,不详。康德的物自体与洛克的托子一样,是个让理论显得尴尬,却又不得不进行的假设。

    尽管康德反复说现象中的实体不是洛克的托子,但这个实体究竟是什么,他又语焉不详。出于他对牛顿力学的接受,有人尝试将其理解为牛顿意义上的质量。我论证过,这样的解读将面临一个两难困境:如果实体是个体化了的质量,时间便不是惟一的;如果实体是现象世界中的总质量,基于二律背反的理由——这个总体无法成为经验对象——我们便无法经验到它。(详细论述见篇末附录)

    若是跳出康德阐释,取前一个困境:时间不是惟一的,每个作为现象的物都意味着一个独立的时间体系,我们就科幻了:空间中的一个一个的物,奠基着意识中的一个又一个时间系,我们可以生活在不同的时空中,当我们经验不同的物。甚至,对应地说,我们总在成为另一个人,当我们来到不同的时空。

    于是,我情愿把亨利的生活看作对康德的一次失败却有趣的解读。与其说他是一位时间旅行者,一位不停地穿越时空的超人或可怜人,不如说,他的意识中并没有一个绝对惟一的时间,他所来到并离开的每一个时空,都是一个独立自在的世界,尽管这些世界看上去很像,但哪个都不依赖于另一个——从理念的意义上说。


    二、沉默,或消失


    影片的前半部分,亨利的突然消失被解释为一种不治的遗传疾病。没有理由地,他时不时就去了另一个时空,赤身裸体地寻找可以穿上的衣服。仿佛常人来到一个新的环境,总是迫不及待地寻找一个身份,穿到自己身上。
    亨利总会在一个无从预料的时刻消失,克莱尔生活在一个不确定的世界中。她的爱情是确定的,但她爱的人不确定地存在着。她的生活中弥漫着不确定性,而这恰好让她格外珍惜亨利在她身边的每一分钟。

    克莱尔一次次怀孕又一次次流产,因为胎儿也有穿越症,莫名其妙地,便在某个时刻,出离了子宫。但克莱尔最后一次怀孕时,对亨利说,你每次消失都是因为感觉到了压力。所以,从现在开始,我要保持绝对地平静,这样胎儿就可以顺利出生了。
    看到这里,我恍然大悟,原来亨利的穿越症是个隐喻,关于男人的隐喻:面对压力,便会沉默与回避,这不正是男人的本能反应么——而这在女人看来,仿佛爱人去了另一个时空,不知何时才能回来,甚至,会不会回来。

    我查了查,电影改编自一位女造型艺术家的首部小说,写于一段失败的恋情之后。原来如此。

    很多年前听到过一个说法:爱情,对男人来说,是挂在墙上的一幅画,你并不总是去看它;但对女人来说,则是房间里音乐,你想不听都不行。所以,男人需要时不时地呆在纯然属于自我的世界里,在沉默中成为自己。女人却要认为这是对她的疏远、对亲密的疏离,并因此而坐立不安,想方设法闯进那份铁一般的沉默。结果,要么把自己撞疼,要么把爱情撞碎。
    这是对小儿女情态的描述。若成年点,便会更同情于另一个说法:人生在世,无非是男人讨慰藉,女人讨生活。人并不总是需要慰藉,尤其在得意之时。人却总在生活,就算你不想。


    三、看着,却无法改变


    在一次穿越中,亨利来到母亲身边,在地铁里,母亲在看报,他们作为陌生人简短却亲切的交谈了一会儿。亨利告诉母亲,他要结婚了,这个女孩让他感到安全。
    克莱尔问他:你什么不去阻止那场车祸,既然你可以回到车祸发生之前。“我无法阻止。无数次我回到过去,回到母亲还在的时候,但每次我都无法改变发生着的一切。”——这话让人特别难过。我们并不能改变过去,就像不能重新雕刻一座已然完成的塑像。

    不是么?很多时候,我们从自己当下的境遇中抽身而出,试图站在一个更开阔的角度,超脱地看现在的纠结、焦虑,或苦闷,并自嘲这些都没什么的。但当你身在当下,你知道未来的自己就坐在对面,笑着,看着自己,慈悲地。但你还是无法因此脱身而出。你仍然只能呆在你当下的处境中,无论是过分的快乐,还是仿佛无法挣脱的哀伤。

    每一个时刻都是三维的,它包含着过去、现在,和未来这三个维度。我们在回忆中编辑时间,编辑自己,有意无意地遗忘一些,并把另一些反复摩挲。过往明明灭灭,像晴天里,随风晃动的百叶窗投在墙上的影子。每次回忆之后,我们都成为另一个人。
    未来也是。未来无数次作为想象呈现于当下,各式各样地,仿佛清晰的回忆。回忆与憧憬,如同天平的两臂,对称着,平衡着,在现在这个支点上。所以,现在这个时刻,最重。


    四、期限


    有天聚会时,亨利中枪后痛苦挣扎的裸体突然出现在他们的门厅里。又消失了。克莱尔说,我从没见过四十岁之后的你。我见过的你总是很年轻。从这个时候起,死亡就成了他们中的另一个在场者,尽管它总是沉默着。

    亨利穿越到未来,遇见了自己的已经十岁的女儿。女儿告诉他,他死于自己五岁那年。她们一直很想念他。那时他们的女儿还没出生。那时克莱尔还一如既往地希望与亨利白头偕老,就像她还没长大时那样,就像她长大之后第一次遇到亨利时那样,就像亨利死后,她仍然留着亨利所有的衣服,等着亨利回来那样。

    于她而言,亨利是不会死的。他无非是走远了一下子回不来,他无非是在时空中迷了路,找不到一件让他温暖的衣服。

    女儿五岁那年,亨利和克莱尔都已知道,亨利即将死去,中弹而死。期限降至,可能在任何一天,任何一个时刻。在它到来之前,所有相聚的时光都是铭刻,都是用最日常的方式来进行的一次祭奠,一次追忆。当这个期限还不确定,他们相爱着,仿佛一对最平凡的恋人;当这个期限已然确定,他们相爱着,装作不知道他们即将分离。

    一个期限并不见得让期限到来之前的一切都显得美好。但,美好的东西都有一个期限。确定的期限,或不确定的期限。你不能试图挽留,那会犹如握紧手中的细沙,握得越紧,便流失得越快,宛如时间,从指缝间悄然流走。
    这个期限是否到来,何时到来,都不是你能选择的。你能做的,仅仅是在它到来之前的每一刻,不让自己在未来后悔——克莱尔明白这些,并且,她做到了。

    而,这不正是人生么。


    ——————
    附录:On Understanding Substance as Mass

    Introduction

    In the First Analogy of Experience, Kant argues that there must be some permanently persistent substance in the appearances which represents the persistence of time. Given Kant’s endorsement of Newtonian physics, commentators such as Eric Watkins suggest that such permanently persistent substance can be understood as Newtonian mass. In this paper, however, I argue that we face a dilemma when we try to cash out the notion of substance in terms of Newtonian mass.
    The paper proceeds in three steps. In the first section, I present the reason why there needs to be a permanently persistent substance in the appearances, and discuss why it seems to be compelling to conceive of the permanently persistent substance as Newtonian Mass. Then, in the second section, I argue that there are (only) two ways of conceiving of the permanently persistent substance as Newtonian mass, namely, to conceive of substance as individuated mass and to conceive of substance as the sum total of mass in the world of appearances. I show that there are textual indications as well as philosophical reasons to support each option. In the third section, however, I argue that both ways suffer from inescapable problems. Thus, conceiving of the permanently persistent substance in terms of Newtonian mass is not viable.

        
    Section I. The Permanently Persistent Substance

    In this section, I shall first present the reason why Kant thinks that there must be a permanently persistent substance in the appearances. I then discuss why it is compelling to conceive of such substance as Newtonian mass.
    In the chapter “System of all principles of pure understanding,” Kant discusses what makes possible the applications of the categories, i.e. the pure concepts of understanding, to objects, i.e. appearances that are given to sensible intuitions. That is, he discusses what it is that makes the categories have objective validity. Kant’s claim is that the applications of the categories are only possible under certain conditions, and these conditions are spelled out by the principles. For instance, the applications of the relational categories (substance-accidents, cause and effect, and mutual interactions) are possible if they are applied to objects according to the principles of Analogies of Experience. In addition to the three specific principles that correspond to each of the three relational categories, Kant also provides a general principle overarching all three Analogies. The general principle is stated in the second edition as follows: “Experience is possible only through the representations of a necessary connection of perceptions” (B 218). Watkins provides a helpful interpretation of this general principle:
    “The general idea is that each of the three relational categories represents a necessary connection that is required for experience of a single time and of objects existing and being temporally related to each other within a single time to be possible.” (My emphasis)
    Since this paper is focused on the notion of substance in the first Analogy, I shall ignore the second and third Analogies. So I now turn to a close examination of the first Analogy.
    The first Analogy, i.e. the principle of the persistence of substance, is stated in the second edition as follows: “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) Watkins summarizes Kant’s argument for the first Analogy as follows (which I take to be a correct interpretation):
    Premise 1: Appearances, i.e. objects of experience, are made possible by time’s persistence.
    Premise 2: We do not perceive time itself.
    Therefore, In order to have experience of appearances, there must be some permanent substance in the appearances which can represent time or time’s persistence.
    While the appearances, as the objects given to our intuitions, are changing, the substance in appearances always stays the same and is permanent. So, Kant calls the permanent substance “the substratum of everything real” (B 225). But, some clarifications about Kant’s use of the term “substratum” are needed to prevent potential confusions. Substratum in Kant’s text does not mean what Locke uses this term to mean, namely, the bearer of properties which is unchanging and about which we can have no knowledge. For, according to Locke, we can only know what is given to our senses, but since the underlying substratum cannot be given to our senses, we have no access to it and therefore cannot know it.
    Kant, by constrast, does not think that there is any Lockean substratum in the world of appearances. For Kant, the fact that the states of the substance are changing and the substance stays the same does not mean the states are separable from the substance. Rather, the changing states of the substance are simply the ways in which the substance is given to us. Thus, we can know the substance, that is, we know the substance through its states. In order to avoid the Lockean implication of the term “substratum,” I shall only use “substance” to refer to the permanently persistent thing in the appearances despite Kant’s own use of “substratum” to talk about what is permanent in the appearances.
    Since I have argued that Kant’s notion of substance is not the Lockean substratum, then what is the Kantian notion of substance? We need a positive account of what the substance is. It is obvious that such a permanently persistent thing cannot be captured by ordinary physical objects, no matter whether they are natural objects (say, rocks) or artifacts (say, ships), for neither artifacts nor natural objects always stay the same such that in principle they can never suffer changes. So, it seems no ordinarily construed physical things can be qualified as substance that is permanently persistent. On the other hand, it is very hard to imagine that anything non-physical could play the role the substance is supposed to play. For it is hard to imagine how a non-physical being could be given to our sensible intuition or could be spatiotemporally organized by our a priori intuitions. So, it is unlikely that Kant means something non-physical by “substance.” Thus, there are two constraints on spelling out what substance is. First, it is something physical. Second, as I have shown, the physical being that can be understood as substance cannot be ordinarily individuated physical things such as planet or rock.
    In order to meet the above two conditions, Watkins suggests that, given Kant’s commitment to Newtonian science, it is likely that Kant has Newtonian mass in mind when he talks about the substance, since no matter how a physical object changes, its mass always stays the same. Since Newtonian mass is physical and is not an ordinarily individuated object, it seems quite compelling that the substance, which is permanently persistent, just is Newtonian mass. According to common sense, Newtonian mass is understood to be underlying objects such that we cannot directly perceive mass but can only perceive mass through the way it is given to our intuition, namely, through the perception of the objects that have mass. Thus, mass is neither unknowable nor directly perceivable, which seems to fit the description of the substance perfectly.
    Moreover, there are many textual indications that suggest the identification of substance with mass. Let me note two examples. First, recall the general principle overarching the three specific Analogies, namely, “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) It seems that “quantum” is most naturally to be understood as mass, for mass seems to be the only thing in nature that is neither increased nor diminished on Newtonian physics.
    The other indication is Kant’s example to illustrate his claim that “he <a philosopher> thus assumed that as incontrovertible that even in fire the matter (substance) never disappears but rather only suffers an alteration in its form.” (B 288, my emphasis):
    “A philosopher was asked: How much does the smoke weigh? He replied: If you take away from the weight of the wood that was burnt the weight of the ashes that are left over, you will have the weight of the smoke.” (B 288)
    We can see that here Kant explicitly identifies substance with matter. And it is quite plausible to think that “matter” is just another way of saying “mass”. That is, “mass” seems to be the theoretical analog of the term “matter.” This hypothesis is supported by the example of the weight of smoke. For, in the example, the way to calculate the weight of smoke just is to calculate the mass (multiplies the gravitational constant).
    However, despite the compelling reasons for the identification of substance with mass, in the next sections, I shall argue that the substance cannot be understood as Newtonian mass, for when we try to work out the details of understanding the substance as mass, we face an unavoidable dilemma.


    Section II. Some Mass or the Sum Total of Mass

    In this section, I shall argue that there are two ways of conceiving of substance as Newtonian mass, and then show that both ways have some support from the text and are to some extent philosophically plausible. So, both ways deserve detailed considerations. But, in the next section, I shall argue that both ways face insurmountable problems.
    In identifying substance with mass, we need to settle an ambiguity: Is the mass meant to be some mass, say the mass of a rock which is 7 kilograms (a randomly chosen weight), or to be the sum total of mass in the world of appearances which is a very large but nonetheless definite amount? Since both some mass and the sum total of mass are permanently persistent, we cannot tell which way of identifying is more plausible with respect to the permanent persistence of substance. So, we must appeal to some other philosophically and/or textually interesting points to ground a preference in choosing one over the other.
    Let us first consider identifying the substance with some or individuated mass. First, the first Analogy is the principle according to which the relational category substance-accident is to be applied. Kant defines accidents to be “the determinations of a substance that are nothing other than particular ways for it to exist.”(B 229) Many commentators interpret the relation to be between object and its properties or states. Thus it makes more sense to think that the mass, which is the underlying bearer of properties, is the individuated mass of some object, instead of the sum total of mass in the world of appearances. For instance, in the example of the weight of smoke, Kant seems to conceive of substance as the matter, i.e. mass, of an individual object. Moreover, if we conceive of substance as the sum total of mass in the world of appearances, it is very hard to imagine how substance can be the bearer of properties or what kind of properties of which substance is the bearer.
    One might argue that, on the interpretation according to which substance is the sum total of mass, even though we could imagine no properties of which substance is the bearer, we can still conceive of substance as the bearer of (changing) states, i.e. the successive states of the world of appearances. I reply that Kant cannot accept such an idea because the states of the world are not objects of possible experience, for it is at least empirically true that no one could have the whole world of appearances as his object of experience. I will return to this point later on in the paper and use it to argue that conceiving of substance as the sum total of mass is untenable given Kant’s theoretic commitments.
    The above discussion is about reasons to prefer the identification of substance with some mass. I now turn to the reasons to prefer the identifications of substance with the sum total of mass. There are some textual evidences in the first Analogy that suggest this latter identification. For instance, the following passage:
    “…here the issue is only appearances in the field of experience, the unity of which would never be possible if we were to allow new things (as far as their substance is concerned) to arise. For then everything would disappear that alone can represent the unity of time, namely the identity of the substratum in which alone all change has its thoroughgoing unity. This persistence is therefore nothing more than the way in which we represent the existence of things (in appearances).” (B 229/A186, my emphasis)
    In this passage, Kant seems to identify the permanent persistent substance that represents the persistence of time with the unity of appearances, which seems to be the sum total of mass in the whole world of appearances. Let me argue for my understanding of this passage that it indicates that Kant identifies substance with the sum total of mass. I shall argue by reductio: Suppose Kant identified substance with individuated mass in the above passage. Then, it would make no sense to think that the arising of new substance could make the representation of the unity of time impossible. For the arising of new substance in no sense affects the substance, i.e. the mass, of the original objects. Let me use an example to illustrate. Suppose there is a rock whose mass is 7 kilograms and there arises a new object out of nothing, whose mass is 5 kilograms. Insofar as the rock’s mass remains the same, whether or not there are new masses arising out of nothing does not affect the unity of the rock’s mass, which is 7 kilograms. Therefore, in this passage, Kant conceives of substance as the sum total of mass in the whole world of appearances.
    So far I have shown that there are compelling reasons to identify substance with some mass or with the sum total of mass respectively. In the next section, I shall argue that there are also devastating reasons to each identification such that either way we go, we face unsolvable problems.


    Section III. One Single Time and the Limit of Possible Experience

    I now turn to the problems from which the each identification suffers. In this section, I shall argue that these problems make both identifications untenable. Let us first consider the identification of substance with individuated mass (i.e. some mass). I argue that the reason why individuated mass cannot be identified with substance is that individuated mass cannot represent the oneness of time. Recall Kant’s argument for the principle of the first Analogy: in order to have experiences of objects as temporal, we must identify a permanently persistent substance that can represent time in objects. While the states of the substance change, the substance persists so that the substance can represent time that persists. It is important to notice that time, which is supposed to be represented by substance in appearances, is one single time. But, individuated mass cannot represent one single time. For there are many individuated masses, for instance, the mass of a rock which is 7 kilograms, the mass of a cup which is 0.5 kilogram, and the mass of a table which is 3 kilograms, each of which is permanently persistent and undergoes changes. If one of them can represent time, any other also can. In that case, we do not have one single time. Rather, we have many times or time-series, each of which is persistent.
    Let me explain in details why multiply individuated masses cannot represent on single time. If these individuated masses can represent one single time, there must be some one single thing that is shared by these individuated masses that serves to represent the singularity of time. Whatever this shared thing is, it is not any of these individuated masses. Therefore, individuated mass cannot present one single time. However, on the other hand, time has be to singular. Here is a passage in the first Analogy which explains why time has to be one single time rather than a plurality of times:
    “Substances (in appearances) are the substrata of all time-determinations. The arising of some of them and the perishing of others would itself remove the sole condition of the empirical unity of time, and the appearances would then be related to two different times, in which existence flowed side by side, which is absurd. For there is only one time, in which all different times must not be placed simultaneously but only one after another.” (B 232/A189)
    One might argue that it does not matter how many individuated masses can represent time, it only matters that there is an individuated mass that represents time. Insofar as there is such a substance, which is permanently persistent, it suffices to represent one single time. I reply that, in that case, we still do not know which individuated mass is suppose to be the representer of the one single time in appearances. For there is not reason to think that the mass of one object is more suitable to represent time than the mass of another object is, insofar as both of the individuated masses are permanently persistent. Any choice of one over the other is arbitrary. But the unity or singularity of time is not arbitrary, for there can only be one time-series which persists, and any other time-series or temporal relations are just temporal parts of this unique time-series. Thus, I conclude that individuated mass cannot be the representer of time in appearances.
    I now turn to argue that the sum total of mass cannot represent time either. The idea of my argument is to make use of Kant’s solution to the Antinomies to show that the permanently persistent substance that represents time in the appearances cannot be the sum total of mass because the sum total of mass is not an object of possible experience. Let me lay out my argument in detail.
    In “The Antinomy of Pure Reason” chapter, Kant presents four pairs of arguments concerning four cosmological ideas about the world-whole, namely, whether there is a beginning of time, whether there is indivisibly simple substance, whether there is a first cause, and whether there is a necessary existent. As Allen W. Wood argues, the four antinomies share a general form, namely, the thesis of each antinomy claims that there must be a first member of the conditioning-conditioned chain, while the antithesis of each antinomy claims that there is no first member of such a chain and that the chain goes back into infinity. Kant argues that there are valid arguments for each of the four theses as well as valid arguments for each of the four antitheses, so we need a solution to such contradictions.
    Kant’s solution to the contradictions, as Wood argues, relies on his doctrine of transcendental idealism. As for the first two antinomies, Wood argues
    The mathematical antinomies are generated by mathematical principles that apply to things only insofar as they are given in sensible intuition…But these [the first two] series of conditions are never given to intuition as a whole...The theses are false because the principles of possible experience make it impossible for objects corresponding to the cosmological ideas of a first event, a largest extent of the world or a simple substance, ever to be given to intuition.”
    Thus, the reason why Kant thinks that the claims made by the theses of the first and second antinomies are false is that neither the beginning of time nor the spatial boundary of the world or an indivisible substance can ever be given to our sensible intuition. If something cannot be given to our sensible intuition, according to Kant, we cannot have experience of it. Let me call this principle the object-of-sensible-intuition principle, namely, if something cannot be given to our sensible intuitions, then it cannot be object of our possible experience. And we can apply this principle to an object to determine whether that object can be object of possible experience. That is, if the object in question can be given to our sensible intuition, then the object can be object of our possible experience, but if the object cannot be given to our sensible intuition, then it cannot be object of our possible experience.
    Now, let me apply the object-of-sensible-intuition principle to the idea of the sum total of mass. We can see that the sum total of mass cannot be given to our sensible intuition, so, the sum total of mass cannot be object of our possible experience. For the world of appearances seems to mean the whole universe or cosmos (because everything in the universe stands in causal relations to each other), there is no way for all of the mass in the whole universe to be given to our sensible intuition. Actually, we do not even know whether there are spatial boundaries of the universe, so we do not even know whether the sum total of mass in the all universe is finite. Thus, the sum total of mass cannot be object of possible experience. So, the sum total of mass cannot be that which represents time in appearances. For the reason there must be a permanently persistent substance in appearances which represents time is to make our temporally connected representations of objects possible. But, if the sum total of mass cannot be object of experience, it cannot make our experience of object possible. Thus, the permanently persistent substance in appearances cannot be the sum total of mass.
    One might object that in the antinomies, the cosmological ideas at issue are condition-condition series. (B 436/A410) But the sum total of mass is not a series. Rather, it is an aggregate about which the question of conditioning and conditioned does not arise at all. Thus, Kant’s remarks on the antinomies have no bearing on whether the idea of the sum total of mass has any objective validity or significance. Moreover, the first two antinomies concern whether the conditioning-conditioned series go on into infinities. And it seems that it is impossible for us to experience infinity, for no matter what we experience it is finite insofar as we have experienced it. But, the quantum of the sum total of mass seems to be a definite and finite amount. By virtues of what can we claim that the sum total of mass cannot be object of experience? Is this “cannot” an empirical cannot, or an In-Principle cannot? If the answer is the former, the empirical “cannot” does not seem to be strong enough to show that the sum total of mass cannot be experienced, because we cannot know or predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience. If the answer is the latter, at least further explanations of why the sum total of mass, which is a finite and definite amount, cannot be object of possible experience in principle are needed.
    To the first objection I have two replies. First, in the first antinomy, Kant also discusses whether there is boundary or the largest extent of space. It is not obvious that there is a spatial series in the sense that it is obvious that there is a temporal series in which one moment succeeds its previous moments. However, according to Kant, we can think of the space acquiring its quantum through repeatedly or successively adding spatial units to the previous spatial units. (A 428/B 456) That is, the way of conceiving of space as a spatial series depends on the way of conceiving of time as a temporal series, which is naturally serial. Then, by the same token, we can also think of the sum total of mass acquiring its quantum by successively adding massive units to previous massive units. Thus, if the object-of-sensible-intuition principle applies to the idea of the boundary of space, it should also apply to the idea of the sum total of mass of the whole world of appearances.
    Second, the fact that Kant applies the object-of-sensible-intuition-principle to the first two (or three) cosmological ideas to solve the contradictions does not mean that the principle can only be employed to deal with the antinomies. If the principle is applicable to other ideas, we can also use the principle to deal with other ideas. Since the object-of-sensible-intuition principle is derived from transcendental idealism, which is an important element in the whole Critique, there is no reason why the principle cannot be applied to other ideas than cosmological ideas. Thus, it is legitimate to use the object-of-sensible-intuition principle to show that the sum total of mass of whole world of appearances cannot be object of possible experience. So, the sum total of mass cannot be what represents time in appearances.
    My reply to the second objection has two steps. First, it needs to be clarified that, although the first two antinomies concern whether the conditioning-conditioned series are infinite, Kant’s solution by the object-of-sensible-intuition principle does not rely on the whether the series are infinite. The principle only concerns whether the things to which the cosmological ideas refer can be given to our sensible intuition. It does not concern whether the things are infinite. It seems true that infinity cannot be object of sensible intuition. But this does not mean that all finite things can be given to our sensible intuition. Actually Kant rejects the claim that all finite things can be given to our sensible intuition. For Kant thinks the thesis of the first antinomy is false, because the beginning of time or the boundary of space cannot be given to our sensible intuition so that it cannot be object of possible experience.
    The second step of my reply is to spell out in which sense of “cannot,” the sum total of mass cannot be object of possible experience. It seems to me that the distinction between empirical “cannot” and In-Principle “cannot” is hard to cash out in the context of Critique. For, in the Critique, any legitimate claim to knowledge entails that the object of which the knowledge is can be experienced. Thus, it seems that the empiricality of the “cannot” entails the In-Principality of the “cannot”.
    However, concerning the claim that we cannot predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience, what would Kant say? Would Kant agree that future sciences and technologies might or could transform a transcendent idea into an idea which refers to object of possible experience? I do not think he would. For Kant thinks his Critique settles metaphysical questions once and for all by theoretical reason, which is static or a-historical. Future discoveries made by sciences and technologies should be able to do no damage to the doctrines in Critique. Moreover, it should be odd to Kant’s ear that progresses made by empirical sciences could have any bearings on the doctrines in the Critique, which he builds up from scratch employing only pure reason, which is absolutely a-historical.
    Thus, I conclude that the above arguments show that identifying substance with the sum total of mass in the world of appearance is not tenable. Since I showed earlier in this section that identifying substance with individuated mass is not tenable either, I conclude that the general strategy of identifying substance with mass is untenable.


    Section IV. Concluding Remarks

    In this paper, I showed that a seemingly very promising way of understanding the permanently persistent substance discussed in the first Analogy, namely, conceiving of substance as Newtonian mass, is untenable. Then, I wonder whether there are other promising ways of providing a positive account of substance or actually it is the case that the notion of substance in the first Analogy is itself untenable. At this stage, maybe I could follow Kant’s stance on the things of themselves, namely, they exist, but we can have no knowledge about the way of their existence. But, at the same time, we need to have this minimal conviction that they exist. Similarly, concerning substance, we can have no knowledge about what the permanently persistent substance is, but we need to have the minimal conviction that it exists in the world of appearances and it serves to represent time.
    【详细】
    530131278
  • 夏语冰
    2015/7/1 23:03:49
    栀子花开讽何导纳谏,吾与沪上小时代孰烂?
    栀子花开拍二月有余,其内容浮夸,阵容华丽。

    内饰小鲜肉n枚,待上映,谓其粉丝曰:“吾与沪上小时代孰烂?”

    其粉丝曰:“小时代烂甚,公何能及小时代也!”

    沪上小时代,内地影坛之烂片标杆也。

    花开不自信,而复问何老师圈内好友曰:“吾孰与小时代烂?”

    好友曰:“君何能及小时代也?”

    旦日,网友从外来,与坐谈,问之:“吾与
    栀子花开拍二月有余,其内容浮夸,阵容华丽。

    内饰小鲜肉n枚,待上映,谓其粉丝曰:“吾与沪上小时代孰烂?”

    其粉丝曰:“小时代烂甚,公何能及小时代也!”

    沪上小时代,内地影坛之烂片标杆也。

    花开不自信,而复问何老师圈内好友曰:“吾孰与小时代烂?”

    好友曰:“君何能及小时代也?”

    旦日,网友从外来,与坐谈,问之:“吾与小时代孰烂?”

    网友曰:“君不若小时代之烂也!”

    小时代上映,孰视之,自以为不如;

    明日,栀子花开上映,自视,又相差无几。

    暮寝而思之,曰:“吾粉之美我者,私我也;友之美我者,畏我也;网友之美我者,乃花钱打点也。”

    于是影院见何老师,曰:“花开诚知与小时代同烂。花开之粉私臣,花开之友助臣,花开之网友被花钱打点,皆以美于小时代。今鲜肉粉千万,您更是圈内好友甚多,粉丝莫不私李易峰,好友莫不敬何老师,由此观之,何老师你一代主持英才何必非在烂片市场分一杯粪呢?”

    ————————————————————————————-

    影片上映了,多说两句

    可能有人觉得你没看过就差评就打一星,你一定是黑

    但是亲爱的,有的电影没上映你大概也能猜到它一定烂片无误

    比如小时代,原著就是一坨屎,你还能指望电影能拍出朵花儿来?

    本来写这篇影评只是调侃一下,现在两部电影都上映了,你们也可以看见豆瓣分数,真的就是伯仲之间,烂片诚不欺我,确实没有冤枉它

    为什么它只值一星

    1.导演业余,非常业余。演员编剧制片摄影这类人转行当导演还稍微能够理解。但是既没有接受过专业学习也没有相关经验,靠卖情怀卖小鲜肉人气来导电影,这是赤果果的圈钱你知道吗亲?比广告片更不忍直视的MV画质预告片已经暴露了导演的水平

    2.主演演技不够,颜值来凑。对于青春片其实我是不太在意演技的,颜好就行。可是主演的颜真的没有好到可以忽略演技的程度,抱歉

    3.剧情。闺蜜如衣服梦想是全部的矫情女主和兄弟如衣服女友是手足的痴情男主,上演的一出跳,不跳,跳四小天鹅的故事。故事情节简单,台词做作,基情四射,适合未成年少女观看。

    最后,我的打分标准是——有快乐家族成员参与的影片99%烂片无误
    一星是给夫仔的,毕竟我是个耿直的颜狗
    【详细】
    75161050
  • do nothing
    2021/12/11 11:38:16
    beautiful and poor
    I have already wirte a novel that talks about the old people,so did this movie. as a young artist,I need to watch and read a lot of art productions,this week I almost watch m
    I have already wirte a novel that talks about the old people,so did this movie. as a young artist,I need to watch and read a lot of art productions,this week I almost watch movie in the cinema every day. I have known the people who live in the South much mo...  (展开)
    【详细】
    14059343
  • Moviegoer
    2019/5/7 16:06:20
    观影期待、剧情动力与人设

    不推荐看。我看到的问题如下

    1. 与观影期待不符

    影片由高分剧集改编,本身粉丝对电影就有较高的期待,粉丝对电影版的期待像对柯南的剧场版一样,然而电影版并没有做好。

    2. 铺垫不足,全片的动力不足

    开场3分钟交代男主北上原因。女主的一次中国旅行,让男主由此北上去寻找女主。男主见到女主,女主第一句话是:你怎么来了?这些铺垫不足以让观众移情认可,整部

    不推荐看。我看到的问题如下

    1. 与观影期待不符

    影片由高分剧集改编,本身粉丝对电影就有较高的期待,粉丝对电影版的期待像对柯南的剧场版一样,然而电影版并没有做好。

    2. 铺垫不足,全片的动力不足

    开场3分钟交代男主北上原因。女主的一次中国旅行,让男主由此北上去寻找女主。男主见到女主,女主第一句话是:你怎么来了?这些铺垫不足以让观众移情认可,整部片子的起因动力就不足,后面的寡头爸爸的吐槽也印证整体上了:仅仅相识一个星期就来求婚?

    3. 人设崩坏

    人设崩坏最严重的是罗马,罗马为了钱财到寡头家执行任务——贪财;罗马对男主诋毁前女友说她收集男人——恶毒;罗马开车带男主跑路看到寡头逃跑——怂。直接让罗马成为一个小人,这样的人物不令人喜欢。男主赢了这样的前男友,也没啥光彩的。

    寡头,多次设计致命伤害:冬天让不会游泳的男主跳水塘,还给了个特写把男主往水里按;留男主到森林喂熊;冰湖要罗马载着女儿翻车致使男主落水——这一系列过分的考验塑造了一个心狠、不把生命当回事的寡头。这样的寡头同样不令人喜欢。

    男主的人设也有问题,比较大的问题就是,勇敢和鲁莽的混淆。在片中,男主因为一次偶遇和女主一起旅行爱上女主,在女主离开后,男主因女主回复的我也想你的消息前往北方,显得莽撞有余。后来的主动要求加入打猎、开坦克炮轰警察局,同样是莽撞有余。如果是恋爱,可以接受,但是他此行的目的是求婚。只管一时意气,不管后果,如果真正打动人心?

    4. 细节

    男主打猎时候手机被一起睡觉的人扔出去,次日男主找不到手机。然后手机就丢了……我还以为有伏笔呢。

    5. 其他

    片子里每一个考验都用字幕做了强调,自行将影片做了切割。这样不是不可以,只是觉得略微突兀了些。

    还有个感觉,剧组是没钱了吗,整个片子都在一个雪中小屋里玩,寡头爸爸不该拿出警笛放车上到莫斯科大街晃一圈的吗?

    双胞胎架着男主出不去门那里,节奏很慢,而且就一个镜头,不太够。

    整体上包袱也少了很多。还是期待剧集吧。

    【详细】
    10162917
  • 古鼓北宸-???
    2007/10/9 16:14:27
    谁在迷失..
    如果非要给这以下的评论加个评论,我希望是个空格.可是又觉得空格实在难以平复这文字的失望,于是只能迷失..

    事实上,我是怀着怎样的满腔热情来期待这部片子,结果盼到的却不是想要的.导演把影片和我搞的有点像青梅竹马的男女,分开许久再见面,她去了好莱坞,我留在乡下,还以为那姑娘是小时候那般的单纯呢.谁知道她变心了.奶奶的.难道我真的太保守?

    其实每个去看动画版改编电影的孩子们都
    如果非要给这以下的评论加个评论,我希望是个空格.可是又觉得空格实在难以平复这文字的失望,于是只能迷失..

    事实上,我是怀着怎样的满腔热情来期待这部片子,结果盼到的却不是想要的.导演把影片和我搞的有点像青梅竹马的男女,分开许久再见面,她去了好莱坞,我留在乡下,还以为那姑娘是小时候那般的单纯呢.谁知道她变心了.奶奶的.难道我真的太保守?

    其实每个去看动画版改编电影的孩子们都是忠于原著的,或者忠于原著的发展线索.可每个导演都觉得自己拍的电影应该是自己的孩子,要用电影完成自己的意志.真操蛋,他们不是觉得吧,他们是一厢情愿的以为.

    看看张纪中的射雕,神雕,再看看这个谁谁的神龟.一个不是天才的导演能做的事情,为什么不是尽可能的忠于原著或顺着这个线索来着?难道他们觉得他们的市场是现在的几岁的孩子?90年代的?他们的审美观和欣赏能力就这么低级的能让这些做爷爷的人轻易抓住咯?骗鬼吧.

    说这么多废话真不知道这个片子的这个剧本到最后是怎么被拍板的,没有好剧本就别拍这么烂的电影.难怪票房不好,我还一直奇怪着呢,龟迷不少啊,怎么就没人看,后边自己一看,还不如不看.居然这片子还能拿这么多票房,罪过.

    写这个真累,后边不写 了.麻烦.
    【详细】
    1220545
  • 2017/11/12 22:39:08
    关于结局

    先看的是大团圆结局,柳林要进机场安检口的前一刻,浦卞赶到牵走了她。另一个结局则相反。同样是在柳林要进安检口的时候,赶到的浦卞选择放手让她离开。

    有人觉得大团圆虽好,但留有遗憾的结局更现实。我倒觉得大团圆更符合整个剧的设定。首先这是部轻喜剧,你不能所有人都找到了另一半,这主角却没有在一起吧。然后,剧一开头就交代了,浦卞这个角色离了两次婚都是因为要成全另一半的梦想。如果最后浦卞没有留

    先看的是大团圆结局,柳林要进机场安检口的前一刻,浦卞赶到牵走了她。另一个结局则相反。同样是在柳林要进安检口的时候,赶到的浦卞选择放手让她离开。

    有人觉得大团圆虽好,但留有遗憾的结局更现实。我倒觉得大团圆更符合整个剧的设定。首先这是部轻喜剧,你不能所有人都找到了另一半,这主角却没有在一起吧。然后,剧一开头就交代了,浦卞这个角色离了两次婚都是因为要成全另一半的梦想。如果最后浦卞没有留住柳林,那就是说这个角色依然用着剧开头的观念来处事,那么这个角色就是没有成长。我不相信在经历过那么多对情侣分分合合的事件之后,浦卞还是原来那个浦卞。

    【详细】
    8920278
  • 岑姜姜
    2022/1/12 23:20:11
    期待打开它的人可以看看这条书评,不过可能剧透噢
    因为是一口气看完的,所以这部小短剧,给我的感觉像是看了一部小电影。 每一集的开头,女主都在和一个人说话,我们也能感受到此人必定是我们的男主角。和其他类型先开花后结果的不同,它一开始就在暗示我们,他们的爱情之花似乎已经枯萎。以下第一人称似乎更好表述,我就说说感...  (展开)
    因为是一口气看完的,所以这部小短剧,给我的感觉像是看了一部小电影。 每一集的开头,女主都在和一个人说话,我们也能感受到此人必定是我们的男主角。和其他类型先开花后结果的不同,它一开始就在暗示我们,他们的爱情之花似乎已经枯萎。以下第一人称似乎更好表述,我就说说感...  (展开)
    【详细】
    14137215
  • 渺渺兮予怀
    2022/5/4 22:07:55
    推荐指数五颗星,老少皆宜,又燃又温暖,做的不只是情怀那么简单!

    因为疫情和排片以及所在地没有影院的原因,没有在春节期间去影院观看,得了时间和空在今天晚上看完了。我不是个懂篮球的人,但是看的时候还是诸多感慨。电影的主题,传达的理念都刻画得很好,看到高潮的时候也是热血沸腾啊!而且,我个人觉得每个角色都有高光时刻,群像刻画得很好!不得不夸奖一下,本来我是不太适应这个画风的,但是看下去之后觉得适配度很好,画风又可爱,配合剧情食用超燃!看的过程里时常感叹角色好可爱

    因为疫情和排片以及所在地没有影院的原因,没有在春节期间去影院观看,得了时间和空在今天晚上看完了。我不是个懂篮球的人,但是看的时候还是诸多感慨。电影的主题,传达的理念都刻画得很好,看到高潮的时候也是热血沸腾啊!而且,我个人觉得每个角色都有高光时刻,群像刻画得很好!不得不夸奖一下,本来我是不太适应这个画风的,但是看下去之后觉得适配度很好,画风又可爱,配合剧情食用超燃!看的过程里时常感叹角色好可爱,好帅气,反复被萌死和帅死。关于剧情,虽然对于我这个成年人来说,看的时候就知道剧情走向了,但是这也并不影响它的精彩!剧本节奏很好,全程无尿点,即使不懂篮球也依然看的精彩上头!没有刻意煽情,情感把握得很好,而且真的很能get到电影想要表达的东西,关于团队合作,关于个人成长,关于家庭,整体来说是既温暖又热血。推荐指数五颗星,而且老少皆宜。还有,结尾的时候,那一句,喜羊羊,我们认识多久了,有五千多集了,导演你知道我再脆弱一点我就哭了吗,呜呜呜呜呜呜。

    【详细】
    14377428
  • ?? 申爺???
    2020/2/19 4:20:13
    拍个电视剧用不用把东北人都写成智障啊?

    我就不明白了,剧中药丸子那点小心眼傻子都能识破,小琴为啥不憋屈死呢?到嘴边的话都不为自己辩解,就这样的孩子能活过10岁吗?肯定得夭折啊!演的太不现实了!整一群二人装演员,演一些在东北臭大街的桥段,哎!要多烂有多烂!最后给东北人正个名吧!东北人热情、奔放、豪爽、正直,但是绝对不是傻B,剧中药丸子那点整人计量放在东北不出三天肯定住院!

    我就不明白了,剧中药丸子那点小心眼傻子都能识破,小琴为啥不憋屈死呢?到嘴边的话都不为自己辩解,就这样的孩子能活过10岁吗?肯定得夭折啊!演的太不现实了!整一群二人装演员,演一些在东北臭大街的桥段,哎!要多烂有多烂!最后给东北人正个名吧!东北人热情、奔放、豪爽、正直,但是绝对不是傻B,剧中药丸子那点整人计量放在东北不出三天肯定住院!

    【详细】
    12273173
  • 宁大王
    2023/1/10 18:13:16
    复仇记

    虽然真相是人为的诡异事件,为了帮一人复仇一家子当演员去伪造恐怖杀人事件,也真是值了,没钱还真做不来吧,后面反转的还行。

    但是不得不说越南的片教育意义真不错,女主和好友两个不同价值观的人展示了正反两个题材。演技也不错,只是没有想到女主长了一张可爱的脸干着最恨的事儿,每一套裙子和私服都挺潮流好看的,印象最深刻的是

    虽然真相是人为的诡异事件,为了帮一人复仇一家子当演员去伪造恐怖杀人事件,也真是值了,没钱还真做不来吧,后面反转的还行。

    但是不得不说越南的片教育意义真不错,女主和好友两个不同价值观的人展示了正反两个题材。演技也不错,只是没有想到女主长了一张可爱的脸干着最恨的事儿,每一套裙子和私服都挺潮流好看的,印象最深刻的是女主电影里MV也真是带感的,虽然女主胆小自私但感觉罪不至死。

    【详细】
    14878234
  • 所以那些都不会
    2015/12/3 12:10:44
    心动不止
          看了这部电影给了我惊喜,本来我觉得这是粉丝电影,拍的质量并不会怎样,但是今天去看了后,我真的是非常高兴,没有浪费钱。
           这部电影是娱乐圈题材,大明星与经纪人之间的故事,这样的题材对于我来说并不是特别的新颖,但是看这部电影的剧情确又一次的给
          看了这部电影给了我惊喜,本来我觉得这是粉丝电影,拍的质量并不会怎样,但是今天去看了后,我真的是非常高兴,没有浪费钱。
           这部电影是娱乐圈题材,大明星与经纪人之间的故事,这样的题材对于我来说并不是特别的新颖,但是看这部电影的剧情确又一次的给我惊喜,其中有感动,有浪漫,有搞笑,当然也少不了虐狗,其中特别多情节都满足了我的少女心,真的是一部不错的爱情电影。
             这部电影的女主的演技还是有的,就是感觉还是差那么点,看的时候总有这样的感觉,不过演技总体来说是在进步的,还是不错的,男主我个人认为真的是演的特别好,相比之前的一些电视剧,觉得这部电影的演技有很大的提升,特别是那种眼神,真的是看的可以让人窒息,希望这两个人能在以后的作品中能有更多的进步。
            这部电影拍的很美,取景挺不错的,唯一不足的就是感觉故事剪辑的不是太好,情节有时候有突兀,不过电影最后的彩蛋挺搞笑的,大家可以去看看
    【详细】
    7679575
  • 醉卧红尘终觉浅
    2020/8/5 17:46:09
    爱不沉没

    爱情不止是相濡以沫,也不止是肌肤相亲,而是在触碰到生命至高点的时刻,想把最真实的感受与对方分享。

    在被黑暗包围感到渺无希望的时刻,靠着对爱的渴望而顽强地活下去。不论是在蓝天白云的海边度假区,还是在黄沙纷飞的索马里“战场”,这些画面不仅展现了绝美的风景,更把一种“天地之大”与“人之渺小”的对比体

    爱情不止是相濡以沫,也不止是肌肤相亲,而是在触碰到生命至高点的时刻,想把最真实的感受与对方分享。

    在被黑暗包围感到渺无希望的时刻,靠着对爱的渴望而顽强地活下去。不论是在蓝天白云的海边度假区,还是在黄沙纷飞的索马里“战场”,这些画面不仅展现了绝美的风景,更把一种“天地之大”与“人之渺小”的对比体现到了极致。

    而这种画面感,也正与主角们引经据典、颇富诗意的台词形成共鸣。在詹姆斯的口中,没有人是一座孤独的岛屿一一台词出自约輸·多恩的诗。

    在群体之中,个体的力量脆弱微小。在自然的面前,人更是渺如尘埃。而这也就是我们需要爱的原因在无边的世界中找到属于自己的慰藉与支撑,在哪怕最绝望的时刻,也不至于被彻底的孤独与无力所淹没。

    【详细】
    12776447
  • 阿猫
    2022/1/1 17:42:00
    好好恋爱,好好成长

    文/阿猫

    跨年的时候去看了《以年为单位的恋爱》,果不其然,电影院里全是情侣。并且大家对银幕上这对情侣的行为还是很有共鸣感的,一会儿发出笑声,一会儿小声地窃窃私语(不是鼓励大家在影院里说话的意思)……有些人散场后还在讨论片中细节,显然投射到自己的生活里了。

    文/阿猫

    跨年的时候去看了《以年为单位的恋爱》,果不其然,电影院里全是情侣。并且大家对银幕上这对情侣的行为还是很有共鸣感的,一会儿发出笑声,一会儿小声地窃窃私语(不是鼓励大家在影院里说话的意思)……有些人散场后还在讨论片中细节,显然投射到自己的生活里了。

    本以为会充满跨年电影常有的那种喜庆感,没想到好多生活细节都真实得让人头皮发麻。故事并非发生在架空的空间里,而是在北京这个具体的城市;男女主角也不是每天不用上班,只用专注谈恋爱、搞浪漫的“玛丽苏”,就是两个在大城市里打拼的普通劳动人民,可以说是代入感十足。

    其中有一些点还蛮戳中我的。

    一、 真实被戳中的点

    第一个戳中我的地方,是两个人第一天见面了,看对眼了,就滚床单了。

    诶,你可别说不正经。私以为现代都市男女的爱情,就应该从身体吸引开始。两个人睡都睡不对,还怎么你侬我侬?不过因为以为是纯爱片,当床戏在大银幕出现时,影院里的很多朋友,包括我自己,还是小小惊讶了一把。但转念一想,都2022了,还有什么放不开的呢?就连电影里都说不“那个”了,关系就完蛋了,其实这样的安排才贴近现实、合情合理。

    睡完之后两人正式交往。他们跟所有刚坠入爱河的恩爱小情侣一样,恨不得天天黏在一起,而且迅速搬到了一块儿住。这一阶段,大银幕上充盈着甜甜的梦幻光晕。怪不得来看的都是情侣,一个人看还是会被虐到的吧……

    然而,当最初的激情被生活的琐碎磨损之后,男女主角的感情也出现了细小的裂缝,两人开始争吵不断……这一阶段因为代入感太强,甚至让人心情久久不能平静。

    第二个戳中我的点,就是抓住了感情出现裂缝的时候,很多情侣都会有的典型特征。

    男主会主动把旧情人(或只是暧昧对象?)的聊天记录删掉;短信来时反扣着手机,然而只是不想被女主发现银行的还贷提醒;女生提出分手后,男主再发消息,发现自己已经被删好友……这些都是基于手机的一些小细节,相信每个谈过恋爱的小年轻都很有熟悉感。

    我也是年轻人,所以很清楚要探讨当代青年的亲密关系,绝对无法绕开“手机”这个领域。手机在当代男女的关系中扮演着记录者的角色,传情达意少不了它,表达分歧、猜疑、抗议、分裂也经由它。如果在呈现过程中忽略了这部分,是不会像现在这样让观众有共鸣的。

    两个人吵架时在意的点,也是很多情侣所共有的:女生觉得养了宠物就要对它负责,男生却觉得工作不忙的时候再去照顾它也行;女生要的“安全感”是陪伴和关注,男生理解的“安全感”却是实实在在的物质基础,而且必须经由“创业成功”这一步骤来给女生提供……

    虽说在两性关系里,不是所有女性要的都是陪伴、关怀、安全感;也不是所有男生都像男主一样追求成功、卓越和被尊敬,但不得不说,这样的关系模式还是很具有代表性的。

    二、 看完就能学会怎么谈恋爱了吗?

    它不是那种空中楼阁似的纯爱片,让人看完就想谈甜甜的恋爱,更像是一部“恋爱劝退指南”、“恋爱错题集”,如实记录了普通情侣相处中会踩的一系列坑,会犯的一系列错。

    如果你谈过恋爱,也在恋爱里踩过坑,可能会想为什么没能早点看到。如果你没谈过恋爱,但是渴望进入恋爱,当然也可以来打一剂预防针,提前了解在真实的世界里谈恋爱、处对象是怎么一个过程,相信会把很多不现实的幻想都打消掉……

    不过,如果妄图看完电影就能学会怎么谈恋爱,那就太小瞧亲密关系的复杂性了。

    但我们仍然可以从中得到启发,有所思考——相当于了解“恋爱”这门课的教学大纲。

    我在这上到的第一课,是在把关系、把生活安定下来之前,不要太快引入新的元素,比如养宠物、买房、生孩子……这些都属于重大事项,需要双方投入大量的心力和资金,也很容易诱发矛盾。在发展这些支线任务的时候,任意一方投入少了,都会引发另一方的不满。

    第二课是当关系无可避免出现矛盾的时候,越早沟通越好,否则当不满和误解越积越多,感情出现了裂缝,就很难回到从前了……一方面是因为面子,还有一方面是因为情绪。

    人都是情绪性的动物。我们内心深处可能也知道,对方做出那些给我们带来情感伤害的事情未必是有意的,然而当你气在头上的时候,难免会撂下一些并非心里所想的狠话,这就相当于往对方心里凿下了钉子,就算以后拔出来了,也已经留下了难以抹平的伤痕。

    所以当问题小小地冒出头的时候,最好快刀斩乱麻地去解决,沟通越早越好,越坦诚越好,不要把话憋在心里,直到大爆炸,否则关系很容易就玩完了。

    最后一课,就是知晓两个人的关系中总有龃龉的地方,我们无法绕开,但是可以提前预知。有些与伴侣之间的差异是可以被预料到,比如对掌控感和亲密感的追求各不相同。

    这一点未必是性别差异,也有可能是人格差异、个体差异。在一段关系里,女性是事业型、男性是家庭型的情况肯定存在;正在创业的人大多会更在意自己的事业,普通上班族则可能没那么在意,等等。我们在进入关系之前,就可以对另一半先有个大致的预判。

    了解一个人并不需要很长的时间,而且当你接触的人越多,对人的判断就会越快、越准确。千万不可小瞧伴侣给你的第一印象,都是跟你们后续的关系发展轨迹紧密挂钩的。

    如果你被对方的雄心壮志所吸引,就别期盼TA能对家里的芝麻绿豆牵挂在心;如果你找了一个喜欢粘着你胜过搞钱的伴侣,就别幻想TA能一夜暴富包养全家。迷恋人家时尚靓丽,就别责怪TA在形象工程上耗费巨资;欣赏朴素持家,就别嫌弃人家不爱打扮素面朝天……

    敲黑板划重点:在现实生活中,十全十美且对你百依百顺的伴侣,是不存在的。

    一言以概之,自己要心里有数。

    三、 最后的话

    虽然片尾两人在睽违两年后重归于好了,但可以想象,他们未来还是会碰到相似的问题。如果没有办法妥善处理曾经出现过的老难题,两个人的感情多少还是会受到挑战的。

    幸好在分开的日子里,男女主都没有浪费时间,兢兢业业地投入打拼。最后男主创业成功了,女主换了一头利落短发,晋升主管了,还回老家买了房。他们在事业和个人领域的成长能否应用在恋爱中呢?答案是必然的。

    一个人在恋爱方面的勇敢和负责,多多少少会折射到其他方面,这个道理反过来也成立。

    所以,在被片中情感关系波动牵动内心的同时,我也反思了自己:以往在恋爱里犯过的错误,如今再遇到,能不能很好地解决呢?如果不能的话,是不是我自己在这方面没有成长呢?看别人的恋爱总结了一堆道理,自己能不能别做言语上的巨人、行动上的矮子呢?

    我们常说“新年新气象”,这部电影其实也提醒着我们思考下列问题:今年的你和去年的你有差吗?去年的你比起前年的你有所转变吗?以前踩过的坑还会重复踩吗?

    在以年为单位的进程里,既要好好恋爱,也要好好成长,这样才不辜负每一年交到我们手中的新的机会——它们看起来有很多,但其实数量有限,用完即止。

    不要辜负你爱和爱你的人,也不要辜负你本来就有的,闪闪发光并且能照亮你未来人生路的美好品质,去开疆拓土,也去勇敢爱吧。

    祝大家新年快乐,恋爱快乐,成长快乐。

    【详细】
    141093564
  • TheGZMovieGuy
    2017/12/15 16:47:02
    严肃影评#42:摒弃过去的星战,最有争议性的星战,最让人满意的星战? – 9/10
    关于众多影迷甚至星战粉丝对本作的抱怨#NotMyLuke(不是我想要的卢克),我所写的另一篇评论《绝地武士的虚伪谎言 – #MyLuke》:https://movie.douban.com/review/9045788/ 在《最后的绝地武士》里,不止一个角色提到摒弃过去的重要性。而对于《星战》系列而言,尤其是迪士...
    关于众多影迷甚至星战粉丝对本作的抱怨#NotMyLuke(不是我想要的卢克),我所写的另一篇评论《绝地武士的虚伪谎言 – #MyLuke》:https://movie.douban.com/review/9045788/ 在《最后的绝地武士》里,不止一个角色提到摒弃过去的重要性。而对于《星战》系列而言,尤其是迪士...  (展开)
    【详细】
    8986245
  • Iamacat
    2016/3/13 6:43:59
    请做一个有素质,不妄言的人
    说霍建华面瘫的,你们真的有认真看过他的戏吗
    你们口中所说的“面瘫”,不同的剧里内涵都不一样,另外,那叫“静”,
    《仙剑奇侠传》里白豆腐的“面瘫”,是不谙世事,是呆愣与反应迟钝;《怪侠一枝梅》里离歌笑的“面瘫”,是随着爱妻的死而心死,是放荡不羁;《战长沙》里顾清明的“面瘫”,是一种向死而生的决心,和性格沉稳内敛不善言辞;《镖门》刘安顺中的“面瘫”,是一种宁折不弯的执拗与老实本分;《花千骨
    说霍建华面瘫的,你们真的有认真看过他的戏吗
    你们口中所说的“面瘫”,不同的剧里内涵都不一样,另外,那叫“静”,
    《仙剑奇侠传》里白豆腐的“面瘫”,是不谙世事,是呆愣与反应迟钝;《怪侠一枝梅》里离歌笑的“面瘫”,是随着爱妻的死而心死,是放荡不羁;《战长沙》里顾清明的“面瘫”,是一种向死而生的决心,和性格沉稳内敛不善言辞;《镖门》刘安顺中的“面瘫”,是一种宁折不弯的执拗与老实本分;《花千骨》白子画中的“面瘫”,是勘破世事,心无杂念,是大爱、天下与责任;《他来了请闭眼薄靳言的“面瘫”下,藏着的是孤傲与寂寞,是不知道如何与人打交道的心;《真相禁区》谢天佑的“面瘫”下,藏着的是被朋友抛弃的冰冷与仇恨的血液
    甚至能感受到,同样是土象星座,刘安顺就是保守慢热执拗的金牛;顾清明白子画却是责任感强,喜怒不形于色的摩羯
    当你没有静下心来去了解什么的时候,你有什么资格去评论,慎言,不妄言是人最基本的素质,也许有些人没这种家教没这种意识吧
    眼光浅不可怕,可怕的是眼光浅还到处炫耀

    在我的心里,我对很多演员都有个定义,或好或坏,但是我从来没在公开场合诋毁过谁或数落过谁的不是。因为我一直有个观念,我评价一个人,要在充分了解之后做个客观评价。我自认我没法像了解霍建华一样了解其他男演员,而且有的演员我并不喜欢,但是既然很多人都夸他演技好人品好,我相信一定有他们这么做的理由,我不能因为先入为主的观念去公开说他的不好,因为那样不是显得别人无知,是显得自己无知。同样地,为什么你们口中的面瘫,会有这么多人去称赞他的演技。我向来不是颜控,在这个圈子里,哪个明星长得不好看?而实力和人品,才是唯一站得住的东西。说实话我欣赏他还真的是跟演技和人品有关,归海一刀惊艳过我,刘连城惊艳过我,令狐冲惊艳过我,顾清明惊艳过我,刘安顺惊艳过我。很多次看电视剧的时候忍不住拍手叫好,情绪控制的很到位,细节也是。

    同样地,女医的剧情暂时搁置,单凭演技来说,我想说的是,你不能否认不同的人在面对同样地事情时有不同的可能性。朱祁镇在亭子下强抱允贤吐露心声的那一段,仔细看会发现霍建华的手时缓缓垂下的,从一开始不甘,虽然放手但是手臂仍然有力;到后来认命地慢慢松开,因为骄傲与现实的落差,所以是捧着脸哭。
    朱祁镇被强灌羊奶那一段,眼神里有倔强不屈,有不甘,有震惊,也许那么一瞬间还有绝望
    还有手刃程十三时你会发现那时的帝王手腕已经硬了,不是凭感情处事的任性皇帝了。
    还有朱祁镇在剧中下跪的姿势,很有风度,下跪骨子里仍然去不了的高贵

    还有刘诗诗发现程十三就是她家族悲剧的始作俑者的时候,震惊,压抑,委屈,情触的表情,也给一个好评

    另外此剧的画面也给好评,有些地方很唯美,比太多言情剧强好几个level

    Besides,女医从开始宣传,就从来没打出过历史正剧的旗号吧,人家的旗号一直就是古装励志偶像剧,所以说洗白的省省吧。若说正剧,所有电视剧都有戏说成分,就连康熙王朝,也篡改了历史,怎么没见有人说这部剧。所以看电视剧的意义时娱乐,是反思,你指望看电视剧了解历史,还是下辈子吧

    不管女医别人如何吐槽,还是那句话,已经比同时代偶像剧高了好几个level了,我这么挑的人都看下去了,黑子们也省省劲吧
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    【详细】
    78101417
  • 豆友203010488
    2022/3/17 13:32:54
    关于上官之死
    四季元老,说死就死,而且死的不明不白的。导演想让他下线,至少给的合情合理一点,基本没什么戏份,就出个场,再回来就中毒了。上官的死,俨然就是个工具人,为了让主角身负重伤,为了推动情感,一切的一切就是为了成就主角,再表现一下男女主的感情。一切都显得那么刻意。 这...  (展开)
    四季元老,说死就死,而且死的不明不白的。导演想让他下线,至少给的合情合理一点,基本没什么戏份,就出个场,再回来就中毒了。上官的死,俨然就是个工具人,为了让主角身负重伤,为了推动情感,一切的一切就是为了成就主角,再表现一下男女主的感情。一切都显得那么刻意。 这...  (展开)
    【详细】
    14279215
  • 东滚白
    2023/1/23 23:10:41
    只是观感,算不上剧评

    21年10月份第一遍看,当时觉得这不就是再演一遍一吻定情嘛,毫无新意。男主角完全get不到,而且一直眯着眼睛演戏看着很难受。女主角时好看时不好看,对待男主的姿态也太卑微了,不suki。

    由于我哥在客厅电视上弄了个不用vip就能看任何剧的东西,一时兴起想看看有没有日剧,就搜了下将恋爱进行到底。直接打开第二集,没想到清晰度这么给力,然后就一发不可收拾了...

    第二遍看,确

    21年10月份第一遍看,当时觉得这不就是再演一遍一吻定情嘛,毫无新意。男主角完全get不到,而且一直眯着眼睛演戏看着很难受。女主角时好看时不好看,对待男主的姿态也太卑微了,不suki。

    由于我哥在客厅电视上弄了个不用vip就能看任何剧的东西,一时兴起想看看有没有日剧,就搜了下将恋爱进行到底。直接打开第二集,没想到清晰度这么给力,然后就一发不可收拾了...

    第二遍看,确实很像一吻定情,医生和护士的设定、男主女主的人物性格等等几乎都大差不差。但是个人感觉和一吻定情最不同的地方就是女主的成长线。将爱花了更多情节和心思去展示女主的成长。印象最深的是第二集的片尾,酒井对七濑说:“我想获得的是经验,而你想获得的是青睐。”这句话肯定给了女主一记重锤,让她开始思考到自己成为看護師的使命到底是什么,而不仅仅是追随天堂医生。

    其次是女主的性格,我眼里的天花板性格了。一是真诚,会表达。几乎每集七濑都会来一段真情告白,毫不恥ずかしい地说大好きです。对待倾慕的对象、一起工作的同事都在用真心换真心。二是とてもとても可愛い!这部剧能播的这么好,女主角绝对功不可没。三是同理心,不管是天堂医生,还是病人,总能观察到他们的情感变化,然后用温暖的话语给予鼓励和支持。优点还有很多很多...如果现实中遇见这种女孩子,是一定能成为好朋友的(不过几乎不可能有了,毕竟是人设。)

    不喜欢的地方,和第一遍看的时候一样,女主太卑微了。两个人都修成正果,快结婚了,七濑许愿居然还说希望天堂爱上她。这里非常不能共情。还有这个死去的前女友设定,其实也还好,就是妹妹回来别跟姐姐用一张脸嘛,有一点点怪。

    情节有很多不合理的地方,但是作为甜剧,完全称得上精品了。尤其是每一集看完之后那种温暖的感觉,特别suki。

    【详细】
    14916785
  • Fox假装不存在
    2022/5/10 17:56:08
    黑客帝国镜像版?
    原版攻壳,如同厚部头的《百年孤独》,经典,那些经得起时代变迁的台词,仿佛是絮絮叨叨的呓语,能在耳边缠绕几十年。 这个版本的攻壳,就如手机上的国产手游,炫酷的音乐透露着说不出的轻浮味道:塑料。 我差点就依随本能把播放器关掉,如果不是要消磨学校放学接小孩的那两个...  (展开)
    原版攻壳,如同厚部头的《百年孤独》,经典,那些经得起时代变迁的台词,仿佛是絮絮叨叨的呓语,能在耳边缠绕几十年。 这个版本的攻壳,就如手机上的国产手游,炫酷的音乐透露着说不出的轻浮味道:塑料。 我差点就依随本能把播放器关掉,如果不是要消磨学校放学接小孩的那两个...  (展开)
    【详细】
    14390215
  • 大聪
    2018/1/5 8:43:45
    经得起赞美就要挨得住诋毁,《星战8》是经典传承还是另起炉灶
    《星战8》早在半个月前,已经在全世界大范围上映,同样和之前每一部星战电影一样,都席卷了不小的狂潮。 如果大家想看无剧透点评,可先跳转时空门:[一直被模仿,从未被超越.] 这篇万字终极解析,大聪会从星战迷角度去撰写,如果你还是星战小白,可以回顾大聪之前写的九期星战...  (展开)
    《星战8》早在半个月前,已经在全世界大范围上映,同样和之前每一部星战电影一样,都席卷了不小的狂潮。 如果大家想看无剧透点评,可先跳转时空门:[一直被模仿,从未被超越.] 这篇万字终极解析,大聪会从星战迷角度去撰写,如果你还是星战小白,可以回顾大聪之前写的九期星战...  (展开)
    【详细】
    9044217
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