1694
迪吉布利尔·迪奥普·曼贝提

    迪吉布利尔·迪奥普·曼贝提

  • 塞内加尔
  • 别名:
  • 外文名:
  • 身高:0cm
  • 星座:水瓶座 
  • 人气:0°
  • 介绍:Born the son of a Muslim cleric in Colobane, near Dakar, Senegal, Djibril Diop Mambéty received no formal training in filmmaking. He experimented with theater, but in 1968, he was asked to leave an avant-garde theater group. Shortly thereafter, he made his first film short called Badou Boy (1970), which dealt with the life of a young renegade. By 1973, he directed his first feature, Touki Bouki (1973), about disaffected youth, and it became an instant classic. It would be nearly twenty years before he would create another film, Hyènes (1992), which is considered a sequel to "Touki Bouki" and a parable based on the classic play "The Visit" by Frederich Durrenmatt. Although his films were considered to be politically oriented, Mambéty rejected the realism preferred by most African filmmakers. His films were notable for their dream-like quality that left the themes of his films entirely to the interpretation of the viewer; this was, of course, the desired effect. In spite of the fact that Mambéty only completed a few short films and a meager two full-length features, the quality of his short body of work has rendered him legendary status among African filmmakers and, indeed, the international film community.



详细资料

  • Born the son of a Muslim cleric in Colobane, near Dakar, Senegal, Djibril Diop Mambéty received no formal training in filmmaking. He experimented with theater, but in 1968, he was asked to leave an avant-garde theater group. Shortly thereafter, he made his first film short called Badou Boy (1970), which dealt with the life of a young renegade. By 1973, he directed his first feature, Touki Bouki (1973), about disaffected youth, and it became an instant classic. It would be nearly twenty years before he would create another film, Hyènes (1992), which is considered a sequel to "Touki Bouki" and a parable based on the classic play "The Visit" by Frederich Durrenmatt. Although his films were considered to be politically oriented, Mambéty rejected the realism preferred by most African filmmakers. His films were notable for their dream-like quality that left the themes of his films entirely to the interpretation of the viewer; this was, of course, the desired effect. In spite of the fact that Mambéty only completed a few short films and a meager two full-length features, the quality of his short body of work has rendered him legendary status among African filmmakers and, indeed, the international film community.



人物生平

迪吉布利尔·迪奥普·曼贝提,1945年1月出生在Colobane,一个穆斯林牧师的儿子在达喀尔,塞内加尔。

他拍电影,没有受到任何正式的培训。他尝试了戏剧,但在1968年,他被要求离开一个前卫戏剧小组。

此后不久,他做了他的第一个电影短的叫BadouBoy(1970),处理一个年轻叛逆的生活。1973,他执导了他的第一个特征,ToukiBouki(1973),关于青春叛逆期,它成为一个经典的瞬间。

这将是近二十年前他会创造另一种电影,HYèNES(1992),认为这是一个续集“ToukiBouki”的比喻,基于经典游戏“拜访”FrederichDurrenmatt。虽然他的电影被认为是政治上的导向,巴西导弹顾问委员会é泰拒绝了大多数非洲电影的现实主义者。

他的电影是显着的,他们的梦想般的质量,使他的电影的主题完全是对观众的解释,这是,当然,所需的效果。事实上,巴西导弹顾问委员会éTY只完成一些短片和微薄的两部长片怨恨,他的短体质量工作使他传奇般的地位在非洲的电影,事实上,国际电影界。 

作品

卖太阳的小女孩(1999)[导演编剧]

土狼(1992)[演员导演编剧]

土狼之旅(1973)[导演制片编剧]

Contras'City(1969)[演员编剧] 

荣誉

1992年第45届戛纳电影节主竞赛单元金棕榈奖(提名)土狼 

sitemap