Guan Xiaotong 导演、编剧身高：0 体重：0
In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of superstar director Raffaello Matarazzo. These galvanic hits about splintered lovers and broken homes, all written by Aldo De Benedetti and starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism. Four of them, each more unbridled and entertaining than the last, are collected here, chronicles of men and women on winding roads to redemption.
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In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of superstar director Raffaello Matarazzo. These galvanic hits about splintered lovers and broken homes, all written by Aldo De Benedetti and starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism. Four of them, each more unbridled and entertaining than the last, are collected here, chronicles of men and women on winding roads to redemption.
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