介绍:
William Walton came from a musical family. He entered Christ Church, Oxford at the early age of sixteen but left without a degree in 1920. A fine musician, he was essentially self-taught as a composer, except some instruction from Hugh Allen, the cathedral organist. Through literary friends and other associations he became acquainted with the London music and cultural scene. In addition to his own genius for harmonies and texturing (as … 更多>>
William Walton came from a musical family. He entered Christ Church, Oxford at the early age of sixteen but left without a degree in 1920. A fine musician, he was essentially self-taught as a composer, except some instruction from Hugh Allen, the cathedral organist. Through literary friends and other associations he became acquainted with the London music and cultural scene. In addition to his own genius for harmonies and texturing (as … 更多>>
沃尔顿早期的作品(如《门面》)比较激进,但是不久之后他的风格趋向保守,尤其是他的电影配乐和皇家式音乐,充满了埃尔加特色的贵族风范。其中包括1931年他根据圣经但以理书部份内容而创作的清唱剧《伯沙撒王的宴会》,此曲亦成为他继《门面》后另一首为世人所认识的作品。及后他同时有份参电影配乐,最有名的包括曾获得奥斯卡最佳影片奖的《哈姆雷特》的配乐。劳伦斯·奥利维尔是他的重要合作伙伴。他的两部交响曲是音乐会上经常上演的作品。他为大提琴、中提琴和小提琴各写了一部协奏曲。
沃尔顿晚年主要是为其早期作品进行修改或重新配器。他曾多次尝试为指挥家安德烈·普列文谱写第三交响曲,但最后都放弃。在世时,他对指责他的音乐过于保守及不合时宜的评论而耿耿于怀。但他死后,人们重新评价他的音乐,认为他的音乐表露强烈但吸引人的个人主义色彩。