月里嫦娥影评

14849201
  • King
    2019/4/4 10:16:18
    思考死亡
    生与死可以说是人生最重要的两个问题,没有生就没有生命,没有死那多可怕。但出生时我们没办法思考,死亡后也不需要思考了。所以他人的死亡便成为了我们思考的重要源泉。 爷爷死了,久未谋面的三兄妹汇合了,同时还有着第三代。春野吉子为自己在爷爷死亡时做爱而感到内疚。可是...  (展开)
    生与死可以说是人生最重要的两个问题,没有生就没有生命,没有死那多可怕。但出生时我们没办法思考,死亡后也不需要思考了。所以他人的死亡便成为了我们思考的重要源泉。 爷爷死了,久未谋面的三兄妹汇合了,同时还有着第三代。春野吉子为自己在爷爷死亡时做爱而感到内疚。可是...  (展开)
    【详细】
    10088215
  • ????luke
    2021/7/24 22:04:20
    西影养活不了电影,养活不了员工,但能养活电影院

    西影厂的辉煌人尽皆知,现在虽说也是辉煌,但也是旅游业,诺大的电影厂搞起了旅游,这不搞笑嘛吸引一群人遛娃、拍照就是不搞电影,不对也搞电影,《再见汪先森》嘛,这电影是真的狗。老梗就不说了,故事没创意低级趣味,毫无内涵,空洞且无味。导演还是王大治,这不就是那个红极一时的王大治嘛,他真的有才华吗?我看有,全部的才华怕是用在如何哄骗领导了吧。什么是电影你懂吗?什么叫

    西影厂的辉煌人尽皆知,现在虽说也是辉煌,但也是旅游业,诺大的电影厂搞起了旅游,这不搞笑嘛吸引一群人遛娃、拍照就是不搞电影,不对也搞电影,《再见汪先森》嘛,这电影是真的狗。老梗就不说了,故事没创意低级趣味,毫无内涵,空洞且无味。导演还是王大治,这不就是那个红极一时的王大治嘛,他真的有才华吗?我看有,全部的才华怕是用在如何哄骗领导了吧。什么是电影你懂吗?什么叫其实电影能承载很多内容,什么叫怕大家看不懂,就一个破梗一个小孩踢了柴碧云一脚,张国强就要抢小孩的鸡腿,What?看不出来?这是当观众傻吗?求求你尊重一下观众的智商吧,我看再这么下去,西影集团很快就要改为西影旅游集团了吧。

    电影不行咱们不去反思,打起了员工包场的主意,员工要是找不来客户包场,就要自己自掏腰包去包场,这是真的觉得靠包场就能撑起几亿票房吗?我算是明白了,原来电影就是靠这样挣钱的呀,真的是妙呀,怎么王老板、于老板没想到呢,他们还是太年轻。不过还是得感谢公司,幸亏出品的电影不多,要不然员工的钱都要被榨干了,别说没有集体荣誉感,抱歉这片荣誉不起来。

    仔细算算公司也是精明,用一份钱即带动了电影,还养活了电影院,NICE!公司的电影院是被包场喂得是盆满钵满,那是场场爆满,甚至是供不应求,感觉一个开业即倒闭的电影院一下子又生机勃勃起来。

    说这么多还是希望西影能拍出一部像样的电影吧,别整天把过去的奖杯擦得锃光瓦亮,看看之后的路在哪里吧。

    【详细】
    13700698
  • 黎晛
    2022/5/4 21:44:15
    流水线拍电影的代表作

    国产爱情片把校园各种屁事儿拍完了,把职场爱情也拍完了,这次直接大融合,短短两小时不到塞了这么多个要素,那些情节随便排列组合挑两三个就能成一部电影......

    总感觉这段话很眼熟,原来我写过一段一样的,不过是写的是另一部电影的影评。

    国产爱情片把校园各种屁事儿拍完了,把职场爱情也拍完了,这次直接大融合,短短两小时不到塞了这么多个要素,那些情节随便排列组合挑两三个就能成一部电影......

    总感觉这段话很眼熟,原来我写过一段一样的,不过是写的是另一部电影的影评。

    《你的婚礼》影评

    我就不多说什么了,国产爱情片已经到了一个瓶颈期,会整活的导演已经开始拍外星人谈恋爱了,而不会整活的导演还是循规蹈矩地拍一些“古老”题材,这部电影尤为明显。

    正常来说一部电影最多也就两、三个矛盾点,而本片简直就是矛盾集合体。遵循着发现矛盾——解决矛盾——煽情——跳时间线,然后重复的流程,非常工业化。而这样的流程重复了至少十次,男一女一就算了,还生怕不够又加上了男二女二这条线,并且每次都惦记着那逼煽情,你是真的想象不到开始没有就几分钟,在一堆旁白充斥的背景下,就开始玩尬的,煽情。每次煽情都很折磨,一直到最后。所以我说导演没活了就咬个打火机吧,学学人家郭导,早已脱离了地球的束缚,冲向了宇宙。

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  • JC思密达~
    2015/5/29 1:20:35
    李宏毅 男神
    微博是 Zz姊姊zZ 原谅我才知道抢签名,6.7高考一直在忙学习,总是每周放学到家后躺床上看《我是男神》压力瞬间就减小了,还有我爱的宏毅欧巴,超级爱宏毅,还没有他的签名,求抽中!!希望我高考也能超常发挥!!祝我高考顺利,抽到宏毅签名!!求点赞!
    微博是 Zz姊姊zZ 原谅我才知道抢签名,6.7高考一直在忙学习,总是每周放学到家后躺床上看《我是男神》压力瞬间就减小了,还有我爱的宏毅欧巴,超级爱宏毅,还没有他的签名,求抽中!!希望我高考也能超常发挥!!祝我高考顺利,抽到宏毅签名!!求点赞!
    【详细】
    7484123
  • Feng.Z.H
    2022/8/30 16:09:58
    还是老老实实坐牢吧

    《逃狱兄弟》系列做到第三部完结篇,可以说是一部比一部好看,每一部都有着不同的动机和计划。

    第三部的boss,前狱长邓瀚宗是最具有压迫力的角色,眼神从阴鸷,再到后来的狠辣,这个角色的层次很丰富。从黄德斌的邓sir和张建声的刀疤来比较,就能知道这个题材拍到第三部就差不多结束了。刀疤逐渐被洗白后,他这个角色就没有什么深度可挖掘了,一直拍下去的话如果不是全员换血的话就会角色冗余。

    《逃狱兄弟》系列做到第三部完结篇,可以说是一部比一部好看,每一部都有着不同的动机和计划。

    第三部的boss,前狱长邓瀚宗是最具有压迫力的角色,眼神从阴鸷,再到后来的狠辣,这个角色的层次很丰富。从黄德斌的邓sir和张建声的刀疤来比较,就能知道这个题材拍到第三部就差不多结束了。刀疤逐渐被洗白后,他这个角色就没有什么深度可挖掘了,一直拍下去的话如果不是全员换血的话就会角色冗余。

    14617366
  • 我们在一九八四
    2018/6/26 10:42:51
    大导演斯皮尔伯格

    有些天才、大师,不仅自己天赋异禀,而且可能从他的父母、祖父母,就很与众不同。1.父亲Arnold计算机工程师,是二战后第一个在美国建立起公司管理网络的人,所以,经常会被猎头盯上,然后到处工作,到处搬家,住在郊区(当时,一般都是收入稳定的中产阶级才会住郊区)。2.母亲Leah更像是他们的同龄人,不像是传统意义的母亲,而更像一个玩伴。有一次Leah去商店,看到一个小猴子因为离开了妈妈,绝望的奄奄

    有些天才、大师,不仅自己天赋异禀,而且可能从他的父母、祖父母,就很与众不同。1.父亲Arnold计算机工程师,是二战后第一个在美国建立起公司管理网络的人,所以,经常会被猎头盯上,然后到处工作,到处搬家,住在郊区(当时,一般都是收入稳定的中产阶级才会住郊区)。2.母亲Leah更像是他们的同龄人,不像是传统意义的母亲,而更像一个玩伴。有一次Leah去商店,看到一个小猴子因为离开了妈妈,绝望的奄奄一息的时候,就把小猴子带回家了!然后,斯皮尔伯格就“疯”了,说——正常的家庭,如果小孩子和父母说,自己想养只猴子,他的父母一定会说,你疯了吗?结果你带了只小猴子回家!Leah回忆说,当时自己确实挺疯的,但是Arnold却说,我挺喜欢那只猴子的!3.Leah当时爱上了自己老公的好朋友,然后和自己丈夫离婚了!丈夫为了保护妻子,让孩子误以为是爸爸要离开妈妈,因此,斯皮尔伯格很长时间不仅自己不联系父亲,还会阻止自己的妹妹们联系父亲。4.可是,现在Leah和Arnold又重新在一起了!用斯皮尔伯格妹妹的话来说,不了解我们家庭情况的人,会误以为我爸爸妈妈没有分开过,我们一直这么幸福快乐!5.斯皮尔伯格的祖父会说俄语、希伯来语;外祖母曾教匈牙利移民说英语。

    大导演斯皮尔伯格的恶趣味和早年逛片场的创奇经历。1.喜欢把自己精心装扮过的头盖骨模型放在衣橱等地,然后把妹妹们关在里面,听她们惊声尖叫,并洋洋得意,此外,事情过去半个多世纪,当斯皮尔伯格已经是七旬的人,依旧不知悔改,沉浸在妹妹们当时被吓得惊声尖叫的回忆之中。2.小的时候偷偷溜进环球片场,躲进卫生间里,然后自己一个人逛片场。

    大导演斯皮尔伯格是个技术达人、创意先锋、总揽片场全局的人。1.小的时候,就知道使用踏板,这样演员们踏在踏板上,扬起的尘土,会造成中弹倒地的错觉。2.《大白鲨》——由小时候吓唬妹妹们,到吓唬所有观影观众。3.《大白鲨》的道具坏了,没有时间去再做新的,所以斯皮尔伯格想到了,用漂浮桶等“代替”大白鲨的出现,因为“看不见的东西,让人更恐惧”。4.《辛德勒名单》里的红衣小女孩。5.《拯救大兵瑞恩》里,一场戏的场景与想象的正好相反,正对着阳光。然后,斯皮尔伯格采用了面对阳光的方法拍摄。6.马丁西科塞斯盛赞斯皮尔伯格的片场全局意识,说他到达一个地方几秒之后,就知道东西该放在哪儿,摄影机该架在哪儿。

    大导演斯皮尔伯格的“朋友圈”。1.70年代就和乔治卢卡斯、马丁西科塞斯、弗兰西斯福特科波拉、布莱恩德帕尔玛组成了小团体,大家对彼此作品都是开诚布公地进行评论,能帮忙就无私帮助。2.星球大战的片头序言是帕尔玛的建议。斯皮尔伯格回忆,卢卡斯请大家去看《星球大战》的粗剪,看完之后,大家就沉默了。然后,大家去了一个中餐馆刚落座,帕尔玛就开启了疯狂吐槽模式——这讲得是啥,故事发生在哪里,他们为啥打仗?等一连串疑问。斯皮尔伯格说,当时卢卡斯想杀了帕尔玛。不过,帕尔玛也不是只吐槽不帮忙,然后和卢卡斯说,和过去老片学习,加个序言吧!于是《星球大战》的开头就有了那段非常经典的滚动的序言。3.斯皮尔伯格是最早有车载电话的,当时他经常带着帕尔玛去给美女打电话,然后放下电话,他们就已经出现在美女家门前了。4.《疤面煞星》,斯皮尔伯格带着自己的团队帮助帕尔玛拍摄结尾处的交火大戏。5.为了和卢卡斯友谊,拍《印第安纳琼斯》第一部时,才第一次拍片没有超支。卢卡斯还与斯皮尔伯格约定,要拍三部呢。

    大导演斯皮尔伯格和自己犹太人身份“和解”。1.儿时关于犹太的第一个记忆,大概是祖父和父亲把自己带到一个地下,见识犹太人祈祷仪式,满眼的红色。2.从小接受的是犹太人正统派的教育方式,但是却是生活在郊区里,不和其他犹太人比邻而居的方式,因为犹太人身份被歧视,所以非常讨厌自己的犹太人身份。3.第二任太太,帮助他回归了犹太人身份。结婚前,太太加入了犹太教,两个人举办了犹太式婚礼。一共有7个孩子,开始享受家庭生活了。4.拍摄了准备了差不多十年的《辛德勒名单》,并在影片结束后,成立了纪念大屠杀被害无辜者的基金会。

    大导演斯皮尔伯格和父亲和解。1.斯皮尔伯格很长一段时间,都误会了他的父亲,所以在他的作品里,经常会呈现家庭、人与人之间的分散和聚合。2.《第三类接触》、《ET》、《猫鼠游戏》,主人公都是父母离婚的人。3.父亲是二战老兵,二战期间,曾经在印度、缅甸服役。然后为老父亲拍摄了《拯救大兵瑞恩》,两个人和解,父亲很欣慰啊!

    《紫色》前后。1.斯皮尔伯格一直被认为更商业、娱乐化、更迪斯尼,过于乐观主义,一个长不大的孩子。2.但是《紫色》是个转折点,关注了黑人;但是在处理女同性恋情时,又显得很保守拘谨;并且画面特别的甜美,仿佛迪斯尼乐园一样。3.但是《辛德勒名单》、《amistad怒锁狂潮》、《拯救大兵瑞恩》等一系列作品的出现,展现了斯皮尔伯格不仅有乐观主义,而且还有面对历史的勇气和理想主义。4.《慕尼黑》更是让斯皮尔伯格和观众,陷入到了正义、复仇的两难境地,斯皮尔伯格的乐观主义、理想主义和正义,似乎又难以自洽,走进了死胡同里。5.但《林肯》拯救了斯皮尔伯格的乐观主义、理想主义,因为民主毕竟是个好的切入点。

    详略得当,重点突出。有些话当事人说出来,非常有画面感,同时很真实。缺点就是太多了,可以分个上下集,讲上300分钟。

    【详细】
    94662234
  • GRUNGY
    2009/12/25 0:29:24
    经典布鲁斯
    剧情不多说了,真正的BLUES只有懂得他的人才能体会到,与此相比,其他的音乐电影已经几乎可以称为垃圾了!密西西比的乡村与生俱来的蓝调韵味总会让你流连忘返的,莱库德对整个电影的配乐都很搭调,不仅如此,冲着Steve Vai在高潮部分的那段精彩演出,这片子就得看!
    剧情不多说了,真正的BLUES只有懂得他的人才能体会到,与此相比,其他的音乐电影已经几乎可以称为垃圾了!密西西比的乡村与生俱来的蓝调韵味总会让你流连忘返的,莱库德对整个电影的配乐都很搭调,不仅如此,冲着Steve Vai在高潮部分的那段精彩演出,这片子就得看!
    【详细】
    2887130
  • 地主家的美人鱼
    2021/12/6 0:19:34
    可能是按人物结构叙述最详细的影评

    以人物为结构 叙述一下剧情和感想吧:

    1.读古典学的黑人小哥(是个gay)是ibd部门实习生,由于坐在旁边的实习生印度小哥太拼加班导致猝死,公司restructure了部门,他很不满意,认为自己是ibd的人看不上trading floor。他看出了Sara最后对他伸出橄榄枝是公司危机公关和她自己推脱责任的初衷

    以人物为结构 叙述一下剧情和感想吧:

    1.读古典学的黑人小哥(是个gay)是ibd部门实习生,由于坐在旁边的实习生印度小哥太拼加班导致猝死,公司restructure了部门,他很不满意,认为自己是ibd的人看不上trading floor。他看出了Sara最后对他伸出橄榄枝是公司危机公关和她自己推脱责任的初衷,是想利用他表现出公司/Sara极力掩盖的企业文化。最后华丽转身去了GS没有接受橄榄枝。

    2. Yasmin是西班牙混血,家境不错,被分在ficc,没什么technical。她是一个很压抑天性的人,私生活里控制欲很强,但在公司作为不起眼的实习生得每天帮同事买咖啡买沙拉,被主管骂。主管kenny(是个vP)又矮又躁狂,感到被yas漠视以后开启pua和施压模式,可能是内心自卑。心胸狭隘,自己拿不下yas认识的客户就毁了那单生意。因为跟男友之间的矛盾她跟白人帅哥暧昧了一段时间。如果harper能留下的原因是真的聪明有ideas,Yas留下就是因为她可以很假(得体)的维护部门形象。

    3.直男白人小哥robert跟黑人小哥是室友。长得帅,却不成熟。嗑药磕到演讲当天流鼻血。Daria认为他不聪明,worthless,不想留用他,但,大老板likes him。

    4.女主 Harper出身不好,学历是伪造的。总觉得自己悲情,租不到房子被Yas邀请到家里住,后来又陷入跟rob的三角关系,产生女生之间的嫉妒,没什么底线,偷看yas的抽屉。做错事不想着赶紧承担责任,而总想用小聪明和赌一把的心态躲过此劫,身为小小实习生还大言不惭对风控部门老员工说我可以帮你调到前台,试图让人掩盖她的错误。她全程无法完全信任任何人,在办公室斗争中多次左摇右摆令人无语。

    5.Harper的主管Eric是MD,有长期客户资源,不允许其他人接触他的客户。比较不走寻常路,给足够的空间让女主发挥,也有点双重人格。Eric去mgt off site的时候,交代harper去拿回一个产生公司一半利润的大客户felim的account,结果harper给Daria知道了客户流失是因为eric,加速了公司想让他走。同时,eric对黑人小哥帮他接了客户电话并下单的事大发雷霆,尽管那些交易都赚钱了,可以看出这个时候eric已经非常担心自己的地位了。他把harper带到会议室锁上门跟她对话,后来这件事被Daria利用,诱导Harper指控他,成了公司开除eric的最后稻草(此处感觉daria除了想上位以外,其实也是羡慕harper被eric重视的那种special的对待,which可能以前她也得到过)。之后,eric破例给harper发了5w英镑bonus,是其他实习生的double,这里我不觉得是纯粹对她好提拔她,很大一部分原因是不想失去这个助手和支持。但harper显然在这个政治斗争里没想清楚自己的立场,两边摇摆。

    最后一次摇摆是说daria逼她说了假话,eric回归。不得不说,手上有撬不走的客户资源才是核心竞争力。

    6.金发主管Daria跟eric同line大概是个vp,通过给harper见客户/部门面前演讲的机会,拉站队。感觉全程harper就是她和eric斗法的牺牲品。她想尽早升MD,有防新人上位,也不断的试图让前辈将客户共享。始终都礼貌,就是看上去没做任何出格的事,但就给别人带来了威胁,连资历深、不配合她的老员工也被搞走了。Daria这个人物最像现实职场中会遇到的人了。认为有利用价值value add的人才能留在她的desk。由于Harper不trust任何上司,也包括Daria,所以最后就出现了Eric回归的反转。

    总结下来,每个角色都很“真实”,都是Human,没有圣母,也没有君子。各有各的处世之道和职场手段。

    【详细】
    140461777
  • 陈梦楠
    2018/2/11 21:37:36
    提一个充满爱的花痴观点
    直接到最后几个细节。亚当在看他跟戴维的照片。躺在床上的戴维。怀孕。 也许最后躺在床上的戴维是真的戴维,一个植物人戴维,但是因为各种原因不想再进行试验了,并且要将这里发生的一切告诉全世界。然而政府却不同意,最终用各种手段将戴维变成了一个活死人,并将其交给他自...  (展开)
    直接到最后几个细节。亚当在看他跟戴维的照片。躺在床上的戴维。怀孕。 也许最后躺在床上的戴维是真的戴维,一个植物人戴维,但是因为各种原因不想再进行试验了,并且要将这里发生的一切告诉全世界。然而政府却不同意,最终用各种手段将戴维变成了一个活死人,并将其交给他自...  (展开)
    【详细】
    9145216
  • kk
    2018/11/30 3:42:02
    可以写实可以歌颂,但中国需要的早已不是海瑞,而是法制健全。(符合全世界)

    说实话,这几年电视看特别少,也是因为不想浪费在粗制滥造的圈钱产品上,毕竟钱与时间都诚可贵嘛。但是陪老婆看过一点本剧后,反而让我有心看到结束,甚至大半夜跑到这里留下点什么。1,单就本剧的情节来说,简直就是每一个乡镇政府日常工作的写照,加上点旁白去掉背景音乐就是一部写实的纪录片。剧中发生的每一个情节,比如乡镇干部辛辛苦苦下村工作,比如村干部贪腐,比如村痞恶霸欺凌老实,再比如无理闹事非法上访等等,

    说实话,这几年电视看特别少,也是因为不想浪费在粗制滥造的圈钱产品上,毕竟钱与时间都诚可贵嘛。但是陪老婆看过一点本剧后,反而让我有心看到结束,甚至大半夜跑到这里留下点什么。1,单就本剧的情节来说,简直就是每一个乡镇政府日常工作的写照,加上点旁白去掉背景音乐就是一部写实的纪录片。剧中发生的每一个情节,比如乡镇干部辛辛苦苦下村工作,比如村干部贪腐,比如村痞恶霸欺凌老实,再比如无理闹事非法上访等等,都历历在目,这也是因为我在乡镇工作过才会如此清楚。2,说完故事情节,再提人物表现,也都是事实的写照,公安局长平事照顾外甥,县长优亲厚友以权谋私,照顾不法势力的非法利益(至于官霸勾结等等,虽然也是如此,但表现的过于用力,反而略显浮夸,不提)3,(此条为转折点)剧中每个人的行为表现,整部剧的处理方式真的需要如此真实的表现出来吗?如果是那么在结果的处理上是不是需要思考呢?比如流氓殴打政府副乡长,派出所抓人与放人是需要什么人来决定的事吗,比如二愣打人致死抓他也要看他身份吗,比如公检法虽然没有做到三权分立,但是起码的制度常识是不是要普及一下,以避免公安纪检唱对台戏的局面?想起以上比如心中不免一惊,都是需要在法律框架内处理解决的问题,可是有几个是从正规途径解决的,这也是写实的缺点所在,我们国家强调这么多年依法治国,普及了这么久的公检法独立等常识,到头来还是需要海瑞式的尚方宝剑来解决,有一点开社会发展倒车的味道啊。国家制度会完善,法律体系会健全,完美的中国是要杜绝剧中的处理方式与人物交际的。

    结语:依法治国,依规行事才是正途。

    ps:写实到这种程度也能过审,着实不易(处在一个慢慢自由化的中国着实欣慰)

    【详细】
    9792717
  • 华农家的鹅
    2020/3/26 10:37:13
    硬伤我来洗(附硬核科学解释:隐形衣原理)
    原先写的删了 本来是反驳某人写的吐槽不合理之处的 真的是好好说话 结果不由分说就被拉黑删评禁言 于是气的专门写了影评逐条反驳 结果…… 我语气冲了点也不能这么骂吧? 像我受到这样素质三连待遇的也有不少人 但是后来那人删评了 所以也就不重要了 现修改如下: 欢迎提问讨论...  (展开)
    原先写的删了 本来是反驳某人写的吐槽不合理之处的 真的是好好说话 结果不由分说就被拉黑删评禁言 于是气的专门写了影评逐条反驳 结果…… 我语气冲了点也不能这么骂吧? 像我受到这样素质三连待遇的也有不少人 但是后来那人删评了 所以也就不重要了 现修改如下: 欢迎提问讨论...  (展开)
    【详细】
    12438220
  • 王二的幽灵
    2020/1/27 0:35:13
    我的精神世界
    对文本的极端简化和视听语言的极端偏重成就了这部反类型杰作。 导演用一系列又碎又细的镜头剪辑拼接出一个杀手的日常生活和他的生活环境,最令人称道的是本片的第一个镜头——杰昆菲尼克斯试演的杀手把一个塑料袋套在头上,心里开始倒计时。从这里开始,无处不在窒息感伴随着gr...  (展开)
    对文本的极端简化和视听语言的极端偏重成就了这部反类型杰作。 导演用一系列又碎又细的镜头剪辑拼接出一个杀手的日常生活和他的生活环境,最令人称道的是本片的第一个镜头——杰昆菲尼克斯试演的杀手把一个塑料袋套在头上,心里开始倒计时。从这里开始,无处不在窒息感伴随着gr...  (展开)
    【详细】
    12189216
  • 短发夏天
    2021/4/11 18:47:21
    我唯一能做的就是尽己所能安利这部片子

    1.从太极町捕杀海豚说开去,打着蓝鳍三文鱼濒危的旗号,绝口不提是因为过度捕捞,把罪责怪到海豚与三文鱼争夺食物的头上

    2.为了满足亚洲人对鱼翅的畸形追捧,疯狂捕杀鲨鱼,每年因大白鲨死去的人类约10个,于是我们出于恐惧排了《大白鲨》,可每天因人类捕杀死去的鲨鱼有十几万

    1.从太极町捕杀海豚说开去,打着蓝鳍三文鱼濒危的旗号,绝口不提是因为过度捕捞,把罪责怪到海豚与三文鱼争夺食物的头上

    2.为了满足亚洲人对鱼翅的畸形追捧,疯狂捕杀鲨鱼,每年因大白鲨死去的人类约10个,于是我们出于恐惧排了《大白鲨》,可每天因人类捕杀死去的鲨鱼有十几万

    3.为了让消费者吃的心安理得,于是公益组织发明了“dolphin safe”“持续渔业”这样的tag,定义虽然给不出,排出去的观察员也很多会消失,但顺着钱的方向追查,在资方这一栏就能明白很多。当黑幕与公益组织有关,自救之路多么让人绝望

    4.倡导减少塑料污染,可对于海洋而言,有95%的塑料污染来自渔网及相关器材,为什么环保组织不敢提?因为不敢说出那声呼吁

    5.海豚的粪便催生海洋微生物,为地球创造氧气,鲨鱼捕猎时海鸟也会过来觅食。当一环断掉,最终受影响最大的是人类自己

    6.渔业的商业化发展,催生了“拖网捕捞”,危害可以想象下铲平亚马逊森林。可是在国际利益关系、黑道组织等的干涉下,不可能受到阻止

    7.“渔业奴役”,人类与人类之间也会残忍互相利用与杀害

    8.想通过人工繁殖来解决困境?看看芬兰的三文鱼饲养,死于传染病、渔虱的三文鱼尸体被丢弃在一起,继续污染环境

    9.鱼类没有痛觉就可以肆意杀害?他们比人类的痛觉还要敏感

    10.片子也许有些过度渲染,“保护海洋 杜绝吃鱼“的口号也因噎废食。只是希望能控制自己,控制口腹之欲,对全人类而言,适度可能永远都是一个可望不可及的境界

    11.很触动,看看观看人数只有不到两千人,更是一声叹息

    【详细】
  • 13384912
  • 般若儿
    2018/1/23 20:55:06
    有事钟无艳,无事夏迎春

    和母亲晚上闲来无事翻了翻网络电视上的电影,无意间看到了这部电影,觉得似乎这个名字有些耳熟,便点开了和母亲一起看了一下。

    影片的开头是由皮影戏唱腔和画面开始,让人很好奇,然后慢慢转入实景,从放出狐狸精,和寨主钟无艳的相识,嫌弃,再到认识狐狸精将她带会王宫,全程都充满了笑点和无厘头的对话,让人不得不佩服导演和三位女演员的功底和表演能力。

    看到寨主出题的那段忽然想起前段时间

    和母亲晚上闲来无事翻了翻网络电视上的电影,无意间看到了这部电影,觉得似乎这个名字有些耳熟,便点开了和母亲一起看了一下。

    影片的开头是由皮影戏唱腔和画面开始,让人很好奇,然后慢慢转入实景,从放出狐狸精,和寨主钟无艳的相识,嫌弃,再到认识狐狸精将她带会王宫,全程都充满了笑点和无厘头的对话,让人不得不佩服导演和三位女演员的功底和表演能力。

    看到寨主出题的那段忽然想起前段时间刷网络课的时候这一段似乎还被选入了经典片段进入了教程来让我们学习??难怪我会觉得这个片名有些熟悉呢!

    推荐这部经典而又有深刻意义的喜剧电影给大家。

    【详细】
    9097283
  • Seven
    2017/6/5 14:38:19
    很久没有看到像安迪这么做作虚伪的女主角了
    这篇剧评可能有剧透 压死我对安迪最后一丝忍耐的是回看第一季时,有这么一个片段:樊胜美去尊爵会陪曲连杰喝酒,安迪去找她。樊看到安迪背的包,”哇哦“了一声:”爱马仕啊!” 安迪而不改色地说:“哦,我不知道这是什么。” 当时我的心情——想揍人! 一个大企业的CFO,一个年薪七位数的.
    这篇剧评可能有剧透 压死我对安迪最后一丝忍耐的是回看第一季时,有这么一个片段:樊胜美去尊爵会陪曲连杰喝酒,安迪去找她。樊看到安迪背的包,”哇哦“了一声:”爱马仕啊!” 安迪而不改色地说:“哦,我不知道这是什么。” 当时我的心情——想揍人! 一个大企业的CFO,一个年薪七位数的...  (展开)
    【详细】
    8583259
  • fade
    2020/5/13 13:22:12
    坚持到结局就不后悔看了这么久

    全剧铺陈太多 剧情并不太精彩 没看过原著不知道书中是否也如此缺乏戏剧冲突 也可能是Stephen king 太多产了 本剧一直比较沉闷 中途一度想退出不继续了 而且看得颇有睡意 但是女主和男主的个人魅力让我坚持到了最后一集 不负光阴 结局看哭了 冥冥中的感觉自有天意 Sadie太美了 太知性了

    全剧铺陈太多 剧情并不太精彩 没看过原著不知道书中是否也如此缺乏戏剧冲突 也可能是Stephen king 太多产了 本剧一直比较沉闷 中途一度想退出不继续了 而且看得颇有睡意 但是女主和男主的个人魅力让我坚持到了最后一集 不负光阴 结局看哭了 冥冥中的感觉自有天意 Sadie太美了 太知性了

    【详细】
    12590155
  • 水之南
    2012/2/11 4:40:44
    长短句
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人
    一、多个时空


    《纯粹理性批判》中的第一经验类比(Analogies of Experience)要求在现象中有一个恒定且唯一之物来表象意识中的时间本身。恒定,或永恒,因为作为总体的时间本身是始终在那的;惟一,因为只有一个时间。这个惟一且永恒的东西,即现象中的实体(Substance)。康德明确把这个实体与洛克的托子(Substratum)区分开来,认为实体是以各种方式显现于人的,而不是像托子那样不可知,也不显现。

    我要说,洛克的托子的作用是保证物的个体化与同一性。这个作用在康德那儿,似乎是由物自体和先验范畴共同完成。先验范畴组织现象,在使意识对现象的认识成为可能的同时,也使同一的意识本身成为可能——对先验对象的构成即对自我的构成。而物自体在这个过程中究竟如何起作用,不详。康德的物自体与洛克的托子一样,是个让理论显得尴尬,却又不得不进行的假设。

    尽管康德反复说现象中的实体不是洛克的托子,但这个实体究竟是什么,他又语焉不详。出于他对牛顿力学的接受,有人尝试将其理解为牛顿意义上的质量。我论证过,这样的解读将面临一个两难困境:如果实体是个体化了的质量,时间便不是惟一的;如果实体是现象世界中的总质量,基于二律背反的理由——这个总体无法成为经验对象——我们便无法经验到它。(详细论述见篇末附录)

    若是跳出康德阐释,取前一个困境:时间不是惟一的,每个作为现象的物都意味着一个独立的时间体系,我们就科幻了:空间中的一个一个的物,奠基着意识中的一个又一个时间系,我们可以生活在不同的时空中,当我们经验不同的物。甚至,对应地说,我们总在成为另一个人,当我们来到不同的时空。

    于是,我情愿把亨利的生活看作对康德的一次失败却有趣的解读。与其说他是一位时间旅行者,一位不停地穿越时空的超人或可怜人,不如说,他的意识中并没有一个绝对惟一的时间,他所来到并离开的每一个时空,都是一个独立自在的世界,尽管这些世界看上去很像,但哪个都不依赖于另一个——从理念的意义上说。


    二、沉默,或消失


    影片的前半部分,亨利的突然消失被解释为一种不治的遗传疾病。没有理由地,他时不时就去了另一个时空,赤身裸体地寻找可以穿上的衣服。仿佛常人来到一个新的环境,总是迫不及待地寻找一个身份,穿到自己身上。
    亨利总会在一个无从预料的时刻消失,克莱尔生活在一个不确定的世界中。她的爱情是确定的,但她爱的人不确定地存在着。她的生活中弥漫着不确定性,而这恰好让她格外珍惜亨利在她身边的每一分钟。

    克莱尔一次次怀孕又一次次流产,因为胎儿也有穿越症,莫名其妙地,便在某个时刻,出离了子宫。但克莱尔最后一次怀孕时,对亨利说,你每次消失都是因为感觉到了压力。所以,从现在开始,我要保持绝对地平静,这样胎儿就可以顺利出生了。
    看到这里,我恍然大悟,原来亨利的穿越症是个隐喻,关于男人的隐喻:面对压力,便会沉默与回避,这不正是男人的本能反应么——而这在女人看来,仿佛爱人去了另一个时空,不知何时才能回来,甚至,会不会回来。

    我查了查,电影改编自一位女造型艺术家的首部小说,写于一段失败的恋情之后。原来如此。

    很多年前听到过一个说法:爱情,对男人来说,是挂在墙上的一幅画,你并不总是去看它;但对女人来说,则是房间里音乐,你想不听都不行。所以,男人需要时不时地呆在纯然属于自我的世界里,在沉默中成为自己。女人却要认为这是对她的疏远、对亲密的疏离,并因此而坐立不安,想方设法闯进那份铁一般的沉默。结果,要么把自己撞疼,要么把爱情撞碎。
    这是对小儿女情态的描述。若成年点,便会更同情于另一个说法:人生在世,无非是男人讨慰藉,女人讨生活。人并不总是需要慰藉,尤其在得意之时。人却总在生活,就算你不想。


    三、看着,却无法改变


    在一次穿越中,亨利来到母亲身边,在地铁里,母亲在看报,他们作为陌生人简短却亲切的交谈了一会儿。亨利告诉母亲,他要结婚了,这个女孩让他感到安全。
    克莱尔问他:你什么不去阻止那场车祸,既然你可以回到车祸发生之前。“我无法阻止。无数次我回到过去,回到母亲还在的时候,但每次我都无法改变发生着的一切。”——这话让人特别难过。我们并不能改变过去,就像不能重新雕刻一座已然完成的塑像。

    不是么?很多时候,我们从自己当下的境遇中抽身而出,试图站在一个更开阔的角度,超脱地看现在的纠结、焦虑,或苦闷,并自嘲这些都没什么的。但当你身在当下,你知道未来的自己就坐在对面,笑着,看着自己,慈悲地。但你还是无法因此脱身而出。你仍然只能呆在你当下的处境中,无论是过分的快乐,还是仿佛无法挣脱的哀伤。

    每一个时刻都是三维的,它包含着过去、现在,和未来这三个维度。我们在回忆中编辑时间,编辑自己,有意无意地遗忘一些,并把另一些反复摩挲。过往明明灭灭,像晴天里,随风晃动的百叶窗投在墙上的影子。每次回忆之后,我们都成为另一个人。
    未来也是。未来无数次作为想象呈现于当下,各式各样地,仿佛清晰的回忆。回忆与憧憬,如同天平的两臂,对称着,平衡着,在现在这个支点上。所以,现在这个时刻,最重。


    四、期限


    有天聚会时,亨利中枪后痛苦挣扎的裸体突然出现在他们的门厅里。又消失了。克莱尔说,我从没见过四十岁之后的你。我见过的你总是很年轻。从这个时候起,死亡就成了他们中的另一个在场者,尽管它总是沉默着。

    亨利穿越到未来,遇见了自己的已经十岁的女儿。女儿告诉他,他死于自己五岁那年。她们一直很想念他。那时他们的女儿还没出生。那时克莱尔还一如既往地希望与亨利白头偕老,就像她还没长大时那样,就像她长大之后第一次遇到亨利时那样,就像亨利死后,她仍然留着亨利所有的衣服,等着亨利回来那样。

    于她而言,亨利是不会死的。他无非是走远了一下子回不来,他无非是在时空中迷了路,找不到一件让他温暖的衣服。

    女儿五岁那年,亨利和克莱尔都已知道,亨利即将死去,中弹而死。期限降至,可能在任何一天,任何一个时刻。在它到来之前,所有相聚的时光都是铭刻,都是用最日常的方式来进行的一次祭奠,一次追忆。当这个期限还不确定,他们相爱着,仿佛一对最平凡的恋人;当这个期限已然确定,他们相爱着,装作不知道他们即将分离。

    一个期限并不见得让期限到来之前的一切都显得美好。但,美好的东西都有一个期限。确定的期限,或不确定的期限。你不能试图挽留,那会犹如握紧手中的细沙,握得越紧,便流失得越快,宛如时间,从指缝间悄然流走。
    这个期限是否到来,何时到来,都不是你能选择的。你能做的,仅仅是在它到来之前的每一刻,不让自己在未来后悔——克莱尔明白这些,并且,她做到了。

    而,这不正是人生么。


    ——————
    附录:On Understanding Substance as Mass

    Introduction

    In the First Analogy of Experience, Kant argues that there must be some permanently persistent substance in the appearances which represents the persistence of time. Given Kant’s endorsement of Newtonian physics, commentators such as Eric Watkins suggest that such permanently persistent substance can be understood as Newtonian mass. In this paper, however, I argue that we face a dilemma when we try to cash out the notion of substance in terms of Newtonian mass.
    The paper proceeds in three steps. In the first section, I present the reason why there needs to be a permanently persistent substance in the appearances, and discuss why it seems to be compelling to conceive of the permanently persistent substance as Newtonian Mass. Then, in the second section, I argue that there are (only) two ways of conceiving of the permanently persistent substance as Newtonian mass, namely, to conceive of substance as individuated mass and to conceive of substance as the sum total of mass in the world of appearances. I show that there are textual indications as well as philosophical reasons to support each option. In the third section, however, I argue that both ways suffer from inescapable problems. Thus, conceiving of the permanently persistent substance in terms of Newtonian mass is not viable.

        
    Section I. The Permanently Persistent Substance

    In this section, I shall first present the reason why Kant thinks that there must be a permanently persistent substance in the appearances. I then discuss why it is compelling to conceive of such substance as Newtonian mass.
    In the chapter “System of all principles of pure understanding,” Kant discusses what makes possible the applications of the categories, i.e. the pure concepts of understanding, to objects, i.e. appearances that are given to sensible intuitions. That is, he discusses what it is that makes the categories have objective validity. Kant’s claim is that the applications of the categories are only possible under certain conditions, and these conditions are spelled out by the principles. For instance, the applications of the relational categories (substance-accidents, cause and effect, and mutual interactions) are possible if they are applied to objects according to the principles of Analogies of Experience. In addition to the three specific principles that correspond to each of the three relational categories, Kant also provides a general principle overarching all three Analogies. The general principle is stated in the second edition as follows: “Experience is possible only through the representations of a necessary connection of perceptions” (B 218). Watkins provides a helpful interpretation of this general principle:
    “The general idea is that each of the three relational categories represents a necessary connection that is required for experience of a single time and of objects existing and being temporally related to each other within a single time to be possible.” (My emphasis)
    Since this paper is focused on the notion of substance in the first Analogy, I shall ignore the second and third Analogies. So I now turn to a close examination of the first Analogy.
    The first Analogy, i.e. the principle of the persistence of substance, is stated in the second edition as follows: “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) Watkins summarizes Kant’s argument for the first Analogy as follows (which I take to be a correct interpretation):
    Premise 1: Appearances, i.e. objects of experience, are made possible by time’s persistence.
    Premise 2: We do not perceive time itself.
    Therefore, In order to have experience of appearances, there must be some permanent substance in the appearances which can represent time or time’s persistence.
    While the appearances, as the objects given to our intuitions, are changing, the substance in appearances always stays the same and is permanent. So, Kant calls the permanent substance “the substratum of everything real” (B 225). But, some clarifications about Kant’s use of the term “substratum” are needed to prevent potential confusions. Substratum in Kant’s text does not mean what Locke uses this term to mean, namely, the bearer of properties which is unchanging and about which we can have no knowledge. For, according to Locke, we can only know what is given to our senses, but since the underlying substratum cannot be given to our senses, we have no access to it and therefore cannot know it.
    Kant, by constrast, does not think that there is any Lockean substratum in the world of appearances. For Kant, the fact that the states of the substance are changing and the substance stays the same does not mean the states are separable from the substance. Rather, the changing states of the substance are simply the ways in which the substance is given to us. Thus, we can know the substance, that is, we know the substance through its states. In order to avoid the Lockean implication of the term “substratum,” I shall only use “substance” to refer to the permanently persistent thing in the appearances despite Kant’s own use of “substratum” to talk about what is permanent in the appearances.
    Since I have argued that Kant’s notion of substance is not the Lockean substratum, then what is the Kantian notion of substance? We need a positive account of what the substance is. It is obvious that such a permanently persistent thing cannot be captured by ordinary physical objects, no matter whether they are natural objects (say, rocks) or artifacts (say, ships), for neither artifacts nor natural objects always stay the same such that in principle they can never suffer changes. So, it seems no ordinarily construed physical things can be qualified as substance that is permanently persistent. On the other hand, it is very hard to imagine that anything non-physical could play the role the substance is supposed to play. For it is hard to imagine how a non-physical being could be given to our sensible intuition or could be spatiotemporally organized by our a priori intuitions. So, it is unlikely that Kant means something non-physical by “substance.” Thus, there are two constraints on spelling out what substance is. First, it is something physical. Second, as I have shown, the physical being that can be understood as substance cannot be ordinarily individuated physical things such as planet or rock.
    In order to meet the above two conditions, Watkins suggests that, given Kant’s commitment to Newtonian science, it is likely that Kant has Newtonian mass in mind when he talks about the substance, since no matter how a physical object changes, its mass always stays the same. Since Newtonian mass is physical and is not an ordinarily individuated object, it seems quite compelling that the substance, which is permanently persistent, just is Newtonian mass. According to common sense, Newtonian mass is understood to be underlying objects such that we cannot directly perceive mass but can only perceive mass through the way it is given to our intuition, namely, through the perception of the objects that have mass. Thus, mass is neither unknowable nor directly perceivable, which seems to fit the description of the substance perfectly.
    Moreover, there are many textual indications that suggest the identification of substance with mass. Let me note two examples. First, recall the general principle overarching the three specific Analogies, namely, “In all change of appearances substance persists, and its quantum is neither increased nor diminished in nature.” (B 224) It seems that “quantum” is most naturally to be understood as mass, for mass seems to be the only thing in nature that is neither increased nor diminished on Newtonian physics.
    The other indication is Kant’s example to illustrate his claim that “he <a philosopher> thus assumed that as incontrovertible that even in fire the matter (substance) never disappears but rather only suffers an alteration in its form.” (B 288, my emphasis):
    “A philosopher was asked: How much does the smoke weigh? He replied: If you take away from the weight of the wood that was burnt the weight of the ashes that are left over, you will have the weight of the smoke.” (B 288)
    We can see that here Kant explicitly identifies substance with matter. And it is quite plausible to think that “matter” is just another way of saying “mass”. That is, “mass” seems to be the theoretical analog of the term “matter.” This hypothesis is supported by the example of the weight of smoke. For, in the example, the way to calculate the weight of smoke just is to calculate the mass (multiplies the gravitational constant).
    However, despite the compelling reasons for the identification of substance with mass, in the next sections, I shall argue that the substance cannot be understood as Newtonian mass, for when we try to work out the details of understanding the substance as mass, we face an unavoidable dilemma.


    Section II. Some Mass or the Sum Total of Mass

    In this section, I shall argue that there are two ways of conceiving of substance as Newtonian mass, and then show that both ways have some support from the text and are to some extent philosophically plausible. So, both ways deserve detailed considerations. But, in the next section, I shall argue that both ways face insurmountable problems.
    In identifying substance with mass, we need to settle an ambiguity: Is the mass meant to be some mass, say the mass of a rock which is 7 kilograms (a randomly chosen weight), or to be the sum total of mass in the world of appearances which is a very large but nonetheless definite amount? Since both some mass and the sum total of mass are permanently persistent, we cannot tell which way of identifying is more plausible with respect to the permanent persistence of substance. So, we must appeal to some other philosophically and/or textually interesting points to ground a preference in choosing one over the other.
    Let us first consider identifying the substance with some or individuated mass. First, the first Analogy is the principle according to which the relational category substance-accident is to be applied. Kant defines accidents to be “the determinations of a substance that are nothing other than particular ways for it to exist.”(B 229) Many commentators interpret the relation to be between object and its properties or states. Thus it makes more sense to think that the mass, which is the underlying bearer of properties, is the individuated mass of some object, instead of the sum total of mass in the world of appearances. For instance, in the example of the weight of smoke, Kant seems to conceive of substance as the matter, i.e. mass, of an individual object. Moreover, if we conceive of substance as the sum total of mass in the world of appearances, it is very hard to imagine how substance can be the bearer of properties or what kind of properties of which substance is the bearer.
    One might argue that, on the interpretation according to which substance is the sum total of mass, even though we could imagine no properties of which substance is the bearer, we can still conceive of substance as the bearer of (changing) states, i.e. the successive states of the world of appearances. I reply that Kant cannot accept such an idea because the states of the world are not objects of possible experience, for it is at least empirically true that no one could have the whole world of appearances as his object of experience. I will return to this point later on in the paper and use it to argue that conceiving of substance as the sum total of mass is untenable given Kant’s theoretic commitments.
    The above discussion is about reasons to prefer the identification of substance with some mass. I now turn to the reasons to prefer the identifications of substance with the sum total of mass. There are some textual evidences in the first Analogy that suggest this latter identification. For instance, the following passage:
    “…here the issue is only appearances in the field of experience, the unity of which would never be possible if we were to allow new things (as far as their substance is concerned) to arise. For then everything would disappear that alone can represent the unity of time, namely the identity of the substratum in which alone all change has its thoroughgoing unity. This persistence is therefore nothing more than the way in which we represent the existence of things (in appearances).” (B 229/A186, my emphasis)
    In this passage, Kant seems to identify the permanent persistent substance that represents the persistence of time with the unity of appearances, which seems to be the sum total of mass in the whole world of appearances. Let me argue for my understanding of this passage that it indicates that Kant identifies substance with the sum total of mass. I shall argue by reductio: Suppose Kant identified substance with individuated mass in the above passage. Then, it would make no sense to think that the arising of new substance could make the representation of the unity of time impossible. For the arising of new substance in no sense affects the substance, i.e. the mass, of the original objects. Let me use an example to illustrate. Suppose there is a rock whose mass is 7 kilograms and there arises a new object out of nothing, whose mass is 5 kilograms. Insofar as the rock’s mass remains the same, whether or not there are new masses arising out of nothing does not affect the unity of the rock’s mass, which is 7 kilograms. Therefore, in this passage, Kant conceives of substance as the sum total of mass in the whole world of appearances.
    So far I have shown that there are compelling reasons to identify substance with some mass or with the sum total of mass respectively. In the next section, I shall argue that there are also devastating reasons to each identification such that either way we go, we face unsolvable problems.


    Section III. One Single Time and the Limit of Possible Experience

    I now turn to the problems from which the each identification suffers. In this section, I shall argue that these problems make both identifications untenable. Let us first consider the identification of substance with individuated mass (i.e. some mass). I argue that the reason why individuated mass cannot be identified with substance is that individuated mass cannot represent the oneness of time. Recall Kant’s argument for the principle of the first Analogy: in order to have experiences of objects as temporal, we must identify a permanently persistent substance that can represent time in objects. While the states of the substance change, the substance persists so that the substance can represent time that persists. It is important to notice that time, which is supposed to be represented by substance in appearances, is one single time. But, individuated mass cannot represent one single time. For there are many individuated masses, for instance, the mass of a rock which is 7 kilograms, the mass of a cup which is 0.5 kilogram, and the mass of a table which is 3 kilograms, each of which is permanently persistent and undergoes changes. If one of them can represent time, any other also can. In that case, we do not have one single time. Rather, we have many times or time-series, each of which is persistent.
    Let me explain in details why multiply individuated masses cannot represent on single time. If these individuated masses can represent one single time, there must be some one single thing that is shared by these individuated masses that serves to represent the singularity of time. Whatever this shared thing is, it is not any of these individuated masses. Therefore, individuated mass cannot present one single time. However, on the other hand, time has be to singular. Here is a passage in the first Analogy which explains why time has to be one single time rather than a plurality of times:
    “Substances (in appearances) are the substrata of all time-determinations. The arising of some of them and the perishing of others would itself remove the sole condition of the empirical unity of time, and the appearances would then be related to two different times, in which existence flowed side by side, which is absurd. For there is only one time, in which all different times must not be placed simultaneously but only one after another.” (B 232/A189)
    One might argue that it does not matter how many individuated masses can represent time, it only matters that there is an individuated mass that represents time. Insofar as there is such a substance, which is permanently persistent, it suffices to represent one single time. I reply that, in that case, we still do not know which individuated mass is suppose to be the representer of the one single time in appearances. For there is not reason to think that the mass of one object is more suitable to represent time than the mass of another object is, insofar as both of the individuated masses are permanently persistent. Any choice of one over the other is arbitrary. But the unity or singularity of time is not arbitrary, for there can only be one time-series which persists, and any other time-series or temporal relations are just temporal parts of this unique time-series. Thus, I conclude that individuated mass cannot be the representer of time in appearances.
    I now turn to argue that the sum total of mass cannot represent time either. The idea of my argument is to make use of Kant’s solution to the Antinomies to show that the permanently persistent substance that represents time in the appearances cannot be the sum total of mass because the sum total of mass is not an object of possible experience. Let me lay out my argument in detail.
    In “The Antinomy of Pure Reason” chapter, Kant presents four pairs of arguments concerning four cosmological ideas about the world-whole, namely, whether there is a beginning of time, whether there is indivisibly simple substance, whether there is a first cause, and whether there is a necessary existent. As Allen W. Wood argues, the four antinomies share a general form, namely, the thesis of each antinomy claims that there must be a first member of the conditioning-conditioned chain, while the antithesis of each antinomy claims that there is no first member of such a chain and that the chain goes back into infinity. Kant argues that there are valid arguments for each of the four theses as well as valid arguments for each of the four antitheses, so we need a solution to such contradictions.
    Kant’s solution to the contradictions, as Wood argues, relies on his doctrine of transcendental idealism. As for the first two antinomies, Wood argues
    The mathematical antinomies are generated by mathematical principles that apply to things only insofar as they are given in sensible intuition…But these [the first two] series of conditions are never given to intuition as a whole...The theses are false because the principles of possible experience make it impossible for objects corresponding to the cosmological ideas of a first event, a largest extent of the world or a simple substance, ever to be given to intuition.”
    Thus, the reason why Kant thinks that the claims made by the theses of the first and second antinomies are false is that neither the beginning of time nor the spatial boundary of the world or an indivisible substance can ever be given to our sensible intuition. If something cannot be given to our sensible intuition, according to Kant, we cannot have experience of it. Let me call this principle the object-of-sensible-intuition principle, namely, if something cannot be given to our sensible intuitions, then it cannot be object of our possible experience. And we can apply this principle to an object to determine whether that object can be object of possible experience. That is, if the object in question can be given to our sensible intuition, then the object can be object of our possible experience, but if the object cannot be given to our sensible intuition, then it cannot be object of our possible experience.
    Now, let me apply the object-of-sensible-intuition principle to the idea of the sum total of mass. We can see that the sum total of mass cannot be given to our sensible intuition, so, the sum total of mass cannot be object of our possible experience. For the world of appearances seems to mean the whole universe or cosmos (because everything in the universe stands in causal relations to each other), there is no way for all of the mass in the whole universe to be given to our sensible intuition. Actually, we do not even know whether there are spatial boundaries of the universe, so we do not even know whether the sum total of mass in the all universe is finite. Thus, the sum total of mass cannot be object of possible experience. So, the sum total of mass cannot be that which represents time in appearances. For the reason there must be a permanently persistent substance in appearances which represents time is to make our temporally connected representations of objects possible. But, if the sum total of mass cannot be object of experience, it cannot make our experience of object possible. Thus, the permanently persistent substance in appearances cannot be the sum total of mass.
    One might object that in the antinomies, the cosmological ideas at issue are condition-condition series. (B 436/A410) But the sum total of mass is not a series. Rather, it is an aggregate about which the question of conditioning and conditioned does not arise at all. Thus, Kant’s remarks on the antinomies have no bearing on whether the idea of the sum total of mass has any objective validity or significance. Moreover, the first two antinomies concern whether the conditioning-conditioned series go on into infinities. And it seems that it is impossible for us to experience infinity, for no matter what we experience it is finite insofar as we have experienced it. But, the quantum of the sum total of mass seems to be a definite and finite amount. By virtues of what can we claim that the sum total of mass cannot be object of experience? Is this “cannot” an empirical cannot, or an In-Principle cannot? If the answer is the former, the empirical “cannot” does not seem to be strong enough to show that the sum total of mass cannot be experienced, because we cannot know or predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience. If the answer is the latter, at least further explanations of why the sum total of mass, which is a finite and definite amount, cannot be object of possible experience in principle are needed.
    To the first objection I have two replies. First, in the first antinomy, Kant also discusses whether there is boundary or the largest extent of space. It is not obvious that there is a spatial series in the sense that it is obvious that there is a temporal series in which one moment succeeds its previous moments. However, according to Kant, we can think of the space acquiring its quantum through repeatedly or successively adding spatial units to the previous spatial units. (A 428/B 456) That is, the way of conceiving of space as a spatial series depends on the way of conceiving of time as a temporal series, which is naturally serial. Then, by the same token, we can also think of the sum total of mass acquiring its quantum by successively adding massive units to previous massive units. Thus, if the object-of-sensible-intuition principle applies to the idea of the boundary of space, it should also apply to the idea of the sum total of mass of the whole world of appearances.
    Second, the fact that Kant applies the object-of-sensible-intuition-principle to the first two (or three) cosmological ideas to solve the contradictions does not mean that the principle can only be employed to deal with the antinomies. If the principle is applicable to other ideas, we can also use the principle to deal with other ideas. Since the object-of-sensible-intuition principle is derived from transcendental idealism, which is an important element in the whole Critique, there is no reason why the principle cannot be applied to other ideas than cosmological ideas. Thus, it is legitimate to use the object-of-sensible-intuition principle to show that the sum total of mass of whole world of appearances cannot be object of possible experience. So, the sum total of mass cannot be what represents time in appearances.
    My reply to the second objection has two steps. First, it needs to be clarified that, although the first two antinomies concern whether the conditioning-conditioned series are infinite, Kant’s solution by the object-of-sensible-intuition principle does not rely on the whether the series are infinite. The principle only concerns whether the things to which the cosmological ideas refer can be given to our sensible intuition. It does not concern whether the things are infinite. It seems true that infinity cannot be object of sensible intuition. But this does not mean that all finite things can be given to our sensible intuition. Actually Kant rejects the claim that all finite things can be given to our sensible intuition. For Kant thinks the thesis of the first antinomy is false, because the beginning of time or the boundary of space cannot be given to our sensible intuition so that it cannot be object of possible experience.
    The second step of my reply is to spell out in which sense of “cannot,” the sum total of mass cannot be object of possible experience. It seems to me that the distinction between empirical “cannot” and In-Principle “cannot” is hard to cash out in the context of Critique. For, in the Critique, any legitimate claim to knowledge entails that the object of which the knowledge is can be experienced. Thus, it seems that the empiricality of the “cannot” entails the In-Principality of the “cannot”.
    However, concerning the claim that we cannot predict whether in the future empirical sciences and technologies will make the sum total of mass possible object of experience, what would Kant say? Would Kant agree that future sciences and technologies might or could transform a transcendent idea into an idea which refers to object of possible experience? I do not think he would. For Kant thinks his Critique settles metaphysical questions once and for all by theoretical reason, which is static or a-historical. Future discoveries made by sciences and technologies should be able to do no damage to the doctrines in Critique. Moreover, it should be odd to Kant’s ear that progresses made by empirical sciences could have any bearings on the doctrines in the Critique, which he builds up from scratch employing only pure reason, which is absolutely a-historical.
    Thus, I conclude that the above arguments show that identifying substance with the sum total of mass in the world of appearance is not tenable. Since I showed earlier in this section that identifying substance with individuated mass is not tenable either, I conclude that the general strategy of identifying substance with mass is untenable.


    Section IV. Concluding Remarks

    In this paper, I showed that a seemingly very promising way of understanding the permanently persistent substance discussed in the first Analogy, namely, conceiving of substance as Newtonian mass, is untenable. Then, I wonder whether there are other promising ways of providing a positive account of substance or actually it is the case that the notion of substance in the first Analogy is itself untenable. At this stage, maybe I could follow Kant’s stance on the things of themselves, namely, they exist, but we can have no knowledge about the way of their existence. But, at the same time, we need to have this minimal conviction that they exist. Similarly, concerning substance, we can have no knowledge about what the permanently persistent substance is, but we need to have the minimal conviction that it exists in the world of appearances and it serves to represent time.
    【详细】
    530131278
  • 北溟鱼
    2013/1/13 15:21:29
    关于传灯,佛像及其他——绝壁过度阐释
    关于传灯,佛像及其他——绝壁技术流过度阐释

    1.“有灯就有人”
    这词儿片子里出现好几次,宫老爷子挑叶问搭手,说的是,“叶先生,今日我把名声送给你,往后的路,你是一步一擂台。希望你像我一样,拼一口气,点一盏灯。要知道念念不忘,必有回响。有灯就有人。”
    我觉得这本片子在这个地方才算是故事叙述的开始,宫老爷子作为一代宗师要挑传人,中意叶问,这盏灯,要传给他。之后宫二要落发,发愿
    关于传灯,佛像及其他——绝壁技术流过度阐释

    1.“有灯就有人”
    这词儿片子里出现好几次,宫老爷子挑叶问搭手,说的是,“叶先生,今日我把名声送给你,往后的路,你是一步一擂台。希望你像我一样,拼一口气,点一盏灯。要知道念念不忘,必有回响。有灯就有人。”
    我觉得这本片子在这个地方才算是故事叙述的开始,宫老爷子作为一代宗师要挑传人,中意叶问,这盏灯,要传给他。之后宫二要落发,发愿的时候问的是,她爹要是知道她在想什么就给她看见一盏亮着的佛灯。问得是一个在正统上的许可和承认。
    刚好结尾在佛像,我嚼着是是起呼应对照关系的。
    “传灯”是佛教特别是禅宗“传法”的意思,所谓以法传人,如灯火相传,辗转不绝。所以要研究禅宗的历史,重要禅师的生平,思想,偈子之类的都要去看《五灯会元》等灯录。
    灯录是禅宗的历史记录,也是武林里头的说法,(别忘了国术少林一门就是中国禅宗开山祖师达摩搞出来的哟)有本讲江湖的书就叫《形意传灯录》,说得就是形意拳和武林上的这些事儿,间有禅宗机锋出没。我还怀疑宫老爷子的原型就是形意传灯录里面作者的师傅曹志清,此公“形意、八卦、太极、少林五行熔铸一炉”。所以“传灯”的反复出现跟老王捡“形意”跟“六十四手”来说我觉得是有意安排的,也印证了他的案头功夫。
    老王提传灯,自然是要写史诗,写史诗,自然不是写一个人的发迹史,所以换句话来说,这故事说得就是宫老爷子要找人传灯,于是下一代里面的宫二马三叶问和在火车上偶遇的张震(那人叫啥名儿来着?)都构成了这个谱系的支系,至于各自如何发展其实真是相遇分离的缘分。花开四朵总得修修剪剪,所以说这片儿是宫二姑娘的那些事儿也不错,虽然叙述者是叶问,但是我还是觉得线索人物是宫二,至少明线是叶问,暗线是宫二,张震其实是第三条没有展开的线,估摸着是被剪了。但是反过来说,如果他不被剪反而会让这本电影看着更乱。在剪辑上,宫二那边跟叶问刚惆怅悲桑的断了这边张震就小沈阳就开始略带喜剧意味的过手收徒,我觉得挺调节气氛的= =在禅宗谱系上,也有这样没头没尾的相遇,比如说牛头禅的创立:有个传说,禅宗四祖道信行脚在南京牛首山遇到法融,两人就说了两句话,打了一个机锋,法融立刻就悟了,于是创立了牛头禅。张震跟宫二也是,如果没有宫二在火车上的一念之善,以后也没张震在香港开创的一番基业。对张震这条线的处理我个人挺喜欢的,有史笔范儿。


    2.“念念不忘,必有回响”
    这句词儿我跟老蒋都特喜欢,比那什么“所有的相遇都是久别重逢”高级多了(对不起!作为白落梅棒棒的一生黑我真心对这句话生理不适)
    这话照应下面宫二的这段台词:“我爹常说,习武之人有三个阶段:见自己,见天地,见众生。我见过自己,也算见过天地,可惜见不到众生。这条路我没走完,希望你能把它走下去。”
    也照应之前宫老爷子让宫二告诉叶问的那句,“给你看六十四手,是让你明白,人外有人山外有山。拳不能只有眼前路,没有身后身。希望你可以举一反三。”
    老爷子给马三讲形意拳的坎儿,说的是回头最难。
    练功也跟证道似的,一山又有一山高,习武之人的第三个阶段——所谓“见众生”我嚼着就是慈悲,也就是某种程度上“悟”了禅了。宫二,马三,叶问这三个人都得了老爷子某方面的衣钵,马三和宫二停在见天地,她那刀不藏刃的性格决定了她没办法原谅马三的背叛,好比马三没办法原谅宫老爷子伤了他的面子,所以这两人都没办法回头,只有眼前路,看不见身后身。叶问倒是有,他拿剩饭那一下子就是一种能抗事儿能放低身段的性格,越不过的生活,死了孩子老婆到死都没见着是叶问经历里面“亢龙有悔”的那部分,是可以“回念”的基础。
    他跟宫二第一次过手,实际上是宫二输了,她差点掉下楼去的时候是叶问拉了她一把,是慈悲,所以宫二才借力跃上楼把叶问打下去了。宫二和马三都是不留余地的人,但是叶问能留,所以他是在武学路上走得最远的一个。“回响”,“回念”这事儿,达摩也说过, “至吾灭后二百年,衣止不传。法周沙界。明道者多行道者少。说理者多通理者少。潜符密证,千万有余。汝当阐扬勿轻未悟。一念回机,便同本得。”


    3.神棍纯脑补
    1)叶问去跟宫老爷子过手之前跟南边各派牛逼人物过手,当时窑子里唱得是“四郎探母”,预示了之后叶问要背井离乡,但是在异乡成一代宗师。
    2)纽扣。当时叶问扒下来的那颗扣子是第一颗扣子,领子上的那颗。陶渊明《闲情赋》写的,“愿在衣而为领,承华首之余芳”,一首情诗,这首情诗的好处就是,明明里面心神摇动了外面看着还特发乎情止乎礼。

    【本评论纯属脑补,欢迎各种技术流探讨或打脸】
    【详细】
    57381932
  • cheese
    2022/12/20 17:30:04
    巨星嫁到
    老套的剧情故事,当然,跟诺丁山比,颜值和情节都比不上。不过音乐都好好听,我超喜欢,就是有点儿少,好听的歌要是能再多几首,就能更好地掩盖其他不足了。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。...  (展开)
    老套的剧情故事,当然,跟诺丁山比,颜值和情节都比不上。不过音乐都好好听,我超喜欢,就是有点儿少,好听的歌要是能再多几首,就能更好地掩盖其他不足了。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。。...  (展开)
    【详细】
    14834214
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